creata la sezione blog
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blog/articles.css
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blog/articles.css
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.title { text-align: center;
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margin-bottom: .2em; }
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.subtitle { text-align: center;
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font-size: medium;
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font-weight: bold;
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margin-top:0; }
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padding: 2px; font-size: 80%; font-weight: normal; }
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.org-center { margin-left: auto; margin-right: auto; text-align: center; }
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.underline { text-decoration: underline; }
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#postamble p, #preamble p { font-size: 90%; margin: .2em; }
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p.verse { margin-left: 3%; }
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pre {
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overflow: auto;
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margin: 1.2em;
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}
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padding-top: 1.2em;
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}
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right: 10px;
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padding: 3px;
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border: 1px solid black;
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/* Languages per Org manual */
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pre.src-awk:before { content: 'Awk'; }
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pre.src-C:before { content: 'C'; }
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/* pre.src-C++ doesn't work in CSS */
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pre.src-clojure:before { content: 'Clojure'; }
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pre.src-css:before { content: 'CSS'; }
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pre.src-D:before { content: 'D'; }
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pre.src-ditaa:before { content: 'ditaa'; }
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pre.src-dot:before { content: 'Graphviz'; }
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pre.src-calc:before { content: 'Emacs Calc'; }
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pre.src-fortran:before { content: 'Fortran'; }
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pre.src-gnuplot:before { content: 'gnuplot'; }
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pre.src-haskell:before { content: 'Haskell'; }
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pre.src-hledger:before { content: 'hledger'; }
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pre.src-java:before { content: 'Java'; }
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pre.src-js:before { content: 'Javascript'; }
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pre.src-latex:before { content: 'LaTeX'; }
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pre.src-ledger:before { content: 'Ledger'; }
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pre.src-lisp:before { content: 'Lisp'; }
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pre.src-lilypond:before { content: 'Lilypond'; }
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pre.src-lua:before { content: 'Lua'; }
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pre.src-matlab:before { content: 'MATLAB'; }
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pre.src-mscgen:before { content: 'Mscgen'; }
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pre.src-ocaml:before { content: 'Objective Caml'; }
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pre.src-processing:before { content: 'Processing.js'; }
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pre.src-python:before { content: 'Python'; }
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pre.src-R:before { content: 'R'; }
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pre.src-ruby:before { content: 'Ruby'; }
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pre.src-sass:before { content: 'Sass'; }
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pre.src-sql:before { content: 'SQL'; }
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pre.src-sqlite:before { content: 'SQLite'; }
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/* additional languages in org.el's org-babel-load-languages alist */
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pre.src-forth:before { content: 'Forth'; }
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pre.src-io:before { content: 'IO'; }
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pre.src-J:before { content: 'J'; }
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pre.src-makefile:before { content: 'Makefile'; }
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pre.src-maxima:before { content: 'Maxima'; }
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pre.src-perl:before { content: 'Perl'; }
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pre.src-picolisp:before { content: 'Pico Lisp'; }
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pre.src-scala:before { content: 'Scala'; }
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pre.src-shell:before { content: 'Shell Script'; }
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pre.src-ebnf2ps:before { content: 'ebfn2ps'; }
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/* additional language identifiers per "defun org-babel-execute"
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in ob-*.el */
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pre.src-cpp:before { content: 'C++'; }
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pre.src-abc:before { content: 'ABC'; }
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pre.src-coq:before { content: 'Coq'; }
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/* additional language identifiers from org-babel-shell-names in
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ob-shell.el: ob-shell is the only babel language using a lambda to put
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the execution function name together. */
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pre.src-bash:before { content: 'bash'; }
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pre.src-csh:before { content: 'csh'; }
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pre.src-mksh:before { content: 'mksh'; }
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pre.src-posh:before { content: 'posh'; }
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/* Additional Emacs modes also supported by the LaTeX listings package */
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pre.src-ada:before { content: 'Ada'; }
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pre.src-asm:before { content: 'Assembler'; }
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pre.src-caml:before { content: 'Caml'; }
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pre.src-delphi:before { content: 'Delphi'; }
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pre.src-html:before { content: 'HTML'; }
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pre.src-idl:before { content: 'IDL'; }
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pre.src-mercury:before { content: 'Mercury'; }
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pre.src-metapost:before { content: 'MetaPost'; }
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pre.src-modula-2:before { content: 'Modula-2'; }
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pre.src-pascal:before { content: 'Pascal'; }
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pre.src-prolog:before { content: 'Prolog'; }
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pre.src-vhdl:before { content: 'VHDL'; }
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/* add a generic configuration mode; LaTeX export needs an additional
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(add-to-list 'org-latex-listings-langs '(conf " ")) in .emacs */
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pre.src-conf:before { content: 'Configuration File'; }
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table { border-collapse:collapse; }
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td, th { vertical-align:top; }
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th.org-right { text-align: center; }
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th.org-left { text-align: center; }
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th.org-center { text-align: center; }
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td.org-right { text-align: right; }
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td.org-left { text-align: left; }
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td.org-center { text-align: center; }
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dt { font-weight: bold; }
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.footpara { display: inline; }
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.footdef { margin-bottom: 1em; }
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.figure { padding: 1em; }
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.figure p { text-align: center; }
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.equation-container {
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display: table;
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text-align: center;
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width: 100%;
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}
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.equation {
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vertical-align: middle;
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}
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.equation-label {
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display: table-cell;
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text-align: right;
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}
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.inlinetask {
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padding: 10px;
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border: 2px solid gray;
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margin: 10px;
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background: #ffffcc;
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}
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#org-div-home-and-up
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{ text-align: right; font-size: 70%; white-space: nowrap; }
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textarea { overflow-x: auto; }
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#org-info-js_console-label
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{ font-size: 10px; font-weight: bold; white-space: nowrap; }
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.org-info-js_search-highlight
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{ background-color: #ffff00; color: #000000; font-weight: bold; }
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.org-svg { width: 90%; }
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blockquote{
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width:60%;
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margin:50px auto;
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font-style:italic;
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color: #555555;
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padding:1.2em 30px 1.2em 75px;
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border-left:8px solid #B18686;
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position: relative;
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background:#EDEDED;
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}
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blockquote::before{
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font-family:Arial;
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color:#78C0A8;
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font-size:4em;
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position: absolute;
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left: 10px;
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top:-10px;
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}
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blockquote::after{
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content: '';
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}
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blockquote span{
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display:block;
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color:#333333;
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font-style: normal;
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margin-top:1em;
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}
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blog/borderlands2.html
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1633
blog/borderlands2.html
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"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
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"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
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<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
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<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
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<head>
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<head>
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<!-- 2021-03-17 Wed 12:15 -->
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<!-- 2021-09-25 Sat 16:35 -->
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<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
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<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
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<meta name="viewport" content="width=device-width, initial-scale=1" />
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<meta name="viewport" content="width=device-width, initial-scale=1" />
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<title>Battlestar Galactica: a guide for watching the show</title>
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<title>Battlestar Galactica: a guide for watching the show</title>
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<meta name="generator" content="Org mode" />
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<meta name="generator" content="Org mode" />
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<meta name="author" content="bparodi" />
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<meta name="author" content="bparodi" />
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<style type="text/css">
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<link rel="stylesheet" href="articles.css">
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<!--/*--><![CDATA[/*><!--*/
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.title { text-align: center;
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margin-bottom: .2em; }
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.subtitle { text-align: center;
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font-size: medium;
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font-weight: bold;
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margin-top:0; }
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.todo { font-family: monospace; color: red; }
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.done { font-family: monospace; color: green; }
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.priority { font-family: monospace; color: orange; }
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.tag { background-color: #eee; font-family: monospace;
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padding: 2px; font-size: 80%; font-weight: normal; }
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.timestamp { color: #bebebe; }
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.timestamp-kwd { color: #5f9ea0; }
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.org-center { margin-left: auto; margin-right: auto; text-align: center; }
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.underline { text-decoration: underline; }
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#postamble p, #preamble p { font-size: 90%; margin: .2em; }
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p.verse { margin-left: 3%; }
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pre {
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border: 1px solid #ccc;
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box-shadow: 3px 3px 3px #eee;
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padding: 8pt;
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font-family: monospace;
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overflow: auto;
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margin: 1.2em;
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}
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pre.src {
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position: relative;
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overflow: visible;
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padding-top: 1.2em;
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}
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pre.src:before {
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display: none;
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position: absolute;
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background-color: white;
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top: -10px;
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right: 10px;
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padding: 3px;
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border: 1px solid black;
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}
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pre.src:hover:before { display: inline;}
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/* Languages per Org manual */
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pre.src-asymptote:before { content: 'Asymptote'; }
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pre.src-awk:before { content: 'Awk'; }
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pre.src-C:before { content: 'C'; }
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/* pre.src-C++ doesn't work in CSS */
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pre.src-clojure:before { content: 'Clojure'; }
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pre.src-css:before { content: 'CSS'; }
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pre.src-D:before { content: 'D'; }
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pre.src-ditaa:before { content: 'ditaa'; }
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pre.src-dot:before { content: 'Graphviz'; }
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pre.src-calc:before { content: 'Emacs Calc'; }
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pre.src-emacs-lisp:before { content: 'Emacs Lisp'; }
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pre.src-fortran:before { content: 'Fortran'; }
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pre.src-gnuplot:before { content: 'gnuplot'; }
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pre.src-haskell:before { content: 'Haskell'; }
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pre.src-hledger:before { content: 'hledger'; }
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pre.src-java:before { content: 'Java'; }
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pre.src-js:before { content: 'Javascript'; }
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pre.src-latex:before { content: 'LaTeX'; }
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pre.src-ledger:before { content: 'Ledger'; }
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pre.src-lisp:before { content: 'Lisp'; }
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pre.src-lilypond:before { content: 'Lilypond'; }
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pre.src-lua:before { content: 'Lua'; }
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pre.src-matlab:before { content: 'MATLAB'; }
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pre.src-mscgen:before { content: 'Mscgen'; }
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pre.src-ocaml:before { content: 'Objective Caml'; }
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pre.src-octave:before { content: 'Octave'; }
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pre.src-org:before { content: 'Org mode'; }
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pre.src-oz:before { content: 'OZ'; }
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pre.src-plantuml:before { content: 'Plantuml'; }
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pre.src-processing:before { content: 'Processing.js'; }
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pre.src-python:before { content: 'Python'; }
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pre.src-R:before { content: 'R'; }
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pre.src-ruby:before { content: 'Ruby'; }
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pre.src-sass:before { content: 'Sass'; }
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pre.src-scheme:before { content: 'Scheme'; }
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pre.src-screen:before { content: 'Gnu Screen'; }
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pre.src-sed:before { content: 'Sed'; }
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pre.src-sh:before { content: 'shell'; }
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pre.src-sql:before { content: 'SQL'; }
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pre.src-sqlite:before { content: 'SQLite'; }
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/* additional languages in org.el's org-babel-load-languages alist */
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pre.src-forth:before { content: 'Forth'; }
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pre.src-io:before { content: 'IO'; }
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pre.src-J:before { content: 'J'; }
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pre.src-makefile:before { content: 'Makefile'; }
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pre.src-maxima:before { content: 'Maxima'; }
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pre.src-perl:before { content: 'Perl'; }
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pre.src-picolisp:before { content: 'Pico Lisp'; }
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/*]]>*/-->
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|
||||||
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|
||||||
<script type="text/javascript">
|
|
||||||
/*
|
|
||||||
@licstart The following is the entire license notice for the
|
|
||||||
JavaScript code in this tag.
|
|
||||||
|
|
||||||
Copyright (C) 2012-2020 Free Software Foundation, Inc.
|
|
||||||
|
|
||||||
The JavaScript code in this tag is free software: you can
|
|
||||||
redistribute it and/or modify it under the terms of the GNU
|
|
||||||
General Public License (GNU GPL) as published by the Free Software
|
|
||||||
Foundation, either version 3 of the License, or (at your option)
|
|
||||||
any later version. The code is distributed WITHOUT ANY WARRANTY;
|
|
||||||
without even the implied warranty of MERCHANTABILITY or FITNESS
|
|
||||||
FOR A PARTICULAR PURPOSE. See the GNU GPL for more details.
|
|
||||||
|
|
||||||
As additional permission under GNU GPL version 3 section 7, you
|
|
||||||
may distribute non-source (e.g., minimized or compacted) forms of
|
|
||||||
that code without the copy of the GNU GPL normally required by
|
|
||||||
section 4, provided you include this license notice and a URL
|
|
||||||
through which recipients can access the Corresponding Source.
|
|
||||||
|
|
||||||
|
|
||||||
@licend The above is the entire license notice
|
|
||||||
for the JavaScript code in this tag.
|
|
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*/
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|
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<!--/*--><![CDATA[/*><!--*/
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|
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|
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|
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|
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|
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|
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|
|
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/*]]>*///-->
|
|
||||||
</script>
|
|
||||||
</head>
|
</head>
|
||||||
<body>
|
<body>
|
||||||
<div id="content">
|
<div id="content">
|
||||||
@ -247,65 +18,65 @@ for the JavaScript code in this tag.
|
|||||||
<h2>Table of Contents</h2>
|
<h2>Table of Contents</h2>
|
||||||
<div id="text-table-of-contents">
|
<div id="text-table-of-contents">
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org3314938">1. Battlestar Galactica Viewing Order</a>
|
<li><a href="#orgdaa10b5">1. Battlestar Galactica Viewing Order</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org768341d">1.1. Blood and Chrome</a></li>
|
<li><a href="#orgf295721">1.1. Blood and Chrome</a></li>
|
||||||
<li><a href="#org1e860f9">1.2. The Miniseries</a></li>
|
<li><a href="#org6f71adc">1.2. The Miniseries</a></li>
|
||||||
<li><a href="#org40f0fa0">1.3. Season 1</a></li>
|
<li><a href="#org1f923d4">1.3. Season 1</a></li>
|
||||||
<li><a href="#orgdb96b5a">1.4. Season 2</a>
|
<li><a href="#org1d54903">1.4. Season 2</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org59d15df">1.4.1. Razor</a></li>
|
<li><a href="#orge9215c0">1.4.1. Razor</a></li>
|
||||||
<li><a href="#org77865df">1.4.2. Optional: Razor Flashbacks</a></li>
|
<li><a href="#orgac6a26f">1.4.2. Optional: Razor Flashbacks</a></li>
|
||||||
<li><a href="#orgd56a571">1.4.3. Rest of season 2</a></li>
|
<li><a href="#org6220ee4">1.4.3. Rest of season 2</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org06b53a9">1.5. The Resistance</a></li>
|
<li><a href="#org165b332">1.5. The Resistance</a></li>
|
||||||
<li><a href="#org9058d02">1.6. Season 3</a>
|
<li><a href="#org3a0ae79">1.6. Season 3</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#orgae47c59">1.6.1. Caprica</a></li>
|
<li><a href="#orgbc0ddfd">1.6.1. Caprica</a></li>
|
||||||
<li><a href="#org1e05887">1.6.2. Rest of season 3</a></li>
|
<li><a href="#org444add5">1.6.2. Rest of season 3</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org98ed0d4">1.7. Razor</a></li>
|
<li><a href="#org1e071c3">1.7. Razor</a></li>
|
||||||
<li><a href="#org3a64499">1.8. Season 4</a>
|
<li><a href="#org1f68dd7">1.8. Season 4</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org6a1b3e3">1.8.1. The Face of the Enemy</a></li>
|
<li><a href="#orgc00fbcf">1.8.1. The Face of the Enemy</a></li>
|
||||||
<li><a href="#org3c13606">1.8.2. Rest of season 4</a></li>
|
<li><a href="#orgebe4554">1.8.2. Rest of season 4</a></li>
|
||||||
<li><a href="#orgf952d0b">1.8.3. The Plan (DVD/Bluray movie)</a></li>
|
<li><a href="#org93dfdc1">1.8.3. The Plan (DVD/Bluray movie)</a></li>
|
||||||
<li><a href="#orgd0e8009">1.8.4. Finale</a></li>
|
<li><a href="#org4970cb7">1.8.4. Finale</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org9a77a6b">2. Further reading</a></li>
|
<li><a href="#org4204373">2. Further reading</a></li>
|
||||||
<li><a href="#org6041a0e">3. The story so far</a></li>
|
<li><a href="#org9678776">3. The story so far</a></li>
|
||||||
<li><a href="#orga5797fc">4. Episode reviews</a>
|
<li><a href="#orgcaacefc">4. Episode reviews</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org25336e2">4.1. Season 02 Episode 14: Black Market</a></li>
|
<li><a href="#org6ab28ed">4.1. Season 02 Episode 14: Black Market</a></li>
|
||||||
<li><a href="#org368e0a5">4.2. Season 03 Episode 07: A Measure of Salvation</a></li>
|
<li><a href="#org251e413">4.2. Season 03 Episode 07: A Measure of Salvation</a></li>
|
||||||
<li><a href="#orgf103006">4.3. Season 03 Episode 08: Hero</a></li>
|
<li><a href="#org2c81213">4.3. Season 03 Episode 08: Hero</a></li>
|
||||||
<li><a href="#orge0d4463">4.4. Season 03 Episode 09: Unfinished Business</a></li>
|
<li><a href="#org9dcc075">4.4. Season 03 Episode 09: Unfinished Business</a></li>
|
||||||
<li><a href="#orgb7a8aa5">4.5. Season 03 Episode 10: The Passage</a></li>
|
<li><a href="#org225a24c">4.5. Season 03 Episode 10: The Passage</a></li>
|
||||||
<li><a href="#orgd7c6f4b">4.6. Season 03 Episode 14: The Woman King</a></li>
|
<li><a href="#org0bca99c">4.6. Season 03 Episode 14: The Woman King</a></li>
|
||||||
<li><a href="#orge056445">4.7. Season 03 Episode 18: The Son Also Rises</a></li>
|
<li><a href="#org5104323">4.7. Season 03 Episode 18: The Son Also Rises</a></li>
|
||||||
<li><a href="#org2c28bee">4.8. Caprica Episode 18</a></li>
|
<li><a href="#orgb3d7dad">4.8. Caprica Episode 18</a></li>
|
||||||
<li><a href="#org8cffcb5">4.9. Season 03 Episode 20: Crossroads</a></li>
|
<li><a href="#orged55223">4.9. Season 03 Episode 20: Crossroads</a></li>
|
||||||
<li><a href="#org8302e5e">4.10. Season 04 Episode 03: The Ties That Bind</a></li>
|
<li><a href="#org065add2">4.10. Season 04 Episode 03: The Ties That Bind</a></li>
|
||||||
<li><a href="#org9c572e3">4.11. Season 04 Episode 04: Escape Velocity</a></li>
|
<li><a href="#org993b3af">4.11. Season 04 Episode 04: Escape Velocity</a></li>
|
||||||
<li><a href="#orge8826bc">4.12. Season 04 Episode 07: Guess What's Coming To Dinner</a></li>
|
<li><a href="#orgd22acc4">4.12. Season 04 Episode 07: Guess What's Coming To Dinner</a></li>
|
||||||
<li><a href="#org0d53a08">4.13. Season 04 Episode 04: Sine Qua Non</a></li>
|
<li><a href="#orgb4fcac9">4.13. Season 04 Episode 04: Sine Qua Non</a></li>
|
||||||
<li><a href="#orgeb782bc">4.14. Season 04 Episode 14: Blood On The Scales</a></li>
|
<li><a href="#org813bc88">4.14. Season 04 Episode 14: Blood On The Scales</a></li>
|
||||||
<li><a href="#orgbf7cccd">4.15. The Plan</a></li>
|
<li><a href="#orgf20b9a6">4.15. The Plan</a></li>
|
||||||
<li><a href="#org9b8830c">4.16. Season 04 Episode 16: Deadlock</a></li>
|
<li><a href="#org9585e44">4.16. Season 04 Episode 16: Deadlock</a></li>
|
||||||
<li><a href="#orgf634c8e">4.17. Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</a>
|
<li><a href="#org843ffc3">4.17. Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org9427ad5">4.17.1. Other reviews</a></li>
|
<li><a href="#org7601faf">4.17.1. Other reviews</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org54bee48">4.18. Bloopers</a></li>
|
<li><a href="#org1eb4b21">4.18. Bloopers</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org8858546">5. Timeline</a></li>
|
<li><a href="#org2c08e2f">5. Timeline</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
@ -320,8 +91,8 @@ to give future viewers a sense of what it means when culture is not
|
|||||||
constrained into the cage of user hostile technologies such as
|
constrained into the cage of user hostile technologies such as
|
||||||
streaming servicies and walled social media.
|
streaming servicies and walled social media.
|
||||||
</p>
|
</p>
|
||||||
<div id="outline-container-org3314938" class="outline-2">
|
<div id="outline-container-orgdaa10b5" class="outline-2">
|
||||||
<h2 id="org3314938"><span class="section-number-2">1</span> Battlestar Galactica Viewing Order</h2>
|
<h2 id="orgdaa10b5"><span class="section-number-2">1</span> Battlestar Galactica Viewing Order</h2>
|
||||||
<div class="outline-text-2" id="text-1">
|
<div class="outline-text-2" id="text-1">
|
||||||
<blockquote>
|
<blockquote>
|
||||||
<p>
|
<p>
|
||||||
@ -353,8 +124,8 @@ guide but also most of this post
|
|||||||
(<a href="http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html">http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html</a>).
|
(<a href="http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html">http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html</a>).
|
||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org768341d" class="outline-3">
|
<div id="outline-container-orgf295721" class="outline-3">
|
||||||
<h3 id="org768341d"><span class="section-number-3">1.1</span> Blood and Chrome</h3>
|
<h3 id="orgf295721"><span class="section-number-3">1.1</span> Blood and Chrome</h3>
|
||||||
<div class="outline-text-3" id="text-1-1">
|
<div class="outline-text-3" id="text-1-1">
|
||||||
<p>
|
<p>
|
||||||
This was potentially a whole new show at one stage,
|
This was potentially a whole new show at one stage,
|
||||||
@ -383,8 +154,8 @@ whole journey.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org1e860f9" class="outline-3">
|
<div id="outline-container-org6f71adc" class="outline-3">
|
||||||
<h3 id="org1e860f9"><span class="section-number-3">1.2</span> The Miniseries</h3>
|
<h3 id="org6f71adc"><span class="section-number-3">1.2</span> The Miniseries</h3>
|
||||||
<div class="outline-text-3" id="text-1-2">
|
<div class="outline-text-3" id="text-1-2">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>Night 1</li>
|
<li>Night 1</li>
|
||||||
@ -393,8 +164,8 @@ whole journey.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org40f0fa0" class="outline-3">
|
<div id="outline-container-org1f923d4" class="outline-3">
|
||||||
<h3 id="org40f0fa0"><span class="section-number-3">1.3</span> Season 1</h3>
|
<h3 id="org1f923d4"><span class="section-number-3">1.3</span> Season 1</h3>
|
||||||
<div class="outline-text-3" id="text-1-3">
|
<div class="outline-text-3" id="text-1-3">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>1.01 33</li>
|
<li>1.01 33</li>
|
||||||
@ -413,8 +184,8 @@ whole journey.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgdb96b5a" class="outline-3">
|
<div id="outline-container-org1d54903" class="outline-3">
|
||||||
<h3 id="orgdb96b5a"><span class="section-number-3">1.4</span> Season 2</h3>
|
<h3 id="org1d54903"><span class="section-number-3">1.4</span> Season 2</h3>
|
||||||
<div class="outline-text-3" id="text-1-4">
|
<div class="outline-text-3" id="text-1-4">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>2.01 Scattered</li>
|
<li>2.01 Scattered</li>
|
||||||
@ -436,8 +207,8 @@ whole journey.
|
|||||||
<li>2.17 The Captain's Hand</li>
|
<li>2.17 The Captain's Hand</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org59d15df" class="outline-4">
|
<div id="outline-container-orge9215c0" class="outline-4">
|
||||||
<h4 id="org59d15df"><span class="section-number-4">1.4.1</span> Razor</h4>
|
<h4 id="orge9215c0"><span class="section-number-4">1.4.1</span> Razor</h4>
|
||||||
<div class="outline-text-4" id="text-1-4-1">
|
<div class="outline-text-4" id="text-1-4-1">
|
||||||
<p>
|
<p>
|
||||||
The 101 minute extended version - not the 81 minute broadcast
|
The 101 minute extended version - not the 81 minute broadcast
|
||||||
@ -529,8 +300,8 @@ try your best to follow my instructions.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org77865df" class="outline-4">
|
<div id="outline-container-orgac6a26f" class="outline-4">
|
||||||
<h4 id="org77865df"><span class="section-number-4">1.4.2</span> Optional: Razor Flashbacks</h4>
|
<h4 id="orgac6a26f"><span class="section-number-4">1.4.2</span> Optional: Razor Flashbacks</h4>
|
||||||
<div class="outline-text-4" id="text-1-4-2">
|
<div class="outline-text-4" id="text-1-4-2">
|
||||||
<p>
|
<p>
|
||||||
Note: This was billed as a "seven episode web series", but really
|
Note: This was billed as a "seven episode web series", but really
|
||||||
@ -556,8 +327,8 @@ story, though.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgd56a571" class="outline-4">
|
<div id="outline-container-org6220ee4" class="outline-4">
|
||||||
<h4 id="orgd56a571"><span class="section-number-4">1.4.3</span> Rest of season 2</h4>
|
<h4 id="org6220ee4"><span class="section-number-4">1.4.3</span> Rest of season 2</h4>
|
||||||
<div class="outline-text-4" id="text-1-4-3">
|
<div class="outline-text-4" id="text-1-4-3">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>2.18 Downloaded</li>
|
<li>2.18 Downloaded</li>
|
||||||
@ -568,8 +339,8 @@ story, though.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org06b53a9" class="outline-3">
|
<div id="outline-container-org165b332" class="outline-3">
|
||||||
<h3 id="org06b53a9"><span class="section-number-3">1.5</span> The Resistance</h3>
|
<h3 id="org165b332"><span class="section-number-3">1.5</span> The Resistance</h3>
|
||||||
<div class="outline-text-3" id="text-1-5">
|
<div class="outline-text-3" id="text-1-5">
|
||||||
<p>
|
<p>
|
||||||
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
|
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
|
||||||
@ -578,8 +349,8 @@ This should be included on your DVDs/Blurays.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org9058d02" class="outline-3">
|
<div id="outline-container-org3a0ae79" class="outline-3">
|
||||||
<h3 id="org9058d02"><span class="section-number-3">1.6</span> Season 3</h3>
|
<h3 id="org3a0ae79"><span class="section-number-3">1.6</span> Season 3</h3>
|
||||||
<div class="outline-text-3" id="text-1-6">
|
<div class="outline-text-3" id="text-1-6">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>3.01 Occupation</li>
|
<li>3.01 Occupation</li>
|
||||||
@ -601,8 +372,8 @@ This should be included on your DVDs/Blurays.
|
|||||||
<li>3.17 Maelstrom</li>
|
<li>3.17 Maelstrom</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgae47c59" class="outline-4">
|
<div id="outline-container-orgbc0ddfd" class="outline-4">
|
||||||
<h4 id="orgae47c59"><span class="section-number-4">1.6.1</span> Caprica</h4>
|
<h4 id="orgbc0ddfd"><span class="section-number-4">1.6.1</span> Caprica</h4>
|
||||||
<div class="outline-text-4" id="text-1-6-1">
|
<div class="outline-text-4" id="text-1-6-1">
|
||||||
<p>
|
<p>
|
||||||
An entire TV series set 58 years before the events of Battlestar
|
An entire TV series set 58 years before the events of Battlestar
|
||||||
@ -659,8 +430,8 @@ the show have been lingering for a while.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org1e05887" class="outline-4">
|
<div id="outline-container-org444add5" class="outline-4">
|
||||||
<h4 id="org1e05887"><span class="section-number-4">1.6.2</span> Rest of season 3</h4>
|
<h4 id="org444add5"><span class="section-number-4">1.6.2</span> Rest of season 3</h4>
|
||||||
<div class="outline-text-4" id="text-1-6-2">
|
<div class="outline-text-4" id="text-1-6-2">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>3.18 The Son Also Rises</li>
|
<li>3.18 The Son Also Rises</li>
|
||||||
@ -670,8 +441,8 @@ the show have been lingering for a while.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org98ed0d4" class="outline-3">
|
<div id="outline-container-org1e071c3" class="outline-3">
|
||||||
<h3 id="org98ed0d4"><span class="section-number-3">1.7</span> Razor</h3>
|
<h3 id="org1e071c3"><span class="section-number-3">1.7</span> Razor</h3>
|
||||||
<div class="outline-text-3" id="text-1-7">
|
<div class="outline-text-3" id="text-1-7">
|
||||||
<p>
|
<p>
|
||||||
This is where Razor was originally broadcast. Remember the last 07
|
This is where Razor was originally broadcast. Remember the last 07
|
||||||
@ -681,8 +452,8 @@ now is when you get to go back and hear what was said. Watch the last
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org3a64499" class="outline-3">
|
<div id="outline-container-org1f68dd7" class="outline-3">
|
||||||
<h3 id="org3a64499"><span class="section-number-3">1.8</span> Season 4</h3>
|
<h3 id="org1f68dd7"><span class="section-number-3">1.8</span> Season 4</h3>
|
||||||
<div class="outline-text-3" id="text-1-8">
|
<div class="outline-text-3" id="text-1-8">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>4.01 He That Believeth In Me</li>
|
<li>4.01 He That Believeth In Me</li>
|
||||||
@ -698,8 +469,8 @@ now is when you get to go back and hear what was said. Watch the last
|
|||||||
<li>4.11 Sometimes a Great Notion</li>
|
<li>4.11 Sometimes a Great Notion</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org6a1b3e3" class="outline-4">
|
<div id="outline-container-orgc00fbcf" class="outline-4">
|
||||||
<h4 id="org6a1b3e3"><span class="section-number-4">1.8.1</span> The Face of the Enemy</h4>
|
<h4 id="orgc00fbcf"><span class="section-number-4">1.8.1</span> The Face of the Enemy</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-1">
|
<div class="outline-text-4" id="text-1-8-1">
|
||||||
<p>
|
<p>
|
||||||
A 10 episode web-based series (although it plays together like an
|
A 10 episode web-based series (although it plays together like an
|
||||||
@ -719,8 +490,8 @@ things that set up the next episode.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org3c13606" class="outline-4">
|
<div id="outline-container-orgebe4554" class="outline-4">
|
||||||
<h4 id="org3c13606"><span class="section-number-4">1.8.2</span> Rest of season 4</h4>
|
<h4 id="orgebe4554"><span class="section-number-4">1.8.2</span> Rest of season 4</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-2">
|
<div class="outline-text-4" id="text-1-8-2">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>4.12 A Disquiet Follows My Soul (53 minute extended version)</li>
|
<li>4.12 A Disquiet Follows My Soul (53 minute extended version)</li>
|
||||||
@ -730,8 +501,8 @@ things that set up the next episode.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgf952d0b" class="outline-4">
|
<div id="outline-container-org93dfdc1" class="outline-4">
|
||||||
<h4 id="orgf952d0b"><span class="section-number-4">1.8.3</span> The Plan (DVD/Bluray movie)</h4>
|
<h4 id="org93dfdc1"><span class="section-number-4">1.8.3</span> The Plan (DVD/Bluray movie)</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-3">
|
<div class="outline-text-4" id="text-1-8-3">
|
||||||
<p>
|
<p>
|
||||||
A stand-alone movie that shows (approximately) the first two seasons
|
A stand-alone movie that shows (approximately) the first two seasons
|
||||||
@ -743,8 +514,8 @@ up when you do reach the end.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgd0e8009" class="outline-4">
|
<div id="outline-container-org4970cb7" class="outline-4">
|
||||||
<h4 id="orgd0e8009"><span class="section-number-4">1.8.4</span> Finale</h4>
|
<h4 id="org4970cb7"><span class="section-number-4">1.8.4</span> Finale</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-4">
|
<div class="outline-text-4" id="text-1-8-4">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>4.16 Deadlock</li>
|
<li>4.16 Deadlock</li>
|
||||||
@ -756,8 +527,8 @@ up when you do reach the end.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org9a77a6b" class="outline-2">
|
<div id="outline-container-org4204373" class="outline-2">
|
||||||
<h2 id="org9a77a6b"><span class="section-number-2">2</span> Further reading</h2>
|
<h2 id="org4204373"><span class="section-number-2">2</span> Further reading</h2>
|
||||||
<div class="outline-text-2" id="text-2">
|
<div class="outline-text-2" id="text-2">
|
||||||
<p>
|
<p>
|
||||||
Well not quite "reading", but if you're a fan you may
|
Well not quite "reading", but if you're a fan you may
|
||||||
@ -777,8 +548,8 @@ original "Bible", contains of course major spoilers.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org6041a0e" class="outline-2">
|
<div id="outline-container-org9678776" class="outline-2">
|
||||||
<h2 id="org6041a0e"><span class="section-number-2">3</span> The story so far</h2>
|
<h2 id="org9678776"><span class="section-number-2">3</span> The story so far</h2>
|
||||||
<div class="outline-text-2" id="text-3">
|
<div class="outline-text-2" id="text-3">
|
||||||
<p>
|
<p>
|
||||||
Battlestar Galactica: The Story So Far is a special program aired on
|
Battlestar Galactica: The Story So Far is a special program aired on
|
||||||
@ -839,15 +610,15 @@ I haven't see this movie and honestly I don't look forward to it.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orga5797fc" class="outline-2">
|
<div id="outline-container-orgcaacefc" class="outline-2">
|
||||||
<h2 id="orga5797fc"><span class="section-number-2">4</span> Episode reviews</h2>
|
<h2 id="orgcaacefc"><span class="section-number-2">4</span> Episode reviews</h2>
|
||||||
<div class="outline-text-2" id="text-4">
|
<div class="outline-text-2" id="text-4">
|
||||||
<p>
|
<p>
|
||||||
Le discussioni piu` importanti sulla serie
|
Le discussioni piu` importanti sulla serie
|
||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org25336e2" class="outline-3">
|
<div id="outline-container-org6ab28ed" class="outline-3">
|
||||||
<h3 id="org25336e2"><span class="section-number-3">4.1</span> Season 02 Episode 14: Black Market</h3>
|
<h3 id="org6ab28ed"><span class="section-number-3">4.1</span> Season 02 Episode 14: Black Market</h3>
|
||||||
<div class="outline-text-3" id="text-4-1">
|
<div class="outline-text-3" id="text-4-1">
|
||||||
<p>
|
<p>
|
||||||
It's very out of character for Lee. I mean, even if we were to infer
|
It's very out of character for Lee. I mean, even if we were to infer
|
||||||
@ -963,8 +734,8 @@ you and goodnight.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org368e0a5" class="outline-3">
|
<div id="outline-container-org251e413" class="outline-3">
|
||||||
<h3 id="org368e0a5"><span class="section-number-3">4.2</span> Season 03 Episode 07: A Measure of Salvation</h3>
|
<h3 id="org251e413"><span class="section-number-3">4.2</span> Season 03 Episode 07: A Measure of Salvation</h3>
|
||||||
<div class="outline-text-3" id="text-4-2">
|
<div class="outline-text-3" id="text-4-2">
|
||||||
<p>
|
<p>
|
||||||
I also want to address this from another angle: that sparing the
|
I also want to address this from another angle: that sparing the
|
||||||
@ -1005,8 +776,8 @@ short term. But…
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgf103006" class="outline-3">
|
<div id="outline-container-org2c81213" class="outline-3">
|
||||||
<h3 id="orgf103006"><span class="section-number-3">4.3</span> Season 03 Episode 08: Hero</h3>
|
<h3 id="org2c81213"><span class="section-number-3">4.3</span> Season 03 Episode 08: Hero</h3>
|
||||||
<div class="outline-text-3" id="text-4-3">
|
<div class="outline-text-3" id="text-4-3">
|
||||||
<p>
|
<p>
|
||||||
This is regarded as one of the worst episode of BSG along with "Black
|
This is regarded as one of the worst episode of BSG along with "Black
|
||||||
@ -1023,8 +794,8 @@ episode" (not a literal quote).
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orge0d4463" class="outline-3">
|
<div id="outline-container-org9dcc075" class="outline-3">
|
||||||
<h3 id="orge0d4463"><span class="section-number-3">4.4</span> Season 03 Episode 09: Unfinished Business</h3>
|
<h3 id="org9dcc075"><span class="section-number-3">4.4</span> Season 03 Episode 09: Unfinished Business</h3>
|
||||||
<div class="outline-text-3" id="text-4-4">
|
<div class="outline-text-3" id="text-4-4">
|
||||||
<p>
|
<p>
|
||||||
During Starbuck's fight with Lee Adama, once it becomes obvious that
|
During Starbuck's fight with Lee Adama, once it becomes obvious that
|
||||||
@ -1107,8 +878,8 @@ described it in the commentary as The Passion of the Adama.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgb7a8aa5" class="outline-3">
|
<div id="outline-container-org225a24c" class="outline-3">
|
||||||
<h3 id="orgb7a8aa5"><span class="section-number-3">4.5</span> Season 03 Episode 10: The Passage</h3>
|
<h3 id="org225a24c"><span class="section-number-3">4.5</span> Season 03 Episode 10: The Passage</h3>
|
||||||
<div class="outline-text-3" id="text-4-5">
|
<div class="outline-text-3" id="text-4-5">
|
||||||
<p>
|
<p>
|
||||||
Have you ever wondered what it was like to fly through baby stars?
|
Have you ever wondered what it was like to fly through baby stars?
|
||||||
@ -1195,8 +966,8 @@ while in the hospital bed.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgd7c6f4b" class="outline-3">
|
<div id="outline-container-org0bca99c" class="outline-3">
|
||||||
<h3 id="orgd7c6f4b"><span class="section-number-3">4.6</span> Season 03 Episode 14: The Woman King</h3>
|
<h3 id="org0bca99c"><span class="section-number-3">4.6</span> Season 03 Episode 14: The Woman King</h3>
|
||||||
<div class="outline-text-3" id="text-4-6">
|
<div class="outline-text-3" id="text-4-6">
|
||||||
<p>
|
<p>
|
||||||
In the commentary, RDM says that this episode was supposed to be a
|
In the commentary, RDM says that this episode was supposed to be a
|
||||||
@ -1280,8 +1051,8 @@ down on Helo for suspecting that doctor, that's a bad move.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orge056445" class="outline-3">
|
<div id="outline-container-org5104323" class="outline-3">
|
||||||
<h3 id="orge056445"><span class="section-number-3">4.7</span> Season 03 Episode 18: The Son Also Rises</h3>
|
<h3 id="org5104323"><span class="section-number-3">4.7</span> Season 03 Episode 18: The Son Also Rises</h3>
|
||||||
<div class="outline-text-3" id="text-4-7">
|
<div class="outline-text-3" id="text-4-7">
|
||||||
<p>
|
<p>
|
||||||
Sam Anders' flipping a coin and continually coming up with heads is
|
Sam Anders' flipping a coin and continually coming up with heads is
|
||||||
@ -1330,8 +1101,8 @@ the company of someone who loved Kara as much as he did.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org2c28bee" class="outline-3">
|
<div id="outline-container-orgb3d7dad" class="outline-3">
|
||||||
<h3 id="org2c28bee"><span class="section-number-3">4.8</span> Caprica Episode 18</h3>
|
<h3 id="orgb3d7dad"><span class="section-number-3">4.8</span> Caprica Episode 18</h3>
|
||||||
<div class="outline-text-3" id="text-4-8">
|
<div class="outline-text-3" id="text-4-8">
|
||||||
<p>
|
<p>
|
||||||
If you watched this in the order proposed you are going to feel
|
If you watched this in the order proposed you are going to feel
|
||||||
@ -1397,8 +1168,8 @@ On a minor important note, V World helps explain Cylon's phenomenon of "projecti
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org8cffcb5" class="outline-3">
|
<div id="outline-container-orged55223" class="outline-3">
|
||||||
<h3 id="org8cffcb5"><span class="section-number-3">4.9</span> Season 03 Episode 20: Crossroads</h3>
|
<h3 id="orged55223"><span class="section-number-3">4.9</span> Season 03 Episode 20: Crossroads</h3>
|
||||||
<div class="outline-text-3" id="text-4-9">
|
<div class="outline-text-3" id="text-4-9">
|
||||||
<p>
|
<p>
|
||||||
All I am going to say is that I needed a chair with a deeper edge.
|
All I am going to say is that I needed a chair with a deeper edge.
|
||||||
@ -1455,8 +1226,8 @@ On a personal note at this point of the show I hate Kara.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org8302e5e" class="outline-3">
|
<div id="outline-container-org065add2" class="outline-3">
|
||||||
<h3 id="org8302e5e"><span class="section-number-3">4.10</span> Season 04 Episode 03: The Ties That Bind</h3>
|
<h3 id="org065add2"><span class="section-number-3">4.10</span> Season 04 Episode 03: The Ties That Bind</h3>
|
||||||
<div class="outline-text-3" id="text-4-10">
|
<div class="outline-text-3" id="text-4-10">
|
||||||
<p>
|
<p>
|
||||||
When Six's fleet is ambushed by Cavil's, the Orion constellation (as
|
When Six's fleet is ambushed by Cavil's, the Orion constellation (as
|
||||||
@ -1469,8 +1240,8 @@ seen more frequently in the episodes that follow.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org9c572e3" class="outline-3">
|
<div id="outline-container-org993b3af" class="outline-3">
|
||||||
<h3 id="org9c572e3"><span class="section-number-3">4.11</span> Season 04 Episode 04: Escape Velocity</h3>
|
<h3 id="org993b3af"><span class="section-number-3">4.11</span> Season 04 Episode 04: Escape Velocity</h3>
|
||||||
<div class="outline-text-3" id="text-4-11">
|
<div class="outline-text-3" id="text-4-11">
|
||||||
<p>
|
<p>
|
||||||
Distraught over the incident, Tyrol sits alone in Joe's Bar. Adama
|
Distraught over the incident, Tyrol sits alone in Joe's Bar. Adama
|
||||||
@ -1543,8 +1314,8 @@ confronts her impending death.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orge8826bc" class="outline-3">
|
<div id="outline-container-orgd22acc4" class="outline-3">
|
||||||
<h3 id="orge8826bc"><span class="section-number-3">4.12</span> Season 04 Episode 07: Guess What's Coming To Dinner</h3>
|
<h3 id="orgd22acc4"><span class="section-number-3">4.12</span> Season 04 Episode 07: Guess What's Coming To Dinner</h3>
|
||||||
<div class="outline-text-3" id="text-4-12">
|
<div class="outline-text-3" id="text-4-12">
|
||||||
<p>
|
<p>
|
||||||
The Hybrid's prophecy that Kara Thrace is the "harbinger of death"
|
The Hybrid's prophecy that Kara Thrace is the "harbinger of death"
|
||||||
@ -1584,8 +1355,8 @@ when destroying the latter's apotheosis heaven decades earlier in
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org0d53a08" class="outline-3">
|
<div id="outline-container-orgb4fcac9" class="outline-3">
|
||||||
<h3 id="org0d53a08"><span class="section-number-3">4.13</span> Season 04 Episode 04: Sine Qua Non</h3>
|
<h3 id="orgb4fcac9"><span class="section-number-3">4.13</span> Season 04 Episode 04: Sine Qua Non</h3>
|
||||||
<div class="outline-text-3" id="text-4-13">
|
<div class="outline-text-3" id="text-4-13">
|
||||||
<p>
|
<p>
|
||||||
Ron Moore and the episodes writer, Michael Taylor, talk about Romo's
|
Ron Moore and the episodes writer, Michael Taylor, talk about Romo's
|
||||||
@ -1603,8 +1374,8 @@ cat, a "bad idea" for which he chooses to take the blame.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgeb782bc" class="outline-3">
|
<div id="outline-container-org813bc88" class="outline-3">
|
||||||
<h3 id="orgeb782bc"><span class="section-number-3">4.14</span> Season 04 Episode 14: Blood On The Scales</h3>
|
<h3 id="org813bc88"><span class="section-number-3">4.14</span> Season 04 Episode 14: Blood On The Scales</h3>
|
||||||
<div class="outline-text-3" id="text-4-14">
|
<div class="outline-text-3" id="text-4-14">
|
||||||
<p>
|
<p>
|
||||||
Gaeta and Thigh are my favourite characters. Romantically Gaeta
|
Gaeta and Thigh are my favourite characters. Romantically Gaeta
|
||||||
@ -1675,8 +1446,8 @@ it might be understandable that he harbors a profound hate for them.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgbf7cccd" class="outline-3">
|
<div id="outline-container-orgf20b9a6" class="outline-3">
|
||||||
<h3 id="orgbf7cccd"><span class="section-number-3">4.15</span> The Plan</h3>
|
<h3 id="orgf20b9a6"><span class="section-number-3">4.15</span> The Plan</h3>
|
||||||
<div class="outline-text-3" id="text-4-15">
|
<div class="outline-text-3" id="text-4-15">
|
||||||
<p>
|
<p>
|
||||||
The Plan is not a particularly compelling piece of work on its own. In
|
The Plan is not a particularly compelling piece of work on its own. In
|
||||||
@ -1966,8 +1737,8 @@ Stockwell from The Boy With Green Hair.</li>
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org9b8830c" class="outline-3">
|
<div id="outline-container-org9585e44" class="outline-3">
|
||||||
<h3 id="org9b8830c"><span class="section-number-3">4.16</span> Season 04 Episode 16: Deadlock</h3>
|
<h3 id="org9585e44"><span class="section-number-3">4.16</span> Season 04 Episode 16: Deadlock</h3>
|
||||||
<div class="outline-text-3" id="text-4-16">
|
<div class="outline-text-3" id="text-4-16">
|
||||||
<p>
|
<p>
|
||||||
Not much to say except to make two clarifications:
|
Not much to say except to make two clarifications:
|
||||||
@ -1990,8 +1761,8 @@ because he is accepted again.</li>
|
|||||||
</ol>
|
</ol>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgf634c8e" class="outline-3">
|
<div id="outline-container-org843ffc3" class="outline-3">
|
||||||
<h3 id="orgf634c8e"><span class="section-number-3">4.17</span> Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</h3>
|
<h3 id="org843ffc3"><span class="section-number-3">4.17</span> Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</h3>
|
||||||
<div class="outline-text-3" id="text-4-17">
|
<div class="outline-text-3" id="text-4-17">
|
||||||
<p>
|
<p>
|
||||||
I wont play pretend to be a critico cinematografico. I'll just try to
|
I wont play pretend to be a critico cinematografico. I'll just try to
|
||||||
@ -2276,12 +2047,12 @@ even kind of a let down (Athena putting a cable in her arm, really?)
|
|||||||
but this is why it will withstand the test of time.
|
but this is why it will withstand the test of time.
|
||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org9427ad5" class="outline-4">
|
<div id="outline-container-org7601faf" class="outline-4">
|
||||||
<h4 id="org9427ad5"><span class="section-number-4">4.17.1</span> Other reviews</h4>
|
<h4 id="org7601faf"><span class="section-number-4">4.17.1</span> Other reviews</h4>
|
||||||
<div class="outline-text-4" id="text-4-17-1">
|
<div class="outline-text-4" id="text-4-17-1">
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="org15f3fba"></a>Battlestar's "Daybreak:" The worst ending in the history of on-screen science fiction - Brad Templeton<br />
|
<li><a id="org216c0a6"></a>Battlestar's "Daybreak:" The worst ending in the history of on-screen science fiction - Brad Templeton<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-1">
|
<div class="outline-text-5" id="text-4-17-1-1">
|
||||||
<p>
|
<p>
|
||||||
Battlestar Galactica attracted a lot of fans and a lot of kudos during
|
Battlestar Galactica attracted a lot of fans and a lot of kudos during
|
||||||
@ -2336,7 +2107,7 @@ began, might well have made the grade.)
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="org91fafe2"></a>Ron Moore's goals<br />
|
<li><a id="org61b9118"></a>Ron Moore's goals<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-1">
|
<div class="outline-text-6" id="text-4-17-1-1-1">
|
||||||
<p>
|
<p>
|
||||||
To understand the fall of BSG, one must examine it both in terms of
|
To understand the fall of BSG, one must examine it both in terms of
|
||||||
@ -2366,7 +2137,7 @@ the characters, stupid."
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="org7dc13d1"></a>The link to reality<br />
|
<li><a id="orgcf1f8b0"></a>The link to reality<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-1-1">
|
<div class="outline-text-7" id="text-4-17-1-1-1-1">
|
||||||
<p>
|
<p>
|
||||||
In addition, his other goal for the end was to make a connection to
|
In addition, his other goal for the end was to make a connection to
|
||||||
@ -2382,7 +2153,7 @@ Moore felt an alternative universe was not sufficient.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org2059137"></a>THe successes, and then failures<br />
|
<li><a id="org44a751c"></a>THe successes, and then failures<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-2">
|
<div class="outline-text-6" id="text-4-17-1-1-2">
|
||||||
<p>
|
<p>
|
||||||
During its run, BSG offered much that was great, in several cases groundbreaking elements never seen before in TV SF:
|
During its run, BSG offered much that was great, in several cases groundbreaking elements never seen before in TV SF:
|
||||||
@ -2428,7 +2199,7 @@ to understand the metrics of greatness that I am using.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org4ef75a0"></a>A defence of hard (and soft) science fiction<br />
|
<li><a id="org68cbfce"></a>A defence of hard (and soft) science fiction<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-3">
|
<div class="outline-text-6" id="text-4-17-1-1-3">
|
||||||
<p>
|
<p>
|
||||||
The term "hard" science fiction has two meanings. The first is SF that
|
The term "hard" science fiction has two meanings. The first is SF that
|
||||||
@ -2586,7 +2357,7 @@ is still a goal to strive for and be measured against.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="org0c8ed7f"></a>Values of great mistery<br />
|
<li><a id="org880df07"></a>Values of great mistery<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-3-1">
|
<div class="outline-text-7" id="text-4-17-1-1-3-1">
|
||||||
<p>
|
<p>
|
||||||
BSG was not just an SF show. It was a mystery. The story held many
|
BSG was not just an SF show. It was a mystery. The story held many
|
||||||
@ -2615,7 +2386,7 @@ Now on to where BSG fell down.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orge3efd3b"></a>Failure 1 - God did it<br />
|
<li><a id="org9599736"></a>Failure 1 - God did it<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-4">
|
<div class="outline-text-6" id="text-4-17-1-1-4">
|
||||||
<p>
|
<p>
|
||||||
(And no, in spiteWhen gods become active characters in fiction, the rules change again. The earliest dramas, written by the ancient Greeks, regularly had the gods meddling in the affairs of mortals. In many of these plays, the mortals were just pawns, doomed to meet a divinely willed destiny. Plots would be resolved and characters' fates settled through the sudden intervention of gods.
|
(And no, in spiteWhen gods become active characters in fiction, the rules change again. The earliest dramas, written by the ancient Greeks, regularly had the gods meddling in the affairs of mortals. In many of these plays, the mortals were just pawns, doomed to meet a divinely willed destiny. Plots would be resolved and characters' fates settled through the sudden intervention of gods.
|
||||||
@ -2744,7 +2515,7 @@ sense.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orgb692f28"></a>The Ghostbusters law<br />
|
<li><a id="org3a1d67e"></a>The Ghostbusters law<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-4-1">
|
<div class="outline-text-7" id="text-4-17-1-1-4-1">
|
||||||
<p>
|
<p>
|
||||||
Many argue that the appearance of the divine is hardly a surprise in
|
Many argue that the appearance of the divine is hardly a surprise in
|
||||||
@ -2854,7 +2625,7 @@ entirely different rules.)
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orga1d2c13"></a>Failure 2 – Science errors on plot-turning elements<br />
|
<li><a id="orgad49788"></a>Failure 2 – Science errors on plot-turning elements<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-5">
|
<div class="outline-text-6" id="text-4-17-1-1-5">
|
||||||
<p>
|
<p>
|
||||||
No work of SF is likely to be perfect in its science, no matter how
|
No work of SF is likely to be perfect in its science, no matter how
|
||||||
@ -2899,7 +2670,7 @@ everybody.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orga7875dd"></a>Mitochondrial Eve<br />
|
<li><a id="org1dd43d3"></a>Mitochondrial Eve<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-1">
|
<div class="outline-text-7" id="text-4-17-1-1-5-1">
|
||||||
<p>
|
<p>
|
||||||
The key error I am going to speak about may seem rather obscure to
|
The key error I am going to speak about may seem rather obscure to
|
||||||
@ -3043,7 +2814,7 @@ some DNA.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgd2d7cf2"></a>Hera's Mitochondria, interbreeding, and Arks<br />
|
<li><a id="orgd043c70"></a>Hera's Mitochondria, interbreeding, and Arks<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-2">
|
<div class="outline-text-7" id="text-4-17-1-1-5-2">
|
||||||
<p>
|
<p>
|
||||||
Or did they do even that? Adama is correctly shocked to hear that the
|
Or did they do even that? Adama is correctly shocked to hear that the
|
||||||
@ -3147,7 +2918,7 @@ powerful. Some might like that better, but it's not our world.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgbf42eda"></a>Failure 2a – Broken connection to our reality<br />
|
<li><a id="org5ca8ffb"></a>Failure 2a – Broken connection to our reality<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-3">
|
<div class="outline-text-7" id="text-4-17-1-1-5-3">
|
||||||
<p>
|
<p>
|
||||||
Making mistakes like this is one of the big dangers of the "secret
|
Making mistakes like this is one of the big dangers of the "secret
|
||||||
@ -3167,7 +2938,7 @@ reality is.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org7220122"></a>Is this too nitpicky?<br />
|
<li><a id="orgc0784de"></a>Is this too nitpicky?<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-4">
|
<div class="outline-text-7" id="text-4-17-1-1-5-4">
|
||||||
<p>
|
<p>
|
||||||
Many viewers were not aware (just as Moore wasn't) of who MTE was. In
|
Many viewers were not aware (just as Moore wasn't) of who MTE was. In
|
||||||
@ -3204,7 +2975,7 @@ that gives it meaning, if you want to rise to the top.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org2d4e298"></a>Failure 3 – Collective Unconscious<br />
|
<li><a id="org8a37e94"></a>Failure 3 – Collective Unconscious<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-6">
|
<div class="outline-text-6" id="text-4-17-1-1-6">
|
||||||
<p>
|
<p>
|
||||||
The show was full of elements from our culture. They dressed like us, their technology looked like ours. They used our idioms, and even quoted lines of Shakespeare from time to time. Their gods were the same as the Greeks had, their military rules were similar. On the surface, this might be treated as a translation for the audience. After all, often we see shows where the characters would obviously not be speaking English, but of course the actors do – what we see is translated to be familiar with us.
|
The show was full of elements from our culture. They dressed like us, their technology looked like ours. They used our idioms, and even quoted lines of Shakespeare from time to time. Their gods were the same as the Greeks had, their military rules were similar. On the surface, this might be treated as a translation for the audience. After all, often we see shows where the characters would obviously not be speaking English, but of course the actors do – what we see is translated to be familiar with us.
|
||||||
@ -3242,7 +3013,7 @@ experimental success.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orga65a70f"></a>Failure 4 – The Future vs. a secret history<br />
|
<li><a id="orgeb15dfe"></a>Failure 4 – The Future vs. a secret history<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-7">
|
<div class="outline-text-6" id="text-4-17-1-1-7">
|
||||||
<p>
|
<p>
|
||||||
In the 1970s, Chariots of the Gods, which talked about ancient
|
In the 1970s, Chariots of the Gods, which talked about ancient
|
||||||
@ -3434,7 +3205,7 @@ was the clue we should have noticed.)
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org92a3f54"></a>Failure 5 – It's the characters, stupid<br />
|
<li><a id="org397ba3e"></a>Failure 5 – It's the characters, stupid<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-8">
|
<div class="outline-text-6" id="text-4-17-1-1-8">
|
||||||
<p>
|
<p>
|
||||||
Moore often defends the ending by saying that, while writing it, he
|
Moore often defends the ending by saying that, while writing it, he
|
||||||
@ -3512,7 +3283,7 @@ the tweakings of an interventionist diety.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org6e413b4"></a>Failure 6 – no a great ending<br />
|
<li><a id="orgccfb565"></a>Failure 6 – no a great ending<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-9">
|
<div class="outline-text-6" id="text-4-17-1-1-9">
|
||||||
<p>
|
<p>
|
||||||
Many others have written about other failures of the ending, failures
|
Many others have written about other failures of the ending, failures
|
||||||
@ -3624,7 +3395,7 @@ World SF Convention in August was surprisingly vitriolic.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgfe21d3a"></a>How it could have been great<br />
|
<li><a id="org842d455"></a>How it could have been great<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-10">
|
<div class="outline-text-6" id="text-4-17-1-1-10">
|
||||||
<p>
|
<p>
|
||||||
I've noted that one of the great disappointments of the ending was how
|
I've noted that one of the great disappointments of the ending was how
|
||||||
@ -3647,7 +3418,7 @@ such as these.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orgaa781b2"></a>In the future<br />
|
<li><a id="orgfb15402"></a>In the future<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-1">
|
<div class="outline-text-7" id="text-4-17-1-1-10-1">
|
||||||
<p>
|
<p>
|
||||||
The show could have been set in the future with just a few minor
|
The show could have been set in the future with just a few minor
|
||||||
@ -3736,7 +3507,7 @@ topics at anywhere near the depth found in the written literature.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgfe222f7"></a>In the past<br />
|
<li><a id="org8d395f7"></a>In the past<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-2">
|
<div class="outline-text-7" id="text-4-17-1-1-10-2">
|
||||||
<p>
|
<p>
|
||||||
It is still just barely possible to have set a great ending in the
|
It is still just barely possible to have set a great ending in the
|
||||||
@ -3760,7 +3531,7 @@ you want to retain his religious mood.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org2c3857b"></a>Could this be what Moore intended?<br />
|
<li><a id="org3a796c0"></a>Could this be what Moore intended?<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-3">
|
<div class="outline-text-7" id="text-4-17-1-1-10-3">
|
||||||
<p>
|
<p>
|
||||||
There is the slightest hint that Moore was considering this. He has the demon-Baltar declare at the end, "You know it doesn't like that name" when Angel-Six refers to "God's plan" as she has so often in the course of the show. This leaves a trace hint that the god isn't supernatural. Moore says in his podcast that he liked leaving that ambiguity in. However, he never answers it. And had he wanted to do it this way, had he wanted to lay it out as a story of alien or divine abduction, he could have easily done so, at great benefit and no harm to his story. It's hard to imagine him liking the interpretation that realism-oriented fans have of the "god did it" ending that was delivered.
|
There is the slightest hint that Moore was considering this. He has the demon-Baltar declare at the end, "You know it doesn't like that name" when Angel-Six refers to "God's plan" as she has so often in the course of the show. This leaves a trace hint that the god isn't supernatural. Moore says in his podcast that he liked leaving that ambiguity in. However, he never answers it. And had he wanted to do it this way, had he wanted to lay it out as a story of alien or divine abduction, he could have easily done so, at great benefit and no harm to his story. It's hard to imagine him liking the interpretation that realism-oriented fans have of the "god did it" ending that was delivered.
|
||||||
@ -3780,7 +3551,7 @@ throwing science out the window.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org2dfea07"></a>The writers' strike ending<br />
|
<li><a id="org468b1f7"></a>The writers' strike ending<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-4">
|
<div class="outline-text-7" id="text-4-17-1-1-10-4">
|
||||||
<p>
|
<p>
|
||||||
As some viewers know, the episode "Revelations" which ended the first half of season four with the crew discovering a ruined Earth was an emergency backup finale for the show. At the time, the writers' guild was on strike and there was no end in sight. Had it gone on longer, they would have had to shut down the show, close leases on the studio lots and tear down the sets. They might not have been able to finish the show. So they tweaked Revelations as a possible final ending.
|
As some viewers know, the episode "Revelations" which ended the first half of season four with the crew discovering a ruined Earth was an emergency backup finale for the show. At the time, the writers' guild was on strike and there was no end in sight. Had it gone on longer, they would have had to shut down the show, close leases on the studio lots and tear down the sets. They might not have been able to finish the show. So they tweaked Revelations as a possible final ending.
|
||||||
@ -3803,7 +3574,7 @@ episodes covered exactly those matters.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org30fcbc8"></a>The worst ending ever?<br />
|
<li><a id="org39dd267"></a>The worst ending ever?<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-11">
|
<div class="outline-text-6" id="text-4-17-1-1-11">
|
||||||
<p>
|
<p>
|
||||||
As I wrote at the start, I deem this the worst (most disappointing)
|
As I wrote at the start, I deem this the worst (most disappointing)
|
||||||
@ -3857,7 +3628,7 @@ ever, and that's a pity.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgb5b2317"></a>"You know he doesn't like that name" - Josh bids farewell to Battlestar Galactica!<br />
|
<li><a id="org10404ed"></a>"You know he doesn't like that name" - Josh bids farewell to Battlestar Galactica!<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-2">
|
<div class="outline-text-5" id="text-4-17-1-2">
|
||||||
<p>
|
<p>
|
||||||
March 23rd, 2009 Battlestar Galactica, TV Show Reviews
|
March 23rd, 2009 Battlestar Galactica, TV Show Reviews
|
||||||
@ -4107,7 +3878,7 @@ Say it with me now, folks: So say we all!
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org2bb949d"></a>On Hera's blood<br />
|
<li><a id="org542ad3d"></a>On Hera's blood<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-3">
|
<div class="outline-text-5" id="text-4-17-1-3">
|
||||||
<p>
|
<p>
|
||||||
After the show concluded, many viewers complained about how all the
|
After the show concluded, many viewers complained about how all the
|
||||||
@ -4149,7 +3920,7 @@ show is set in the past.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org6dea01c"></a>Not In Our Stars: the Betrayals of the Battlestar Galactica Finale - Sam J. Miller<br />
|
<li><a id="org1984866"></a>Not In Our Stars: the Betrayals of the Battlestar Galactica Finale - Sam J. Miller<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-4">
|
<div class="outline-text-5" id="text-4-17-1-4">
|
||||||
<pre class="example">
|
<pre class="example">
|
||||||
“The fault, dear Brutus, is not in our stars, but in ourselves...”
|
“The fault, dear Brutus, is not in our stars, but in ourselves...”
|
||||||
@ -4448,7 +4219,7 @@ betrayals of Daybreak have ceased to annoy us.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org92945d9"></a>As Battlestar Ends, God Is In the Details - Annalee Newitz<br />
|
<li><a id="orgc6bb7d9"></a>As Battlestar Ends, God Is In the Details - Annalee Newitz<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-5">
|
<div class="outline-text-5" id="text-4-17-1-5">
|
||||||
<p>
|
<p>
|
||||||
Battlestar Galactica concluded with a moving, pyrotechnic two-hour
|
Battlestar Galactica concluded with a moving, pyrotechnic two-hour
|
||||||
@ -4703,7 +4474,7 @@ series. It offers no pat answers. We must decide.
|
|||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
|
|
||||||
<li><a id="org99fa973"></a>Reddit comments on the finale<br />
|
<li><a id="orgd8324d1"></a>Reddit comments on the finale<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-6">
|
<div class="outline-text-5" id="text-4-17-1-6">
|
||||||
<p>
|
<p>
|
||||||
I enjoyed both the connections to our modern world (on-the-nose though
|
I enjoyed both the connections to our modern world (on-the-nose though
|
||||||
@ -4819,8 +4590,8 @@ not intercede at a key moment.
|
|||||||
</ol>
|
</ol>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org54bee48" class="outline-3">
|
<div id="outline-container-org1eb4b21" class="outline-3">
|
||||||
<h3 id="org54bee48"><span class="section-number-3">4.18</span> Bloopers</h3>
|
<h3 id="org1eb4b21"><span class="section-number-3">4.18</span> Bloopers</h3>
|
||||||
<div class="outline-text-3" id="text-4-18">
|
<div class="outline-text-3" id="text-4-18">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>Season 03 Episode 09: Dr Cottle says "Christ" (47:42)</li>
|
<li>Season 03 Episode 09: Dr Cottle says "Christ" (47:42)</li>
|
||||||
@ -4832,12 +4603,11 @@ mark</li>
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org8858546" class="outline-2">
|
<div id="outline-container-org2c08e2f" class="outline-2">
|
||||||
<h2 id="org8858546"><span class="section-number-2">5</span> Timeline</h2>
|
<h2 id="org2c08e2f"><span class="section-number-2">5</span> Timeline</h2>
|
||||||
<div class="outline-text-2" id="text-5">
|
<div class="outline-text-2" id="text-5">
|
||||||
<p>
|
<p>
|
||||||
<a href="https://www.flickr.com/photos/billyray_jr/5593262639">https://www.flickr.com/photos/billyray_jr/5593262639</a>
|
<a href="https://www.flickr.com/photos/billyray_jr/5593262639">https://www.flickr.com/photos/billyray_jr/5593262639</a>
|
||||||
<img src="https://lezzo.org/bsg_timeline.jpg" alt="bsg_timeline.jpg" />
|
|
||||||
</p>
|
</p>
|
||||||
|
|
||||||
<div class="figure">
|
<div class="figure">
|
||||||
@ -4850,8 +4620,6 @@ mark</li>
|
|||||||
</div>
|
</div>
|
||||||
<div id="postamble" class="status">
|
<div id="postamble" class="status">
|
||||||
<p class="author">Author: bparodi</p>
|
<p class="author">Author: bparodi</p>
|
||||||
<p class="date">Created: 2021-03-17 Wed 12:15</p>
|
|
||||||
<p class="validation"><a href="http://validator.w3.org/check?uri=referer">Validate</a></p>
|
|
||||||
</div>
|
</div>
|
||||||
</body>
|
</body>
|
||||||
</html>
|
</html>
|
||||||
|
Before Width: | Height: | Size: 476 KiB After Width: | Height: | Size: 476 KiB |
71
blog/index.html
Normal file
71
blog/index.html
Normal file
@ -0,0 +1,71 @@
|
|||||||
|
<html>
|
||||||
|
<meta charset="UTF-8">
|
||||||
|
<link rel="stylesheet" href="https://cdn.jsdelivr.net/npm/bulma@0.9.2/css/bulma.min.css">
|
||||||
|
<style>
|
||||||
|
.columns {
|
||||||
|
justify-content: flex-end;
|
||||||
|
}
|
||||||
|
body { width: 100%; height: 100%; }
|
||||||
|
.block_article {
|
||||||
|
width: 500px;
|
||||||
|
height: 650px;
|
||||||
|
background-size: cover;
|
||||||
|
line-height: 230px;
|
||||||
|
text-align: center;
|
||||||
|
border-radius: 10px;
|
||||||
|
}
|
||||||
|
|
||||||
|
.block_article span {
|
||||||
|
color: white;
|
||||||
|
text-shadow: 2px 2px black;
|
||||||
|
font-size: 1.3em;
|
||||||
|
}
|
||||||
|
</style>
|
||||||
|
</head>
|
||||||
|
<body background="../processed/1616297771952.jpg">
|
||||||
|
<div class="section">
|
||||||
|
<div class="container">
|
||||||
|
<div class="columns is-variable is-4-desktop is-8-widescreen is-4-fullhd">
|
||||||
|
<div class="column is-one-third">
|
||||||
|
<div class="section">
|
||||||
|
<div class="container">
|
||||||
|
<article class="message" style="background: #ffe; background-color: rgb(255, 255, 238); background-position-x: center; background-position-y: top; background-repeat: repeat-x; background-attachment: scroll; background-size: auto; background-origin: padding-box; background-clip: border-box;">
|
||||||
|
<div class="message-body">
|
||||||
|
<p>
|
||||||
|
Un blog.<br>Come negli anni 2000.<br>Con molte meno speranze, e molte più feels.
|
||||||
|
</p>
|
||||||
|
<p>
|
||||||
|
<p><br>=^..^= =^..^= =^..^= =^..^= =^..^= =^..^= =^..^=<br></p>
|
||||||
|
<br><em>What a beautiful face<br>
|
||||||
|
I have found in this place<br>
|
||||||
|
That is circling all round the sun<br>
|
||||||
|
What a beautiful dream<br>
|
||||||
|
That could flash on the screen<br>
|
||||||
|
In a blink of an eye and be gone from me<br>
|
||||||
|
Soft and sweet<br>
|
||||||
|
Let me hold it close and keep it here with me<br></em>
|
||||||
|
</p>
|
||||||
|
<p><br>=^..^= =^..^= =^..^= =^..^= =^..^= =^..^= =^..^=<br></p>
|
||||||
|
<p>
|
||||||
|
<br>
|
||||||
|
Articoli:
|
||||||
|
<ul>
|
||||||
|
<li>█ <a href="bsg.html">Battlestar Galactica: a guide for watching the show</a></li>
|
||||||
|
<li>█ <a href="primer.html">Capire il film Primer</a></li>
|
||||||
|
<li>█ <a href="borderlands2.html">Tutta la verità su Borderlands 2 (WIP)</a></li>
|
||||||
|
</ul>
|
||||||
|
</p>
|
||||||
|
<p><br>=^..^= =^..^= =^..^= =^..^= =^..^= =^..^= =^..^=<br></p>
|
||||||
|
<p>
|
||||||
|
<br>
|
||||||
|
Si consiglia ai membry di lezzo di leggere direttamente il sorgente org mode degli articoli che solitamente contiene maggiori informazioni. Per fare questo basta modificare la url in: /blog/src/<nomefile>.org .
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<text transform="matrix(1 0 0 1 38 300)" font-family="'MSReferenceSansSerif'" font-size="10">undisturbed</text>
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<text transform="matrix(1 0 0 1 93 300)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 38 312)" font-family="'MSReferenceSansSerif'" font-size="10">timeline</text>
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<text transform="matrix(1 0 0 1 73 312)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 38 324)" font-family="'MSReferenceSansSerif'" font-size="10">decides to</text>
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<text transform="matrix(1 0 0 1 87 324)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 38 336)" font-family="'MSReferenceSansSerif'" font-size="10">time-travel</text>
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<text transform="matrix(1 0 0 1 138 276)" font-family="'MSReferenceSansSerif'" font-size="10">He activates a </text>
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<text transform="matrix(1 0 0 1 138 288)" font-family="'MSReferenceSansSerif'" font-size="10">delayed switch </text>
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<text transform="matrix(1 0 0 1 138 300)" font-family="'MSReferenceSansSerif'" font-size="10">and leaves the</text>
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<text transform="matrix(1 0 0 1 191 300)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 138 312)" font-family="'MSReferenceSansSerif'" font-size="10">area to avoid</text>
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<text transform="matrix(1 0 0 1 211 312)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 138 324)" font-family="'MSReferenceSansSerif'" font-size="10">encountering</text>
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<text transform="matrix(1 0 0 1 138 336)" font-family="'MSReferenceSansSerif'" font-size="10">his double </text>
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<text transform="matrix(1 0 0 1 176 324)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 199 336)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 374 276)" font-family="'MSReferenceSansSerif'" font-size="10">Original prepares </text>
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<text transform="matrix(1 0 0 1 444 288)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 374 300)" font-family="'MSReferenceSansSerif'" font-size="10">box, checking</text>
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<text transform="matrix(1 0 0 1 435 300)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 374 312)" font-family="'MSReferenceSansSerif'" font-size="10">stock prices. </text>
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<text transform="matrix(1 0 0 1 374 324)" font-family="'MSReferenceSansSerif'" font-size="10">Avoids causative</text>
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<text transform="matrix(1 0 0 1 374 336)" font-family="'MSReferenceSansSerif'" font-size="10">action</text>
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<text transform="matrix(1 0 0 1 530 262)" font-family="'MSReferenceSansSerif'" font-size="10">Original enters </text>
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<text transform="matrix(1 0 0 1 530 274)" font-family="'MSReferenceSansSerif'" font-size="10">the box, joining</text>
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<text transform="matrix(1 0 0 1 603 274)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 530 286)" font-family="'MSReferenceSansSerif'" font-size="10">the looped</text>
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<text transform="matrix(1 0 0 1 613 286)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 530 298)" font-family="'MSReferenceSansSerif'" font-size="10">timestream inside </text>
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<text transform="matrix(1 0 0 1 338 122)" font-family="'MSReferenceSansSerif'" font-size="10">Original waits out 6 hours </text>
|
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<text transform="matrix(1 0 0 1 338 134)" font-family="'MSReferenceSansSerif'" font-size="10">of subjective time as he</text>
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<text transform="matrix(1 0 0 1 432 134)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 338 146)" font-family="'MSReferenceSansSerif'" font-size="10">travels into the past, </text>
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<text transform="matrix(1 0 0 1 338 158)" font-family="'MSReferenceSansSerif'" font-size="10">becoming his double</text>
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<text transform="matrix(1 0 0 1 281 288)" font-family="'MSReferenceSansSerif'" font-size="10">starts and the</text>
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<text transform="matrix(1 0 0 1 337 300)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 267 447)" font-family="'MSReferenceSansSerif'" font-size="10">Double has 6 hours of </text>
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<text transform="matrix(1 0 0 1 267 459)" font-family="'MSReferenceSansSerif'" font-size="10">causal influence on both his</text>
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<text transform="matrix(1 0 0 1 399 459)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 267 471)" font-family="'MSReferenceSansSerif'" font-size="10">new timeline and </text>
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<text transform="matrix(1 0 0 1 267 483)" font-family="'MSReferenceSansSerif'" font-size="10">his original timeline</text>
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<text transform="matrix(1 0 0 1 533 447)" font-family="'MSReferenceSansSerif'" font-size="10">Double creates an </text>
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<text transform="matrix(1 0 0 1 533 471)" font-family="'MSReferenceSansSerif'" font-size="10">the double alone.</text>
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<text transform="matrix(1 0 0 1 615 471)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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|
<text transform="matrix(1 0 0 1 533 483)" font-family="'MSReferenceSansSerif'" font-size="10">The original loses</text>
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<text transform="matrix(1 0 0 1 623 483)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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|
<text transform="matrix(1 0 0 1 533 495)" font-family="'MSReferenceSansSerif'" font-size="10">his existence as </text>
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<text transform="matrix(1 0 0 1 621 495)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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<text transform="matrix(1 0 0 1 533 507)" font-family="'MSReferenceSansSerif'" font-size="10">such in the loop;</text>
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<text transform="matrix(1 0 0 1 625 507)" font-family="'MyriadPro-Regular'" font-size="10"> </text>
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|
<text transform="matrix(1 0 0 1 533 519)" font-family="'MSReferenceSansSerif'" font-size="10">his future is only</text>
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<text transform="matrix(1 0 0 1 533 531)" font-family="'MSReferenceSansSerif'" font-size="10">to enter the box</text>
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<text transform="matrix(1 0 0 1 363 557)" font-family="'MSReferenceSansSerif'" font-size="10">double exist</text>
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<text transform="matrix(1 0 0 1 363 569)" font-family="'MSReferenceSansSerif'" font-size="10">simultaneously</text>
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After Width: | Height: | Size: 47 KiB |
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@ -1,3 +1,7 @@
|
|||||||
|
#+AUTHOR: bparodi
|
||||||
|
#+TITLE: Tutta la verità su Borderlands 2 (WIP)
|
||||||
|
#+options: html-style:nil html-scripts:nil date:nil created:nil
|
||||||
|
#+HTML_HEAD: <link rel="stylesheet" href="articles.css">
|
||||||
* Borderlands2 per lezzi
|
* Borderlands2 per lezzi
|
||||||
|
|
||||||
Borderlands 2 e` un gioco che se affrontato con i giusti obiettivi
|
Borderlands 2 e` un gioco che se affrontato con i giusti obiettivi
|
||||||
@ -531,3 +535,314 @@ damaging skill tree.
|
|||||||
buttons, then Sal is not the character for you. Sal is broken.
|
buttons, then Sal is not the character for you. Sal is broken.
|
||||||
Role: Team carry/god-tier damage dealer/kill everything, what are
|
Role: Team carry/god-tier damage dealer/kill everything, what are
|
||||||
teammates. Sal is broken.
|
teammates. Sal is broken.
|
||||||
|
* TODO DLC
|
||||||
|
* Missioni
|
||||||
|
Questa è la lista completa delle missioni. L'indentazione indica che
|
||||||
|
la missione più a destra dipende dalla precedente. Le missioni
|
||||||
|
numerate sono le missioni obbligatorie che appartengono alla storia.
|
||||||
|
1. My First Gun
|
||||||
|
2. Blindsided
|
||||||
|
3. Cleaning Up the Berg
|
||||||
|
+ Handsome Jack Here!
|
||||||
|
+ This Town Ain't Big Enough
|
||||||
|
+ Bad Hair Day
|
||||||
|
+ Shielded Favors
|
||||||
|
+ Symbiosis
|
||||||
|
4. Best Minion Ever
|
||||||
|
+ Assassinate the Assassins
|
||||||
|
5. The Road to Sanctuary
|
||||||
|
+ The Name Game
|
||||||
|
+ Rock, Paper, Genocide: Fire Weapons!
|
||||||
|
+ Rock, Paper, Genocide: Shock Weapons!
|
||||||
|
+ Rock, Paper, Genocide: Corrosive Weapons!
|
||||||
|
+ Rock, Paper, Genocide: Slag Weapons!
|
||||||
|
6. Plan B
|
||||||
|
+ Claptrap's Secret Stash
|
||||||
|
+ Do No Harm
|
||||||
|
+ Medical Mystery
|
||||||
|
+ Medical Mystery: X-Com-municate
|
||||||
|
+ No Vacancy
|
||||||
|
+ Neither Rain Nor Sleet Nor Skags
|
||||||
|
+ Too Close For Missiles
|
||||||
|
7. Hunting the Firehawk
|
||||||
|
+ In Memoriam
|
||||||
|
+ Cult Following: Eternal Flame
|
||||||
|
+ Cult Following: False Idols
|
||||||
|
+ Cult Following: Lighting the Match
|
||||||
|
+ Cult Following: The Enkindling
|
||||||
|
+ Positive Self Image
|
||||||
|
8. A Dam Fine Rescue
|
||||||
|
+ Mighty Morphin'
|
||||||
|
+ You Are Cordially Invited: Party Prep
|
||||||
|
+ You Are Cordially Invited: RSVP
|
||||||
|
+ You Are Cordially Invited: Tea Party
|
||||||
|
+ Out of Body Experience
|
||||||
|
+ Splinter Group
|
||||||
|
+ No Hard Feelings
|
||||||
|
+ Mine, All Mine
|
||||||
|
+ The Pretty Good Train Robbery
|
||||||
|
9. A Train to Catch
|
||||||
|
+ The Ice Man Cometh
|
||||||
|
10. Rising Action
|
||||||
|
+ Bandit Slaughter: Round 1
|
||||||
|
+ Bandit Slaughter: Round 2
|
||||||
|
+ Bandit Slaughter: Round 3
|
||||||
|
+ Bandit Slaughter: Round 4
|
||||||
|
+ Bandit Slaughter: Round 5
|
||||||
|
+ The Good, the Bad, and the Mordecai
|
||||||
|
+ Slap-Happy
|
||||||
|
+ Stalker of Stalkers
|
||||||
|
+ Best Mother's Day Ever
|
||||||
|
+ Safe and Sound
|
||||||
|
+ Minecart Mischief
|
||||||
|
+ Arms Dealing
|
||||||
|
+ Swallowed Whole
|
||||||
|
+ The Cold Shoulder
|
||||||
|
+ Note for Self-Person
|
||||||
|
+ Perfectly Peaceful
|
||||||
|
+ Won't Get Fooled Again
|
||||||
|
+ Clan War: Starting the War
|
||||||
|
+ Clan War: First Place
|
||||||
|
+ Clan War: Reach the Dead Drop
|
||||||
|
+ Clan War: End of the Rainbow
|
||||||
|
+ Clan War: Trailer Trashing
|
||||||
|
+ Clan War: Wakey Wakey
|
||||||
|
+ Clan War: Zafords vs. Hodunks
|
||||||
|
11. Bright Lights, Flying City
|
||||||
|
+ Claptrap's Birthday Bash!
|
||||||
|
+ The Overlooked: Medicine Man
|
||||||
|
+ The Overlooked: Shields Up
|
||||||
|
+ The Overlooked: This is Only a Test
|
||||||
|
+ Hidden Journals
|
||||||
|
+ Torture Chairs
|
||||||
|
+ Doctor's Orders
|
||||||
|
12. Wildlife Preservation
|
||||||
|
+ Rakkaholics Anonymous
|
||||||
|
+ Poetic License
|
||||||
|
+ Animal Rights
|
||||||
|
+ Shoot This Guy in the Face
|
||||||
|
13. The Once and Future Slab
|
||||||
|
+ The Bane
|
||||||
|
+ Home Movies
|
||||||
|
+ Hell Hath No Fury
|
||||||
|
+ Written by the Victor
|
||||||
|
+ Statuesque
|
||||||
|
+ Rocko's Modern Strife
|
||||||
|
+ Defend Slab Tower
|
||||||
|
+ Hyperion Contract \#873
|
||||||
|
+ 3:10 to Kaboom
|
||||||
|
+ Breaking the Bank
|
||||||
|
+ Showdown (after both 3:10 to Kaboom and Breaking the
|
||||||
|
Bank are complete)
|
||||||
|
+ Animal Rescue: Medicine
|
||||||
|
+ Animal Rescue: Food
|
||||||
|
+ Animal Rescue: Shelter
|
||||||
|
14. The Man Who Would Be Jack
|
||||||
|
15. Where Angels Fear to Tread
|
||||||
|
+ BFFs
|
||||||
|
+ Bearer of Bad News
|
||||||
|
+ Demon Hunter (after Animal Rescue: Shelter is complete)
|
||||||
|
16. Where Angels Fear to Tread (Part 2)
|
||||||
|
+ Hyperion Slaughter: Round 1
|
||||||
|
+ Hyperion Slaughter: Round 2
|
||||||
|
+ Hyperion Slaughter: Round 3
|
||||||
|
+ Hyperion Slaughter: Round 4
|
||||||
|
+ Hyperion Slaughter: Round 5
|
||||||
|
+ The Chosen One
|
||||||
|
+ Monster Mash (Part 1)
|
||||||
|
+ Monster Mash (Part 2)
|
||||||
|
+ Monster Mash (Part 3)
|
||||||
|
+ A Real Boy: Clothes Make the Man
|
||||||
|
+ A Real Boy: Face Time
|
||||||
|
+ A Real Boy: Human
|
||||||
|
+ Customer Service
|
||||||
|
+ Kill Yourself
|
||||||
|
+ To Grandmother's House We Go
|
||||||
|
+ Capture the Flags
|
||||||
|
+ The Lost Treasure
|
||||||
|
+ The Great Escape
|
||||||
|
17. Toil and Trouble
|
||||||
|
+ Hungry Like the Skag
|
||||||
|
+ This Just In
|
||||||
|
+ Uncle Teddy
|
||||||
|
+ Get to Know Jack
|
||||||
|
18. Data Mining
|
||||||
|
19. The Talon of God
|
||||||
|
+ You. Will. Die. (Seriously.)
|
||||||
|
** Captain Scarlett and Her Pirate's Booty DLC
|
||||||
|
1. A Warm Welcome
|
||||||
|
2. My Life For A Sandskiff
|
||||||
|
+ Fire Water
|
||||||
|
+ Message In A Bottle (Oasis)
|
||||||
|
+ Message In A Bottle (Wurmwater)
|
||||||
|
3. A Study in Scarlett
|
||||||
|
+ Giving Jocko A Leg Up
|
||||||
|
+ Wingman
|
||||||
|
+ Burying The Past
|
||||||
|
+ Man's Best Friend
|
||||||
|
4. Two Easy Pieces
|
||||||
|
+ Declaration Against Independents
|
||||||
|
+ Smells Like Victory
|
||||||
|
+ Ye Scurvy Dogs
|
||||||
|
+ Grendel
|
||||||
|
+ Message In A Bottle (Hayter's Folly)
|
||||||
|
5. The Hermit
|
||||||
|
+ Just Desserts For Desert Deserters
|
||||||
|
6. Crazy About You
|
||||||
|
+ Message In A Bottle (The Rustyards)
|
||||||
|
7. Whoops
|
||||||
|
+ Catch a Ride and Also Tetanus
|
||||||
|
+ I Know It When I See It
|
||||||
|
+ Don't Copy That Floppy
|
||||||
|
+ Freedom Of Speech (after having entered
|
||||||
|
Magnys Lighthouse for the first time)
|
||||||
|
8. Let There Be Light
|
||||||
|
+ Message In A Bottle (Magnys Lighthouse)
|
||||||
|
+ Faster than the Speed of Love
|
||||||
|
9. X Marks The Spot
|
||||||
|
+ Treasure of The Sands
|
||||||
|
+ Hyperius the Invincible
|
||||||
|
+ Master Gee the Invincible
|
||||||
|
** Mr. Torgue's Campaign of Carnage DLC
|
||||||
|
1. Highway To Hell
|
||||||
|
2. Welcome To The Jungle
|
||||||
|
3. Battle: Appetite for Destruction
|
||||||
|
4. Burn, Baby, Burn
|
||||||
|
5. Battle: Bar Room Blitz
|
||||||
|
+ Tier 2 Battle: Bar Room Blitz
|
||||||
|
+ Tier 3 Battle: Bar Room Blitz
|
||||||
|
+ Tier 3 Rematch: Bar Room Blitz
|
||||||
|
6. ChopSuey
|
||||||
|
+ Totally Recall
|
||||||
|
7. A Montage
|
||||||
|
8. Eat Cookies and Crap Thunder
|
||||||
|
+ Number One Fan
|
||||||
|
+ Walking the Dog
|
||||||
|
+ Mother-Lover
|
||||||
|
9. Battle: The Death Race
|
||||||
|
+ Tier 2 Battle: The Death Race
|
||||||
|
+ Tier 3 Battle: The Death Race
|
||||||
|
+ Tier 3 Rematch: The Death Race
|
||||||
|
+ Monster Hunter
|
||||||
|
+ Matter Of Taste
|
||||||
|
+ Everybody Wants to be Wanted
|
||||||
|
+ Interview with a Vault Hunter
|
||||||
|
10. Get Your Motor Running
|
||||||
|
+ Gas Guzzlers
|
||||||
|
11. Breaking and Entering
|
||||||
|
12. Knockin' on Heaven's Door
|
||||||
|
+ Say That To My Face
|
||||||
|
13. Battle: Twelve O'Clock High
|
||||||
|
+ Tier 2 Battle: Twelve O'Clock High
|
||||||
|
+ Tier 3 Battle: Twelve O'Clock High
|
||||||
|
+ Tier 3 Rematch: Twelve O'Clock High
|
||||||
|
+ My Husband the Skag
|
||||||
|
+ Commercial Appeal
|
||||||
|
14. Kickstart My Heart
|
||||||
|
15. Long Way To The Top
|
||||||
|
+ Tier 2 Battle: Appetite for Destruction
|
||||||
|
+ Tier 3 Battle: Appetite for Destruction
|
||||||
|
+ Tier 3 Rematch: Appetite for Destruction
|
||||||
|
+ Pete the Invincible
|
||||||
|
** Sir Hammerlock's Big Game Hunt DLC
|
||||||
|
1. Savage Lands
|
||||||
|
2. Professor Nakayama, I Presume?
|
||||||
|
+ I Like My Monsters Rare
|
||||||
|
+ Egg on Your Face
|
||||||
|
+ Still Just a Borok in a Cage
|
||||||
|
+ An Acquired Taste
|
||||||
|
3. A-Hunting We Will Go
|
||||||
|
+ Palling Around
|
||||||
|
+ Urine, You're Out
|
||||||
|
+ Follow The Glow
|
||||||
|
+ The Rakk Dahlia Murder
|
||||||
|
+ Ol' Pukey
|
||||||
|
+ Nakayama-rama
|
||||||
|
4. The Fall of Nakayama
|
||||||
|
+ Big Feet
|
||||||
|
+ Now You See It
|
||||||
|
+ Voracidous the Invincible
|
||||||
|
** Tiny Tina's Assault on Dragon Keep DLC
|
||||||
|
1. A Role-Playing Game
|
||||||
|
2. Denial, Anger, Initiative
|
||||||
|
+ Post-Crumpocalyptic
|
||||||
|
+ Ell in Shining Armor
|
||||||
|
+ Roll Insight
|
||||||
|
+ Fake Geek Guy
|
||||||
|
+ MMORPGFPS
|
||||||
|
+ Critical Fail
|
||||||
|
+ Tree Hugger
|
||||||
|
+ Lost Souls
|
||||||
|
3. Dwarven Allies
|
||||||
|
+ The Beard Makes the Man
|
||||||
|
+ My Kingdom for a Wand
|
||||||
|
+ The Claptrap's Apprentice
|
||||||
|
+ The Sword in The Stoner
|
||||||
|
4. A Game of Games
|
||||||
|
+ Winter is a Bloody Business
|
||||||
|
+ Loot Ninja
|
||||||
|
+ My Dead Brother
|
||||||
|
+ The Amulet
|
||||||
|
+ Pet Butt Stallion (available after A Game of Games is complete)
|
||||||
|
+ Feed Butt Stallion
|
||||||
|
+ Find Murderlin's Temple (available after A Game of Games is
|
||||||
|
complete)
|
||||||
|
+ Magic Slaughter: Round 1
|
||||||
|
+ Magic Slaughter: Round 2
|
||||||
|
+ Magic Slaughter: Round 3
|
||||||
|
+ Magic Slaughter: Round 4
|
||||||
|
+ Magic Slaughter: Round 5
|
||||||
|
+ Magic Slaughter: Badass Round
|
||||||
|
+ The Magic of Childhood
|
||||||
|
+ Raiders of the Last Boss (available after Fake Geek Guy and A
|
||||||
|
Game of Games is complete)
|
||||||
|
** Commander Lilith & the Fight for Sanctuary
|
||||||
|
1. The Dawn of New Pandora
|
||||||
|
2. Spore Chores
|
||||||
|
+ The Oddest Couple
|
||||||
|
3. Winging It
|
||||||
|
+ The Vaughnguard
|
||||||
|
+ Space Cowboy
|
||||||
|
+ Hypocritical Oath
|
||||||
|
4. A Hard Place
|
||||||
|
+ The Hunt is Vaughn
|
||||||
|
+ Cadeuceus
|
||||||
|
5. Shooting The Moon
|
||||||
|
+ Sirentology
|
||||||
|
+ Claptocurrency
|
||||||
|
6. The Cost of Progress
|
||||||
|
+ Echoes of the Past
|
||||||
|
7. Paradise Found
|
||||||
|
+ A Most Cacophonous Lure
|
||||||
|
+ My Brittle Pony
|
||||||
|
+ BFFFs
|
||||||
|
+ Chief Executive Overlord
|
||||||
|
** Non-Campaign DLC
|
||||||
|
*** Creature Slaughterdome
|
||||||
|
+ Creature Slaughter: Round 1
|
||||||
|
+ Creature Slaughter: Round 2
|
||||||
|
+ Creature Slaughter: Round 3
|
||||||
|
+ Creature Slaughter: Round 4
|
||||||
|
+ Creature Slaughter: Round 5
|
||||||
|
*** The Raid on Digistruct Peak
|
||||||
|
+ Dr. T and the Vault Hunters
|
||||||
|
+ A History of Simulated Violence
|
||||||
|
+ More History of Simulated Violence
|
||||||
|
*** Headhunter Packs
|
||||||
|
**** T.K. Baha's Bloody Harvest
|
||||||
|
1. The Bloody Harvest
|
||||||
|
+ Trick Or Treat
|
||||||
|
**** The Horrible Hunger of the Ravenous Wattle Gobbler
|
||||||
|
1. The Hunger Pangs
|
||||||
|
+ Grandma Flexington's Story
|
||||||
|
+ Grandma Flexington's Story: Raid Difficulty
|
||||||
|
**** How Marcus Saved Mercenary Day
|
||||||
|
1. Get Frosty
|
||||||
|
+ Special Delivery
|
||||||
|
**** Mad Moxxi and the Wedding Day Massacre
|
||||||
|
1. A Match Made on Pandora
|
||||||
|
+ Learning to Love
|
||||||
|
**** Sir Hammerlock vs. the Son of Crawmerax
|
||||||
|
1. Fun, Sun, and Guns
|
||||||
|
+ Victims Of Vault Hunters
|
||||||
|
* TODO Azioni irripetibili
|
||||||
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blog/src/primer.org
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Reference in New Issue
Block a user