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inizio pirateria

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<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
<head>
<!-- 2022-01-24 Mon 13:25 -->
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
<meta name="viewport" content="width=device-width, initial-scale=1" />
<title>Guida alle sigle della pirateria</title>
<meta name="generator" content="Org mode" />
<meta name="author" content="bparodi" />
<link rel="stylesheet" href="articles.css">
</head>
<body>
<div id="content">
<h1 class="title">Guida alle sigle della pirateria</h1>
<table border="2" cellspacing="0" cellpadding="6" rules="groups" frame="hsides">
<colgroup>
<col class="org-left" />
<col class="org-left" />
<col class="org-left" />
</colgroup>
<thead>
<tr>
<th scope="col" class="org-left">Acronimo</th>
<th scope="col" class="org-left">Spiegazione</th>
<th scope="col" class="org-left">Altro</th>
</tr>
</thead>
<tbody>
<tr>
<td class="org-left">CAM, HDCAM, DV</td>
<td class="org-left">Bassa qualità</td>
<td class="org-left">Bootleg, DV sta per Digital Video (camera)</td>
</tr>
<tr>
<td class="org-left">HDTS</td>
<td class="org-left">Bootleg prodotto usando una telecamera di alta qualità e un ingresso di linea per l'audio</td>
<td class="org-left">High Definition Telesync</td>
</tr>
<tr>
<td class="org-left">WP</td>
<td class="org-left">Bootleg estremamente raro ottenuto trafugando dai direttori o alla sorgente</td>
<td class="org-left">Workprint</td>
</tr>
<tr>
<td class="org-left">TC, HDTC</td>
<td class="org-left">Copia ottenuta tramite una macchina chiamata telecine, rippando in sala</td>
<td class="org-left">TELECINE</td>
</tr>
<tr>
<td class="org-left">PPV</td>
<td class="org-left">Pay per view rip. Comune prima dei WEB-DL</td>
<td class="org-left">Pay per view</td>
</tr>
<tr>
<td class="org-left">SCR</td>
<td class="org-left">Rip dalle anteprime distribuite ai critici e altri operatori del settore</td>
<td class="org-left">Solitamente con il prefisso del sorgente, come DVDSCR</td>
</tr>
<tr>
<td class="org-left">DDC</td>
<td class="org-left">Come uno screener ma distribuito digitalmente</td>
<td class="org-left">Digital distribution copy</td>
</tr>
<tr>
<td class="org-left">R5</td>
<td class="org-left">DVD di bassa qualità distribuito in Russia per limitare la pirateria</td>
<td class="org-left">Region five</td>
</tr>
<tr>
<td class="org-left">DVDRIP</td>
<td class="org-left">Rencoding fatto dal DVDR</td>
<td class="org-left">Solitamente release a bassa banda del 2000</td>
</tr>
<tr>
<td class="org-left">DVDmux</td>
<td class="org-left">Remux fatto dal DVDR</td>
<td class="org-left">Solitamente release a bassa banda del 2000</td>
</tr>
<tr>
<td class="org-left">DVD-R, DVD-5, DVD-9</td>
<td class="org-left">Lossless rip dal DVD</td>
<td class="org-left">A volte compare la scritta ISO</td>
</tr>
<tr>
<td class="org-left">HDTV, PDTV, DSRIP, SATRIP, DTVRIP, DTHRIP</td>
<td class="org-left">Rip solitamente lossless dello stream televisivo</td>
<td class="org-left">&#xa0;</td>
</tr>
<tr>
<td class="org-left">VOD, VODrip</td>
<td class="org-left">Come HDTV ma da servizi di video on demand</td>
<td class="org-left">&#xa0;</td>
</tr>
<tr>
<td class="org-left">HC HDRip</td>
<td class="org-left">Rip ottenuti da servizi VOD asiatici con sottotitoli in burn-in</td>
<td class="org-left">Hard coded</td>
</tr>
<tr>
<td class="org-left">WEBcap</td>
<td class="org-left">Come VOD ma da servizi di streaming online</td>
<td class="org-left">Web capture</td>
</tr>
<tr>
<td class="org-left">WEB-dl, WEBDL</td>
<td class="org-left">Lossless rip da servizi di streaming</td>
<td class="org-left">&#xa0;</td>
</tr>
<tr>
<td class="org-left">BRRip, BRR</td>
<td class="org-left">Rip da bluray con transcoding</td>
<td class="org-left">&#xa0;</td>
</tr>
<tr>
<td class="org-left">BDrip, BDR, BDmux, BDMV</td>
<td class="org-left">Lossless rip da bluray, spesso con un remux</td>
<td class="org-left">&#xa0;</td>
</tr>
<tr>
<td class="org-left">BD25, BD50, BD5, BD9, BDISO,</td>
<td class="org-left">Copia lossless da bluray</td>
<td class="org-left">Spesso mantiene la stessa struttura binaria del disco originale</td>
</tr>
<tr>
<td class="org-left">VU</td>
<td class="org-left">Copia 1:1 dal formato originale</td>
<td class="org-left">&#xa0;</td>
</tr>
</tbody>
</table>
</div>
<div id="postamble" class="status">
<p class="author">Author: bparodi</p>
</div>
</body>
</html>

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<html>
<head>
<title>...::: Official MP3 Rules v1.0 :::...</title>
</head>
<body BGCOLOR=#A5A298 TEXT=#ffffff LINK=#000000 ALINK=#909090 VLINK=#909090>
<style type=text/css>
tr{background-color:#585650;}
td{font-family:helvetica,verdana,tahoma,arial; font-size:10pt; color:#ffffff; text-align:left;}
a:hover{font-family:helvetica,verdana,tahoma,arial; font-size:14pt; color:#ffffff; text-decoration:none;}
a:link{font-family:helvetica,verdana,tahoma,arial; font-size:14pt; color:#000000; text-decoration:none;}
a:visited{font-family:helvetica,verdana,tahoma,arial; font-size:14pt; color:#000000; text-decoration:none;}
a:active{font-family:helvetica,verdana,tahoma,arial; font-size:14pt; color:#ffffff; text-decoration:none;}
</style>
<CENTER>
<BR>
<FONT FACE="Verdana, Arial, Helvetica" SIZE="4" COLOR="#ffeeaa"><B><U>
Official MP3 Release Rules 1.0 (with notes)
</B></U></FONT>
<br>
<HR SIZE="1" WIDTH="80%" NOSHADE>
<TABLE WIDTH="90%" BORDER="0" CELLSPACING="0" CELLPADDING="20">
<tr>
<td>
<FONT FACE="Verdana, Arial, Helvetica" SIZE="2" COLOR="#ffffff">
<OL>
<LI>
<B>No Dupes !</B> <BR>
Complete albums/releases are checked, not single tracks. So a release is not a dupe if it has different or more tracks.<BR>
Exceptions: <BR>
<OL>
<LI>It's also a dupe if the complete release is included in a previous one.
For example CDM is released, now someone releases the CDS and all tracks of the CDS were already included on the CDM (excactly the same tracks).<BR>
<BR>
<LI>You are allowed to create a duplicate release from a release that has a source of lower quality.<br>
Example: if vinyl is out then a CD-release is allowed.<br>
If you do that then please add this info to NFO and dirname.<br>
For online bought MP3s (-WEB-) we assume the best source quality (CDDA or better) -> you need proofs that
your source is better if you want to dupe a web release.<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
That does not mean every WEB release is perfect. If there are probs with the WEB release like "bad rip", "bad quality", etc then of course it's allowed to proper.
</B></FONT></i>
<BR>
<LI>All MIXED cds should be ripped as one track supplied with a .cue.
If they are not, they may be duped by another group that releases it as one track with a .cue supplied.<BR>
<BR>
</OL>
Note: if you want to release an import-album or some "extendend edition" then check rule 7 as well !<br>
<LI>
<BR>
<B>An .SFV and .NFO file must be included in every release. </B><BR>
If you release a CUE file for multitrack mp3s then the CUE file must
include artist and tracknames if they are available on the cover or inlay.<br>
<BR>
<LI>
<B>Directoryname must at least contain:</B> <BR>
<OL>
<LI>
Artist Name - Title - Published Year (decimal) - Group name<BR>
(extra info is allowed of course)<BR>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
That "(decimal)" has been added because in the past some groups thought it's funny to write roman numerals. There is
only one system allowed: decimal integer numbers using the gregorian calender. Other systems getting nuked.
</B></FONT></i>
<br>
<LI>
All bootleg releases must have the word BOOTLEG in dirname. (check bootleg rule 14)<br>
<br>
<LI>
If you release magazine CDs then you must tag them as -MAG-.
Don't tag them -PROMO-, -ADVANCE- etc..<br>
</OL>
<br>
Exception:<br>
If a vinyl/cd has no title then it's allowed to replace the title by
labelname+catnumber (both!). If there is only one artist on the vinyl/cd
then you must add the artistname.<br>
<BR>
<LI>
<B>Filename must at least contain: </B><BR>
Track Number - Song Title <BR>
If it's an album with different artists (one artist per track) then you must add the artist name as well
("VA-tracks" like mixes don't need artistnames).
<BR>
Make sure that your filename is unique otherwise some sites might dupeskip.<BR>
<br>
Exception:<br>
If no tracknames are supplied by the source (cd,vinyl,..) then you *must* provide proof
that these tracks have no names.
Either by a scan of the original cover of the record company/label (no selfmade cdr or bootleg covers)
or a link to an official or trusted webpage with proofs.
If these "untitled tracks" are part of a big mix (no silence between the "tracks") then it's
considered as one track and you must rip it as one mp3/cue and give this track same name as the
"album".<br>
<BR> <LI>
<B>Files/directories must only contain characters a-z A-Z 0-9 _ . - () </B><BR>
This is to avoid problems with windows/linux-filesystem and ftp-servers.<BR>
<BR>
<LI>
<B>Self-made releases</B><BR>
<OL>
<LI>Self-made <b>compilations</b> are not allowed !<br>
A self-made compilation is when you select tracks from other sources, put
them together and release that as something new. <br>
<br>
<LI>
A self-made <b>MIX</b> or <b>completely self-made music</b> is allowed if it's good.
Sites decide if it's shit by nuking it. <BR>
If you are releasing self-made stuff then that <b>must</b> be clearly visible in your nfo.<BR>
If it's not possible to see that it's self-made then it will get nuked as bad pack.<br>
<br>
Exception: if the selfmade release is free available at release time or when you obviously know that it will
be available soon then it's not allowed to release it.<br>
</OL><br>
If it's not clear if it's selfmade or not and it's not possible to find any information about
the release/artist/label then it's up to the group to prove that this release is not selfmade
(coverscan, url, ...). If they are not able to prove that it's real it will get nuked as bad pack.<br>
<br><FONT COLOR="#ffeeaa"><B><i>
Note:<br>
"self-made" means done by you or a groupmember or a close friend. So your group is "publishing" it.
Such a rip also needs a -HOMEMADE- tag. Check Source Rule.
So it's allowed to release your own music but it must be clearly visible to avoid that groups release some
fakecrap to get credits.
</B></FONT></i>
<br>
<BR>
<LI>
<B>The entire CD,Vinyl,etc. must be released (not individual tracks)</B><BR>
If you think it's too much work to rip all tracks you better don't rip at
all. Releasing the complete CD/Vinyl/.. is necessary because otherwise it
would be possible to make several (different) releases of the same
cd/vinyl/etc..<BR>
<BR>
Exception for albums:<br>
If a RETAIL album has been released in different editions and the only difference
is one or more bonus tracks (imports) then it's allowed to release the
bonustrack(s) only. But you may NOT re-release an entire inital edition within
the first three months.<br>
<br>
Example: album released in US with 10 tracks, japanese edition with 11 tracks
(1 bonus track that is a new song) then you MUST release the jap bonus track
only (without including previously released tracks of the US album) during
the first three months after first full retail release. If it's more than 3 months
later then you are allowed to do either the bonustrack-only or the full album.<br>
<br>
Moreover, it is NOT allowed to re-release a new edition of an retail album EVER if the
extra/bonus tracks are already included in one (!) previous release. For example,
USA album is released and four months later japanese with simply a remix from
an old CDM/CDS still wouldn't be allowed.<br>
<br>
For DVD(A) releases check Rule 10.<br>
<br>
<LI>
<B>Current maximum directory/filename-length is 128 characters </B><BR>
Exception: Dirfixes that reach the limit by adding "-DIRFIX-"<br>
<BR>
<LI>
<B>No fake-releases</B><BR>
It's a fake release when artist, title, group or source is incorrect (different).<br>
examples:<br>
- Some_Artist-Crappy_Music-2004-<b>GRP</b> not released by GRP<br>
- Another_Artist-Lots_of_Noise-<b>CDM</b>-2004-GRP was ripped from TV or downloaded from a paysite<br>
- <b>Madonna</b>-Something_New-2004-GRP really containing some tracks by Marilyn Manson<br>
<BR>
<LI>
<b>DVD/DVDA Ripping</b><br>
A DVD/DVDA release must contain all music tracks. Additional tracks
(interviews etc.) are optional. If those extra tracks are not
included then a proper (with ALL tracks) or an additional release
(extra tracks only) is not allowed.<br>
<br>
If tracks are available in several audio formats then you must use
the "best" version.<br>
Priority is: <br>
- PCM stereo (doesn't matter if DVDA or CDDA quality) <br>
- PCM 3+ channels <br>
- AC3 (dolby digital) stereo or DTS stereo <br>
- AC3 (dolby digital) 3+ channels or DTS 3+ channels <br>
- MPG <br>
<br>
Examples:<br>
- DVD contains AC3 5.1 and AC3 2.0 => you must rip the AC3 2.0 tracks<br>
- DVD contains PCM and AC3 2.0 => you must rip the PCM tracks<br>
- DVD contains MPG and AC3 2.0 => you must rip the AC3 2.0 version<br>
<br>
Normalizing the sound volume is allowed but optional.<br>
<br><FONT COLOR="#ffeeaa"><B><i>
Note:<br>
Normalizing means increase the volume without loosing any sound information.
Some audio tools are able to do that if the volume of the source is too low.<br>
</B></FONT><br></i>
<BR>
<LI>
<B>Encoding Quality</B><BR>
<OL>
<LI> For releases made from MP3s (online bought):<br>
VBR (all combinations, but no maximum bitrate limit) and CBR is allowed.
The minumum bitrate for CBR is 192kbit.<br>
<br>
=> You release the MP3 as is. It is NOT allowed to re-encode! If
the source is below 192 kbit CBR it's not allowed to release it.
Release the MP3 unmodifed as you downloaded it. Only adding/changing
ID3 tag is allowed.<br>
<br>
<LI> For ALL other sources (CD, Vinyl, DVD, etc.):<br>
You must use either: <br>
- <b>LAME 3.97</b> (final version!) with preset V2 and VBRNEW ("<b>-V2 --vbr-new</b>") or <br>
- <b>LAME 3.90.3</b> (modified version preferred) with preset APS ("<b>--alt-preset standard</b>").<br>
For both LAME versions additional switches which would affect the
mp3 quality are forbidden, especially no minimum or maximum bitrate limits.<br>
<br>
If you use LAME 3.90.3: preset must either be stored in mp3 header (= modified
LAME version) or be part of info in your nfo file.<br>
<br>
(If you are going to change your encoder now then switch to 3.97. LAME 3.90.3 will
be removed from this rule sooner or later)<br>
<br><FONT COLOR="#ffeeaa"><B><i>
Note:<br>
Everyone should switch to 3.97 now. 3.90.3 is not really up2date anymore. 3.90.3 still is allowed
to give groups more time to switch. But 3.90.3 wont be allowed forever.
</B></FONT><br></i>
<br>
</OL>
<BR>
<LI>
<B>Promos</B><BR>
If a release is considered not to have every track from the source
then it must be labeled as a promo and can be duped by any legitimate
retail release that DOES contain all tracks. The legitimate release can
be identified by the CAT number, or more suitable proof.<BR>
<BR>
Promos do not have to contain track listings, they are promotional
material, they are not considered legitimate releases, and are still
governed by quality rules.<BR>
<BR>
If you release a promo when the retail is already out then you must
provide proof that this promo is real to make sure this is not a selfmade "promo".<br>
<br>
to reduce amount of fakes:<br>
A <b>one track promo single release</b> must include cover scans/photos.<BR>
<BR>
<LI>
<B>Re-encodes</b> are not allowed.<BR>
Exception: releases of following sources are currently allowed if they are tagged correctly:<br>
<b>DVD</b>, <b>DAB</B>, <b>DTV/DVB/ISDB</b> (compressed digital tv/radio sat,cable,terrestrial), <b>MD</b> (live)</b><br>
<BR>
<LI>
All <b>bootleg releases</b> must have the word BOOTLEG in dirname<br>
A bootleg recording is a cd/vinyl/dvd that was not officially released
by the person/company owning the rights to do that (for example
streetmixes, pirate live cds, etc).<br>
<br>
Because very often it's not 100% clear if something is bootleg there
are conditions when we assume something is or isn't bootleg. This is
not a defnition of "bootleg" and if a condition is not true then it
does not mean the opposite is true. This only helps nukers and groups
to decide if a bootleg tag is needed and hopefully leads to more fair
nuking.<br>
<br>
conditions for:<br>
<u>[records done completely by the artist] (no samples from other artists)</u><br>
It's bootleg if ...<br>
- there are no signs that the label really released this<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
For example someone creates a Madonna bootleg which looks like a retail.
With logo of label, barcode etc. Everything like a normal Madonna album.
But it never has been released by the label (or Madonna).
</B></FONT></i><br>
- the "label" has no connection to the artist<br>
(independent releases (no label, own label) are allowed and don't need
a bootleg tag)<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
For example rapper SuperKewl releases his records with virgin logo because
it looks more professional. But virgin never heard of that guy. No info that
he ever signed, no interviews or articles about that and no info about him on
virgins homepage.</B></FONT></i><br>
<br>
even if the conditions above are true it is NOT bootleg if:<br>
- the record is available at at least 3 major retail shops <br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
When it's on the big shops we just assume everything is ok and not bootleg (even when it looks suspicous).
</B></FONT></i><br>
<br>
<br>
conditions for:<br>
<u>[mixes] (samples of other artists included)</u><br>
It's not bootleg if ...<br>
- the record is available at at least 3 major retail shops<br>
- the label exists and lists the record and the label never released
any bootlegs and released stuff that was available at major
retail shops<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
If the label already had records on amazon, cduniverse etc and never released
any bootlegs then we assume it's a serious label and doesn't do illegal things.
</B></FONT></i><br>
- the artist or label of the samples confirms this release is valid (on
their webpage or some other trusted place)<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
The owner of the rights for those samples confirmes it was allowed to use
them. Then of course we also assume it's ok.
</B></FONT></i><br>
<br>
<br>
"major retail shops" currently are: <br>
www.amazon.com (.de, .fr ...) <br>
www.bestbuy.com <br>
www.walmart.com <br>
www.cduniverse.com <br>
www.virginmegastores.co.uk (.gr, .fr, .jp) (US shop excluded) <br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
The US shop of virgin megastores is excluded because it's identical to amazon.com.
</B></FONT></i><br>
www.sonymusicstore.com <br>
www.juno.co.uk <br>
www.deejay.de <br>
www.ukdancerecords.com <br>
www.dancegrooves.com <br>
www.threebeatrecords.co.uk <br>
www.4djsonly.com<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
shops 1-6 are CD shops, 7-12 vinyl shops.
</B></FONT></i><br>
<br>
The shop itself must sell the record (no private sellers).<br>
<BR>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
The shop list will probably change when it turns out that it doesn't have enough shops, has too many or needs shops replaced.<br>
</B></FONT></i><br>
<LI>
<B>FREE MP3s</B><BR>
If music in mp3 format in acceptable quality (CBR 192kbit minimum) or files in a lossless format
(wav/flac/...) are legally available for download on the net at no cost (artist / record company allows it)
then it's NOT allowed to release those files or mp3s of the same tracks you made from this or other sources
(cd/vinyl/...).<BR>
<BR>
<LI>
<B>SOURCE</B><BR>
The tracks of a release must all be from the same source and have the same
quality/cbr-bitrate/vbr-setting. Taking tracks from other scene releases or internal group
releases of other groups is strictly forbidden.<BR>
If the source is not a pressed CDDA then the directory name needs a valid source tag.
Valid tags are listed below.<br>
<table width=100%><tr><td BGCOLOR=#7e7b72>
<table width=100%>
<tr>
<td colspan=4 bgcolor=#8E8B82>
<b>RETAIL SOURCES</b>
</td>
</tr>
<tr>
<td><i>Source</i></td>
<td><i>DirTag needed (enforced)</i></td>
<td><i>DirTag suggested</i></td>
<td><i>Extra NFO info needed</i></td>
</tr>
<tr>
<td>CD SINGLE (pressed)</td>
<td>-<b>CDS</b>- or -<b>CDM</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>CD ALBUM (pressed)</td>
<td>-</td>
<td>-<b>CDA</b>- (-2CDA- -3CDA- etc.)</td>
<td>-</td>
</tr>
<tr>
<td>CD OTHER (pressed)</td>
<td>-</td>
<td>-<b>CD</b>- (-2CD- -3CD- etc.), -CDEP-</td>
<td>-</td>
</tr>
<tr>
<td>VINYL SINGLE</td>
<td>-<b>VLS</b>- or -VINYL-</td>
<td>-VLS-</td>
<td>-</td>
</tr>
<tr>
<td>VINYL ALBUM</td>
<td>-<b>LP</b>- or -VINYL-</td>
<td>-LP-</td>
<td>-</td>
</tr>
<tr>
<td>VINYL OTHER</td>
<td>-<b>VINYL</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td colspan=4>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
-EP- is NOT a vinyl tag. The -EP- is also used for CDs.
</B></FONT></i><br>
</td>
</tr>
<tr>
<td>DVD (pressed video DVD)</td>
<td>-<b>DVD</b>- (-2DVD- -3DVD- etc.)</td>
<td>-</td>
<td>- codec of source (AC3, PCM, MPG, DTS),<br>
- number of channels of source (stereo, 5.1, ...)</td>
</tr>
<tr>
<td>DVD SINGLE (pressed video DVD)</td>
<td>-<b>DVDS</b>- or -DVD- </td>
<td>-DVDS- </td>
<td>- codec of source (AC3, PCM, MPG, DTS),<br>
- number of channels of source (stereo, 5.1, ...)</td>
</tr>
<tr>
<td>DVDA (PCM data of a pressed DVDA,<br>not audio of a video DVD!)</td>
<td>-<b>DVDA</b>- (-2DVDA- -3DVDA- etc.)</td>
<td>-</td>
<td>number of channels of source (stereo, 5.1, ...)</td>
</tr>
<tr>
<td colspan=4>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
If you are not sure if your DVD is a DVDA here is some help for you:<br>
- a normal DVD player is not able to play the DVDA part. It will play the AC3 tracks only (if available).<br>
- if the directory AUDIO_TS is empty on your DVD then it is NOT a DVDA<br>
- nearly every DVDA has a copyprotection => very complicated to rip. several tools needed to rip it.<br>
- a DVDA has a DVD Audio logo. Check http://en.wikipedia.org/wiki/DVD_Audio to see it. Some have
a "DVD Audio+Video" logo. Similar to the DVDA logo, just with "Audio+Video" as text.<br>
</B></FONT></i><br>
</td>
</tr>
<tr>
<td>SACD</td>
<td>-<b>SACD</b>- (-2SACD- -3SACD- etc.)</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td colspan=4>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
Currently it's not possible to read/decrypt the sound data of an SACD. This tag has been added for future use if that
format ever gets broken. If music is exclusive on SACD then you can rip it via line-out of SACD player.
</B></FONT></i><br>
</td>
</tr>
<tr>
<td colspan=4 bgcolor=#8E8B82>
<b>LIVE SOURCES</b>
</td>
</tr>
<tr>
<td>ANALOG RADIO (terrestrial)</td>
<td>-FM- or -RADIO-</td>
<td>-<b>FM</b>-</td>
<td>-</td>
</tr>
<tr>
<td>ANALOG TV (terrestrial)</td>
<td>-<b>TV</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>ANALOG SAT</td>
<td>-<b>SAT</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>ANALOG CABLE</td>
<td>-<b>CABLE</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>DIGITAL TV (digital tv/radio)</td>
<td>-<b>DTV</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>DIGITAL VIDEO BROADCAST SAT</td>
<td>-DTV- or -DVBS-</td>
<td>-<b>DVBS</b>-</td>
<td>-</td>
</tr>
<tr>
<td>DIGITAL VIDEO BROADCAST CABLE</td>
<td>-DTV- or -DVBC-</td>
<td>-<b>DVBC</b>-</td>
<td>-</td>
</tr>
<tr>
<td>DIGITAL VIDEO BROADCAST TERRESTRIAL</td>
<td>-DTV- or -DVBT-</td>
<td>-<b>DVBT</b>-</td>
<td>-</td>
</tr>
<tr>
<td>DIGITAL AUDIO BROADCAST</td>
<td>-<b>DAB</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td colspan=4>
Note: Because most of the "live" ripping crews are unable or unwilling to add a
correct source ALL live sources are handled like re-encodes quality-wise.
</td>
</tr>
<tr>
<td colspan=4 bgcolor=#8E8B82>
<b>OTHER SOURCES</b>
</td>
</tr>
<tr>
<td>WEB - audio files legally available on the net and not free</td>
<td>-<b>WEB</b>-</td>
<td>-</td>
<td>- codec of source (MP3, PCM, ...), <br>
- bitrate of source file (if not PCM/WAV),<br>
- URL to some shop where it's available in that format<br>
</td>
</tr>
<tr>
<td colspan=4>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
WEB means you got it from some webshop. A P2P download is NOT a WEB release. An MP3 someone sent you via EMAIL is NOT a WEB release.
The URL can be any shop where you are able to buy it in that format. If you having doubts about your security when doing WEB releases then
simply DON'T do it ! It is indeed unsecure because of possible watermarks and other tracking methods.
</B></FONT></i><br>
</td>
</tr>
<tr>
<td>CDR (small label/artist releasing on CDR)</td>
<td>-<b>CDR</b>- (-2CDR- -3CDR- etc.)</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>DVDR (small label/artist releasing on DVDR)</td>
<td>-<b>DVDR</b>- (-2DVDR- -3DVDR- etc.)</td>
<td>-</td>
<td>- codec of source (AC3, PCM, MPG, DTS), <br>
- number of channels of source (stereo, 5.1, ...)
</td>
</tr>
<tr>
<td>MD (MiniDisc)</td>
<td>-<b>MD</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>DAT TAPE</td>
<td>-<b>DAT</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>ANALOG TAPE</td>
<td>-<b>TAPE</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>HOMEMADE (done by a groupmember or close friend)</td>
<td>-<b>HOMEMADE</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td>-UNKNOWN-</td>
<td>-<b>BOOTLEG</b>-</td>
<td>-</td>
<td>-</td>
</tr>
<tr>
<td colspan=4>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
Unknown source also means lowest quality of source (no matter what it really is). It can be propered by any other source (vinyl, cd, dvd, ...).
</B></FONT></i><br>
</td>
</tr>
</table>
</td></tr>
</table>
<br>
All other "sources" are invalid source tags (-LIVE- , -LINE- , -EP-, ...).
Which means you need a second tag for the source if you use those tags
(except for CDs which don't need a source tag).<br>
<br>
Additional to the source media the source of the recording is needed for
direct live recordings:<br>
-<b>AUD</b>- audience microphone<br>
-<b>SBD</b>- soundboard<br>
-BOOTLEG- [unknown]<br>
example tag: -AUD-DAT- -SBD-CDR- ... or in nfo: "Source: SBD->CDR"<br>
(if your pc was connected directly to the recording device then no source
media is needed of course) <br>
If the source media is digital and you used an analog device (eg. line-in) while
converting the sound to mp3 then this must also be mentioned in your nfo file.<br>
example: "SOURCE: SACD->ANALOG LINE->PC"<br>
<br>
<LI>
<b>Trackfixes</b><br>
Only one trackfix per release is allowed. If the release needs a second trackfix
or more than 50% of the tracks need a fix then you must re-rip the whole release
and all previous releases+dir/nfofixes getting nuked.<br>
A 1-track fix for a 2-track release is allowed (=50% and not "more than 50%"). <br>
<br>
<LI>
<b>ID3 Tags</b><br>
All mp3 files need an ID3 v1.1 tag. This tag must include *correct* Artist,
Title and Album. The fields Year, Genre and Tracknumber must be present but may not
be nuked if incorrect.<br>
An additional ID3 v2 tag is allowed and recommended.<br>
<FONT COLOR="#ffeeaa"><B><i>
Note:<br>
ID3 v1.1 means with tracknumbers. ID3 v1.0 was same thing without tracknumbers.
</B></FONT></i><br>
<br>
</OL>
<u>Notes:</u><BR>
<OL>
<LI>Releases with an apparently incorrect year may not be nuked.
However the year should be correct of course. Keep in
mind that a lot of sites nuke for fake year when it's incorrect. (The Year in dirname is not the year when you released
it but when the record company/artist published it!)<BR>
<LI>
If a release labeled as "advance" is identical to the retail version then
the advance turns into a retail release. This means then it is not allowed to dupe
it and it counts as retail for ALL rules. If the retail is different then of
course it's allowed to release it.<BR>
<LI>Typos (in dirname, trackname, id3, etc ...) are tolerated if it still is readable and either artist or title is 100% correct.<br>
<LI>The audio of a normal video DVD is *NOT* DVDA ! The audio of a DVD usually is MP2/AC3/DTS compressed (lossy) while the audio of a real DVDA is high quality PCM (lossless, e.g. 24bit/192khz). Tagging a normal DVD release as -DVDA- will get nuked.<BR>
<br>
</OL>
<!---
- New rules are <FONT COLOR="#ffeeaa">highlighted</FONT><BR>
- Additions to the rules are <FONT COLOR="#ffeeaa">highlighted</FONT><BR>
<BR>
--->
change-log: <BR>
2007-01-15 first version (v1.0)<br>
<br><center>
<b>V1.0</b> active since 2007-01-15, signed by:<br>
1way
AMRC
BERC
BF
BLA
BUTT
CMG
CMS
dh
DPS
DRUM
EGM
EGO
EMP
ESC
ESK
FKK
FTD
FWYH
gEm
GRAVEWISH
i8
iPC
JAH
KrbZ
KzT
mbs
MOD
nukenet
OBC
ONe
PMS
PULSE
pyt
RAGEMP3
rH
RNS
RpM
RTB
SAW
SER
SEVER
sheepnet
SiRiON
TGX
tronik
uF
UKi
UPE
wAx
XXL
<BR>
</center>
</TD></TR></TABLE>
</CENTER>
</B>
</body>
</html>

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<div id="leftcontent">
<h1>General Notes</h1>
<p><b>»</b> Basic nuke channel rules can be found <a href="rules.html">here</a>.</p>
<p><b>»</b> Explanation of recent mp3 mod.0 nukes <a href="t.html%3Fid=mod588.txt.html">here</a>.</p>
<!-- <p><b>»</b> Explanation of Minor Updates (MU) <a href="t.html?id=mu_rules.nfo">here</a>.</p> -->
<p><b>»</b> How to interpret "Key Words" in rules <a href="t.html%3Fid=rfc2119.txt.html">here</a>.</p>
<p><b>»</b> Max/Min release sizes can be found <a href="t.html%3Fid=sizes.nfo.html">here</a>.</p>
<p><b>»</b> Miscanellous information can be found <a href="t.html%3Fid=misc.nfo.html">here</a>.</p>
<p><b>»</b> "NukeCouncil" rules<sup>8</sup> [<a href="https://scenerules.org/p.html?id=2008_NC.nfo">p</a>/<a href="t.html%3Fid=2008_NC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_NC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_NC.nfo">d</a>]</p>
<p>&nbsp;</p>
<p><b>»</b> Rulesets listed <a href="wanted.txt">here</a> are wanted!</p>
<p><b>»</b> If you can help contact us.</p>
<p>&nbsp;</p>
<h1>Key</h1>
<p>[<a href="index.html#">p</a>(icture)/<a href="index.html#">t</a>(ext)/<a href="index.html#">d</a>(ownload)]</p>
<p>[<a href="index.html#">n</a>(umbered)/<a href="index.html#">m</a>(irror)/<a href="index.html#">e</a>(xtras)]</p>
<p><sup>1</sup> Rebuttal</p>
<p><sup>2</sup> <strong>Fake</strong>. listed groups did <strong>not</strong> sign it.</p>
<p><sup>3</sup> Yet to be signed/draft</p>
<p><sup>4</sup> Unconfirmed which is "official"</p>
<p><sup>5</sup> Addendum</p>
<p><sup>6</sup> Deemed to be the most relevant</p>
<p><sup>7</sup> Newest revision (Multiple versions per year)</p>
<p><sup>8</sup> Defunct</p>
<p><sup>9</sup> Questionable Validity</p>
<p>&nbsp;</p>
<h1>Misc</h1>
<p><b>»</b> last updated: <i>2021-09-<b>24</b></i>
<p><b>»</b> latest rule.: <i>2021_MP3.nfo</i> <!-- <p><b>»</b> comments....: <i>bleh</i> -->
<p><b>»</b> latest other: <i>2020_FR_TVWEB.nfo</i>
<p>&nbsp;</p>
<h1>Search</h1>
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<input name="q" type="text" size="26" maxlength="70" value="enter search terms & hit enter" class="cleardefault" />
</form>
<br />
<br />
</p></div>
<div id="centerleftcontent">
<h1>Current English Rules</h1>
<p><b>»</b> [20<strong>10</strong>] 0DAY<strong><sup>7</sup></strong> [<a href="https://scenerules.org/p.html?id=2010.1_0DAY.nfo">p</a>/<a href="t.html%3Fid=2010.1_0DAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010.1_0DAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010.1_0DAY.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] AUDiOBOOK [<a href="https://scenerules.org/p.html?id=2006_AUDIOBOOK.nfo">p</a>/<a href="t.html%3Fid=2006_AUDIOBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_AUDIOBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_AUDIOBOOK.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] BDr [<a href="https://scenerules.org/p.html?id=2010_BDr.nfo">p</a>/<a href="t.html%3Fid=2010_BDr.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_BDr.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_BDr.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] BLURAY [<a href="https://scenerules.org/p.html?id=2014_BLURAY.nfo">p</a>/<a href="t.html%3Fid=2014_BLURAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_BLURAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_BLURAY.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] CONSOLE [<a href="https://scenerules.org/p.html?id=2008_CONSOLE.nfo">p</a>/<a href="t.html%3Fid=2008_CONSOLE.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_CONSOLE.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_CONSOLE.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] COVERS [<a href="https://scenerules.org/p.html?id=2006_COVERS.nfo">p</a>/<a href="t.html%3Fid=2006_COVERS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_COVERS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_COVERS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2011_DVDR.nfo">p</a>/<a href="t.html%3Fid=2011_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] eBOOK [<a href="https://scenerules.org/p.html?id=2012_EBOOK.nfo">p</a>/<a href="t.html%3Fid=2012_EBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_EBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_EBOOK.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] FLAC v3 [<a href="https://scenerules.org/p.html?id=2016_FLAC.nfo">p</a>/<a href="t.html%3Fid=2016_FLAC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2016_FLAC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2016_FLAC.nfo">d</a>]</p>
<p><b>»</b> [20<strong>20</strong>] FLAC (WEB)<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2020_WEBFLAC.nfo">p</a>/<a href="t.html%3Fid=2020_WEBFLAC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2020_WEBFLAC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2020_WEBFLAC.nfo">d</a>]</p>
<p><b>»</b> [20<strong>21</strong>] GAMEiSO [<a href="https://scenerules.org/p.html?id=2021_GAMEiSO.nfo">p</a>/<a href="t.html%3Fid=2021_GAMEiSO.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2021_GAMEiSO.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2021_GAMEiSO.nfo">d</a>]</p>
<p><b>»</b> [200<strong>?</strong>] MAC-OSX [<a href="https://scenerules.org/p.html?id=UNK_MAC.nfo">p</a>/<a href="t.html%3Fid=UNK_MAC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_MAC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_MAC.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] MDVDR<strong><sup>4</sup></strong> [<a href="https://scenerules.org/p.html?id=2007_MDVDR.nfo">p</a>/<a href="t.html%3Fid=2007_MDVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MDVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MDVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] MDVDR<strong><sup>4</sup></strong> [<a href="https://scenerules.org/p.html?id=2007_MDVDR2.nfo">p</a>/<a href="t.html%3Fid=2007_MDVDR2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MDVDR2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MDVDR2.nfo">d</a>]</p>
<p><b>»</b> [20<strong>19</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2019_MP3.nfo">p</a>/<a href="t.html%3Fid=2019_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2019_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2019_MP3.nfo">d</a>/<a href="extra/Official_MP3_Release_Rules_4.0-2019-MP3COUNCIL.zip">e</a>]</p>
<p><b>»</b> [20<strong>21</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2021_MP3.nfo">p</a>/<a href="t.html%3Fid=2021_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2021_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2021_MP3.nfo">d</a>/<a href="extra/Official_MP3_Release_Rules_4.1-2021-MP3COUNCIL.zip">e</a>]</p>
<p><b>»</b> [VER<strong>6</strong>] MViD [<a href="https://scenerules.org/p.html?id=VER6_MViD.nfo">p</a>/<a href="t.html%3Fid=VER6_MViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=VER6_MViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/VER6_MViD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] NDS [<a href="https://scenerules.org/p.html?id=2010_NDS.nfo">p</a>/<a href="t.html%3Fid=2010_NDS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_NDS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_NDS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] NDS<sup>6</sup> [<a href="https://scenerules.org/p.html?id=2010_oNDS.nfo">p</a>/<a href="t.html%3Fid=2010_oNDS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_oNDS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_oNDS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] NDS<sup>1</sup> [<a href="https://scenerules.org/p.html?id=2010_NDSr.nfo">p</a>/<a href="t.html%3Fid=2010_NDSr.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_NDSr.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_NDSr.nfo">d</a>]</p>
<p><b>»</b> [20<strong>19</strong>] NSW<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2019_NSWv1.1.nfo">p</a>/<a href="t.html%3Fid=2019_NSWv1.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2019_NSWv1.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2019_NSWv1.1.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] PDA [<a href="https://scenerules.org/p.html?id=2002_PDA.nfo">p</a>/<a href="t.html%3Fid=2002_PDA.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_PDA.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_PDA.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] PRESSBOOKS [<a href="https://scenerules.org/p.html?id=2004_PRESSBOOKS.nfo">p</a>/<a href="t.html%3Fid=2004_PRESSBOOKS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_PRESSBOOKS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_PRESSBOOKS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>18</strong>] PS4 v1.1<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2018_PS4v1.1.nfo">p</a>/<a href="t.html%3Fid=2018_PS4v1.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2018_PS4v1.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2018_PS4v1.1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>21</strong>] PS5 [<a href="https://scenerules.org/p.html?id=2021_PS5.nfo">p</a>/<a href="t.html%3Fid=2021_PS5.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2021_PS5.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2021_PS5.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] PSV [<a href="https://scenerules.org/p.html?id=2016_PSV.nfo">p</a>/<a href="t.html%3Fid=2016_PSV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2016_PSV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2016_PSV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] S.I.R [<a href="https://scenerules.org/p.html?id=2011_SIR.nfo">p</a>/<a href="t.html%3Fid=2011_SIR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_SIR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_SIR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] SCRiPTS<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2010_SCRIPTS.nfo">p</a>/<a href="t.html%3Fid=2010_SCRIPTS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SCRIPTS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SCRIPTS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] TV-720p [<a href="https://scenerules.org/p.html?id=tvx2642k16.nfo">p</a>/<a href="t.html%3Fid=tvx2642k16.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=tvx2642k16.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/tvx2642k16.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] TV-720p (unf) [<a href="https://scenerules.org/p.html?id=tvx2642k16-unformatted.nfo">p</a>/<a href="t.html%3Fid=tvx2642k16-unformatted.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=tvx2642k16-unformatted.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/tvx2642k16-unformatted.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] TV-SD [<a href="https://scenerules.org/p.html?id=sdtvx2642k16.nfo">p</a>/<a href="t.html%3Fid=sdtvx2642k16.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=sdtvx2642k16.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/sdtvx2642k16.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] TV-SD (unf) [<a href="https://scenerules.org/p.html?id=sdtvx2642k16-unformatted.nfo">p</a>/<a href="t.html%3Fid=sdtvx2642k16-unformatted.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=sdtvx2642k16-unformatted.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/sdtvx2642k16-unformatted.nfo">d</a>]</p>
<p><b>»</b> [20<strong>20</strong>] WEB [<a href="https://scenerules.org/p.html?id=2020_WDX.nfo">p</a>/<a href="t.html%3Fid=2020_WDX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2020_WDX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2020_WDX.nfo">d</a>/<a href="extra/THE.2020.WEB.AND.WEBRIP.SD.HD.X264.UHD.X265.RULESET.v2.0-WDX.zip">e</a>]</p>
<p><b>»</b> [20<strong>20</strong>] WEB (unf) [<a href="https://scenerules.org/p.html?id=2020_WDX_unformatted.nfo">p</a>/<a href="t.html%3Fid=2020_WDX_unformatted.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2020_WDX_unformatted.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2020_WDX_unformatted.nfo">d</a>/<a href="extra/THE.2020.WEB.AND.WEBRIP.SD.HD.X264.UHD.X265.RULESET.v2.0-WDX.zip">e</a>]</p>
<p><b>»</b> [20<strong>16</strong>] WiiU [<a href="https://scenerules.org/p.html?id=2016_WiiU.nfo">p</a>/<a href="t.html%3Fid=2016_WiiU.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2016_WiiU.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2016_WiiU.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] WiiU<sup>1</sup> [<a href="https://scenerules.org/p.html?id=2016_WiiU_R.nfo">p</a>/<a href="t.html%3Fid=2016_WiiU_R.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2016_WiiU_R.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2016_WiiU_R.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] WiiU 1.5<sup>9</sup> [<a href="https://scenerules.org/p.html?id=2016_WiiU_1.5.nfo">p</a>/<a href="t.html%3Fid=2016_WiiU_1.5.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2016_WiiU_1.5.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2016_WiiU_1.5.nfo">d</a>]</p>
<p><b>»</b> [VER<strong>4.1</strong>] WMV-HD [<a href="https://scenerules.org/p.html?id=twmvrs_v4.1.nfo">p</a>/<a href="t.html%3Fid=twmvrs_v4.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=twmvrs_v4.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/twmvrs_v4.1.nfo">d</a>]</p>
<p><b>»</b> [REV<strong>5</strong>] X264, X265 [<a href="https://scenerules.org/p.html?id=2020_X265.nfo">p</a>/<a href="t.html%3Fid=2020_X265.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2020_X265.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2020_X265.nfo">d</a>/<a href="extra/High.Definition.x264.and.Ultra.High.Definition.x265.Standards.Revision.5.0-HDX.zip">e</a>]</p>
<p><b>»</b> [20<strong>13</strong>] SD-X264<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2013_SDX264v1.1.nfo">p</a>/<a href="t.html%3Fid=2013_SDX264v1.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2013_SDX264v1.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2013_SDX264v1.1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] SD-XXX [<a href="https://scenerules.org/p.html?id=2012_SDXXX.nfo">p</a>/<a href="t.html%3Fid=2012_SDXXX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_SDXXX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_SDXXX.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XXX-iMAGESETS [<a href="https://scenerules.org/p.html?id=2010_XXXiMAGESETS.nfo">p</a>/<a href="t.html%3Fid=2010_XXXiMAGESETS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_XXXiMAGESETS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_XXXiMAGESETS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XXX-iMAGESETS<sup>1</sup> [<a href="https://scenerules.org/p.html?id=imgxxx_rebuttal.nfo">p</a>/<a href="t.html%3Fid=imgxxx_rebuttal.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=imgxxx_rebuttal.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/imgxxx_rebuttal.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XXX-PAYSiTES [<a href="https://scenerules.org/p.html?id=2008_XXXPAY.nfo">p</a>/<a href="t.html%3Fid=2008_XXXPAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_XXXPAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_XXXPAY.nfo">d</a>]</p>
</div>
<div id="centerrightcontent">
<h1>Ye Olde English Rules</h1>
<h2><b>»</b> <a href="index.html#" onclick="showhide('0DAY'); return(false);">0DAY</a></h2>
<div id="0DAY" style="display: none;">
<p><b>»</b> [200<strong>2</strong>] 0DAY [<a href="https://scenerules.org/p.html?id=2002_0DAY.nfo">p</a>/<a href="t.html%3Fid=2002_0DAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_0DAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_0DAY.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] 0DAY<strong><sup>5</sup></strong> [<a href="https://scenerules.org/p.html?id=2002_0DAYad.nfo">p</a>/<a href="t.html%3Fid=2002_0DAYad.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_0DAYad.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_0DAYad.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] 0DAY-UTiL [<a href="https://scenerules.org/p.html?id=2002_0DAY_UTIL.nfo">p</a>/<a href="t.html%3Fid=2002_0DAY_UTIL.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_0DAY_UTIL.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_0DAY_UTIL.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] 0DAY [<a href="https://scenerules.org/p.html?id=2010_0DAY.nfo">p</a>/<a href="t.html%3Fid=2010_0DAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_0DAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_0DAY.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] 0DAY<strong><sup>1</sup></strong> [<a href="https://scenerules.org/p.html?id=2010_0DAYr.nfo">p</a>/<a href="t.html%3Fid=2010_0DAYr.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_0DAYr.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_0DAYr.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] 0DAY<strong><sup>7</sup></strong> [<a href="https://scenerules.org/p.html?id=2010.1_0DAY.nfo">p</a>/<a href="t.html%3Fid=2010.1_0DAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010.1_0DAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010.1_0DAY.nfo">d</a>]</p>
</div>
<p><b>»</b> [200<strong>3</strong>] AUDiOBOOK [<a href="https://scenerules.org/p.html?id=2003_AUDiOBOOK.nfo">p</a>/<a href="t.html%3Fid=2003_AUDiOBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2003_AUDiOBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2003_AUDiOBOOK.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] AUDiOBOOK [<a href="https://scenerules.org/p.html?id=2006_AUDIOBOOK.nfo">p</a>/<a href="t.html%3Fid=2006_AUDIOBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_AUDIOBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_AUDIOBOOK.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] BDr [<a href="https://scenerules.org/p.html?id=2009_BDr.nfo">p</a>/<a href="t.html%3Fid=2009_BDr.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_BDr.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_BDr.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] BDr [<a href="https://scenerules.org/p.html?id=2010_BDr.nfo">p</a>/<a href="t.html%3Fid=2010_BDr.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_BDr.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_BDr.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] CONSOLE [<a href="https://scenerules.org/p.html?id=2008_CONSOLE.nfo">p</a>/<a href="t.html%3Fid=2008_CONSOLE.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_CONSOLE.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_CONSOLE.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] COVERS [<a href="https://scenerules.org/p.html?id=2004_COVERS.nfo">p</a>/<a href="t.html%3Fid=2004_COVERS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_COVERS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_COVERS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] COVERS [<a href="https://scenerules.org/p.html?id=2006_COVERS.nfo">p</a>/<a href="t.html%3Fid=2006_COVERS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_COVERS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_COVERS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] DOX<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2009_DOX.nfo">p</a>/<a href="t.html%3Fid=2009_DOX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_DOX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_DOX.nfo">d</a>]</p>
<h2><b>»</b> <a href="index.html#" onclick="showhide('DVDR'); return(false);">DVDR</a></h2>
<div id="DVDR" style="display: none;">
<p><b>»</b> [200<strong>2</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2002_DVDR.nfo">p</a>/<a href="t.html%3Fid=2002_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>3</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2003_DVDR.nfo">p</a>/<a href="t.html%3Fid=2003_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2003_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2003_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2004_DVDR.nfo">p</a>/<a href="t.html%3Fid=2004_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2005_DVDR.nfo">p</a>/<a href="t.html%3Fid=2005_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2009_DVDR.nfo">p</a>/<a href="t.html%3Fid=2009_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] DVDR<sup>5</sup> [<a href="https://scenerules.org/p.html?id=tdrs2k9a1.nfo">p</a>/<a href="t.html%3Fid=tdrs2k9a1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=tdrs2k9a1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/tdrs2k9a1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2010_DVDR.nfo">p</a>/<a href="t.html%3Fid=2010_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] DVDR<sup>5</sup> [<a href="https://scenerules.org/p.html?id=2010.1_DVDR.nfo">p</a>/<a href="t.html%3Fid=2010.1_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010.1_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010.1_DVDR.nfo">d</a>]</p>
</div>
<p><b>»</b> [20<strong>11</strong>] FLAC [<a href="https://scenerules.org/p.html?id=2011_FLAC.nfo">p</a>/<a href="t.html%3Fid=2011_FLAC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_FLAC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_FLAC.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] FLAC<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2011_FLACv1.1.nfo">p</a>/<a href="t.html%3Fid=2011_FLACv1.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_FLACv1.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_FLACv1.1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] FLAC [<a href="https://scenerules.org/p.html?id=2012_FLAC.nfo">p</a>/<a href="t.html%3Fid=2012_FLAC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_FLAC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_FLAC.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] FLAC v2.1 (unofficial) [<a href="https://scenerules.org/p.html?id=unofficial.flac.v2.1.nfo">p</a>/<a href="t.html%3Fid=unofficial.flac.v2.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=unofficial.flac.v2.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/unofficial.flac.v2.1.nfo">d</a>]</p>
<h2><b>»</b> <a href="index.html#" onclick="showhide('GAMES'); return(false);">GAMES</a></h2>
<div id="GAMES" style="display: none;">
<p><b>»</b> [199<strong>?</strong>] GAMES (I/R) [<a href="https://scenerules.org/p.html?id=UNK_ISOaRIP.nfo">p</a>/<a href="t.html%3Fid=UNK_ISOaRIP.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_ISOaRIP.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_ISOaRIP.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] GAME CHARTS [<a href="https://scenerules.org/p.html?id=2008_GAMECHARTS.nfo">p</a>/<a href="t.html%3Fid=2008_GAMECHARTS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_GAMECHARTS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_GAMECHARTS.nfo">d</a>]</p>
<p><b>»</b> [199<strong>8</strong>] GAMEiSO [<a href="https://scenerules.org/p.html?id=1998_GAMEiSO.nfo">p</a>/<a href="t.html%3Fid=1998_GAMEiSO.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=1998_GAMEiSO.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/1998_GAMEiSO.nfo">d</a>]</p>
<p><b>»</b> [200<strong>?</strong>] GAMES<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=general_games.nfo">p</a>/<a href="t.html%3Fid=general_games.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=general_games.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/general_games.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] S.I.R<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2009_SIR.nfo">p</a>/<a href="t.html%3Fid=2009_SIR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_SIR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_SIR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] S.I.R [<a href="https://scenerules.org/p.html?id=2010_SIR.nfo">p</a>/<a href="t.html%3Fid=2010_SIR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SIR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SIR.nfo">d</a>]</p>
</div>
<p><b>»</b> [200<strong>?</strong>] MAC-OSX [<a href="https://scenerules.org/p.html?id=UNK_MAC.nfo">p</a>/<a href="t.html%3Fid=UNK_MAC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_MAC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_MAC.nfo">d</a>]</p>
<h2><b>»</b> <a href="index.html#" onclick="showhide('MDVDR'); return(false);">MDVDR</a></h2>
<div id="MDVDR" style="display: none;">
<p><b>»</b> [200<strong>7</strong>] MDVDR<strong><sup>4</sup></strong> [<a href="https://scenerules.org/p.html?id=2007_MDVDR.nfo">p</a>/<a href="t.html%3Fid=2007_MDVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MDVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MDVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] MDVDR<strong><sup>4</sup></strong> [<a href="https://scenerules.org/p.html?id=2007_MDVDR2.nfo">p</a>/<a href="t.html%3Fid=2007_MDVDR2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MDVDR2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MDVDR2.nfo">d</a>]</p>
</div>
<p><b>»</b> [200<strong>5</strong>] MiniDVDR [<a href="https://scenerules.org/p.html?id=2005_MiniDVDR.nfo">p</a>/<a href="t.html%3Fid=2005_MiniDVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_MiniDVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_MiniDVDR.nfo">d</a>]</p>
<h2><b>»</b> <a href="index.html#" onclick="showhide('MP3'); return(false);">MP3</a></h2>
<div id="MP3" style="display: none;">
<p><b>»</b> [199<strong>6</strong>] MP3 [<a href="https://scenerules.org/p.html?id=1996_DACMP3.nfo">p</a>/<a href="t.html%3Fid=1996_DACMP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=1996_DACMP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/1996_DACMP3.nfo">d</a>]</p>
<p><b>»</b> [199<strong>8</strong>] MP3 [<a href="https://scenerules.org/p.html?id=1998_MP3.nfo">p</a>/<a href="t.html%3Fid=1998_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=1998_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/1998_MP3.nfo">d</a>]</p>
<p><b>»</b> [200<strong>0</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2000_MP3.nfo">p</a>/<a href="t.html%3Fid=2000_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2000_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2000_MP3.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2002_MP3.nfo">p</a>/<a href="t.html%3Fid=2002_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_MP3.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] "HQ"-MP3 [<a href="https://scenerules.org/p.html?id=2004_HQ_MP3.nfo">p</a>/<a href="t.html%3Fid=2004_HQ_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_HQ_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_HQ_MP3.nfo">d</a>/<a href="extra/hqscene.fatty.dk.rar">m</a>]</p>
<p><b>»</b> [200<strong>5</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2005_MP3.nfo">p</a>/<a href="t.html%3Fid=2005_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_MP3.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] MP3 v0.22a (nuclear) [<a href="https://scenerules.org/p.html?id=2005_NMP3v22a.nfo">p</a>/<a href="t.html%3Fid=2005_NMP3v22a.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_NMP3v22a.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_NMP3v22a.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] MP3 v0.23a (nuclear) [<a href="https://scenerules.org/p.html?id=2005_NUCLEAR_MP3.nfo">p</a>/<a href="t.html%3Fid=2005_NUCLEAR_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_NUCLEAR_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_NUCLEAR_MP3.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] MP3 v0.24a (nuclear) [<a href="https://scenerules.org/p.html?id=2005_NMP3v24a.nfo">p</a>/<a href="t.html%3Fid=2005_NMP3v24a.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_NMP3v24a.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_NMP3v24a.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2007_MP3.nfo">p</a>/<a href="t.html%3Fid=2007_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MP3.nfo">d</a>/<a href="extra/mp3rules1.0_with_notes.html">e</a>]</p>
<p><b>»</b> [200<strong>7</strong>] MP3 v1.1 [<a href="https://scenerules.org/p.html?id=2007_MP3v1.1.nfo">p</a>/<a href="t.html%3Fid=2007_MP3v1.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MP3v1.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MP3v1.1.nfo">d</a>/<a href="extra/mp3rul11.rar">e</a>]</p>
<p><b>»</b> [200<strong>7</strong>] MP3 v1.1<strong><sup>1</sup></strong> [<a href="https://scenerules.org/p.html?id=2007_MP3v1.1-rebuttal.nfo">p</a>/<a href="t.html%3Fid=2007_MP3v1.1-rebuttal.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_MP3v1.1-rebuttal.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_MP3v1.1-rebuttal.nfo">d</a>/<a href="extra/mp3rul11-reb.rar">e</a>]</p>
<p><b>»</b> [200<strong>9</strong>] MP3 v2 [<a href="https://scenerules.org/p.html?id=2009_MP3.nfo">p</a>/<a href="t.html%3Fid=2009_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_MP3.nfo">d</a>/<a href="extra/Official_MP3_Release_Rules_2.0-2009-MP3COUNCIL.rar">e</a>]</p>
<p><b>»</b> [200<strong>9</strong>] MP3 v2<sup>1</sup> [<a href="https://scenerules.org/p.html?id=2009_MP3R.nfo">p</a>/<a href="t.html%3Fid=2009_MP3R.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_MP3R.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_MP3R.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] MP3 v2<sup>1</sup> [<a href="https://scenerules.org/p.html?id=2009_MP3R2.nfo">p</a>/<a href="t.html%3Fid=2009_MP3R2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_MP3R2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_MP3R2.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2011_MP3.nfo">p</a>/<a href="t.html%3Fid=2011_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_MP3.nfo">d</a>/<a href="extra/Official_MP3_Release_Rules_3.0-2011-MP3COUNCIL.rar">e</a>]</p>
<p><b>»</b> [20<strong>14</strong>] MP3 (RIAA) [<a href="https://scenerules.org/p.html?id=riaa2013.nfo">p</a>/<a href="t.html%3Fid=riaa2013.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=riaa2013.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/riaa2013.nfo">d</a>/<a href="extra/Official_MP3_Release_Rules_4.0-2013-RIAA2013.rar">e</a>]</p>
<p><b>»</b> [20<strong>14</strong>] MP3 (RIAA 4.1) [<a href="https://scenerules.org/p.html?id=riaa2014_4.1.nfo">p</a>/<a href="t.html%3Fid=riaa2014_4.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=riaa2014_4.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/riaa2014_4.1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] MP3 [<a href="https://scenerules.org/p.html?id=2014_MP3.nfo">p</a>/<a href="t.html%3Fid=2014_MP3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_MP3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_MP3.nfo">d</a>/<a href="extra/Official_MP3_Release_Rules_3.1-2014-MP3COUNCIL.rar">e</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('MVID'); return(false);">MVID</a></h2>
<div id="MVID" style="display: none;">
<p><b>»</b> [VER<strong>2</strong>] MViD [<a href="https://scenerules.org/p.html?id=2003_MViD.nfo">p</a>/<a href="t.html%3Fid=2003_MViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2003_MViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2003_MViD.nfo">d</a>]</p>
<p><b>»</b> [VER<strong>3</strong>] MViD [<a href="https://scenerules.org/p.html?id=VER3_MViD.nfo">p</a>/<a href="t.html%3Fid=VER3_MViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=VER3_MViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/VER3_MViD.nfo">d</a>]</p>
<p><b>»</b> [VER<strong>4</strong>] MViD [<a href="https://scenerules.org/p.html?id=VER4_MViD.nfo">p</a>/<a href="t.html%3Fid=VER4_MViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=VER4_MViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/VER4_MViD.nfo">d</a>]</p>
<p><b>»</b> [VER<strong>5</strong>] MViD [<a href="https://scenerules.org/p.html?id=VER5_MViD.nfo">p</a>/<a href="t.html%3Fid=VER5_MViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=VER5_MViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/VER5_MViD.nfo">d</a>]</p>
<p><b>»</b> [VER<strong>6</strong>] MViD [<a href="https://scenerules.org/p.html?id=VER6_MViD.nfo">p</a>/<a href="t.html%3Fid=VER6_MViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=VER6_MViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/VER6_MViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] MV Sources [<a href="https://scenerules.org/p.html?id=2008_MVsources.nfo">p</a>/<a href="t.html%3Fid=2008_MVsources.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_MVsources.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_MVsources.nfo">d</a>]</p>
</div>
<p><b>»</b> [20<strong>10</strong>] NDS [<a href="https://scenerules.org/p.html?id=2010_NDS.nfo">p</a>/<a href="t.html%3Fid=2010_NDS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_NDS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_NDS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] NDS<sup>6</sup> [<a href="https://scenerules.org/p.html?id=2010_oNDS.nfo">p</a>/<a href="t.html%3Fid=2010_oNDS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_oNDS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_oNDS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>18</strong>] NSW<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2018_NSW.nfo">p</a>/<a href="t.html%3Fid=2018_NSW.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2018_NSW.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2018_NSW.nfo">d</a>]</p>
<p><b>»</b> [20<strong>19</strong>] NSW [<a href="https://scenerules.org/p.html?id=2019_NSW.nfo">p</a>/<a href="t.html%3Fid=2019_NSW.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2019_NSW.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2019_NSW.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] PDA [<a href="https://scenerules.org/p.html?id=2002_PDA.nfo">p</a>/<a href="t.html%3Fid=2002_PDA.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_PDA.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_PDA.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] PDA<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=2006_PDA.nfo">p</a>/<a href="t.html%3Fid=2006_PDA.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_PDA.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_PDA.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] PDA-TRAiNER [<a href="https://scenerules.org/p.html?id=2005_PDA_TRAiNER.nfo">p</a>/<a href="t.html%3Fid=2005_PDA_TRAiNER.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_PDA_TRAiNER.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_PDA_TRAiNER.nfo">d</a>]</p>
<p><b>»</b> [200<strong>?</strong>] PPC-XViD [<a href="https://scenerules.org/p.html?id=UNK_PPC-XViD.nfo">p</a>/<a href="t.html%3Fid=UNK_PPC-XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_PPC-XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_PPC-XViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] PRESSBOOKS [<a href="https://scenerules.org/p.html?id=2004_PRESSBOOKS.nfo">p</a>/<a href="t.html%3Fid=2004_PRESSBOOKS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_PRESSBOOKS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_PRESSBOOKS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] PS3<sup>9</sup> [<a href="https://scenerules.org/p.html?id=2011_PS3.nfo">p</a>/<a href="t.html%3Fid=2011_PS3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_PS3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_PS3.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] PS3<sup>1</sup> [<a href="https://scenerules.org/p.html?id=2011_PS3_response.nfo">p</a>/<a href="t.html%3Fid=2011_PS3_response.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_PS3_response.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_PS3_response.nfo">d</a>]</p>
<p><b>»</b> [20<strong>18</strong>] PS4 [<a href="https://scenerules.org/p.html?id=2018_PS4.nfo">p</a>/<a href="t.html%3Fid=2018_PS4.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2018_PS4.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2018_PS4.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] PSP-MOViES [<a href="https://scenerules.org/p.html?id=2005_PSP.nfo">p</a>/<a href="t.html%3Fid=2005_PSP.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_PSP.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_PSP.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] PSP-MOViES [<a href="https://scenerules.org/p.html?id=2006_PSP.nfo">p</a>/<a href="t.html%3Fid=2006_PSP.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_PSP.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_PSP.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] SPORTS [<a href="https://scenerules.org/p.html?id=2009_X264_SPORTS.nfo">p</a>/<a href="t.html%3Fid=2009_X264_SPORTS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_X264_SPORTS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_X264_SPORTS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] SVCD [<a href="https://scenerules.org/p.html?id=2002_SVCD.nfo">p</a>/<a href="t.html%3Fid=2002_SVCD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_SVCD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_SVCD.nfo">d</a>]</p>
<h2><b>»</b> <a href="index.html#" onclick="showhide('TV'); return(false);">TV</a></h2>
<div id="TV" style="display: none;">
<p><b>»</b> [20<strong>10</strong>] SDTV-X264<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2010_SDTVX264.nfo">p</a>/<a href="t.html%3Fid=2010_SDTVX264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SDTVX264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SDTVX264.nfo">d</a>/<a href="extra/The.2011.x264.SDTV.Releasing.Standards.Draft.1-SDTVReleaseCouncil.rar">e</a>]</p>
<p><b>»</b> [20<strong>10</strong>] SDTV-X264<sup>3,7</sup> [<a href="https://scenerules.org/p.html?id=2010_SDTVX264r.nfo">p</a>/<a href="t.html%3Fid=2010_SDTVX264r.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SDTVX264r.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SDTVX264r.nfo">d</a>/<a href="extra/The.2011.x264.SDTV.Releasing.Standards.Draft.1.REPACK-SDTVReleaseCouncil.rar">e</a>]</p>
<p><b>»</b> [200<strong>9</strong>] SPORTS-X264 [<a href="https://scenerules.org/p.html?id=2009_X264_SPORTS.nfo">p</a>/<a href="t.html%3Fid=2009_X264_SPORTS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_X264_SPORTS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_X264_SPORTS.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] SPORTS-XViD [<a href="https://scenerules.org/p.html?id=2010_SPORT_XVID.nfo">p</a>/<a href="t.html%3Fid=2010_SPORT_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SPORT_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SPORT_XVID.nfo">d</a>/<a href="extra/TXSRS10.rar">e</a>]</p>
<p><b>»</b> [200<strong>2</strong>] TV [<a href="https://scenerules.org/p.html?id=2002_TV.nfo">p</a>/<a href="t.html%3Fid=2002_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] TV<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=2007_TV.nfo">p</a>/<a href="t.html%3Fid=2007_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] TV SDx264 [<a href="https://scenerules.org/p.html?id=2012_SDTVx264r.nfo">p</a>/<a href="t.html%3Fid=2012_SDTVx264r.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_SDTVx264r.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_SDTVx264r.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] TV SDx264<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2012_SDTVx264_u1.nfo">p</a>/<a href="t.html%3Fid=2012_SDTVx264_u1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_SDTVx264_u1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_SDTVx264_u1.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] TV-x264 [<a href="https://scenerules.org/p.html?id=2007_TV_X264.nfo">p</a>/<a href="t.html%3Fid=2007_TV_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_TV_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_TV_X264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV-x264 [<a href="https://scenerules.org/p.html?id=2008_TV_X264.nfo">p</a>/<a href="t.html%3Fid=2008_TV_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_TV_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_TV_X264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] TV-X264<sup>9</sup> [<a href="https://scenerules.org/p.html?id=2011_TV_X264.nfo">p</a>/<a href="t.html%3Fid=2011_TV_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_TV_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_TV_X264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] TV-X264<sup>2,3</sup> [<a href="https://scenerules.org/p.html?id=2011_TV_X264_u1.nfo">p</a>/<a href="t.html%3Fid=2011_TV_X264_u1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_TV_X264_u1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_TV_X264_u1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] TV-X264<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2011_TV_X264_u2.nfo">p</a>/<a href="t.html%3Fid=2011_TV_X264_u2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_TV_X264_u2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_TV_X264_u2.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] TV-1080P<sup>9</sup> [<a href="https://scenerules.org/p.html?id=2012_1080pTV.nfo">p</a>/<a href="t.html%3Fid=2012_1080pTV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_1080pTV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_1080pTV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] UK-TV [<a href="https://scenerules.org/p.html?id=2011_UKTV.nfo">p</a>/<a href="t.html%3Fid=2011_UKTV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_UKTV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_UKTV.nfo">d</a>]</p>
</div>
<p><b>»</b> [199<strong>?</strong>] VCD [<a href="https://scenerules.org/p.html?id=vcd.nfo">p</a>/<a href="t.html%3Fid=vcd.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=vcd.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/vcd.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] WEB [<a href="https://scenerules.org/p.html?id=wdx264v1.0-ecb63c67.nfo">p</a>/<a href="t.html%3Fid=wdx264v1.0-ecb63c67.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=wdx264v1.0-ecb63c67.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/wdx264v1.0-ecb63c67.nfo">d</a>]</p>
<p><b>»</b> [20<strong>16</strong>] WEB (unf) [<a href="https://scenerules.org/p.html?id=wdx264v1.0-ecb63c67-unformatted.nfo">p</a>/<a href="t.html%3Fid=wdx264v1.0-ecb63c67-unformatted.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=wdx264v1.0-ecb63c67-unformatted.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/wdx264v1.0-ecb63c67-unformatted.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] WMV-HD [<a href="https://scenerules.org/p.html?id=2007_WMVHD.nfo">p</a>/<a href="t.html%3Fid=2007_WMVHD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_WMVHD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_WMVHD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] WMV-HD [<a href="https://scenerules.org/p.html?id=2008_WMVHD.nfo">p</a>/<a href="t.html%3Fid=2008_WMVHD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_WMVHD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_WMVHD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] WMV-HD (v3.5) [<a href="https://scenerules.org/p.html?id=2009_WMVHD.nfo">p</a>/<a href="t.html%3Fid=2009_WMVHD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_WMVHD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_WMVHD.nfo">d</a>]</p>
<p><b>»</b> [VER<strong>4</strong>] WMV-HD [<a href="https://scenerules.org/p.html?id=twmvrs_v4.0.nfo">p</a>/<a href="t.html%3Fid=twmvrs_v4.0.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=twmvrs_v4.0.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/twmvrs_v4.0.nfo">d</a>]</p>
<h2><b>»</b> <a href="index.html#" onclick="showhide('X264'); return(false);">X264</a></h2>
<div id="X264" style="display: none;">
<p><b>»</b> [200<strong>7</strong>] X264 [<a href="https://scenerules.org/p.html?id=2007_X264.nfo">p</a>/<a href="t.html%3Fid=2007_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_X264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] X264<strong>v2</strong> [<a href="https://scenerules.org/p.html?id=2007_X264v2.nfo">p</a>/<a href="t.html%3Fid=2007_X264v2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_X264v2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_X264v2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] X264 (BD5/9) [<a href="https://scenerules.org/p.html?id=2008_BD.nfo">p</a>/<a href="t.html%3Fid=2008_BD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_BD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_BD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] X264 [<a href="https://scenerules.org/p.html?id=2008_X264.nfo">p</a>/<a href="t.html%3Fid=2008_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_X264.nfo">d</a>]</p>
<p><b>»</b> [REV<strong>3.1</strong>] X264 [<a href="https://scenerules.org/p.html?id=2008_X264-2.nfo">p</a>/<a href="t.html%3Fid=2008_X264-2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_X264-2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_X264-2.nfo">d</a>]</p>
<p><b>»</b> [REV<strong>3.1</strong>] X264<sup>5</sup> [<a href="https://scenerules.org/p.html?id=high.definition.x264.standards.revision.3.1.addendum.1.nfo">p</a>/<a href="t.html%3Fid=high.definition.x264.standards.revision.3.1.addendum.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=high.definition.x264.standards.revision.3.1.addendum.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/high.definition.x264.standards.revision.3.1.addendum.1.nfo">d</a>]</p>
<p><b>»</b> [REV<strong>4</strong>] X264 [<a href="https://scenerules.org/p.html?id=2011_X264.nfo">p</a>/<a href="t.html%3Fid=2011_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_X264.nfo">d</a>/<a href="extra/High.Definition.x264.Standards.Revision.4.0-HDX.rar">e</a>]</p>
<p><b>»</b> [REV<strong>4</strong>] X264<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2011_X264.2.nfo">p</a>/<a href="t.html%3Fid=2011_X264.2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_X264.2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_X264.2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] X264-ANiME [<a href="https://scenerules.org/p.html?id=2009_X264-ANIME.nfo">p</a>/<a href="t.html%3Fid=2009_X264-ANIME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_X264-ANIME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_X264-ANIME.nfo">d</a>/<a href="extra/High.Definition.x264.Standards.for.Anime.1.0-FaNSuB.rar">e</a>]</p>
<p><b>»</b> [20<strong>14</strong>] X264-ANiME [<a href="https://scenerules.org/p.html?id=2014_X264-ANIME.nfo">p</a>/<a href="t.html%3Fid=2014_X264-ANIME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_X264-ANIME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_X264-ANIME.nfo">d</a>/<a href="extra/High.Definition.x264.Standards.for.Anime.1.1-FaNSuB.rar">e</a>]</p>
<p><b>»</b> [REV<strong>4</strong>] X264<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2011_X264.2.nfo">p</a>/<a href="t.html%3Fid=2011_X264.2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_X264.2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_X264.2.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('XBOX360'); return(false);">XBOX360</a></h2>
<div id="XBOX360" style="display: none;">
<p><b>»</b> [200<strong>7</strong>] XBOX360<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=360.nfo">p</a>/<a href="t.html%3Fid=360.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=360.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/360.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] XBOX360v1.3<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=360v1.nfo">p</a>/<a href="t.html%3Fid=360v1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=360v1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/360v1.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XBOX360v2<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=360v2.nfo">p</a>/<a href="t.html%3Fid=360v2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=360v2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/360v2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] XBOX360v2.1<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=360v2.1.nfo">p</a>/<a href="t.html%3Fid=360v2.1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=360v2.1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/360v2.1.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('XViD'); return(false);">XViD</a></h2>
<div id="XViD" style="display: none;">
<p><b>»</b> [200<strong>0</strong>] XViD [<a href="https://scenerules.org/p.html?id=2000_XViD.nfo">p</a>/<a href="t.html%3Fid=2000_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2000_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2000_XViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>1</strong>] XViD [<a href="https://scenerules.org/p.html?id=2001_XViD.nfo">p</a>/<a href="t.html%3Fid=2001_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2001_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2001_XViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] XViD<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2002_XViDdraft.nfo">p</a>/<a href="t.html%3Fid=2002_XViDdraft.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_XViDdraft.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_XViDdraft.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] XViD [<a href="https://scenerules.org/p.html?id=2002_XViD.nfo">p</a>/<a href="t.html%3Fid=2002_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_XViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] XViD<strong><sup>2+3</sup></strong> [<a href="https://scenerules.org/p.html?id=2004_XViD.nfo">p</a>/<a href="t.html%3Fid=2004_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_XViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] XViD [<a href="https://scenerules.org/p.html?id=2005_XViD.nfo">p</a>/<a href="t.html%3Fid=2005_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_XViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] XViD<strong><sup>1</sup></strong> [<a href="https://scenerules.org/p.html?id=2005_XViD-rebuttal.nfo">p</a>/<a href="t.html%3Fid=2005_XViD-rebuttal.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_XViD-rebuttal.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_XViD-rebuttal.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] XViD-HD<strong><sup>3</sup></strong> [<a href="https://scenerules.org/p.html?id=2005_HD_XVID.nfo">p</a>/<a href="t.html%3Fid=2005_HD_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_HD_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_HD_XVID.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] XViD [<a href="https://scenerules.org/p.html?id=2009_XViD.nfo">p</a>/<a href="t.html%3Fid=2009_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_XViD.nfo">d</a>]</p>
</div>
<p><b>»</b> [20<strong>13</strong>] SD-X264 [<a href="https://scenerules.org/p.html?id=2013_SDX264.nfo">p</a>/<a href="t.html%3Fid=2013_SDX264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2013_SDX264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2013_SDX264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] XXX-DVDR [<a href="https://scenerules.org/p.html?id=2004_XXXDVDR.nfo">p</a>/<a href="t.html%3Fid=2004_XXXDVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_XXXDVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_XXXDVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XXX-iMAGESETS [<a href="https://scenerules.org/p.html?id=2010_XXXiMAGESETS.nfo">p</a>/<a href="t.html%3Fid=2010_XXXiMAGESETS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_XXXiMAGESETS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_XXXiMAGESETS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] XXX-PAYSiTES [<a href="https://scenerules.org/p.html?id=2006_XXXPAYSiTES.nfo">p</a>/<a href="t.html%3Fid=2006_XXXPAYSiTES.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_XXXPAYSiTES.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_XXXPAYSiTES.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XXX-PAYSiTES [<a href="https://scenerules.org/p.html?id=2008_XXXPAY.nfo">p</a>/<a href="t.html%3Fid=2008_XXXPAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_XXXPAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_XXXPAY.nfo">d</a>]</p>
<p><b>»</b> FACTION [<a href="https://scenerules.org/p.html?id=1998_FACTION.nfo">p</a>/<a href="t.html%3Fid=1998_FACTION.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=1998_FACTION.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/1998_FACTION.nfo">d</a>]</p>
<p><b>»</b> NSA [<a href="https://scenerules.org/p.html?id=2000_NSA.nfo">p</a>/<a href="t.html%3Fid=2000_NSA.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2000_NSA.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2000_NSA.nfo">d</a>]</p>
<p><b>»</b> SPA [<a href="https://scenerules.org/p.html?id=1996_SPA.txt">p</a>/<a href="t.html%3Fid=1996_SPA.txt.html">t</a>/<a href="https://scenerules.org/n.html?id=1996_SPA.txt">n</a>/<a href="https://scenerules.org/d.html?get=nfo/1996_SPA.txt">d</a>]</p>
<p><b>»</b> SRR [<a href="https://scenerules.org/p.html?id=srr_rules.nfo">p</a>/<a href="t.html%3Fid=srr_rules.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=srr_rules.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/srr_rules.nfo">d</a>]</p>
</div>
<div id="rightcontent">
<h1>Non-English rules</h1>
<h2><b>»</b> <a href="index.html#" onclick="showhide('BALTIC'); return(false);">Baltic</a></h2>
<div id="BALTIC" style="display: none;">
<p><b>»</b> [20<strong>12</strong>] SDx264 [<a href="https://scenerules.org/p.html?id=2012_BALTIC_SDx264.nfo">p</a>/<a href="t.html%3Fid=2012_BALTIC_SDx264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_BALTIC_SDx264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_BALTIC_SDx264.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('DK'); return(false);">Danish</a></h2>
<div id="DK" style="display: none;">
<p><b>»</b> [200<strong>8</strong>] TV-x264 [<a href="https://scenerules.org/p.html?id=2008_DK_TV_X264.nfo">p</a>/<a href="t.html%3Fid=2008_DK_TV_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DK_TV_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DK_TV_X264.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('NL'); return(false);">Dutch</a></h2>
<div id="NL" style="display: none;">
<p><b>»</b> [200<strong>8</strong>] NLDVDR [<a href="https://scenerules.org/p.html?id=2008_NL-DVDR.nfo">p</a>/<a href="t.html%3Fid=2008_NL-DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_NL-DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_NL-DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] TV [<a href="https://scenerules.org/p.html?id=2006_NL_TV.nfo">p</a>/<a href="t.html%3Fid=2006_NL_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_NL_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_NL_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] TV [<a href="https://scenerules.org/p.html?id=2007_NL_TV.nfo">p</a>/<a href="t.html%3Fid=2007_NL_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_NL_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_NL_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV [<a href="https://scenerules.org/p.html?id=2008_NL_TV.nfo">p</a>/<a href="t.html%3Fid=2008_NL_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_NL_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_NL_TV.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('FL'); return(false);">Flemish</a></h2>
<div id="FL" style="display: none;">
<p><b>»</b> [200<strong>8</strong>] TV [<a href="https://scenerules.org/p.html?id=2008_FLEMiSH_TV.nfo">p</a>/<a href="t.html%3Fid=2008_FLEMiSH_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_FLEMiSH_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_FLEMiSH_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] TV [<a href="https://scenerules.org/p.html?id=2011_FLEMISH_TV.nfo">p</a>/<a href="t.html%3Fid=2011_FLEMISH_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_FLEMISH_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_FLEMISH_TV.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('FR'); return(false);">French</a></h2>
<div id="FR" style="display: none;">
<p><b>»</b> [200<strong>4</strong>] ANiME [<a href="https://scenerules.org/p.html?id=2004_FR-ANiME.nfo">p</a>/<a href="t.html%3Fid=2004_FR-ANiME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_FR-ANiME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_FR-ANiME.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] ANiME [<a href="https://scenerules.org/p.html?id=2005_FR_ANiME.nfo">p</a>/<a href="t.html%3Fid=2005_FR_ANiME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_FR_ANiME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_FR_ANiME.nfo">d</a>]</p>
<p><b>»</b> [200<strong>?</strong>] ANiME [<a href="https://scenerules.org/p.html?id=UNK_FR_ANiME.nfo">p</a>/<a href="t.html%3Fid=UNK_FR_ANiME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_FR_ANiME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_FR_ANiME.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] ANiME [<a href="https://scenerules.org/p.html?id=2011_FR_ANIME.nfo">p</a>/<a href="t.html%3Fid=2011_FR_ANIME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_FR_ANIME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_FR_ANIME.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] ANiME [<a href="https://scenerules.org/p.html?id=2014_FR_ANIME.nfo">p</a>/<a href="t.html%3Fid=2014_FR_ANIME.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_FR_ANIME.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_FR_ANIME.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] CLASSIC-XViD [<a href="https://scenerules.org/p.html?id=2006_FR_CXViD.nfo">p</a>/<a href="t.html%3Fid=2006_FR_CXViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_FR_CXViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_FR_CXViD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] COVERS [<a href="https://scenerules.org/p.html?id=2007_FR_COVERS.nfo">p</a>/<a href="t.html%3Fid=2007_FR_COVERS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_FR_COVERS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_FR_COVERS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] COVERS<i>v2</i> [<a href="https://scenerules.org/p.html?id=2007_FR_COVERSv2.nfo">p</a>/<a href="t.html%3Fid=2007_FR_COVERSv2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_FR_COVERSv2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_FR_COVERSv2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2005_FR_DVDR.nfo">p</a>/<a href="t.html%3Fid=2005_FR_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_FR_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_FR_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2011_FR_DVDR.nfo">p</a>/<a href="t.html%3Fid=2011_FR_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_FR_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_FR_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] HiGHDEF [<a href="https://scenerules.org/p.html?id=2007_FR_x264.nfo">p</a>/<a href="t.html%3Fid=2007_FR_x264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_FR_x264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_FR_x264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] TV [<a href="https://scenerules.org/p.html?id=2004_FR_TV.nfo">p</a>/<a href="t.html%3Fid=2004_FR_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_FR_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_FR_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] TV v2 [<a href="https://scenerules.org/p.html?id=2004_FR_TVv2.nfo">p</a>/<a href="t.html%3Fid=2004_FR_TVv2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_FR_TVv2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_FR_TVv2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] TV [<a href="https://scenerules.org/p.html?id=2005_FR-TV.nfo">p</a>/<a href="t.html%3Fid=2005_FR-TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_FR-TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_FR-TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] TV [<a href="https://scenerules.org/p.html?id=2007_FR_TV.nfo">p</a>/<a href="t.html%3Fid=2007_FR_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_FR_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_FR_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] X264 [<a href="https://scenerules.org/p.html?id=2008_FR_X264.nfo">p</a>/<a href="t.html%3Fid=2008_FR_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_FR_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_FR_X264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>20</strong>] TV-WEB [<a href="https://scenerules.org/p.html?id=2020_FR_TVWEB.nfo">p</a>/<a href="t.html%3Fid=2020_FR_TVWEB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2020_FR_TVWEB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2020_FR_TVWEB.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] X264 [<a href="https://scenerules.org/p.html?id=2011_FR_X264.nfo">p</a>/<a href="t.html%3Fid=2011_FR_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_FR_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_FR_X264.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('DE'); return(false);">German</a></h2>
<div id="DE" style="display: none;">
<p><b>»</b> [20<strong>16</strong>] AVC [<a href="https://scenerules.org/p.html?id=2016_DE_AVC.nfo">p</a>/<a href="t.html%3Fid=2016_DE_AVC.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2016_DE_AVC.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2016_DE_AVC.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] BDr/BLURAY [<a href="https://scenerules.org/p.html?id=2010_DE_BLURAY.nfo">p</a>/<a href="t.html%3Fid=2010_DE_BLURAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_DE_BLURAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_DE_BLURAY.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] BLURAY [<a href="https://scenerules.org/p.html?id=2011_DE_BLURAY.nfo">p</a>/<a href="t.html%3Fid=2011_DE_BLURAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_DE_BLURAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_DE_BLURAY.nfo">d</a>]</p>
<p><b>»</b> [v<strong>2</strong>] BLURAY [<a href="https://scenerules.org/p.html?id=v2_DE_BLURAY.nfo">p</a>/<a href="t.html%3Fid=v2_DE_BLURAY.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=v2_DE_BLURAY.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/v2_DE_BLURAY.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2005_DE_DVDR.nfo">p</a>/<a href="t.html%3Fid=2005_DE_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_DE_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_DE_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>17</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2017_DE_DVDR.nfo">p</a>/<a href="t.html%3Fid=2017_DE_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2017_DE_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2017_DE_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>17</strong>] DVDR u1 [<a href="https://scenerules.org/p.html?id=2017_DE_DVDRu1.nfo">p</a>/<a href="t.html%3Fid=2017_DE_DVDRu1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2017_DE_DVDRu1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2017_DE_DVDRu1.nfo">d</a>]</p>
<p><b>»</b> [20<strong>17</strong>] DVDR u2<strong><sup>7</sup></strong> [<a href="https://scenerules.org/p.html?id=2017_DE_DVDRu2.nfo">p</a>/<a href="t.html%3Fid=2017_DE_DVDRu2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2017_DE_DVDRu2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2017_DE_DVDRu2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] EBOOK<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2004_DE_EBOOK.nfo">p</a>/<a href="t.html%3Fid=2004_DE_EBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_DE_EBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_DE_EBOOK.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] EBOOK [<a href="https://scenerules.org/p.html?id=2009_DE_EBOOK.nfo">p</a>/<a href="t.html%3Fid=2009_DE_EBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_DE_EBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_DE_EBOOK.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] MUSIC-CHARTS<sup>2,3</sup> [<a href="https://scenerules.org/p.html?id=2010_DE_CHARTS.nfo">p</a>/<a href="t.html%3Fid=2010_DE_CHARTS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_DE_CHARTS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_DE_CHARTS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] "Pirate-Dub" [<a href="https://scenerules.org/p.html?id=2004_DE_PD.nfo">p</a>/<a href="t.html%3Fid=2004_DE_PD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_DE_PD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_DE_PD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] PSP-MOViES [<a href="https://scenerules.org/p.html?id=2006_DE_PSP.nfo">p</a>/<a href="t.html%3Fid=2006_DE_PSP.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_DE_PSP.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_DE_PSP.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] SCRiPTS<sup>3</sup> [<a href="https://scenerules.org/p.html?id=2010_DE_SCRIPTS.nfo">p</a>/<a href="t.html%3Fid=2010_DE_SCRIPTS.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_DE_SCRIPTS.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_DE_SCRIPTS.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] SVCD [<a href="https://scenerules.org/p.html?id=2002_DE_SVCD.nfo">p</a>/<a href="t.html%3Fid=2002_DE_SVCD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_DE_SVCD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_DE_SVCD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>?</strong>] TV [<a href="https://scenerules.org/p.html?id=UNK_DE_TV.nfo">p</a>/<a href="t.html%3Fid=UNK_DE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_DE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_DE_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] TV [<a href="https://scenerules.org/p.html?id=2007_DE_TV.nfo">p</a>/<a href="t.html%3Fid=2007_DE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_DE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_DE_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV [<a href="https://scenerules.org/p.html?id=2008_DE_TV.nfo">p</a>/<a href="t.html%3Fid=2008_DE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV<strong><sup>1</sup></strong> [<a href="https://scenerules.org/p.html?id=2008_DE_TV-rebuttal.nfo">p</a>/<a href="t.html%3Fid=2008_DE_TV-rebuttal.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_TV-rebuttal.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_TV-rebuttal.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TVv3 [<a href="https://scenerules.org/p.html?id=2008_DE_TVv3.nfo">p</a>/<a href="t.html%3Fid=2008_DE_TVv3.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_TVv3.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_TVv3.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV-720p [<a href="https://scenerules.org/p.html?id=2008_DE_TV-720p.nfo">p</a>/<a href="t.html%3Fid=2008_DE_TV-720p.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_TV-720p.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_TV-720p.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] TV [<a href="https://scenerules.org/p.html?id=2011_DE_TV.nfo">p</a>/<a href="t.html%3Fid=2011_DE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_DE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_DE_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] TV-HD [<a href="https://scenerules.org/p.html?id=2012_DE_TV.nfo">p</a>/<a href="t.html%3Fid=2012_DE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_DE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_DE_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>13</strong>] TV [<a href="https://scenerules.org/p.html?id=2013_DE_TV.nfo">p</a>/<a href="t.html%3Fid=2013_DE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2013_DE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2013_DE_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>20</strong>] TV [<a href="https://scenerules.org/p.html?id=2020_DE_GRTVSR.nfo">p</a>/<a href="t.html%3Fid=2020_DE_GRTVSR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2020_DE_GRTVSR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2020_DE_GRTVSR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>1</strong>] DivX [<a href="https://scenerules.org/p.html?id=2001_DE_DiVX.nfo">p</a>/<a href="t.html%3Fid=2001_DE_DiVX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2001_DE_DiVX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2001_DE_DiVX.nfo">d</a>]</p>
<p><b>»</b> [200<strong>2</strong>] DivX [<a href="https://scenerules.org/p.html?id=2002_DE_DiVX.nfo">p</a>/<a href="t.html%3Fid=2002_DE_DiVX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_DE_DiVX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_DE_DiVX.nfo">d</a>]</p>
<p><b>»</b> [200<strong>4</strong>] DivX [<a href="https://scenerules.org/p.html?id=2004_DE_DiVX.nfo">p</a>/<a href="t.html%3Fid=2004_DE_DiVX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_DE_DiVX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_DE_DiVX.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] XViD [<a href="https://scenerules.org/p.html?id=2007_DE_XVID.nfo">p</a>/<a href="t.html%3Fid=2007_DE_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_DE_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_DE_XVID.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XViD [<a href="https://scenerules.org/p.html?id=2008_DE_XViD.nfo">p</a>/<a href="t.html%3Fid=2008_DE_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_XViD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XViD [<a href="https://scenerules.org/p.html?id=2010_DE_XViD.nfo">p</a>/<a href="t.html%3Fid=2010_DE_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_DE_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_DE_XViD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XViDv2 [<a href="https://scenerules.org/p.html?id=2010.1_DE_XViD.nfo">p</a>/<a href="t.html%3Fid=2010.1_DE_XViD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010.1_DE_XViD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010.1_DE_XViD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] XXX [<a href="https://scenerules.org/p.html?id=2011_DE_XXX.nfo">p</a>/<a href="t.html%3Fid=2011_DE_XXX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_DE_XXX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_DE_XXX.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] x264-SD [<a href="https://scenerules.org/p.html?id=2008_DE_X264SD.nfo">p</a>/<a href="t.html%3Fid=2008_DE_X264SD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_X264SD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_X264SD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] x264-SD [<a href="https://scenerules.org/p.html?id=2009_DE_X264SD.nfo">p</a>/<a href="t.html%3Fid=2009_DE_X264SD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_DE_X264SD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_DE_X264SD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>13</strong>] x264-SD [<a href="https://scenerules.org/p.html?id=2013_DE_SDX264.nfo">p</a>/<a href="t.html%3Fid=2013_DE_SDX264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2013_DE_SDX264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2013_DE_SDX264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] X264-720p [<a href="https://scenerules.org/p.html?id=2007_DE_X264.nfo">p</a>/<a href="t.html%3Fid=2007_DE_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_DE_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_DE_X264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] X264-1080p [<a href="https://scenerules.org/p.html?id=2008_DE_1080.nfo">p</a>/<a href="t.html%3Fid=2008_DE_1080.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_DE_1080.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_DE_1080.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] X264 [<a href="https://scenerules.org/p.html?id=2009_DE_X264.nfo">p</a>/<a href="t.html%3Fid=2009_DE_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_DE_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_DE_X264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] x264 v2.5 [<a href="https://scenerules.org/p.html?id=2009_DE_X264.2.5.nfo">p</a>/<a href="t.html%3Fid=2009_DE_X264.2.5.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_DE_X264.2.5.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_DE_X264.2.5.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] x264 v3 [<a href="https://scenerules.org/p.html?id=2011_DE_X264.nfo">p</a>/<a href="t.html%3Fid=2011_DE_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_DE_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_DE_X264.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('HU'); return(false);">Hungarian</a></h2>
<div id="HU" style="display: none;">
<p><b>»</b> [200<strong>8</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2008_HU_DVDR.nfo">p</a>/<a href="t.html%3Fid=2008_HU_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_HU_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_HU_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2011_HU_DVDR.nfo">p</a>/<a href="t.html%3Fid=2011_HU_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_HU_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_HU_DVDR.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] HD [<a href="https://scenerules.org/p.html?id=2008_HU_HD.nfo">p</a>/<a href="t.html%3Fid=2008_HU_HD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_HU_HD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_HU_HD.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV [<a href="https://scenerules.org/p.html?id=2008_HU_TV.nfo">p</a>/<a href="t.html%3Fid=2008_HU_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_HU_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_HU_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] TV-X264 [<a href="https://scenerules.org/p.html?id=2009_HUN_TV_X264.nfo">p</a>/<a href="t.html%3Fid=2009_HUN_TV_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_HUN_TV_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_HUN_TV_X264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] TV [<a href="https://scenerules.org/p.html?id=2010_HU_TV.nfo">p</a>/<a href="t.html%3Fid=2010_HU_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_HU_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_HU_TV.nfo">d</a>]</p>
<!--<p><b>»</b> [200<strong>8</strong>] X264 [<a href="p.html?id=2008_HU_XViD.nfo">p</a>/<a href="t.html?id=2008_HU_XViD.nfo">t</a>/<a href="n.html?id=CHANGEME">n</a>/<a href="d.html?get=nfo/2008_HU_XViD.nfo">d</a>]</p>-->
<p><b>»</b> [200<strong>9</strong>] X264<b><sup>3</sup></b> [<a href="https://scenerules.org/p.html?id=2009_HUN_X264d.nfo">p</a>/<a href="t.html%3Fid=2009_HUN_X264d.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_HUN_X264d.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_HUN_X264d.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] X264<b><sup>3</sup></b> [<a href="https://scenerules.org/p.html?id=2009_HUN_X264d2.nfo">p</a>/<a href="t.html%3Fid=2009_HUN_X264d2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_HUN_X264d2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_HUN_X264d2.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] X264 [<a href="https://scenerules.org/p.html?id=2009_HUN_X264.nfo">p</a>/<a href="t.html%3Fid=2009_HUN_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_HUN_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_HUN_X264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XViD [<a href="https://scenerules.org/p.html?id=2008_HUN_XVID.nfo">p</a>/<a href="t.html%3Fid=2008_HUN_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_HUN_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_HUN_XVID.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] XViD [<a href="https://scenerules.org/p.html?id=2009_HUN_XVID.nfo">p</a>/<a href="t.html%3Fid=2009_HUN_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_HUN_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_HUN_XVID.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('IT'); return(false);">Italian</a></h2>
<div id="IT" style="display: none;">
<p><b>»</b> [200<strong>8</strong>] DVDR [<a href="https://scenerules.org/p.html?id=2008_IT_DVDR.nfo">p</a>/<a href="t.html%3Fid=2008_IT_DVDR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_IT_DVDR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_IT_DVDR.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] SD-X264 [<a href="https://scenerules.org/p.html?id=2014_IT_SDX264.nfo">p</a>/<a href="t.html%3Fid=2014_IT_SDX264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_IT_SDX264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_IT_SDX264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV [<a href="https://scenerules.org/p.html?id=2008_IT_TV.nfo">p</a>/<a href="t.html%3Fid=2008_IT_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_IT_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_IT_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>6</strong>] XViD [<a href="https://scenerules.org/p.html?id=2006_IT_XVID.nfo">p</a>/<a href="t.html%3Fid=2006_IT_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_IT_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_IT_XVID.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] XViD [<a href="https://scenerules.org/p.html?id=2007_IT_XVID.nfo">p</a>/<a href="t.html%3Fid=2007_IT_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_IT_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_IT_XVID.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XViD [<a href="https://scenerules.org/p.html?id=2008_IT_XVID.nfo">p</a>/<a href="t.html%3Fid=2008_IT_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_IT_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_IT_XVID.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XViD-SCREENER [<a href="https://scenerules.org/p.html?id=2008_IT_XVIDSCR.nfo">p</a>/<a href="t.html%3Fid=2008_IT_XVIDSCR.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_IT_XVIDSCR.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_IT_XVIDSCR.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('LT'); return(false);">Lithuanian</a></h2>
<div id="LT" style="display: none;">
<p><b>»</b> [20<strong>11</strong>] XViD [<a href="https://scenerules.org/p.html?id=2011_LT_XVID.nfo">p</a>/<a href="t.html%3Fid=2011_LT_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_LT_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_LT_XVID.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] XViD [<a href="https://scenerules.org/p.html?id=2012_LT_XVID.nfo">p</a>/<a href="t.html%3Fid=2012_LT_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_LT_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_LT_XVID.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('PL'); return(false);">Polish</a></h2>
<div id="PL" style="display: none;">
<p><b>»</b> [200<strong>6</strong>] EBOOK [<a href="https://scenerules.org/p.html?id=2006_PL_EBOOK.nfo">p</a>/<a href="t.html%3Fid=2006_PL_EBOOK.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2006_PL_EBOOK.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2006_PL_EBOOK.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] TV [<a href="https://scenerules.org/p.html?id=2010_PL_TV.nfo">p</a>/<a href="t.html%3Fid=2010_PL_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_PL_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_PL_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] sdx264 [<a href="https://scenerules.org/p.html?id=2012_PL_SDx264.nfo">p</a>/<a href="t.html%3Fid=2012_PL_SDx264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_PL_SDx264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_PL_SDx264.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] x264 [<a href="https://scenerules.org/p.html?id=2008_PL_X264.nfo">p</a>/<a href="t.html%3Fid=2008_PL_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_PL_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_PL_X264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] x264 [<a href="https://scenerules.org/p.html?id=2010_PL_X264.nfo">p</a>/<a href="t.html%3Fid=2010_PL_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_PL_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_PL_X264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>11</strong>] x264 [<a href="https://scenerules.org/p.html?id=2011_PL_X264.nfo">p</a>/<a href="t.html%3Fid=2011_PL_X264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2011_PL_X264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2011_PL_X264.nfo">d</a>]</p>
<p><b>»</b> SRR [<a href="https://scenerules.org/p.html?id=pl_srr_rules.nfo">p</a>/<a href="t.html%3Fid=pl_srr_rules.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=pl_srr_rules.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/pl_srr_rules.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('ES'); return(false);">Spanish</a></h2>
<div id="ES" style="display: none;">
<p><b>»</b> [200<strong>2</strong>] DivX [<a href="https://scenerules.org/p.html?id=2002_ES_DIVX.nfo">p</a>/<a href="t.html%3Fid=2002_ES_DIVX.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2002_ES_DIVX.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2002_ES_DIVX.nfo">d</a>]</p>
<p><b>»</b> [200<strong>?</strong>] SVCD [<a href="https://scenerules.org/p.html?id=UNK_ES_SVCD.nfo">p</a>/<a href="t.html%3Fid=UNK_ES_SVCD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=UNK_ES_SVCD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/UNK_ES_SVCD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] HD [<a href="https://scenerules.org/p.html?id=2014_ES_HD.nfo">p</a>/<a href="t.html%3Fid=2014_ES_HD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_ES_HD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_ES_HD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>14</strong>] SD [<a href="https://scenerules.org/p.html?id=2014_ES_SD.nfo">p</a>/<a href="t.html%3Fid=2014_ES_SD.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2014_ES_SD.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2014_ES_SD.nfo">d</a>]</p>
<p><b>»</b> [20<strong>13</strong>] TV [<a href="https://scenerules.org/p.html?id=2013_ES_TV.nfo">p</a>/<a href="t.html%3Fid=2013_ES_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2013_ES_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2013_ES_TV.nfo">d</a>]</p>
<p><b>»</b> [20<strong>13</strong>] TV<sup>7</sup> [<a href="https://scenerules.org/p.html?id=2013_ES_TV.u1.nfo">p</a>/<a href="t.html%3Fid=2013_ES_TV.u1.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2013_ES_TV.u1.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2013_ES_TV.u1.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] XViD & Other [<a href="https://scenerules.org/p.html?id=2008_ES_XVID.nfo">p</a>/<a href="t.html%3Fid=2008_ES_XVID.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_ES_XVID.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_ES_XVID.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XViD & Other [<a href="https://scenerules.org/p.html?id=2010_SP.nfo">p</a>/<a href="t.html%3Fid=2010_SP.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SP.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SP.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] XViD & Other v2 [<a href="https://scenerules.org/p.html?id=2010_SPv2.nfo">p</a>/<a href="t.html%3Fid=2010_SPv2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SPv2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SPv2.nfo">d</a>]</p>
</div>
<h2><b>»</b> <a href="index.html#" onclick="showhide('SE'); return(false);">Swedish</a></h2>
<div id="SE" style="display: none;">
<p><b>»</b> [200<strong>4</strong>] SWESUB [<a href="https://scenerules.org/p.html?id=2004_SWESUB.nfo">p</a>/<a href="t.html%3Fid=2004_SWESUB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2004_SWESUB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2004_SWESUB.nfo">d</a>]</p>
<p><b>»</b> [200<strong>5</strong>] SWESUB [<a href="https://scenerules.org/p.html?id=2005_SWESUB.nfo">p</a>/<a href="t.html%3Fid=2005_SWESUB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2005_SWESUB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2005_SWESUB.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] SWESUB [<a href="https://scenerules.org/p.html?id=2007_SWESUB.nfo">p</a>/<a href="t.html%3Fid=2007_SWESUB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_SWESUB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_SWESUB.nfo">d</a>]</p>
<p><b>»</b> [200<strong>9</strong>] SWESUB [<a href="https://scenerules.org/p.html?id=2009_SWESUB.nfo">p</a>/<a href="t.html%3Fid=2009_SWESUB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2009_SWESUB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2009_SWESUB.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] SWESUB [<a href="https://scenerules.org/p.html?id=2010_SWESUB.nfo">p</a>/<a href="t.html%3Fid=2010_SWESUB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SWESUB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SWESUB.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] SWESUBv2 [<a href="https://scenerules.org/p.html?id=2010_SWESUBv2.nfo">p</a>/<a href="t.html%3Fid=2010_SWESUBv2.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SWESUBv2.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SWESUBv2.nfo">d</a>]</p>
<p><b>»</b> [20<strong>12</strong>] SWESUB [<a href="https://scenerules.org/p.html?id=2012_SWESUB.nfo">p</a>/<a href="t.html%3Fid=2012_SWESUB.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2012_SWESUB.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2012_SWESUB.nfo">d</a>]</p>
<p><b>»</b> [200<strong>8</strong>] TV [<a href="https://scenerules.org/p.html?id=2008_SE_TV.nfo">p</a>/<a href="t.html%3Fid=2008_SE_TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2008_SE_TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2008_SE_TV.nfo">d</a>]</p>
<p><b>»</b> [200<strong>7</strong>] TV 720p x264 [<a href="https://scenerules.org/p.html?id=2007_SE_TVX264.nfo">p</a>/<a href="t.html%3Fid=2007_SE_TVX264.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2007_SE_TVX264.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2007_SE_TVX264.nfo">d</a>]</p>
<p><b>»</b> [20<strong>10</strong>] TV 720p x264 [<a href="https://scenerules.org/p.html?id=2010_SE_720TV.nfo">p</a>/<a href="t.html%3Fid=2010_SE_720TV.nfo.html">t</a>/<a href="https://scenerules.org/n.html?id=2010_SE_720TV.nfo">n</a>/<a href="https://scenerules.org/d.html?get=nfo/2010_SE_720TV.nfo">d</a>]</p>
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<pre>
[ NUKE-RULES ]
[ Syntax: ]
!nuke release reason [source]
!unnuke release reason [source]
!renuke release reason [source]
!modnuke release reason [source]
!snuke release reason [source]
!oldnuke release reason [source]
The [source] parameter is required for nukes that are echoed in.
!snuke & !oldnuke are <strong>silent</strong>nukes, for old releases.
Not to be announced in announce channels, however they should still
be echoed around in nuke channels, and be added to databases.
[ Nuke Formats: ]
repack - <strong>reason</strong>_get.repack(/repacked.YYYY-MM-DD)
propers - <strong>reason</strong>_get.GRP.proper(/repacked.YYYY-MM-DD)
invalid propers - invalid.proper_<strong>reason</strong>
dupes - dupe.GRP.<strong>YYYY-MM-DD</strong>
minor update - mu.GRP.<strong>YYYY-MM-DD</strong>
re-encodes - re-encoded_<strong>proof</strong>
bad crack - bad.crack_<strong>whats.wrong</strong>_<strong>proof</strong>
free from web - free.from.web_<strong>proof</strong>
nuked source - nuked.GROUP.source
<strong>always</strong> use YYYY-MM-DD. <strong>never</strong> use sameday, or any other formatting.
[ Nuke reasons <strong>MUST</strong> be in <strong>english</strong>. same with channel conversation. ]
[ Be <strong>specific</strong> with your nukes and unnukes. ]
[ Provide proof where possible/applicable ]
ie: if the entire release isn't out of sync, nuke it with timestamps, (eg: oos_eg.05m45s-08m09s)
[ <strong>Use common sense</strong> in un/nukes. ]
[ <strong>nuke here first</strong> - <strong>before anywhere else</strong> - or just inform an op, and leave. ]
[ Do <strong>NOT</strong> distribute nick, channel, or sensative information ]
[ Do <strong>NOT</strong> nuke spam/fakes/bad echos, !delpre them ]
[ Do <strong>NOT</strong> nuke something unless you are sure it's <strong>valid</strong> - meaning <strong>no fake</strong> un/nukes ]
[ Do <strong>NOT</strong> unnuke for "<strong>fine</strong>". The reason <strong>MUST</strong> explain why the release is "fine" eg; ar.is.within.acceptable.range, not.dupe, etc ]
[ Do <strong>NOT</strong> nuke for bad.encoding you <strong>MUST</strong> explain whats wrong, or how the release is bad! ]
[ Do <strong>NOT</strong> nuke for "reencoded_duration.samples.mod.is.different.from.0" - this <a href="t.html%3Fid=mod588.txt.html" target="_blank">method</a> is NOT 100% ]
[ Do <strong>NOT</strong> unnuke and renuke (or use !re/modnuke) to add _get.repack, _get.rerip, etc. ]
[ Do <strong>NOT</strong> use special characters in un/nuke reasons (eg; !"£$%^&*:;{[}]@'~#/\?>\<,|\ etc) ]
[ Do <strong>NOT</strong> fix bad unnukes by renuking the release with "fix" or similar ]
[ Do <strong>NOT</strong> engage in "nukewar" un/nukes. ]
[ Do <strong>NOT</strong> use foul language in un/nukes. ]
[ Do <strong>NOT</strong> nuke with personal opinions or comments. ]
[ Do <strong>NOT</strong> echo un/nukes from other networks! ]
If botowners want to accept another networks nukes, they'll join the network. (prefixed nukes are still allowed)
Don't accept nukes from other bots that say they got it from a source - alot of bots mess up source tags!
[ Do <strong>NOT</strong> echo out this channel, copy/paste snippits of conversation, etc to <strong>ANYONE</strong> for <strong>ANY</strong> reason. ]
if the persons not in this channel - its for a reason. anyone found to be breaking this rule will be <strong>glined</strong>.
un/nukes sourced from here are obviously excluded from this rule.
[ If a fix has been released for a nuked release - and is <strong>valid</strong>, <strong>unnuke</strong> the original release for <strong>get.fix</strong>
However, take note, that if the fix does <strong>not</strong> fix the original release, or is not valid (eg: dirfix when trackfix is required),
<strong>nuke</strong> the release for <strong>fix.for.nuke</strong>.
Refer to individual rulesets to see if the fixes are forbidden - eg;
sizefixes are <a href="t.html%3Fid=2009_XViD.nfo.html" target="_blank">not</a> allowed for xvid releases
trackfixes have <a href="t.html%3Fid=2007_MP3v1.1.nfo.html" target="_blank">restrictions</a>
[ <a href="index.html" target="_blank">https://scenerules.org</a> - scene rules ]
[ Use <a href="http://www.tinypic.com/" target="_blank">tinypic</a> for pictures, and <a href="http://www.tinyurl.com/" target="_blank">tinyurl</a> for shortening urls. ]
[ disable "thanks for the +v" etc, scripts or expect a ban ]
<!--[ these are rules that have been made over time, tailored to this nuke channel, don't copy them. ] -->
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<pre class="nfo"> . . . . Digital Audio Crew . . . .
. .
. .______ ___ ______. . .
. .:\_ . \/ \\_ . \:.. .
. ../ ./ / &#60;\ \/ ./__/. .
. .:&#60;_____&#60;____\ >___ >: . .
. .mr! \/ \/:. .
. .
. . . . . . MP3 How-To . . . . . .
DAC MP3 &#34;Mini How-To&#34; V4.0.1
Revision [30/08/1996 EDT 00:00]
(Non-internal/First public release)
by ShereKhan/MegaByte/MindRape of DAC
This Mini HowTo started out as an internal document for DAC members, to
standardize how DAC music releases are ripped, encoded, and packaged.
Since then, MPEG Layer III Audio (heretofore called &#34;MP3&#34;) has grown in
popularity rapidly. However, quality has not improved similarly and many
of the new encodings I&#39;ve encountered sound like crap. Most people who
have approached DAC (and I&#39;m sure this is even more the case for the
online community in general) just do not have the experience in recording
digital audio, nor the familiarity with encoding MP3 needed to produce
the near-perfect quality we expect in all DAC releases. Hopefully this
guide will help you achieve the purest possible encodes from your CDs as
well.
Before going further, you need to get latest MP3 encoder, L3ENC v2.60 for
DOS (Linux/SunOS/NeXT versions are also available if you prefer), one or
more of the CD-ripping utilities mentioned in this guide (CDDA, DIDO, DAC,
CD-Grab Pro), and a good WAV-editing program such as CoolEdit95, Sound
Forge/32, or GoldWave. DAC members also need the current release NFO and
DIZ files. Please read through this ENTIRE HowTo, before running to one
of us for help!
Many of these tools can be found at MindRape&#39;s DAMAGED CYBERNETICS page at:
http://www.futureone.com/~damaged
Good Luck!
1. Resources for DAC members
1.1 /DAC-PAK on the #DAC bot(s)
All the ripping/encoding utilities, plus the current NFO and DIZ
for packaging into releases (as well as this How-To) are available
from the channel bot. Always make sure you are using the LATEST
versions of the NFO/DIZ before finalizing any release!
1.2 DAC WWW Page (ask members for address)
fRSTGUMP has put up a quick WWW page for DAC, with the latest NFO,
DIZ, and a table of DAC releases (not always 100% current, but the
closest thing). The server is secured with htaccess (DAC internal
use ONLY); if you have access to the channel bot, you should be
able to use the same login and passwd for the WWW page.
2. Ripping a song from CD (direct digital copy)
2.1 Mitsumi CD-ROM drives
Before pulling out your hair trying to rip with a Mitsumi CD-ROM,
I should tell you that most (all?) Mitsumi CD-ROM drives cannot
read &#34;raw&#34; CDDA data (Read_Long) and therefore cannot be used to
aquire CD-audio by direct digital copy with ANY program; this
includes CDDA/DIDO/DAC/etc. Mitsumi FX001D/FX001DE (2X) and the
newer FX400* (4X) drives are known to have this &#34;defect&#34;; the
manufacturer has purposely not included Read_Long in their drive
logic or drivers to prevent copyright infringement (lesson: don&#39;t
buy Mitsumi from now on.)
2.2 CDDA Version 1.4 build 12c [DOS]
CDDA is a DOS-based, command line CD ripping tool which allows
you to copy CD redbook audio DIRECT to WAV without recording or
sampling of any kind ... This type of &#34;copying&#34; gives the cleanest
possible results and is MUCH preferred over trying to record the
playback from the CD with CoolEdit or GoldWave. Direct copying, or
&#34;ripping&#34; as we like to call it, gives you the maximum dynamic
range from the songs, and thus NO clipping (which is a real problem
with the &#34;record&#34; technique), since with CDDA you are copying the
original signal strengths too with every signal peak. Think of it
as &#34;Automatic Level Detection&#34; for your CDROM drive. Also ripping
does not have problems with &#34;skipping&#34; due to buffer over/underrun
you often encounter when record CD playback using SoundRecorder,
CoolEdit, etc.
MegaByte has done a quick comparison test of CDDA and DIDO4 and
lists a few pros and cons for CDDA:
PROS: De-jittering technique MAY improve sound quality (unknown)
CONS: Must use /o switch to override CD copy protection.
DOS based; may not work under windows on some systems.
Does not work on some systems.
If you are using Win95, you will need to first make sure you are
using the DOS or 16-bit (Real Mode) Win3.x drivers for your CD-ROM
drive, as the Win95 built-in drivers are NOT compatible with CDDA
or any of the other direct copy utilities! Also make sure to read
the manual with CDDA and use the included tester programs to see
if your CDROM drive is capable of &#34;long reads&#34; (if not, you can&#39;t
do a direct rip). These test utilities (for DOS) are useful even
if you decide to use another ripper than CDDA.
A sample command line to rip a track off an *IDE* CD-Rom drive with
CD-DA might be: &#34;CDDA /t [track] /m /f [filewav.wav] /w /o&#34; PLEASE
read the CDDA manual to see what switches you need to use ... ATAPI,
SCSI, IDE all need different command line options! Additional info
from MegaByte&#39;s comparison tests on CDDA&#39;s dejitter feature:
[From CDDA.DOC:]
> &#34;Many CDs have been mastered from digital sources. In this
> case the source may have been synthesized digitally which gives
> absolutely perfect sounds which are very repetitive and exactly
> the same. When this happens, it may possibly confuse the jitter
> correction routines. There is not a lot I can do about it at
> the moment, and there is less that any of the other programs
> like mine can do.&#34;
In one particular CD, which had repeating sound patterns, CDDA
had a dejitter error. In another CD, which had more &#34;analog&#34;
music, the error wasn&#39;t preesent. This may or may not be a
result of the problem expressed in the above quote.
2.3 DIDO 4.0 [Windows]
DIDO4 is a Windows-based CD ripping tool with a GUI. Like CDDA, it
copies the RedBook audio data directly from the CD to WAV. I have
not personally tested it but from MegaByte&#39;s comparison testing,
DIDO4 sounds very good. As with the other ripping utilities, you
need to use the *DOS* or older 16-bit &#34;real mode&#34; Win3.1 CDROM
drivers if you&#39;re under Win95. Some pros/cons from MegaByte:
PROS: GUI, easy to use, easy track view/recording time selector.
CONS: Has errors on some systems in accessing CD-ROM drives.
(see the workaround below)
Sometimes produces synchronization errors.
(can be worked around by changing end time a little)
MegaByte&#39;s workaround for the DIDO4 errors:
DIDO4 seems to have some difficulties reading CD&#39;s under Windows.
On [my] computer it stalls at 0 sectors on the read. To work
around this problem, eject the CD and reinsert it at the Save
File dialog box. Remember to hold the shift key under Windows 95
to prevent Autoplay. Also, disabling Flexi-CD can solve some
problems. If the CD is ejected, reinserted, and then &#34;ok&#34; in the
save dialog box is clicked, recording works... as long as no
autoplay program has opened.
2.4 DAC 2.2 [DOS]
People who have not been able to use CDDA has reported success
with DAC in some cases. DAC has a nicer menu interface and is
fairly easy to use. However, we do not have a registered version
of DAC, which means you cannot do partial rips (to test sound
quality, as you can with DIDO4 or CDDA) ... only the full track.
Also at least one of the optimization switches is missing in the
shareware version of DAC.
Here is a quick start to using DAC to rip CD tracks:
Load up DAC 2.2
Select the track to copy
Go to Action
Select copy
Pretty easy eh?
Of course, read the docs for DAC to see if you need to enable any
special options. As with CDDA and DIDO, you&#39;ll have to use the DOS
or old 16-bit &#34;real mode&#34; Win3.x CD-ROM drivers under Win95, NOT
the built-in Win95 miniport drivers! (Win95 CDROM drivers usually
don&#39;t support CDDA/&#34;raw&#34; mode).
2.5 CD-Grab Pro V3.21 [DOS]
This is similar to CDDA, just a bit older. Haven&#39;t used this yet,
anyone want to review it and let me know if it&#39;s good? I know that
this ripper DOES have dejitter functions.
2.6 General problems ripping in Win95
Some Win95 users may encounter problems when starting a copy with
CDDA, even if they have the correct DOS/real-mode drivers installed
and their drive DOES support Read_Long ... this can often be fixed
by starting up CD Player (in Win95) and putting the CD-ROM into
pause mode; while the player is still paused, open a DOS window
(if you&#39;re using a DOS-based ripper) and start copying the audio
with CDDA/DIDO/etc.
2.7 Using a CD-R (burner)
If you are lucky enough to have use of a CD-R burner, you can use
EZ-CD Pro (for Win3/Win95) or one of the various programs bundled
with the burner to direct COPY audio tracks from any CD. Typically
the read mechanism in CD-R drives are higher quality than regular
CD-ROMs and the drivers/software are made with copying in mind.
3. Sampling (recording output from CD player)
Although this method of aquiring a CD track as WAV isn&#39;t recommended,
many people either have incompatible hardware (Mitsumi or other CDROM
incapable of Read_Long) or software (try booting to DOS mode if you use
Win95, though!) and thus have no other choice than to sample the audio.
Unfortunately, many people who CAN (and should) use direct digital copy
are still sampling their CDs, either out of ignorance or laziness. This
accounts for MANY of the shittier sounding MP3 encodes out there.
You&#39;ll need good WAV-editing tools if you want to do a good sampling
job; the &#34;standard&#34; recorder/editor programs bundled with Sound Blaster
or PAS16, etc. usually aren&#39;t flexible enough and lack the buffering
features required to make a skip-free recording. Instead, you should
use a high-quality package such as SoundForge32, CoolEdit95, or Gold
Wave to do your sampling and post-processing (read on). A section on
using these programs will be in a future version of this How-To ...
4. Examining the WAV prior to compression
This is perhaps the MOST IMPORTANT STEP quality-wise in the process!
It is critical that you load the WAV you&#39;re ripped with CDDA/DIDO4/etc
into CoolEdit95 or SoundForge32 (or similar wave editors) and examine
it for defects, clipping, too quiet, etc. Visually you can see defects
that might not be noticible to the ear until AFTER compression (then
it&#39;s much more annoying to fix!) Here are some common problems you might
find in your freshly ripped (or if you cannot rip, recorded *bleh*) WAV:
4.1 Clipping
If you hear a tiny &#34;pops&#34; during playback of your WAV, and/or see
a lot of sound peaks that look cut off (pops and cut-off waveforms
should coincide) you&#39;ve clipped the audio. This shouldn&#39;t happen
with direct ripping, but with recording it happens often. You&#39;ll
have to do it over if you have any noticible clips. Remember that
different parts of the same song may have very different volume
levels, so it isn&#39;t sufficient to just listen to one part of the
WAV when determining the correct recording level (if you sampled).
4.2 Too quiet
The other common problem is the entire wave is too quiet. When you
view a properly ripped/recorded WAV in SoundForge or CoolEdit, etc,
the loudest parts of the song should have peaks that ALMOST reach
the top/bottom edges of the waveform display; if even the loudest
peaks never get close to the limits, then you&#39;ll either have to set
the recording level a bit higher (if you&#39;re recording), or use the
&#34;Normalize&#34; feature of CoolEdit/SoundForge (do this ONLY if you did
a direct digital copy and know that no noise was introduced, other
wise the flaws will be amplified) Again, IF you did a direct rip,
and the resulting WAV is still very quiet, the Normalize (sort of
a smart amplify) function to maximize the dynamic range for the
entire file. Now you should see the loudest peaks in the song JUST
touch the top/bottom margins, without blowing out the passages in
the song that are supposed to be quiet.
4.3 Rough ends
After you&#39;re satisfied with the quality of your WAV rip, use your
wave editor to create &#34;smooth ends&#34; for the song. In CoolEdit95,
Select Entire Wave, use the &#34;Envelope&#34; function and choose &#34;Smooth
Ends&#34;. If you cut the beginning or end of the song accidentally (or
on purpose) you might have to use the &#34;fade-in&#34; and or &#34;fade-out&#34;
tools to make a nice intro/ending. Finally, save to Microsoft PCM
(.WAV) at 44100Hz/16-bit/stereo.
5. Compressing from WAV to MPEG Layer III Audio (MP3)
5.1 L3ENC 2.60 Registered [DOS] - ftp.fhg.de /pub/layer3/
This is the encoder for DOS. Make SURE you register the encoder,
otherwise many of the command-line options will be locked out,
ones DAC members will need to use for their releases! (Registration
codes are below:
> From: Psychotron &#60;mikead@slip.net>
> X-Sender: ShereKhan &#60;ursus@alpha.c2.org>
> Newsgroups: alt.binaries.sounds.music,alt.binaries.sounds.utilities
> Subject: THE &#34;FIRST&#34; REG CODES 4 WINPLAY3 AND L3ENC This iz kewl!!!
> Date: Tue, 06 Aug 1996 23:28:13 -0700
>
> You may like to know that these are the very first reg
> codes for both &#34;l3enc&#34; and &#34;WinPlay3&#34;, They will not make
> the programs run any better then from any other code but
> if you look at the serial number on your program after
> you reg your software with these number it will say 0001.
> kina kewl isn&#39;t it. Get it while you can
>
> L3ENC = 909GCB0A091E-9
> WINPLAY3 = 100011-301000-5000
NOTE: Here is another reg code for WinPlay3 v1.40
(from WinPlay3 v1.30, when it was freeware):
UserName=ISO FreeWare
RegistrationCode=222221-025226-0002
Here is a sample commandline for compressing a WAV (infile.wav) to
MP3 (outfile.mp3) REMEMBER YOU MUST REGISTER THE ENCODER FIRST!:
l3enc [infile.wav] [outfile.mp3] -br 128000 -crc
The -br 128000 tells L3ENC to produce a MP3 that will playback at
at 128000 bit/s ... this is the optimum compromise setting to get
the maximum compression ratio for CD-quality music while still
producing a MP3 that has virtually all the clarity of the original
song and a very respectable dynamic range (16khz rolloff at -br
128000) Compare this to the original CD-audio specification, which
rolls off at 22khz; humans can only hear up to about 20khz besides,
and virtually no natural sources, and very few artificially created
sounds you might find on a CD ever approach 20khz.
The default for the shareware L3ENC (pre-2.60) USED to be -br
128000 but for 2.60 and newer, it has been changed to -br 112000.
We at DAC feel a 112k bitrate sacrifices too much dynamic range
for a minimal gain in compression ratio, and therefore recommend
that -br 128000 be used for all encodes from CD sources.
An average 3-4 minute song will need about 10,000 frames to encode;
if you&#39;re smart, you&#39;ll encode only about 1,000 frames or so the
first time around (press CTRL+C to stop the encoder) to see if the
MP3 sounds good (no popping or dropouts, not too quiet) When you
seem to have a good test encode then delete the partial MP3 and
make the full-length MP3. L3ENC v2.60 has a nice progress indicator
which tells you what % of the encoding is completed.
If you have a fast computer (>P100) then you can try using the
&#34;High Quality&#34; switch in L3ENC (-hq). This will make the encoder
do extra quality checking so no errors are produced in the final
MP3 file. WARNING: this may take up to 3x as long (according to
RainMkr). Basically, -hq possibly may give you slightly higher
quality MP3, but at greatly reduced encoding speed. Try it for
yourself.
You better have a fast CPU, like P133 -> PP200, if you&#39;re going to
do a lot of encoding. ESPECIALLY if you want to use the -hq switch.
Otherwise do the encoding at night while you are sleeping, watching
tele, or whatnot. Encoding a 5 minute song on a i586-133 takes
approximately 15-20 minutes, while on a i486-80 it takes almost
1 hour. L3ENC is a 32-bit DOS executable, but it will run under
Win95/NT DOS boxes just fine. In fact. many people have run 4 DOS
sessions parallel, encoding 4 songs at once without problems.
5.2 Linux version of L3ENC V2.60
Some people report that the unix L3ENCoder is faster than the DOS
version, although I haven&#39;t tested it myself. Should work exactly
the same as DOS version. There is no Linux realtime player like
WinPlay3, unfortunately. Also since I don&#39;t know which tools you&#39;d
use to rip the cd audio to WAV, I&#39;m not sure it would be practical
to encode MP3 with Linux unless you also had DOS bootable on the
same machine (FTPing 40-50MB isn&#39;t fun, even on a T1).
6. Testing the completed MPEG3 file
6.1 Listening test
After you&#39;ve finished compressing the MP3 you&#39;ll want to check it
over thoroughly of course ... Listen to it with WinPlay3 V1.40
REGISTERED (unregged V1.40 has a 20-second time limit for playback)
The reg code for WinPlay3 V1.40 is listed above. Make sure you have
at least a P90 to be able to playback at full 44100Hz/16-bit/stereo
output. You should not hear ANY nasty clicks, pops, or other defect
that aren&#39;t heard on the CD; these might mean doing the rip/encode
again. Also, if the song is VERY quiet, you might have set the
record level too low, or forgot to Normalize the WAV before
compressing (if you ripped). Lesson: be careful when you&#39;re making
the source WAV; most problems aren&#39;t from the L3ENC, so save time
by making sure the input WAV is pristine before encoding!
7. Packaging for DAC release
Non-DAC members can probably skip this section, which simply outlines
our procedure for putting together a release, starting from the freshly
encoded MP3 song.
7.1 Generate a MD5 checksum
After you&#39;ve finished encoding your song(s) with L3ENC, use the
utility MD5SUM to calculate a MD5 checksum for the file. This is
for the release list maintainer to archive, as it allows you to
see if a file is the same as the checksum you originally generated
(test for dupes, other groups ripping off DAC releases, etc). The
way to use MD5SUM is as follows:
md5sum -bv file.mp3
This will print the MD5 sum for file.mp3 to the screen; put it into
the appropriate place in the DAC.NFO file (which you will e-mail to
dac@jt.org as well as package into the release ZIP ... read on)
If you have a whole list of files, you can generate a set of their
MD5 checksums by piping the output to a text file:
md5sum -bv *.mp3>md5sum.txt
After the output file is generated (md5sum.txt) you can later check
any of the MP3 files against their checksums in the md5sum.txt
(tells you if the files are identical). This is accomplished by
executing:
md5sum -cv md5sum.txt
NOTE: md5sum.exe will expect the files to check to be in the same
locations as were defined in the input list (md5sum.txt), so if you
later move the MP3s you should edit the paths in the MD5SUM.TXT to
reflect that.
7.2 Filling out the NFO/DIZ
This part is probably the easiest, just fill in all the appropriate
checkboxes and blanks in the DAC.NFO and DAC.DIZ. Remember to
rename DAC.DIZ to File_ID.DIZ before you zip up the package! Always
use the most current NFO and DIZ from ShereKhan or the channel bot.
7.3 Email NFO to fRSTGUMP
Don&#39;t forget to Email your completed NFO to fRSTGUMP so he can keep
an accurate list of our releases ... This is particularly important
to avoid duping already encoded songs by CDA or other groups.In the
near future this step may be replaced with a WWW forms inteface ...
7.4 Releasing the package
Each release should include a filled-out DIZ, NFO (always use the
latest available) and the actual MP3 song. Make sure the ZIP file
is named DAC-????.zip and FTP the completed package to the archive
site and/or any mirror sites DAC is feeding at the time. Also make
sure you DCC a copy of the ZIP to whomever is managing the current
offer bot(s).
--
DAC MP3 &#34;Mini How-To&#34; V4.0.1
Revision [30/08/96 EDT 00:00]
by ShereKhan, et al of DAC
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<pre class="nfo"> Standards of Piracy Association
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Formed on 6 July 1996, the SPA is an agreement between the 5 top PC games
groups that lays down the official &#34;rules of engagement&#34; to be used in the
battle to release the most. Here is a synopsis of the topics that were
discussed and voted on. The 5 groups that met were Prestige, Razor 1911,
Mantis, Napalm, and Hybrid. Each group had approximately 2 representatives,
and on the subject of voting, each group had one vote per issue.
1. All 5 groups agreed that whatever was decided in the meeting would be
adhered to in the releasing process.
2. The 5 groups compromised on a size limit for releases. This limit is
now set at 50 1.44 meg files. The previous limit was 40 1.44 meg
volumes. In megs, this translates to approximately 72 megabytes max
per game.
3. Groups now have the option of using 2.88 meg files instead of 1.44 meg
volumes should they choose to do so on a particular release. The only
catch is that ALL disks of a release must be of one format or the other.
All releases must be in either 1.44 meg or 2.88 meg format. Any games
released that do not adhere to this format, or exceed the size limit
(50 for 1.44&#39;s and 25 for 2.88&#39;s), will be nuked for 5x credits off of
all sites in the SPA.
4. The groups voted unanimously to ban all ROR releases from all sites
participating in the SPA. This means that ROR releases will be nuked
for 5x credits on all sites/boards in the SPA. This ban is subject
to a monthly review.
5. The 5 groups decided on the name (SPA), and that meetings would be
held once a month by the leaders of the 5 groups in the SPA. At
these meetings issues such as volume size, group bans, and even the
size limit can be discussed.
The SPA exists primarily to enforce fair play on the groups in the scene. The
disk limit is part of it, and banning groups like ROR that release nothing but
fakes and betas (and worse package them as finals) is also a part of it. If
you run a site and would like to be SPA certified, email chemist@laker.net for
more information on what you can do to help. The SPA is interested only in
fair competition for all groups big and small, and in working releases for all
users regardless of what group they download. Think of us as quality control.
SPA Staff
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<pre class="nfo">.------------------------------------------------------------oOo-----o----oOo--.
|| T H E F A C T I O N M A N I F E S T O .|
.------------------------------------------------------------------------------.
|&#39; In lieu of recent events contributing to the breakdown of the now |
|defunct S.P.A. (Software Piracy Association), a private meeting between the |
|key contributing and contending groups was held. On October 15th, 1998 an |
|agreement and compromise was reached between the 3 attending parties, CLASS, |
|PARADIGM and RAZOR 1911. Let it be known that this type of compromise could |
|not be achieved under the S.P.A. environment; it took a clean break to |
|accomplish in a day what had previously gone unaccomplished in 2 months. |
|The end result being a new council whose sole purpose is to set standards |
|for the game-releasing subsector of the scene, to be adhered to by all |
|admitted parties. Represented members of this new council named THE |
|FACTION, have pledged to abide by the following set of rules created a) to |
|ensure a quality minded end result and b) to encourage fair play and a |
|productive competitive environment for involved groups. |
| |
| |
|The Faction 10 Point Program: |
| |
|1. The disk limit is as of now 50 x 2.88 megabytes or 2,915,328 bytes. |
| This equates to a total of 144 megabytes of compressed data or |
| 145,766,400 bytes. Using 2.88 megabyte archives enables us to keep the |
| standard 8 character filename with a 3 character extension. This will |
| also help contribute to the elimination of the &#39;missing disk&#39; |
| phenomenon, plaguing end-users worldwide. Acceptable compression |
| formats at this time are ACE or RAR, followed by the traditional |
| PKZIPing. |
| |
|2. Every release under this limit will be a functionally and playably |
| complete game. This means that included will be every component |
| necessary for the successful completion of the game (every level, track, |
| course and other NECESSARY component). |
| |
|3. Sound effects WILL and MUST be included. |
| |
|4. Intros, Outros and Cut-Scenes should be removed if the size of the |
| release is 40 x 2.88 disks or more with them included. Intros should |
| NOT be iuncluded in a Movie Add-On, only Cut-Scenes and Outro (aka |
| End-Scene) should be included. Animation files, such as .SMKs, should |
| be &#34;framed&#34; and not blacked out. Re-indexing of large files, should |
| consist of an actual re-index instead of just creating a file full of |
| 0&#39;s, (which doesn&#39;t change the actual file size, but allows it to |
| compress to virtually nothing), thus promoting more quality minded rips |
| and cracks. |
| |
|5. Only 2 Add-Ons should be released per game. Each Add-On should be no |
| more than 25 x 2.88 megabyte archives. |
| |
|6. A brief outline of what has been stripped from the game should be |
| clearly stated in the game-release .NFO, as well as information as to |
| whether or not Add-Ons can be expected. |
| |
|7. Children&#39;s games (aka Kiddie games) and Edutainment software do not |
| qualify under THE FACTION&#39;s guidelines for acceptable releases. |
| |
|8. In regard to games distributed in the United States that are LATER |
| distributed in Europe or vice versa under the same or different name / |
| publisher. These games if released AFTER another group&#39;s release are |
| counted as DUPES unless it can be proven that there is a clearly |
| noticeable PLAYABLE difference in the latter release (eg. new levels, |
| enhanced graphics, or other new features). |
| |
|9. Fully cracked Update Patches and Trainers are highly regarded, though |
| they are not the responsibility of any group (including that of which |
| released the original game.) If 2 trainers from the same or different |
| groups are released for 1 game, this does NOT qualify as a dupe unless |
| the latter trainer provides no new features over the prior trainer. |
| |
|10. Admittance to THE FACTION is done on an invite / vote-in basis. The |
| group invitation must be proposed before ALL current FACTION member- |
| group representatives, and the corresponding vote must be undertaken by |
| ALL FACTION member-group representatives. This council operates in a |
| purely democratic manner and all parties therein have upon joining, |
| agreed to follow all stated guidelines of this Declaration of Scene |
| Independence. Today is not only a new dawn in the games scene, but our |
| Independence Day where differences are at least temporarily put aside |
| and our unity re-consolidated. |
| |
|This document was signed &#38; approved on October 17th, 1998 by the following |
|individuals, representing their respective groups: |
| .|
| Mr.Skill - [CLASS] - ZEUS [PARADIGM] - The Punisher [RAZOR 1911] ..|
`------------------------------------------------------------------------------&#39;
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<pre class="nfo">Section I: Permitted Releases and Agreed Rules
----------------------------------------------
Before you plan on packaging up a piece of software for release, please
make sure that it complies with the guidelines for acceptable releases.
These rules were agreed upon through a meeting with a number of the top
ISO release groups, which include: CIFE, RiSCiSO, and RAZOR ISO.
1. Starting February 1st, nothing older than one month will be released.
Requests for older software is independant.
2. No utilities whose ISO size totals under 100 megabytes will be
released.
3. No console (PSX, etc) titles are to be released by PC groups.
4. UNIX releases will be sent only to sites that want them, and when
released, should not be done so under an official group name.
5. No BETA releases of ANYTHING. Requests are independant releases.
6. Nukers: Will nuke &#34;Betas, Unix, or Consoles.&#34; Unless the release is
directed to a separate directory, or the upload is a request.
7. All RAR&#39;s will be listed as &#34;.001 -> .0xx&#34; as opposed to &#34;.RAR ->
.RXX&#34;, for the directory listing&#39;s sake. RAR is the official standard.
Section II: Image File Creation
-------------------------------
Use CDRWin (Windows graphical front-end) or DAO (DOS based) by Golden Hawk
Technology (see www.goldenhawk.com) to create a &#34;.bin&#34; (sometimes called
&#34;.raw&#34;) file image of the CD-ROM with a corresponding text &#34;.cue&#34; file.
The .bin file that CDRwin generates is a massively large file. It is
equivalent to the number of bytes of data on the CD-ROM you are copying.
So typically the .bin file itself will be between 600 and 700 megabytes.
That file contains a bit-by-bit image of the CD-ROM, which includes all
data tracks, audio tracks, and header information. The file is unreadable
and in binary, therefore you must use front-end software (such as CDRWin
or WinOnCD) to manipulate the binary file. The technical format of the
.bin file is a 2352 unscrambled full sector scan. It is sometimes also
interchanged as a .raw file (.bin can be renamed to .raw and vis versa).
The format 2352 is a standard image format that other software can read,
such as WinOnCD.
Note that the .bin/.raw format is not compatible with the .iso format
generated by Adaptec&#39;s EZ-CD Pro.
The current version of CDRwin is 3.3E and it is commercial software. UCF
has cracked the program and created a &#34;serial key maker&#34; to generate the
serial numbers. You&#39;ll need to download the file &#34;ucfcdr3e.zip&#34; which
contains CDRwin 3.3E with the Key Maker (DAO33EKM.EXE). That file is
available in a number of different locations.
The &#34;.cue&#34; file is a text file which contains mappings of data and audio
tracks from the .bin file. CDRWin automatically generates this file. The
.cue file is necessary when using CDRWin to burn the .bin image onto blank
CD-ROM media. The .cue file is not necessary if you use a program such as
WinOnCD which simply reads the .bin file and doesn&#39;t worry about placement
of audio tracks. However, when packaging your release, be sure that you
include the generated .cue file into the archive. The .cue file looks
something like this:
FILE C:\PATH\YOURFILE.BIN BINARY
TRACK 01 MODE1/2352
INDEX 01 00:00:00
Note that CDRWin automatically prepends your path of the binary file into
the .cue file. So you will need to edit the .cue file and remove that
path. Removing the path is necessary because end users who will be using
CDRwin to burn the .bin image would then be required to place their .bin
file in the same path you are using (either that or they would need to
modify the .cue file themselves). So instead, please edit the .cue file
and change &#34;C:\PATH\YOURFILE.BIN&#34; to just &#34;YOURFILE.BIN&#34;.
*** NOTICE: If the CD-ROM does _not_ contain either audio tracks or the
program is not Macintosh compatible, then you may use Adaptec&#39;s EZ-CD Pro
or Deluxe software to create a single &#34;.iso&#34; format image. The .iso
format is compatible with many software packages, but the downside is that
it does not support audio tracks or macintosh data. Some CD-ROM programs
say &#34;This CD-ROM works with both PC and Mac,&#34; if your CD-ROM says that,
then you must use CDRWin to capture the Macintosh data - otherwise, it
becomes a PC only image. The way you can tell if your CD-ROM has audio
tracks is simply to take the CD-ROM and put it into a normal stereo
compact disc player. With your stereo hit play and see if you hear
music. If you hear music, then the CD-ROM has audio tracks and you must
use CDRwin to create a .bin 2352 image, otherwise you&#39;ll lose the audio
tracks.
If your disc doesn&#39;t have audio tracks and isn&#39;t a &#34;mac/pc&#34; cd-rom, then
feel free to use any program which generates .iso formatted image files.
Please do not use any other format other than .bin/.raw/.iso at any time.
Section III: Archive Creation
The fastest and most efficient archive program is RAR. Once you have used
CDRwin to create your .bin and .cue files, or EZ-CD Pro to create an .iso
file (*** see note above), then you want to use RAR or WinRAR to break up
the image file into workable pieces that can easily be spread on the
Internet. If you try and upload a 700 meg single file to an FTP site,
you&#39;re going to have trouble. If your connection dies in the middle of
the connection, you&#39;re screwed. Some FTP programs have resume features,
but it usually doesn&#39;t work, therefore we advocate using RAR. You can find
shareware versions of RAR and WinRAR by searching the web, it is available
everywhere.
Here are the rules for using RAR:
-- If possible, use the maximum available compression. However, if you
are racing a release, or you simply don&#39;t have the time to wait for
maximum compression, then use default to light compression. This all
depends on how much time you have available to sit around. Higher
compression will save a LOT of hard drive space, but it can take a very
LONG time, even on a fast Pentium-II processor with 64 megs of ram.
-- Use 15 megabyte segment splits. Thus, you want to break that 700 meg
.bin file into smaller pieces, each of size 15 megabytes.
-- Turn *OFF* solid archive mode. In both WinRAR and DOS RAR, solid
archive mode is defaulted on. You must go into preferences and turn it
off. For DOS RAR you must turn solid mode off as well by using the menu
options or command-line options. In either case, be sure that you are not
creating a solid archive, because if you do, the FTP sites will not be
able to test the CRC integrity of each of the individual 15 meg segment
file.
-- Include the .bin, .cue, (or .iso) and &#34;risciso.nfo&#34; inside the RAR
archive. Be sure that you have filled out the risciso.nfo file to include
all of the details of the release, including how many CD-ROM discs it is,
a general description of the program, any necessary OEM or serial numbers,
and any other details you like (keyboard shortcuts, game hints, web site
to see screen-shots, etc).
Section IV: Filename Convention Rules
-------------------------------------
So that everyone is happy for both the users of DOS, Windows, and UNIX,
please follow these simple guidelines for naming the archive files for
your package.
-- Please limit the filename of your RAR archive to 8 characters, try to
name the program in a few characters.
-- Please use only letters and numbers, and no spaces.
-- If you have multiple CD rom&#39;s, you will want to include the disc number
in the filename. For example, if you have Sierra Pro Pilot, which may be
3 CD&#39;s, a good filename will be: ppilot-1.xxx for the first CD-ROM, and
ppilot-2.xxx for the second CD-ROM, and so on.
When the RAR program asks you to enter the first filename, put on an
extension of .001, that way the next file will be .002 and then .003, and
so forth. This will help the traders a lot in counting files. If you use
&#34;.rar&#34; as the extension for the first filename, then the second filename
will be .r00 and .r01, and that will cause confusion for the traders and
for yourself. When you use .001 for the first file, then it will be much
easier to check that you have all of the necessary files uploaded to the
site.
Section V: Uploading the Archive
--------------------------------
Before you start thinking about uploading your RAR files, please run a
quick CRC test on each .0* file to check the validity of the archive.
Ensure that you didn&#39;t run out of hard drive space during the archive
processing which could result in bad files. Use the command &#34;rar -t
filename&#34; to test the file. Under WinRAR, there is a graphical user
interface to step you through testing of the archive.
Once you have authorization to upload the release, log into your directed
FTP site. Change into the directory where new CD-ROM images are uploaded
to. If your release consists of only one CD-ROM, then create a directory
whose name identifies the release. First upload the risciso.nfo file into
the directory. Even though the risciso.nfo file is included inside your
RAR archive, some sites do not yet have the ability to extract NFO files
from RAR archives.
Next, create a subdirectory within your named directory that indicates to
the traders what the last file of your set is. So, lets say that you
created a .001/.0XX archive, where XX counts from 01 to 37. The last disk
in your set is then 37, or YOURFILE.037. For example, lets say you are
uploading Wing_Commander whose last disk is &#34;wing_c.037&#34;. To help the
traders, please do the following: &#34;mkdir /ISO/Wing_Commander/END_AT_037&#34;.
This notifies the traders that the last disk or end disk in your
Wing_Commander directory will be disk 037. This empty END_AT_0XX
directory is merely a flag that greatly assists the traders, they
definately appriciate your help in this regard.
Now, proceed to upload each 15 meg RAR segment file into that directory.
Once you are done uploading and have verified that all files are properly
Now, proceed to upload each 15 meg RAR segment file into that directory.
Once you are done uploading and have verified that all files are properly
on the site, create a subdirectory within your directory that says
&#34;COMPLETED&#34; to let the traders know that the release has been fully and
completely uploaded. Before creating the &#34;COMPLETED&#34; directory tag,
please double check that all files have been properly uploaded and there
are no bad or partially uploaded files.
If your release has multiple CD-ROM discs, then create a subdirectory
within the name subdirectory to encapsulate each disc. Here is an example
if I were uploading Sierra&#39;s Pro Pilot:
mkdir /ISO/Sierra_Pro_Pilot/CD1
mkdir /ISO/Sierra_Pro_Pilot/CD2
mkdir /ISO/Sierra_Pro_Pilot/CD3
Then indicate the last disk of each archive to assist the traders:
mkdir /ISO/Sierra_Pro_Pilot/CD1/END_AT_040
mkdir /ISO/Sierra_Pro_Pilot/CD2/END_AT_038
mkdir /ISO/Sierra_Pro_Pilot/CD3/END_AT_042
Then upload the proper 15 megabyte segment files into their corresponding
directories, whether it be CD1, CD2, or CD3. Once each disc is finished,
create a subdirectory:
mkdir /ISO/Sierra_Pro_Pilot/CD1/COMPLETED
indicating that disc 1 of Sierra Pro Pilot has been successfully uploaded.
These flags will greatly assist the traders.
If your transfer ever dies or the site runs out of space, notify the
administrators. Once space has been cleared, remove any bad RAR segment
files and/or overwrite them to continue the upload.
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<pre class="nfo">Much has changed in the mp3 &#34;scene&#34; lately, but lets skip the intro and
history of the music/mp3scene of the internet. Those of u who have
been here since it all started in 1995/96 know that there has been much
chaos, and there still is. Any previous attempts (mp3spa)at bringing in
some organization and guidelines into the scene have failed. The scene has
always worked as every group by it self. That might have worked fine,
but we now want to move on and start appreciating other groups
releases/rip, and save our own time for ripping more. This means we have
to be able to trust each other rips. For this purpose, and nothing else,
a council was set up and a name was chosen: RIAA. The participants agreed
on some easy to understand rules about how to release music on the internet!
This was done by a few big mp3 release groups, but it is the hope of
everyone that all groups and independent suppliers will use them as well.
We expect top groups like MGC, UBE, NBD, BF, TFA, WLWMP3, MS, IMPG, IDM
(and others we forgot) to be joining this council soon!
The program is as follows:
1) The scene will benefit from this effort, and we will respect the
agreed rules. The council name is RIAA.
2) The members are councils of the chosen groups and a few more
selected people.
3) New members of this council can join on Invite / Vote-in.
4) Rippers/groups must produce .SFV files for crc&#39;ing every release.
5) Rippers/groups must produce .NFO files for every release, and the .nfo
file must feature at least:
ARTIST NAME - TITLE - GROUP RELEASE DATE - GROUPNAME
A release without proper .nfo AND .sfv file is a nuke on all big sites.
6) Files and directories must only contain a-z A-Z 0-9 _ - () and
no other characters. Underscores will be used for spaces, and
double dots wont be used. i.e ..
7) The length of filenames and directorynames must not exceed 64 chars.
8) Directory names must at minimum include &#34;Artist-Album-GROUPINITIALS&#34;
9) Filenames must at minimum include &#34;Tracknumber-Songtitle-GROUPINITIALS&#34;
10) The music format is MP3 until MP4 format is out, and AAC and VFQ
are ignored.
11) The following encoders are banned because of their inability to
produce good sounding mp3s.
Xing Encoder, BladeEnc, AudioActive Po -lq mode
These encoders are banned at the moment, but it might change soon. Stay
tuned...
***** We Also Agreed That These Changes Will Be In Effect *****
***** No Later Than FEBRUARY 1ST 1999. So Pls Be Ready With *****
***** Your Sfv/Nfo Tools.. And The Characters.. *****
***** Happy Mp3&#39;Ing To Us All.. Lets Make 1999 A Better Year *****
This Document Was Signed &#38; Approved On
December 17Th, 1998 By The Following
Individuals, Representing Their Respective Groups:
Vega[aPC] Aeonizer(Kain)[ATM] AlCapone[RnS] EXx[UMA] Fido[AMOK]
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<pre class="nfo">MP3 Council (un)Official Scene Releasing Standards 2000
1. An .SFV file must be produced for verifying every release.
2. An .NFO file must be produced for every release.
The NFO file must feature at least:
- Title
- Artist Name
- Label
- Release Date
- Tracks
- Genre
- Encode Bit rate
- Source
- Encoder
Nfo must contain as much information about the release as possible,
a recommendation is that you place a release notes section in the NFO
3. Directory standard
The following are the standards for directory naming:
Directories must only contain characters; a-z A-Z 0-9 _ . - ( )
The filenames cannot contain () through artist neither in dir nor in filename
All release data will be held within one release directory; no CD1, CD2 directories
Various Artist releases must start with &#34;VA&#34;, soundtracks with &#34;OST&#34;.
Underscores and singular periods will be used. No double periods, i.e. &#34;..&#34;
Length of ALL directories/filenames must no exceed 64 characters.
Directory naming will follow this format (spaces are used to better display the format):
Artist Name- Title - Additional Information - Published Year - Group name
i.e. &#34;artist_-_title-4cd-2000-group&#34;
Additional information tags are (suggestions):
VLS - vinyl single (1-2 tracks)
EP - vinyl maxi-single (2-5+ tracks)
LP - vinyl full-length album
CDS - cd single (1-2 tracks)
CDM - cd maxi-single (2-5+ tracks)
MD - minidisk
Promo - promotional
XX-import
RETAIL - retail
...
etc.
4. Filename standard
Files must only contain characters; a-z A-Z 0-9 _ . - ()
Dots are not allowed as replacement for spaces in filenames because it slows down windows
File naming will follow this format (spaces are used to better display the format):
Track Number - Artist - Song Title - Additional Info - Group.mp3
Track numbering example:
Single CD Release, or non CD and less than 2 sides, cds, etc...
01-... (track 1)
02-... (track 2)
etc.
Multi CD Releaes, or non CD and more than 1 side, cd, etc...
101-... (track 1 from cd 1)
102-... (track 2 from cd 1)
201-... (track 1 from cd 2)
202-... (track 2 from cd 2)
etc.
For vinyl releases you may also use the naming scheme a1, a2, b1, b2, etc...
5. Encoding
One of the following encoders MUST be used:
- Fraunhofer HQ
- LAME - http://www.sulaco.org/mp3/
Encode Bit rate:
Only 160JS or 192FS (Not 160FS or 192JS). For comedy or lower quality sources 160JS.
Encode Bit rate from a quality source 192FS should be used.
6. No dupes!
You are not allowed to create a duplicate release from any other source if the original CD
has already been released.
You are allowed to create a duplicate release from a source of lower quality.
(not allowed: vinyl after CD release - allowed: CD after vinyl release)
A release is a dupe if the complete release (all tracks) is included in ONE previous release.
Futhermore if a release is different because it has less tracks it is not allowed to be
released when a release previous to it contained all the tracks from this release.
7. Mixes must include track listing (in NFO) and a .CUE file if possible (N/A for live mixes).
8. No self made compilations. (YES DJ Mixes r still allowed)
9. All ID3 tags must be generated correctly (appropriate information in the correct fields).
10.The entire CD,Vinyl,etc. must be released (not individual tracks).
11.Live recordings (from radio) must contain a date when they were broadcast.
12.Including covers or CD-Extra tracks (videos, etc...) in a release is optional.
This Document was signed &#38; approved in August, 2000 by the following individuals,
representing their respective groups:
crayfish(CMG) fido(AMOK) deepdown(NBD) azmd(MOD) wonder(UBE) fastjack(STAR) luna6(NuHS)
karmacoma(kW) hopkin(sb) xtream(SS) uforia(eMission) atg(ATR) wezel(HS) eminenz(cnmc)
trax(trbmp3) trancer(tclub) stryker(OZM)
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<pre class="nfo"> In 1998, three people decided the future of how the scene should shape
itself and released a 10-point information document stating how a game
release should be conducted. In the past year, many of these rules have
been broken by its founding members and other groups have purposely
broken the agreement. In lieu of recent events, the deciding figures
of three groups, Class, Myth &#38; Divine, have converged and agreed upon
a new set of rules based on the original Faction rules and Myth&#39;s
recent proposal and have been updated, modified and agreed upon by a
consensus to a new standard to better suit the scene in this millenium.
These groups have been active participants in shaping the scene in the last
6 months, and were given active participation in voicing their point of
view. These new rules will allow for a more fair and competitive scene
while ensuring a quality-minded environment for the scene. These deciding
figures have bestowed themselves to be called the N.S.A., Network Software
Association. These rules have been ratified and approved among the three
groups and will be recognized and followed immediately on this date,
March 26th, 2000.
1. The disk limit is as of now 65 x 2,915,000 bytes. This equates to a
total of 189,495,000 bytes of compressed data. Groups may not go over
the total size to prevent any future cheating. Acceptable compression
formats at this time are ACE or RAR or any future compression that
supports multiple volumes and long file names, followed by the
traditional PKZIPing.
The limit for standard game add-ons is 35 x 2,915,000 bytes for any add-
on that includes Music, Speech, Commentary or Play By Play for the
original release. Any add-on that does not fit this criteria will be
restricted to 25 x 2,915,000 bytes. Only the group that won a game
release is allowed to release the add-ons for the game.
2. To prevent sloppy rips, a re-release of a game is allowed to make groups
release proper and respectable releases. The following provisions
include:
a) it can be ripped in >=10 disks less than the previous release by us-
ing only lossless compression methods. Lossy compression will not be
permitted to compromise the release to fit under this condition.
b) it can be ripped in >=15 disks less of the size of the previous
release by using mp3-compression while not downgrading any wavs
or mp3&#39;s sound quality using lossy compression.
That means all the essential gamedata must be still included in the re-
release. No essential data is allowed to be removed to be considered a
valid re-release. A re-release from a competing group may not use tools,
original crack or any other files from the previous release that were
modified for the original game rip.
The re-release of a rip can be done by any group and must be done in
at most 48 hours after the release of the original rip, as possibly
every game is rippable in a smaller size if enough time is spent.
3. Every release under this limit MUST be a functionally and playable
complete game with no essential data missing to complete the game.
This means that included will be every component necessary for
the successful completion of the game e.g.:
- all game executables that are needed,
- every level (single AND multiplayer),
- every track (including practice),
- all actor graphics &#38; models etc,
- sound effects
- registry settings to play on the Internet (e.g. Zone/DirectPlay)
4. Any lossless compression method to reduce the size of selected game data
is ALLOWED (e.g. uharc).
5. Lossy compression is ALLOWED for sound, videos and non-texture graphics
(e.g. jpeging of menu screens) but lossless compression is encouraged
before using lossy compression. Lossy compression of textures is expli-
citly FORBIDDEN to prevent the many problems inherent to that.
6. Sound effects WILL and MUST be included. To reduce the size of rips when
possible, standard waveformat files (PCM) should be mp3-compressed
if possible in a reasonable state of time and is over the size of 20
disks. If the soundfiles exist inside a bigfile its highly regarded
when time is invested to extract those files to compress them. Groups
are not to required to index bigfiles though. Downgrade of sound quality
to sound files to allow the game to fit the limit will not be permitted.
It is allowed to rip music, commentary/speech and ambience files as long
as the game remains playable. Speech files MUST be included if there
exist no on-screen subtitles. It is okay to remove commentary from a
release if size does not permit it.
It is highly regarded when all sounds, speech and music are included in
a rip and not intentionally put out as addons.
7. It is allowed to remove gamedata that exists in multiple resolutions or
formats as long as the game remains playable on a typical system which
is defined by a PII-300 with a D3D-card and soundcard.
- high-resolution textures for highend systems.
- low-resolution textures for low-end systems if there is no
possible options to include the high-resolutions in the release.
If size permits, it is expected that high resolution be released
as an add-on.
- high-screen resolution graphics data standard of 800x600 (or 640x480
if other than 800x600 is not applicable)
- at least one hardware-dependent data must be included, and must be
in Direct3D mode or any other hardware data modes that are accepta-
ble (e.g. Glide textures). A release of software mode only with all
hardware-dependent data and textures removed will not be allowed in
future releases.
8. Movies (intros, cutscenes) should be removed if they aren&#39;t game-related.
Movies must be ripped in a way so that the gameplay experience is not
compromised, e.g. framing of movies is highly regarded. It should always
be avoided to create situations in which user-input is necessary on
black screens because the video normally shown has been blacked out.
9. Other allowed add-ons for games include:
- cutscenes/movies
- commentary/speech
- music
- manual/documentation
- editor
Intro and Outro add-ons are EXPLICITLY FORBIDDEN. Not more than 2 add-ons
should be released for a game release.
10. Children&#39;s games (aka Kiddie games) and Edutainment software do not
qualify under these rules guidelines for acceptable releases. Kiddie
games are usually defined via the game target audience of &#39;5-12 years&#39;
as stated by the game&#39;s producer. Common sense should be based on
common sense by all groups to identify what really is a kiddie game.
Platform games are not to be considered kiddie games.
11. Levelpacks, game add-ons etc. for rips are only allowed if they are offi-
cially released/authorized by the same company/developer/publisher that
put out the original game. If possible by its size, the add-on should be
made as a standalone and not needing the original game release. The
original missions may be removed to allow the game add-on to become
standalone if not size can not permit the original game. It should be
explained in the NFO if and why a game add-on isn&#39;t made to be standalone.
12. In regard to games distributed in the United States that are LATER
distributed in Europe or vice versa under the same or different name /
publisher. These games if released AFTER another group&#39;s release are
counted as DUPES unless it can be proven that there is a clearly
noticeable PLAYABLE difference in the latter release (more than just
tiny differences in graphics or sound). Differences in filedates and
Game Titles between Euro and US releases are NOT a good enough reason to
re-release the game.
13. A brief outline of what has been stripped from the game should be
clearly stated in the game-release .NFO, as well as information as to
whether or not Add-Ons can be expected.
14. Fully cracked Update Patches and Trainers are highly regarded, though
they are not the responsibility of any group (including that of which
released the original game). If 2 trainers from the same or different
groups are released for 1 game, this does NOT qualify as a dupe unless
the latter trainer provides no new features over the prior trainer. Beta
update patches will not considered a valid release among any game group.
No group shall release a cracked patch for a game if a generic patch
exists for a particular game in the scene. If a generic crack exists, a
new patch-release must specify that the generic crack does not work
anymore.
15. If two or more rips of the same game get released, the first working rip
wins. Sites should not nuke any release until the winning rip has been
proven to work correctly and follows the above ruleset.
16. No group shall do a rip using another&#39;s groups work, be it an iso crack
or tools written by another competing group. Any third party tools shall
be acceptable. A crack from an ISO or past release (even in other
languages) shall not be used unless permission is given from the
cracker/creator of the original release group.
All appointed HQ (Headquarters) should abide by these rules to the
fullest extent permutable. Any group that competes in the gaming rip
scene will and must abide by the above rules to allow fair competition
among all competitors.
Signed,
Leaders, Council Members and Seniors of Class, Myth &#38; Divine.
</pre>
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<pre class="nfo"> www.isonews.com
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www.divxnews.com
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; Team Div/X (TDX) Presents: The Div/X Releasing Standards (c) 2000 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; This group was formed because we thought the new Div/X scene was a bit &#9474;
&#9474; unmoderated, sloppy and pretty much a free-for-all. Leaders of the top &#9474;
&#9474; 5 DivX releasing groups, topsite siteops as well as rippers and encoders &#9474;
&#9474; have put their competitive edge against each other to work together for &#9474;
&#9474; the betterment of the DivX scene. iSONEWS.COM and DiVXNEWS.COM are proud &#9474;
&#9474; to bring you the results of Team DivX (TDX)&#39;s meetings and debates. &#9474;
&#9474; &#9474;
&#9474; We realize that not EVERY group was included in these decisions, please &#9474;
&#9474; do NOT take offense to this decision - We felt we selected enough people &#9474;
&#9474; from different groups to represent all aspects of the discussion. All &#9474;
&#9474; opinions were accepted and negotiated and then voted on for final approval.&#9474;
&#9474; The rules went through 5 beta stages and have now been finally completed. &#9474;
&#9474; We recognize that we are not perfect and these rules may be changed and/or &#9474;
&#9474; modified at any time and the group will stay in contact for new developing &#9474;
&#9474; technologies or conflicts with the current rule system. We would like to &#9474;
&#9474; request that ALL groups and top sites accept these rules as standards &#9474;
&#9474; and enforce them strictly. Our goal is to have an organized, acceptable &#9474;
&#9474; and competitive scene so everyones co-operation is greatly appreciated. &#9474;
&#9474; &#9474;
&#9474; If ANYONE has any suggestions/comments/complaints please feel free to &#9474;
&#9474; email us: tdx@divxnews.com (futher contact info at the bottom). We &#9474;
&#9474; want to work with all of you, not against you. Thanks in advance for &#9474;
&#9474; the positive input and support. &#9474;
&#9474; &#9474;
&#9474; // krazy8 - Coordinator &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Movie MUST fit the following rules (applies to XXX as well): &#9474;
&#9474; EITHER: &#9474;
&#9474; - Released to DVD in the past 31 days (NO CLASSICS, NO EXCEPTIONS &#9474;
&#9474; unless it is a siteop request and then it should not travel further &#9474;
&#9474; than specified site) &#9474;
&#9474; &#9474;
&#9474; OR: &#9474;
&#9474; - Original Screener Tape -> Div/X: &#9474;
&#9474; - Referred to as &#39;PRVHS&#39; (see Notes section) &#9474;
&#9474; - MUST be ORIGINAL screener tape -> div/x (NOT the vcd screener - &#9474;
&#9474; see reasons posted under &#39;vcd -> divx NOT allowed&#39; in Notes &#9474;
&#9474; section) &#9474;
&#9474; - MUST be 512xXXX or BETTER &#9474;
&#9474; - MUST be named Movie.Title.PRVHS.Divx-GROUP &#9474;
&#9474; &#9474;
&#9474; NOT ALLOWED: &#9474;
&#9474; - VCD (includes vcd screeners, telesyncs, cams, workprints) -> Div/X &#9474;
&#9474; will NOT be allowed (see Notes section) &#9474;
&#9474; - VHS -> Div/X will NOT be allowed (NO EXCEPTIONS) &#9474;
&#9474; - MULTI-LANGUAGE - (see Notes section) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; TV Movies / Straight to Video (not in theater) Movies: (see Notes section)&#9474;
&#9474; - ONLY allowed if they make it to DVD and fit the date rules (released &#9474;
&#9474; within 31 days) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - Movies under 105minutes must be under 700 MBs. &#9474;
&#9474; - Movies over 105minutes CAN be 2 CDs. Each under 650MBs. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Bitrates: &#9474;
&#9474; - Must use the Low-Motion Codec. &#9474;
&#9474; - Video shall be a minimum of 720Kbs. &#9474;
&#9474; - Audio shall be a minimum of: &#9474;
&#9474; WMA 96kbs, 44kKz &#9474;
&#9474; MP3 128Kbs, 44kKz &#9474;
&#9474; - Audio should NOT be 48Khz, quality degrades on standard sound cards. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All release must be .AVI, not BIN/CUE. (see Notes Section) &#9474;
&#9474; - Must be packed with RAR. NO compression is needed (proven worthless) &#9474;
&#9474; and broken into 15MB or 20MB volumes &#9474;
&#9474; - Must have SFV. &#9474;
&#9474; - Must have NFO. &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; group name &#9474;
&#9474; title &#9474;
&#9474; actual divx release date &#9474;
&#9474; US theater release date &#9474;
&#9474; DVD release date &#9474;
&#9474; audio bitrate (and stating wma or mp3) &#9474;
&#9474; video bitrate &#9474;
&#9474; movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; number of rars per cd (eg. 44x15MB) &#9474;
&#9474; widescreen indication in the nfo only - NOT in the directory name &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - NOT required in the .avi itself &#9474;
&#9474; - NOT required in the .nfo - it is &#39;recommended&#39; to list the main few &#9474;
&#9474; characters as IMDB lists them &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - 1 (one) full minute in length (approx 10MB) and in separate folder &#9474;
&#9474; marked &#39;SAMPLE&#39; &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - Directory names shall NOT exceed 64 characters &#9474;
&#9474; - DO NOT indicate WS (widescreen), DATE, GENRE or anything else in the &#9474;
&#9474; directory name. (ONLY within the nfo) &#9474;
&#9474; - Acceptable characters in naming a directory include: (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY) &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - Movie.Title.DVDrip.Divx-GROUP &#9474;
&#9474; - Movie.Title.PRVHS.Divx-GROUP &#9474;
&#9474; - Movie.Title.XXX.Divx-GROUP (assuming ALL xxx releases are dvdrips, &#9474;
&#9474; we do not need to say so in the directory name) &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 (one) CD will follow these specs: &#9474;
&#9474; - MUST be named CD1, CD2, CD3 and so on. (&#39;disc1&#39;, etc will NOT be &#9474;
&#9474; allowed) &#9474;
&#9474; - There MUST be an sfv included for each CD &#9474;
&#9474; - rars MUST be broken into 2 or more CD volumes. (78 rars of a 2 &#9474;
&#9474; disc title will NOT be tolerated) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; A few notes: &#9474;
&#9474; - Movies should be ripped in their most widescreen format available. &#9474;
&#9474; - Watermarks WILL NOT BE ALLOWED IN ANY CASE &#9474;
&#9474; - vcd -> divx is NOT ALLOWED: &#9474;
&#9474; - lose ability to be played in dvd player &#9474;
&#9474; - waaaay too many releases &#9474;
&#9474; - no quality upgrade, just smaller packaging &#9474;
&#9474; - flood of crap groups (no skill involved, just a race to leech, &#9474;
&#9474; convert and re-release) &#9474;
&#9474; - PRVHS = Pre Release VHS which is also equivalent to Original Screener &#9474;
&#9474; tape but this naming system will avoid confusion for nukers when it &#9474;
&#9474; comes to nuking vcd -> divx because &#39;screener&#39; is typically &#9474;
&#9474; associated with vcd &#9474;
&#9474; - NO TV Movies or Straight To Video: &#9474;
&#9474; - UNLESS it makes it to dvd - then the 31day rule is applied &#9474;
&#9474; - quality, commercials, too many tv movies &#9474;
&#9474; - only the good ones make it to dvd &#9474;
&#9474; - AVI and not BIN/CUE: &#9474;
&#9474; - Some ppl burn to archive and play on a computer at a later time &#9474;
&#9474; BUT since there is no outside purpose other than playing on the &#9474;
&#9474; computer, there is NO need to be packaged as bin/cue &#9474;
&#9474; - NO Multi-Language (keep in mind the goal of preserving the highest &#9474;
&#9474; quality in the smallest package): &#9474;
&#9474; - Not enough demand &#9474;
&#9474; - DEGRADES the quality &#9474;
&#9474; - Adds unnecessary space &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ GROUPS &#38; MEMBERS ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; TDX is comprised of members of the following top Div/X groups: &#9474;
&#9474; &#9474;
&#9474; - FM4 - FAiTH - PRiVCD - DHQ - DVL - &#9474;
&#9474; &#9474;
&#9474; - krazy8 - RipKord - &#9474;
&#9474; - rook - xprog - WAREZ21-N - Badness - gand - &#9474;
&#9474; - x[rush]x - Sigar - DireW0lf - DVDRick - rvn - &#9474;
&#9474; - Redemtion - goldragon - &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ CONTACT ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; EMAIL: tdx@divxnews.com &#9474;
&#9474; WWW : www.divxnews.com &#9474;
&#9474; IRC : #divxnews / #isonews (efnet) &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9644;
&#9604;&#9604;&#9600; &#9644; &#9644;
&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9619;&#9612; &#9600;&#9604;&#9604;&#9604; www.isonews.com &#9600;&#9604;&#9604; &#9604;
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&#9619;&#9608;&#9608;&#9608;&#9612;&#9616;&#9608;&#9608;&#9608;&#9612;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9616;&#9608;&#9608;&#9608;&#9619; &#9617; &#9619;&#9608;&#9608;&#9608;&#9612;&#9619;&#9608;&#9608;&#9619; &#9617; &#9619;&#9608;&#9608;&#9619; &#9618;&#9608;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9612; &#9618;&#9608;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9604; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;
&#9619;&#9608;&#9608;&#9619;&#9617; &#9600;&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9604; &#9616;&#9616;&#9608;&#9608;&#9619; &#9617; &#9619;&#9608;&#9608;&#9608;&#9612;&#9619;&#9608;&#9608;&#9619; &#9617; &#9619;&#9608;&#9608;&#9619; &#9618;&#9608;&#9608;&#9619; &#9617; &#9619;&#9608;&#9608;&#9608;&#9612;&#9616;&#9608;&#9608;&#9608;&#9612;&#9608; &#9617;&#9608;&#9608;&#9608;&#9604;&#9604; &#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9612;&#9608;&#9608;&#9619; &#9604;&#9608;&#9604;&#9604; &#9619;&#9608;&#9608;&#9619; &#9604;&#9608;&#9608;&#9608;&#9612; &#9616;&#9608;&#9608;&#9608;&#9618; &#9619;&#9608;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9618; &#9617;&#9608;&#9608;&#9619; &#9604;&#9608;&#9608;&#9608;&#9619; &#9619;&#9608;&#9608;&#9619;&#9616;&#9608;&#9612;&#9608;&#9608;&#9608;&#9608;&#9616;&#9616;&#9608;&#9608;&#9612; &#9617; &#9619;&#9608;&#9608;&#9608;&#9612;
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&#9600; &#9600; &#9644;&#9600; &#9600; &#9617; &#9608;&#9600;
&#9644;&#9600; s8!CRO^Sr
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&#9604;&#9604;&#9604; &#9604;&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;
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&#9612; &#9612; &#9612; &#9612; &#9618;
&#9617; &#9612; &#9612; &#9612; &#9612;&#9619;
&#9619; &#9612; DiVX &#9612; ViDEO &#9612; LAB &#9612;
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--========-,,,,-----, .......
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+.:++///////////+++%$. ;$=.;/////%/ %$$: ;//+%+ ;++%+++/////////+$+./+++%-$$$$% ;++%+
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+,/++++%+ -X+:+%%%%%: ;%$:%$$+/+:=////+, ,:;/::;;;:: ,-==:-:---- ,.,-,.,,,,-
//%%/;;;; -=:::--,- . ...
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<pre class="nfo">OFFiZiELLE DEUTSCHE DiVX REGELN
.ALLGEMEiN_____________________________________________________________________
1. Der Rip muss komplett von der Gruppe stammen, es muessen Video und Audio
von derselben QUELLE kodiert worden sein.
2. Es muss ein DVD- oder direkt kopierter digital-TV-Rip sein (d.h. die Quelle
muss ein rein digital verarbeiter MPEG2-Stream sein).
3. Digital-TV-Rips duerfen kein Senderlogo oder sonst irgendwelche Einblendun-
gen enthalten.
4. Als KINOSTART wird der deutsche und nicht der Start im Produktionsland ge-
wertet, gab es jedoch keinen deutschen Kinostart, ist das Produktionsjahr
anzugeben (dies bezieht sich auch auf &#60;jahr> im Dateinamen der NFO).
5. Ein einminuetiges SAMPLE, welches aus dem releasten avi stammt (d.h. nicht
extra encoded wurde) muss in einem separaten Verzeichnis im Release ent-
halten sein.
6. Es muss per SBC encoded worden sein. Die Stats aus dem ersten Pass muessen
in einem separaten Verzeichnis im Release enthalten sein.
7. Die minimale/maximale X-AUFLOESUNG muss gecroppt 512/640 pixel betragen.
8. Die minimale/maximale AUDIOBITRATE muss 128/192 (C/ABR) oder 96-160/128-224
(Lame VBR) sein. Die Audioaufloesung betraegt 44khz @ 16bit.
9. Das Seitenverhaeltnis der Videoaufloesung darf maximal 5% von dem des DVD-
Bildes abweichen. Die X-Y-Werte der Aufloesung muessen div16 sein.
10. Ein Film kuerzer als 95 MINUTEN muss auf 700mb passen - ausgenommen sind
vollstaendig computeranimierte Filme (z.B. Toy Story, Antz, Shrek) und XXX.
11. Zulaessige Groessen der Release sind: 1CD, 1.5CD (so dass 2 solcher Release
auf 3 CDs passen) 2CD und 3CD (bei einem Film laenger als 200 Minuten).
12. Der ABSPANN muss in einem 1CD Release nicht vollstaendig enthalten sein,
jedoch soweit, dass erkennbar ist, dass der Film tatsaechlich geendet hat.
Falls im Abspann noch Filmszenen enthalten sind, muss dieser in gleichbe-
rechtigter Bitrate wie der eigentliche Film, soweit diese Szenen reichen,
kodiert werden. In einem 2CD+ Release muss der Abspann in voller Laenge
enthalten sein.
.BENENNUNG_____________________________________________________________________
&#60;gruppe>-&#60;filmtitel>_&#60;cd#>.avi 1CD = gwl-pitch_black.avi
2CD = gwl-pitch_black_1.avi
gwl-pitch_black_2.avi
&#60;gruppe>-&#60;abkuerzung>&#60;cd#>.rar 1CD = gwl-pibl.rar
2CD = gwl-pib1.rar
gwl-pib2.rar
&#60;gruppe>-&#60;abkuerzung>&#60;cd#>.sfv 1CD = gwl-pibl.sfv
2CD = gwl-pib1.sfv
gwl-pib2.sfv
&#60;gruppe>-&#60;filmtitel>_(&#60;jahr> ).nfo = gwl-pitch_black_(2000).nfo
Die Benennung des Verzeichnisses ist in gewissen Grenzen beliebig. Ent-
halten sein muss jedoch: &#60;Filmtitel> DiVX German &#60;QUELLE> -&#60;GRUPPE>
Beispiele, Quelle = DVD:
Pitch.Black.DiVX.DVDRIP.German-GWL
Pitch.Black.DiVX-DVDRIP-German-GWL
Pitch_Black_DiVX-DVDRIP-German-GWL
Beispiele, Quelle = digital-TV:
Pitch.Black.DiVX.dTV.German-GWL
Pitch.Black.DiVX-dTV-German-GWL
Pitch_Black_DiVX-dTV-German-GWL
.NFO___________________________________________________________________________
In der NFO muessen mindestens folgende Informationen enthalten sein:
Releasedatum
Anzahl der RARs pro CD
Videoaufloesung
Audioaufloesung
deutscher Titel und Originaltitel
deutscher Kinostart und DVD-Release-Datum
Name des Regisseurs
Laenge des Films
IMDB-Rating und URL zum Film
5-zeilige Angabe des Plots
.SiGNiERUNG____________________________________________________________________
Diese Regeln sind von folgenden Gruppen anerkannt:
ADM ANNO DiA GDS GME2000 GWL MMP RC
[ODDR-20010820b.txt]______________________________________________________[EOF]
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<pre class="nfo">
www.isonews.com
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&#9474; &#9474;
&#9474; The federation of releasing groups presents &#9474;
&#9474; &#9474;
&#9474; The DivX Releasing Standards 2001 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; I am proud to inroduce the newest revision to the TDX rules. Many long &#9474;
&#9474; hours have been spent making them the best that they could be. I thank &#9474;
&#9474; all of the groups involved. These rules could not have been made without &#9474;
&#9474; your ripping experience. A special thanks goes to MaTaN for all his hard &#9474;
&#9474; work in bringing all the groups together, and to Puzz13 for filling in as &#9474;
&#9474; a moderator when needed, along with the hosting space on iSONEWS. I could &#9474;
&#9474; not have done my job without such wonderfull support. So without further &#9474;
&#9474; ado, I present to you, the DivX ripper/enthusiast, the TDX 2001 Releasing &#9474;
&#9474; Standards &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Lava - Moderator &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; NOT ALLOWED: &#9474;
&#9474; - VCD (includes VCD screeners, telesyncs, cams, workprints) -> DivX &#9474;
&#9474; will NOT be allowed (see Notes section) &#9474;
&#9474; - VHS -> DivX will NOT be allowed (Anime ONLY - NO EXCEPTIONS) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - Movies with runtimes LESS than or EQUAL to 110 minutes must be 1 CD &#9474;
&#9474; under 700 MB. &#9474;
&#9474; - Movies with runtimes OVER 110 minutes can be 2 CDs (80mins allowed) &#9474;
&#9474; - Ripper discretion if a movie 111+ minutes can be done on 1 CD. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Bitrates: &#9474;
&#9474; VIDEO (MM4): &#9474;
&#9474; - Low-Motion video shall be NO LESS than 500 Kbs &#9474;
&#9474; - Fast-Motion video shall be NO LESS than 1000 Kbs &#9474;
&#9474; - SBC is excluded from minimum bitrate settings &#9474;
&#9474; Future techniques are subject to an exclusion hearing for bitrate &#9474;
&#9474; controls &#9474;
&#9474; - NOTE: ANIME can be greater than 1000 Kbs low motion if needed. &#9474;
&#9474; &#9474;
&#9474; VIDEO (NON-MM4): &#9474;
&#9474; - Low-Motion video shall be NO LESS than 750 Kbs &#9474;
&#9474; - Fast-Motion video shall be NO LESS than 1000 Kbs &#9474;
&#9474; - NOTE: ANIME can be greater than 1000 Kbs low motion if needed. &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - MUST be MP3 and MUST be STEREO &#9474;
&#9474; - Audio shall be a minimum of: &#9474;
&#9474; 1 CD release MUST be 128kbs, 44.1kHz or 48kHz &#9474;
&#9474; 2 CD release MUST be 128kbs or 160kbs, 44.1kHz or 48kHz &#9474;
&#9474; - VBR techniques; &#9474;
&#9474; minimum framesize must be no less than 96kbs, average of 128kbs &#9474;
&#9474; - WMA is NOT allowed - other codecs are allowed as long as they are &#9474;
&#9474; readable on all operating systems. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Keyframe: &#9474;
&#9474; - MUST be &#60;=2 seconds for constant keyframe techniques &#9474;
&#9474; - MUST be &#60;=20 second for vki techniques &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Resolution: &#9474;
&#9474; - Width: 512 - 640 pixels and MUST be a multiple of 16 &#9474;
&#9474; - Height: Must be a multiple of 16 &#9474;
&#9474; - Cropping is allowed &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Subs, Interactive Menus, Trailers: &#9474;
&#9474; - OPTIONAL (if and ONLY if all other requirements have been met) &#9474;
&#9474; - For more detailed Subtitles information, see notes. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All releases must be AVI, not BIN/CUE. (see Notes Section) &#9474;
&#9474; - Must be packed with RAR. NO compression is needed (proven worthless) &#9474;
&#9474; and broken into 15 or 20 MB volumes &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual DivX release date &#9474;
&#9474; DVD release date &#9474;
&#9474; US theater release date &#9474;
&#9474; Video size &#9474;
&#9474; Framesize/aspect ratio &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; Number of rars per cd (eg. 44x15MB) &#9474;
&#9474; Ripping Method &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - Movie credits are allowed but MUST be cut in order to fit within 1 CD &#9474;
&#9474; (700 MB) if the movie length would exceed 110 minutes. &#9474;
&#9474; - NOT required in the AVI itself &#9474;
&#9474; - NOT required in the NFO - it is &#39;recommended&#39; to list the main few &#9474;
&#9474; characters as IMDB lists them &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - 1 full minute in length (approximately 10 MB) and in separate folder &#9474;
&#9474; marked &#39;SAMPLE&#39; &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - Directory names shall NOT exceed 64 characters &#9474;
&#9474; - Classic releases are to include production year, omitting the &#9474;
&#9474; &#34;classic&#34; tag. Pre&#39;s released no later than 31 days after the DVD &#9474;
&#9474; release are NOT subject to the inclusion of production year. &#9474;
&#9474; - DO NOT indicate Ripping method (MM4/VM2/VBR/SBC and so on), &#9474;
&#9474; WS (widescreen), DVD/DivX release DATE, GENRE or anything else &#9474;
&#9474; in the directory name (ONLY within the NFO). &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; With &#34;classic&#34; releases: &#9474;
&#9474; - Movie.Title.Year.DVDrip.DivX-GROUP &#9474;
&#9474; - Movie.Title.Year.ANIME.DivX-GROUP &#9474;
&#9474; - Movie.Title.Year.XXX.DivX-GROUP &#9474;
&#9474; (usage of cGROUP is optional. &#39;Year&#39; = production year, eg. 19**) &#9474;
&#9474; &#9474;
&#9474; With &#34;non-classic&#34; releases: &#9474;
&#9474; - Movie.Title.DVDrip.DivX-GROUP &#9474;
&#9474; - Movie.Title.ANIME.DivX-GROUP &#9474;
&#9474; - Movie.Title.XXX.DivX-GROUP (assuming ALL XXX releases are DVDrips, &#9474;
&#9474; we do not need to say so in the directory name) &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD will follow these specs: &#9474;
&#9474; - MUST be named CD1, CD2, CD3 and so on. (&#39;disc1&#39;, etc will NOT be &#9474;
&#9474; allowed) &#9474;
&#9474; - There MUST be a SFV included for each CD &#9474;
&#9474; - rars MUST be broken into 2 or more CD volumes. (78 rars of a 2 &#9474;
&#9474; disc title will NOT be tolerated) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - VCD -> DivX is NOT ALLOWED: &#9474;
&#9474; - lose ability to be played in DVD player &#9474;
&#9474; - waaaay too many releases &#9474;
&#9474; - no quality upgrade, just smaller packaging &#9474;
&#9474; - flood of crap groups (no skill involved, just a race to leech, &#9474;
&#9474; convert and re-release) &#9474;
&#9474; - PRVHS = Pre Release VHS which is also equivalent to Original Screener &#9474;
&#9474; tape but this naming system will avoid confusion for nukers when it &#9474;
&#9474; comes to nuking VCD -> DivX because &#39;screener&#39; is typically &#9474;
&#9474; associated with VCD. &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Duping on the basis of new techniques is NOT allowed. &#9474;
&#9474; - Maximums VIDEO bitrates are covered by length rules. &#9474;
&#9474; - Movies should be ripped in their most widescreen format available. &#9474;
&#9474; - Multi-language AUDIO tracks are allowed &#9474;
&#9474; - Multiple languages should be interleaved into the AVI, with &#9474;
&#9474; a graphedit filter for each appropriate audio stream &#9474;
&#9474; - Movies that would ordinarily fit on one CD should not be made &#9474;
&#9474; into 2 CD releases on the basis of additional audio tracks &#9474;
&#9474; - Multi-language audio CANNOT be used as a basis for a dupe. &#9474;
&#9474; - Multi-Language SUBTITLES are allowed &#9474;
&#9474; - Subtitles should be in the form of text files as an add-on, &#9474;
&#9474; in any form, however MicroDVD format is prefered &#9474;
&#9474; - Multi-language subtitles CANNOT be used as a basis for a dupe. &#9474;
&#9474; - AVI and not BIN/CUE: &#9474;
&#9474; - Some people burn to archive and play on a computer at a later &#9474;
&#9474; time, BUT since there is no outside purpose other than playing on &#9474;
&#9474; the computer, there is NO need to be packaged as BIN/CUE &#9474;
&#9474; - Watermarks WILL NOT BE ALLOWED IN ANY CASE &#9474;
&#9474; &#9474;
&#9474; Audio related notes: &#9474;
&#9474; - AC3 audio along with Oog Vorbis is permissible &#9474;
&#9474; - When using CBR techniques, audio must be greater than 128kbs &#9474;
&#9474; - WMA audio is NOT allowed: &#9474;
&#9474; - Tremendous amount of synching problems &#9474;
&#9474; - Not compatible with all sound cards &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ GROUPS &#38; MEMBERS ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; TDX 2001 revision was organized by: &#9474;
&#9474; - Lava - MaTaN - Puzz13 - &#9474;
&#9474; &#9474;
&#9474; Respects to the original TDX, Team DivX, organizers: &#9474;
&#9474; - krazy8 - RipKord - Wuman - &#9474;
&#9474; &#9474;
&#9474; TDX 2001 is comprised of the following DivX groups: &#9474;
&#9474; - DDX - DiAMOND - DiVEStX - EliteMedia - EPiSODE - &#9474;
&#9474; - DOMiNiON - LiGHTNiNG - PoLIsO - SMB - TheFrail &#9474;
&#9474; - TVfans - UPA - VCDVaULT - ViRA - &#9474;
&#9474; &#9474;
&#9474; Also signed by: &#9474;
&#9474; - HeLLRiSE - HOSTiLE - SChiZO - Requiem - &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ CONTACT ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; EMAIL: tdx@isonews.com &#9474;
&#9474; WWW : www.isonews.com &#9474;
&#9474; IRC : #isonews (EFnet) &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9644;
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&#9600; &#9600; &#9644;&#9600; &#9600; &#9617; &#9608;&#9600;
&#9644;&#9600; s8!CRO^Sr
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<pre class="nfo">0DAY:
Dupes:
We can be very quick with this one, below an example (The &#34;CuNT&#34; release is a real dupe)
2002-10-20 Jack.The.MP3.Ripper.v1.0.cracked-DiCK
2002-10-30 Jack.The.MP3.Ripper.v1.0.incl.keygen-CuNT
But a Jack.The.MP3.Ripper.v1.0.keygen.only-CuNT is allowed!
Nuke reason: dupe.&#60;yyyy-mm-dd>.&#60;group>
Mu:
In general we handle a MinorUpdate period of 14 days! If you release a new version of a program with in 14 days of the last program release , but 14 days from the last release out no matter if its nuked for MU or not.
Example:
2002-10-10 Jack.The.MP3.Ripper.v1.0.cracked-DiCK
2002-10-15 Jack.The.MP3.Ripper.v1.1.incl.keymaker-CUNT &#60;- (nuked for MU)
Next version is allowed on 2002-10-29 AND NOT on 2002-10-24, coz we count 14 days from the last release, no matter if its nuked for MU or not.
Additionally to bring some more clearness:
2002-10-10 Jack.The.MP3.Ripper.v1.0.cracked-DiCK
2002-10-14 Jack.The.MP3.Ripper.v1.0.keymaker.only-CUNT
So v1.0 cracked gets released on 10th of oct. and the keymaker.only on 14th then the next release is allowed on 2002-10-24, no matter what time the keymaker.only was released. coz we always count 14 days of the release that included the setup-file of the software itself.
The following groups have agreed to comply to these rules (ask handymen to add ur group here):
LAXiTY/ACME/DWP
Nuke reason: mu.&#60;yyyy-mm-dd>.&#60;group>
Release Name creation:
&#60;PROGRAM NAME>.vX.XX.&#60;opt. options>-&#60;GROUP NAME>
&#60;PROGRAM NAME>_vX.XX_&#60;opt. options>-&#60;GROUP NAME>
Examples:
The.true.story.by.php.monkey.v1.4-D2D
The_true_story_by_php_monkey_v1.4-D2D
Nuke reason: bad.dir
File naming:
Files should be named as stated in the 8.3 notation. And disk size should be between 720 KB and 5 megs. It also has
to include a .diz and .nfo file
Example: lxtd2d2.zip
Nuke reason: bad.pack
Size:
Maximum size of 0day release should be 300 MB
Nuke reason: oversized
Keygen rules:
A keygen is a standalone program which calculates serials based on pc name/company/user name etc etc.
When a serial algo uses fixed chars on certain positions and your &#34;keygen&#34; fills the other positions with random data it&#39;s NOT a keygen. When a keygen is not sufficient and a crack is required, the dir name should include this &#34;incl.keygen.and.patch&#34;
Nuke reason: not.a.valid.keygen
Theft:
Using a keygen/serial/crack with out permissions of the owners (other groups for example) is not legit. A group which is cought 2 times with stealing will be banned here aka being auto nuked (ofcourse if there is good evidence)
Nuke reason: stolen
Repack:
Fucked up releases can be re-released by doing a repack. Dir should contain &#34;.repack.&#34;. The previous (bad) release will be nuked
Nuke reason: get.repack
Trade/pre faults:
Trade faults (&#34;detecting macro monkeys&#34; dirs for example), pre tests or fake things will not be counted as a legit release.
Nuke reason: crap
Free software:
Software which is freely available is not allowed. &#34;Free&#34; on d2d means that it costs around $0.00. &#34;Cardware&#34; or &#34;free-registration&#34; is. There are 2 exceptions there is, if a upgrade/update is not publicly available. And free updates/upgrades which will render the crack/serial/keygen of the previous version unusable (ie. they blacklisted stuff)
Nuke reason: free
Newer out:
When a group releases a v1.02 of a program and the new version v1.03 is already out for more then 3 days, it&#39;s a nuke. The grace period is 3 days. Only exception COULD be an util group having a hard to get program (thus means not publicly downloadable) and they release it when there&#39;s just a new version out, if this happens (unlikely:D) tell so in info file
Nuke.reason: newer.out.v&#60;x.xx>
Crack malfunction:
If a crack/serial/keygen is not working 100% it&#39;s a nuke! This could mean a keygen without a server patch, a keygen which doesn&#39;t accept certain basic chars &#34;A-Z,a-z,0-9&#34; and ofcourse spaces (only when the program accepts these chars!) or a crack with missed checks having removed.
Nuke reason: bad.crack
Group request:
If a group really thinks they fucked up a release badly then they can do a group request. The release will be nuked then.
Nuke reason: grp.req
Beta software:
Betas / builds / rc are allowed only it&#39;s not an hidden beta/build/rc, means the word &#34;Beta&#34;, &#34;build&#34; &#38; &#34;RC&#34; has to be in directory name.
Nuke reason: hidden.beta
Types Allowed:
- ALL languages (Dutch, German, Chinese, Italian, Polish, etc etc)
- ALL platforms (PC, MAC, Linux, Solaris, OS/400, Windows, etc etc)
- Bookware
- HW required software (GSM &#38; Telephone programs)
- Kiddie (some people have kids here, hi fanny:) )
- Addons (all types of addons for utils/games)
- Commerical fonts
- Screensaver
- Porn
- Different kind of flavors (Standard, prof, premium are ALL allowed) </pre>
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<head>
<title>2002_0DAY_UTIL.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
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font-weight: normal;
src: url(nfo.eot);
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padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
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<pre class="nfo">In April 2002 groups across the 0day scene united to update the current rules to better shape todays scene. Below is detailed information on updated rules as well as new rules. These rules must be recognized and followed immediately on this date, April 12, 2002.
1. Max one version per application / 14 days.
2. 0day rips should not contain free software which can be downloaded from the web, such as DirectX/Acrobat Reader.
3. To prevent sloppy rips, a re-release of a 0day application is allowed to make groups release proper and respectable releases. In order to be considered as legit, the re-release must be at least 15MB smaller than the previous release. The following provisions include:
a) No essential data is allowed to be removed to be considered a valid re-release. A re-release from a competing group may not use tools, cracks nor any other files from the previous release that were modified for the original rip.
b) The re-release of a rip can be done by any group and must be done within 48 hours after the release of the original rip.
4. Rips created with another groups ISO are to be nuked unless the ISO group have given it&#39;s permission to have their iSO ripped.
All appointed HQ (Headquarters) should abide by these rules to the fullest extent permutable. Any group that competes in the 0day rip scene will and must abide by the above rules to allow fair competition among all competitors. Take into account that these rules do not apply to nor concern the game rip scene.
Signed,
Leaders, Council Members and Seniors of Blizzard, Caudex, Core, Digital Factory, Oddity, Orion, The Millenium Group, Epsilon, Eclipse, Embrace, Renegade, Intension, Paradox, Prime, Among others!</pre>
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<head>
<title>2002_0DAYad.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
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padding: 12px;
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<pre class="nfo">In April 2002 groups across the 0day scene united to update
the current rules to better shape todays scene. Below is
detailed information on updated rules as well as new rules.
These rules must be recognized and followed immediately on
this date, April 12, 2002.
1. Max one version per application / 14 days.
2. 0day rips should not contain free software which can be
downloaded from the web, such as DirectX/Acrobat Reader.
3. To prevent sloppy rips, a re-release of a 0day application
is allowed to make groups release proper and respectable
releases. In order to be considered as legit, the
re-release must be at least 15MB smaller than the previous
release. The following provisions include:
a) No essential data is allowed to be removed to
be considered a valid re-release. A re-release from a
competing group may not use tools, cracks nor any other
files from the previous release that were modified for
the original rip.
b) The re-release of a rip can be done by any group and must
be done within 48 hours after the release of the
original rip.
4. Rips created with another groups ISO are to be nuked unless
the ISO group have given it&#39;s permission to have their iSO
ripped.
All appointed HQ (Headquarters) should abide by these rules to the
fullest extent permutable. Any group that competes in the 0day rip
scene will and must abide by the above rules to allow fair competition
among all competitors. Take into account that these rules do not
apply to nor concern the game rip scene.
Signed,
Leaders, Council Members and Seniors of Blizzard, Caudex, Core,
Digital Factory, Oddity, Orion, The Millenium Group, Epsilon,
Eclipse, Embrace, Renegade, Intension, Paradox, Prime, Among others!</pre>
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<title>2002_DE_DiVX.nfo</title>
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<pre class="nfo">
OFFiZiELLE DEUTSCHE DiVX REGELN
.PROLOG__________________________________________________________________
Diese Regeln wurden aufgestellt, um eine Richtlinie f&#8319;r qualitativ hochwertige DiVX-Rips zu schaffen. Sie sollen Siteops und Nukern, aber auch unetablierten Gruppen und dem letztendlichen Konsumenten, ein paar Grundsaetze vermitteln, die wir bei einem guten Rip als Minimalanspruch erachten. Sie sind weder ein Gesetz, noch statisch. Aufgrund immer neuer Erkenntnisse und der Weiterentwicklung von Codecs und Programmen k&#247;nnen sie nur eine Momentaufnahme des jetzigen Erkenntnisstandes sein. Wir bitten euch deshalb um eure Mithilfe, diese Regeln immer so aktuell und zeitgemaess wie moeglich zu halten.
Bitte sprecht den F&#8319;hrer eurer Gruppe bezueglich Verbesserungen oder Fehlern an und wir beruecksichtigen dies in der naechsten Version.
Danke.
.Aenderungen_____________________________________________________________
seit ODDR-20011113a.htm: 03, 04, 05, 06, 07, 09, 11, 12
.ALLGEMEiN_______________________________________________________________
Der Rip muss komplett von der Gruppe stammen, es muessen Video und Audio von derselben Quelle kodiert worden sein.
Es muss ein DVD- oder direkt kopierter digital-TV-Rip sein (d.h. die Quelle muss ein rein digital verarbeiter MPEG2-Stream sein).
Filme als dTV-Rips duerfen kein Senderlogo oder jegliche Einblendungen enthalten.
Ein Sample von 30 Sekunden, welches aus dem releasten AVI stammt (d.h. nicht extra kodiert wurde) muss in einem separaten Verzeichnis im Release enthalten sein.
Es muss per SBC 2-Pass kodiert worden sein.
Jedes Release mu&#9600; eine minimale Aufl&#247;sung von freigestellten 135.000 Pixeln haben.
a) Die minimale/maximale Audiobitrate muss 128/192 (C/ABR) oder 96-160/128-224 (Lame VBR) sein. Die Audioaufloesung betraegt 44khz/48khz @ 16bit.
b) Bei einem 2CD-Release ist die AC3-Tonspur erwuenscht, sofern eine Videobitrate von 1000kbit nicht unterschritten wird.
c) Sofern ein Film 2 CDs ben&#247;tigt und die Videospur mindestens 1000kbit betraegt, ist eine deutsche und die Originaltonspur erw&#8319;nscht (Die Tonspuren beide nur als MP3, nicht als AC3, siehe dazu 7a).
Das Seitenverhaeltnis der Videoaufloesung darf maximal 5% von dem des DVD-Bildes abweichen. Die X-Werte der Aufloesung muessen div32 sein, die Y-Werte div16.
Bei einem nCD Release, mu&#9600; jede CD die &#60;n
095 Minuten bei einem AR von 1.33:1
100 Minuten bei einem AR von 1.85:1
105 Minuten bei einem AR von 2.35:1
Film enthalten - ausgenommen sind vollstaendig computeranimierte Filme (z.B. Toy Story, Antz, Shrek), XXX und S/W.
Der Abspann muss in einem 1CD Release nicht vollstaendig enthalten sein, jedoch soweit, dass erkennbar ist, dass der Film tatsaechlich geendet hat. Falls im Abspann noch Filmszenen enthalten sind, muss dieser in gleichberechtigter Bitrate wie der eigentliche Film, soweit diese Szenen reichen, kodiert werden. In einem 2CD+ Release muss der Abspann in voller Laenge enthalten sein.
Inhaltsrelevante fremdsprachliche Dialoge (und nur diese) muessen mit den deutschen Untertiteln von der DVD versehen werden, sofern vorhanden. Falls die Untertitel softkodiert auf der DVD sind, m&#8319;ssen diese im Format von Vobsub releast werden.
Bei einem Nuke aufgrund technischer Maengel, mu&#9600; ein Proper immer zugleich mit einem Fix in einem separaten Unterverzeichnis releast werden, sofern technisch m&#247;glich.
.BENNENNUNG______________________________________________________________
&#60;gruppe>-&#60;filmtitel>_&#60;cd#>.avi 1CD = grp-pitch_black.avi
2CD = grp-pitch_black_1.avi
grp-pitch_black_2.avi
&#60;gruppe>-&#60;abkuerzung>&#60;cd#>.rar 1CD = grp-pibl.rar
2CD = grp-pib1.rar
grp-pib2.rar
&#60;gruppe>-&#60;abkuerzung>&#60;cd#>.sfv 1CD = grp-pibl.sfv
2CD = grp-pib1.sfv
grp-pib2.sfv
&#60;gruppe>-&#60;filmtitel>_(&#60;jahr>).nfo = grp-pitch_black_(2000).nfo
Die Benennung des Verzeichnisses ist beliebig - enthalten sein muss jedoch:
&#60;Filmtitel> DiVX German &#60;QUELLE> -&#60;GRUPPE>
Beispiele, Quelle = DVD:
Pitch.Black.DiVX.DVDRIP.German-GRP
Pitch.Black.DiVX-DVDRIP-German-GRP
Pitch_Black_DiVX-DVDRIP-German-GRP
Beispiele, Quelle = digital-TV:
Pitch.Black.DiVX.dTV.German-GRP
Pitch.Black.DiVX-dTV-German-GRP
Pitch_Black_DiVX-dTV-German-GRP
.NFO_____________________________________________________________________
In der NFO sollten mindestens folgende Informationen enthalten sein:
Releasedatum
Anzahl der RARs pro CD
Videoaufloesung
Audioaufloesung
deutscher Titel und Originaltitel
deutscher Kinostart und DVD-Release-Datum
Name des Regisseurs
Laenge des Films
IMDB-Rating und URL zum Film
5-zeilige Angabe desPlots
Informationen fuer die Beschaffung erforderlicher Codecs, Plugins, Tools
.SiGNiERUNG______________________________________________________________
Diese Regeln wurden von allen F&#8319;hrern der offiziellen deutschen Divx-Gruppen anerkannt.
[ODDR-20020501a.htm]________________________________________________[EOF]
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<pre class="nfo">Inhalt:
1.) SVCD-Release Regeln
2.) NFO Inhalt
3.) Sample
4.) Dirnamen Konvention
1.) SVCD-Release Regeln
=======================
1.1 SVCD Releases muessen mit CCE kodiert werden (ab v2.50 aufwaerts)
Jeglicher andere Codec (flask/tmpgenc/etc) ist nicht mehr erlaubt.
VBR mit mindestens 3-pass ist PFLICHT.
1.2 Als Aufloesung ist nur 480x576 PAL erlaubt.
1.3 Die minimale/maximale Audiobitrate muss 128/224 kbit betragen.
Die Audioaufloesung muss 44khz@16bit betragen.
1.4 Die maximale (durchschnittliche) Bitrate darf 2400 nicht ueber-
schreiten. Die minimale (durchschnittliche) Bitrate darf 1100
nicht unterschreiten. Im NFO muss die durchschnittliche Birtate
angegeben werden.
1.5 Das Release-Format ist BIN/CUE mit maximal 80 Minuten pro CD.
1.6 Die grenze fuer 2 CD und 3 CD Releases ist momentan noch
unbestimmt. Der grobe Richtwert, ab dem 3CD Releases noetig waeren
liegt bei 140min (5pass/16:9 AR). Eine genaue Richtwertetabelle folgt
im naechsten Rules-Update.
1.7 Als SVCD Directory sollte das von VCD bekannte &#34;MPEGAV&#34; erstellt
sein, denn das koennen alle SVCD faehigen DVD Player lesen.
Dies ist aber keine Pflicht.
1.8 1 CD Releases sind generell bis 75 Minuten Pflicht. Bei Filmen
zwischen 75 und 90 Minuten sind 1 CD Releases moeglich, wenn
folgende Voraussetzungen erfuellt sind:
- keine Action-Kracher a la Schwarzenegger (Explosionen, Kameraschwenks)
- mindestens 5pass encoding
- Audiobitrate 128 und Videobitrate 1100 wird nicht unterschritten
1.9 Der Abspann muss in einem 1CD Release nicht vollstaendig enthalten
sein, jedoch soweit, dass erkennbar ist, dass der Film tatsaechlich
geendet hat. Falls im Abspann noch Filmszenen enthalten sind, muss
dieser in gleichberechtigter Bitrate wie der eigentliche Film, soweit
diese Szenen reichen, kodiert werden. In einem 2CD+ Release muss
der Abspann in voller Laenge enthalten sein.
1.10 Bei mehreren Scenen mit inhaltsrelevanten fremdsprachlichen Dialogen
muessen optionale Subtitels verfuegbar sein.
2.) NFO Inhalt
==============
2.1 Im NFO muessen folgende Punkte enthalten sein:
- Titel des Films (plus evtentuellem Originaltitel)
- Angabe, ob Kinorelease oder STV (Videopremiere)
- Releasedatum der Groups
- Kinojahr und DVD-Release-Datum
- Videobitrate (durschnittliche)
- Audiobitrate (bei Duallanguage auch jeweils einzeln)
- Laenge des Films
- REAL Aspect Ratio (z.B. 1:1,85 / 16:9)
- IMDB-Rating und URL zum Film
- 5-zeilige Angabe desPlots
Die Gestaltung der File/NFO-Namen sind bis auf weiteres beliebig.
2.2 Als Kinostart wird der deutsche und nicht der Start im Produktions-
land gewertet. Bei Videopremieren ist das Produktionsjahr anzugeben.
Das Jahr des Kinostarts/Produktionsjahres ist im NFO anzugeben.
2.3 Falls weitere SVCD Spezifische Features implementiert wurden, muss
dies im NFO erwaehnt werden. Dazu gehoert:
- Original DVD Chapter-Anwahl
- Dual Language (plus Bitratenangabe der jeweiligen Audio-Streams)
- Dolby Surround
- Motion Menue (Animiertes Chapter Menue wie auf DVD oder Still Menue)
3.) Sample
==========
3.1 Ein einminuetiges Sample muss in einem separaten Sample Verzeichnis
enthalten sein. Dies muss aus dem original MPEG2 stammen und darf
nicht extra kodiert werden.
4.) Dirnamen Konvention
=======================
4.1 Die Benennung des Verzeichnisnamens ist folgendermassen definiert:
&#60;Filmtitel> German DVDRip SVCD -&#60;GRUPPE>
&#60;Filmtitel> German SVCD DVDRip -&#60;GRUPPE>
Optional kann folgendes eingefuegt werden:
DS => Dolby Surround
DL => Dual Language (German/English switchable)
MM => Motion Menue (Animiertes Chapter Menue wie auf DVD oder Still Menue)]
Beispiel:
Star.Wars.Episode.2.German.DL.DVDRiP.SVCD-XYZ
D-Tox.GERMAN.SVCD.DS.DVDRip-Gruppe
4.2 Wenn ein Release ein Proper Releaes ist, muss dies durch Angabe von
.PROPER. entsprechend gekennzeichnet werden.
Folgende Gruppen stimmen diesen Rules zu:
-----------------------------------------
AFL - HS - YYY - ZZ
- Stand 03.07.2002 v5.0 </pre>
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&#9608;
&#9604;&#9604;&#9608;&#9604;&#9604; &#9632; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9608;
&#9604;&#9608;&#9608;&#9608;&#9608; &#9600;&#9600; &#9608;&#9608; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9616;&#9604;&#9604;&#9604;
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&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9617;&#9617;&#9617;&#9617;&#9617;&#9617;&#9617;&#9617;&#9617;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9604;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9600;
&#9608;&#9608; &#9600; &#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;
&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9604;&#9604;&#9604;
&#9632; &#9608;&#9608;&#9608;&#9608; &#9604;&#9608;&#9608;&#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608; &#9604;&#9608;&#9608;&#9608;&#9604; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9608;&#9608;&#9608;
&#9608;&#9608; &#9600;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9612;&#9608;&#9608;&#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9604;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9616;&#9608;&#9608; &#9608; &#9604;&#9608;&#9608;&#9608;&#9612; &#9608; &#9608;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9616;&#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9608;&#9608; &#9632;
&#9600;&#9600;&#9608;&#9608;&#9608;&#9600; &#9616;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9616;&#9608;&#9612;&#9608; &#9608;&#9608;&#9608;&#9612; &#9632; &#9600;&#9608;&#9608;&#9612;
&#9600;&#9600;&#9600; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9616;&#9608;&#9608;&#9608; &#9608;&#9608;&#9600; DiS!AiiA
&#9600;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9612; &#9608;&#9608;&#9600; &#9608;&#9608;
&#9600;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9608;&#9612; &#9632; &#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9600;&#9600;
THE 2002 DVDR RELEASING STANDARDS
VERSION 2.0.3
03/21/03
&#9604;&#9604;&#9604;&#9604;
&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9604;&#9604; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9604;&#9604;
&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9618;&#9618;&#9617;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9618;&#9619;&#9619;&#9618;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9617;&#9618;&#9618;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9608;&#9617; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9617;&#9608;&#9608;&#9608;&#9600;
&#9600;&#9608;&#9608;&#9618; &#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600; &#9618;&#9608;&#9608;&#9600;
&#9616;&#9617; &#9617;&#9612;
General:
. Release size must be at least 4.15 Gb unless source is dvd5
. PAL after NTSC and NTSC after PAL is allowed
Video:
. Re-encoding:
. CCE must be used for all re-encoded streams
. REmpeg is not allowed
. Minimum bitrate must be 3000 kbit (2800 kbit for tv shows).
If minimum bitrate can not be achieved the explanation must
be specified in the nfo.
. Passes:
. Movies below or equal 100 Minutes: 4 or more passes
. Movies over 100 Minutes: 5 or more passes
Audio:
. If audio is stripped from a dvd9 disk, higher bitrates must be
kept over lower bitrates (if a disk has 5.1 and 6.1 audio, 5.1
would be stripped in favor to 6.1)
. For non-English Movies, original audio track must be kept.
. English Audio track must be kept if present.
. Other audio tracks are at ripper&#198;s discretion
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Subtitles:
. If English subtitles are present, they will be kept under ALL
circumstances.
. If the disk contains three or less subtitles, all will be kept
unless the video bitrate is compromised.
. If the disk contains more than three subtitles, rippers will
decide which will be kept. Its advised to keep most common used
language subtitles.
Menus:
. Menus MUST be included, unless the average bitrate is compromised
. Menus on TV Show disk must be kept at all costs.
Extras:
. Extras are an added value but not needed.
DVD Limitations:
. Macro vision must be removed
. All user limitations and restrictions must be removed
. Releases must be made region free
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Packaging:
. All releases must use .img for imaging, .iso, .nrg not allowed
. Releases must be broken up into rars of 50,000,000 bytes.
. Recovery records must be used.
. SFVs and NFOs MUST be included.
NFO Must include the following:
. Groups name
. Title
. US theatrical release date
. Regions, NTSC or PAL
. Bitrate used when re-encoding
. Audio streams, and subtitles included
. What has been stripped, extras, menu, etc.
. IMDB, or similar link
. Number of rar files.
Samples:
. Samples are required. Minimum size shall be 30mb.
. Samples must be put in a separate sub directory, labeled &#39;Sample&#39;
. Vobs may be cut and used as sample, or renamed to mpg
. Samples must be from actual packed vob. Separate encodes are
not allowed.
Directory Naming:
. Directory names shall NOT exceed 64 characters
. ALL releases are to include production year
. Directory name must include Disktype (NTSC/PAL)
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
. DVD-5, and DVD-9 COMPLETE will be named as follows:
Movie.Title.Year.COMPLETE.Disktype.DVDR-Groupname
. Non-Complete DVD-9 releases must be named as follows:
Movie.Title.Year.Disktype.DVDR-Groupname
. Sub directories must be labeled DISK1, DISK2, DISK3, etc
CD1, DVD1, will NOT be tolerated
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Propers:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc.
. Propers based on previous releases having improper dir names
will not be tolerated.
. If previous release was not region free, a patch must be used,
NOT a proper.
. No Propers on releases before 2002 DRS.
Other Notes:
. Source will be from DVD Only. No re-encoded VHS or TV sources
. Intros and outros are not tolerated.
. Group watermarks in any part of the dvd are STRICTLY forbidden
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
&#9616;
The DVDR Releasing Standards Written and Organized By:
AUK . SOUL . JR . MAH . PURP . CONE . MSR
Signed and approved by
FallingUpward . Zorlac . TmN . TheMoB . DNA . LotM. SNATCH
EFTERLYST . ASZEON . DrDVD . ESVCD . LiON
DDX . SuBLiME. iNTL . XluSiV . VOLATiLE
&#9616;&#9617; &#9617;&#9612;
&#9604;&#9608;&#9608;&#9618; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9618;&#9608;&#9608;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9617; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9617;&#9608;&#9608;&#9608;&#9604;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
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&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;
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<pre class="nfo">REGLAS DivX. Ultima Actualizacion: Noviembre de 2002
----------------------------------------------------
Las reuniones llevadas a cabo entre los responsables de los
grupos de la scene DivX espa&#177;ola durante el mes de Noviembre
de 2002 han dado como resultado las siguientes normas, de
obligado cumplimiento tanto por los grupos actuales como por
los que se incorporen mas tarde, con el objetivo de asegurar
un grado de calidad adecuado, considerandose como validas
solo aquellas releases que se ajusten a las normas que se
citan a continuacion:
1. ORIGEN: Se aceptan unicamente las codificaciones de fuentes
DVD y DVB (Satelite, Cable, etc.), quedando prohibido el uso
de VHSRip y TS como fuentes, con la excepcion de los
SCREENERS, en los que se debera utilizar siempre la mejor
fuente de video disponible.
2. CONTENEDOR: Se aceptan tanto contenedores AVI como OGM,
quedando siempre en manos del ripper la decision de cual
utilizar, debiendo siempre recaer la eleccion sobre aquel
que proporcione unos mayores indices de calidad y de
rendimiento en combinacion con los codecs de audio y
video seleccionados.
3. VIDEO: Se aceptan los c&#8804;decs DivX5 y XviD basados en el
Standard ISO MPEG-4, as&#248; como la utilizaci&#8804;n del SBC.
La eleccion de cada uno est&#946; supeditado por la decisi&#8804;n
propia del ripper en funci&#8804;n de la calidad. Eso si, la
calidad resultante del video ha de ser buena, ya que una
mala calidad implicar&#946; con toda seguridad un NUKE.
+ El video debe llevar el cropping adecuado y debe ir
perfectamente sincronizado con el audio y con un
keyframe minimo entre 15 y 30.
+ La resolucion horizontal podra estar comprendida entre
512 y 640, y el rango de error permitido es el siguiente:
a) 4:3 error maximo 1% aproximadamente
b) 16:9 error maximo 1,5% aproximadamente
c) WS error maximo 2% aproximadamente
Hay que tener en cuenta que estos porcentajes son
orientativos y que dependen de la resolucion original
de la fuente y del grado de deformacion que un cambio
en la misma pueda producir sobre el resultado final,
pudiendose asi deducir los margenes de error para otras
resoluciones siguiendo este mismo criterio.
+ La codificacion del video debera realizarse siempre sin
seguir el estandar ITU para evitar obterner resoluciones
no acordes al AR de la fuente. Ademas, deben utilizarse
los complementos necesarios para garantizar la ausencia
de ghosting y shit en dicho video, siendo este posible
motivo de invalidacion de la release.
4. AUDIO: El audio ha de proceder siempre de fuente DVD,
con una unica excepcion: la de aquellas peliculas,
series, etc. que no hayan sido editadas en castellano
y cuya edicion sea poco factible a corto o medio plazo.
Solo en este caso se aceptara la combinacion de video
de fuente DVD y audio de fuente VHS.
Se aceptar&#946;n los formatos MP3, OGG y AC3 para la(s)
pista(s) de audio, escogiendo cada una a decisi&#8804;n del
ripper. En relaci&#8804;n con el bitrate, se usar&#946; un bitrate
adecuado a la percepci&#8804;n del mismo y a la calidad final del
video (112-128 CBR MP3 o sus equivalentes VBR, ABR u OGG).
+ En caso de ser una pel&#248;cula antigua, se podr&#946; escojer un
bitrate adecuado a la calidad del audio original, sin da&#177;ar
la reproducci&#8804;n del mismo por distorsiones. Todos los audios
deber&#946;n ser normalizados antes de ser multiplexados con el
video, para evitar saltos bruscos de volumen. Se recuerda
que la combinacion de pelicula en MONO con audio AC3 no
esta permitida ya que no supone mas que ocupar espacio
sin aumentar la calidad de la release.
+ Para los MVs, se usar&#946; un bitrate m&#946;s alto, debido al mayor
inter&#952;s que cobra la pista auditiva: 160 MP3 CBR o sus
equivalentes en VBR, ABR u OGG.
5. TAMA&#9572;O: la pel&#248;cula se ajustar&#946; en lo posible al espacio
correspondiene a la m&#946;xima capacidad de un CD de 80 minutos,
evitando el overburning en todo caso, y sin ser un espacio
que, por su reducido tama&#177;o, reduzca notablemente la calidad.
El numero de CDs queda a decision del ripper segun cada
caso, siguiendo en principio las siguientes guias
orientativas:
&#60; 110 minutos --> 1 CD
110-120 minutos --> A decision del ripper
120 minutos --> 2CDs
En caso de que el video sea 4:3, el limite para pasar a
2 CDs sera de 100 minutos, siempre y cuando la calidad
del DVD lo permita, intentando evitar siempre el despilfarro
inutil de espacio innecesario.
En casos concretos las guias puede NO seguirse si el aumento
de CDs no implica mejora de calidad, quedando esta decision
a criterio del ripper.
6. SUBTITULOS: Las peliculas en las que aparezcan dialogos en
lengua extranjera deberan venir acompa&#177;adas de los
correspondientes subtitulos en castellano, quedando la
inclusion de otros idiomas a gusto del riper, no
considerandose valida aquella release que incumpla este punto.
Las peliculas con audio extranjero y subtitulos en castellano
deben ir etiquetadas como SUBBED, siguiendo las normas indicadas
en el apartado dedicado al formato de dichas etiquetas.
7. SERIES: En el caso de que la release corresponda a una serie,
el primer grupo que saque un volumen determinara el codec y
parametros a utilizar, para garantizar que la serie mantenga
una coherencia en sus caracteristicas sea cual sea el
numero de grupos que la ripeen simultaneamente. Se entiende
como volumen el equivalente a 1 DVD de la serie, y cada uno
de los volumenes estara dividido en capitulos, los cuales
deberan ajustarse al siguiente formato:
- Capitulos de 60min --> 1 por CD
- Capitulos de 45min --> 2 por CD
- Capitulos de 23min --> de 3 a 5 por CD, intentando siempre
mantener la maxima calidad. Se recomienda no incluir mas de
4 por CD, aunque se pueden incluir 5 siempre que la
resolucion horizontal sea igual o superior a 480 y la
calidad del resultado sea decente.
NOTA: Se recuerda que las series no estan exentas del
cumplimiento del resto de reglas, tales como ajuste al
tama&#177;o del CD, resolucion, etc.
8. DVB: En el caso de releases obtenidas de SAT o Cable, en
ambos casos se marcaran como DVB y deberan seguir las
siguientes normas extra:
- Las capturas deben ser directamente MPEG-TS, sin que
se considere valido cualquier otro sistema (analogico,
por ejemplo), que degrade la calidad del video. El
resto de releases quedarian enmarcadas como VHSRip.
- Se debe incluir en el NFO el bitrate de emision original
si se conoce, facilitando asi la aplicacion de criterios
de validacion de la release.
9. FORMATO: Toda release publicada debe llevar un nombre de
Carpeta adecuado y debe ir empaquetada segun se detalla a
continuacion.
* Carpeta: el nombre de la carpeta donde se suba la pelicula
ha de seguir las siguientes reglas:
Titulo.Pelicula.FUENTE.VIDEO.AUDIO.TIPO.A&#9572;O.IDIOMA-GRUPO
- Titulo_Pelicula: Maximo 64 caracteres SIN ACENTOS NI E&#9572;ES,
separando las palabras con puntos.
- Fuente: DVD, DVB (para SATRip o CableRip),
VHS o TS (para SCREENERS), etc.
- VIDEO: DivX3, DivX5 o XViD
- AUDIO: MP3, AC3 u OGG.
- TIPO: ANIME, DOCU, MV, SCREENER, XXX, etc.
- A&#9572;O: 4 digitos del a&#177;o de produccion de la
pelicula (el de IMDB, por ejemplo).
- IDIOMA: 2 letras si es 1 solo idioma (ES,FR,GR,IT,JP),
o MULTI si lleva mas (incluidos los MDVDs).
+ Las peliculas CON DOBLAJE EN SUDAMERICANO se
marcaran como SA, no incluyendose en este punto
aquellas peliculas que procedan de sudamerica
y cuyo audio sea originalmente sudamericano.
+ Las releases inglesas se ajustaran, por sentido
comun, al formato de las normas extranjeras.
+ En caso de que la carpeta incluya tags de READNFO, PROPER, SUBBED
DIRFIX, REPACK, etc. estos iran colocados entre el a&#177;o y el idioma.
+ En caso de tratarse de un SCREENER se distinguira el origen
de la fuente de video mediante el campo FUENTE, usando DVD,
VHS o TS si procede de una camara.
* Empaquetado: cualquier divx debe ir empaquetado en RARs con un
tama&#177;o de 15.000.000 bytes, en modo store (SIN COMPRESION) y
preferentemente SIN RECOVERY RECORD, con el fin de minimizar su
tama&#177;o y facilitar la correccion de posibles errrores en los
ficheros, los cuales deben ajustarse al formato 8.3, tanto rars
como info, sample, bmp, etc.
Ademas, toda release debe incluir NFO, SAMPLE y BMP (este ultimo
solo en caso de ser un PROPER), siguiendo los siguientes parametros,
para ser considerada como valida:
* NFO: El NFO que acompa&#177;e a la release debe incluir COMO MINIMO,
los datos que se citan a continuacion. Se hace ESPECIAL hincapie
en este punto, dada la importancia de una adecuada documentacion
para conocer las caracteristicas de la release y si es valida o
no, pudiendo ser nukeada sin mas aquella release que incluya un
NFO incompleto:
- Titulo completo de la pelicula para su distribucion en Espa&#9618;a.
En caso de ser necesario se incluira el titulo original como
medida aclaratoria.
- Fecha CORRECTA de la release.
- Codecs utilizados y Bitrates para Audio y Video
- Dimensiones del video.
- Numero de RARs por CD
- Duracion REAL de la pelicula.
- Argumento, tipo de Pelicula, listado de Actores, Director, etc
- Link, preferiblemente de imdb.com por su estabilidad o bien de
otra direcciona si no esta disponible alli. EL 99% DE LAS PELICULAS
ESTAN REGISTRADAS EN INTERNET Y NO HAY EXCUSA PARA DEJAR EN BLANCO
ESTE APARTADO.
- Cualquier otra informacion que se considere necesaria sobre la
pelicula o sobre la release.
* SAMPLE: El SAMPLE debe contener aproximadamente 1 minuto de
la pelicula &#34;cortada&#34; del video original. El sample sirve para
poder decidir si la release es valida sin necesidad de bajarla y
visionarla entera. Es decir, un sample con errores implica una
release con errores. Por ello, se recomienda la cuidadosa revision
del sample para evitar problemas innecesarios.
* BMP: En el caso de que una release salga como PROPER de otra, debera
incluir obligatoriamente una carpeta BMP que incluya una captura del
video del DVD en formato RAR + SFV. Este BMP permitira determinar la
validez o no del proper y su no inclusion supondria la calificacion
del proper como innecesario, dada la falta de pruebas.
-------------------------------------------------------------------------
Estas reglas fueron aprobadas por unanimidad el Miercoles, 11 de
Diciembre de 2002, por los grupos que se citan a continuacion en
orden alfabetico, entrando en funcionamiento a partir del dia 12
de Diciembre del mismo a&#177;o:
aZTeK - BiNWaRe - CHiCNCREAM - DoNuT - EdeN - EiTheL - EviL - kRc
LHOTSE - ONe - POiNT - SDA - SiRoKo - STReaM - VOTD - WHF
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<pre class="nfo">Release Rules
1. No Dupes !
We check complete albums/releases, not single tracks. So a release is not a
dupe if it has different or more tracks.
Exceptions:
1. It&#39;s also a dupe if the complete release is included in a previous one.
For example CDM is released, now someone releases the CDS and all
tracks of the CDS were already included on the CDM (exactly the same).
2. You are allowed to create a duplicate release from a release that has a
source of lower quality (not lower bitrate! (see rule 11)).
Example: if vinyl is out then a CD-release is allowed.
If you do that then please add this info to NFO and dirname.
3. All MIXED cds should be ripped as one track supplied with a .cue.
If they are not, they may be duped by another group that releases it as
one track with a .cue supplied.
2. An .SFV and .NFO file must be included in every release.
3. Directory name must at least contain:
Artist Name - Title - Published Year - Group name
(extra info is allowed of course)
4. Filename must at least contain:
Track Number - Song Title
If it&#39;s an album with different artists then you must add the artist name as
well.
Make sure that your filename is unique otherwise some sites might dupeskip
it. (You can search for filenames here as well)
5. Files/directories must only contain characters; a-z A-Z 0-9 _ . - ()
This is to avoid problems with windows/linux-filesystem and ftp-servers.
6. No self made compilations
A selfmade compilation is when you select tracks from other sources, put them
together and release that as something new. A self-made MIX is allowed if it&#39;s
good. Sites decide if it&#39;s shit by nuking it. We won&#39;t nuke/unnuke such a
release.
7. The entire CD,Vinyl,etc. must be released (not individual tracks)
If you think it&#39;s too much work to rip all tracks you better don&#39;t rip at all.
Releasing the complete CD/Vinyl is necessary because otherwise it would be
possible to make several (different) releases of the same cd/vinyl/etc..
Exception:
If an album has been released in different editions and the only difference is
one or more bonus tracks then it&#39;s allowed to release the bonustrack(s) only.
For example album released in US with 10 tracks, Japanese edition with 11
tracks (1 bonus track). then you can release the jap bonus track only (without
including previously released tracks of the US album). Of course it&#39;s not
allowed to re-release the full japanese edition then. You can do either the
full album including the bonus track or only the bonus track, but not both.
You must release ALL additional tracks in one release (not one release per
track or side).
8. Current maximum directory/filename-length is 128 characters
because of limitations on windows cd-filesystem (linux has 256char-limit) and
about 99% of the people here use either windows or linux.
Directory names longer than 64 chars are marked to make it easier for people
using joliet-filesystem which officially has a 64-char-limit (but most of the
cd-writing-programs ignore that and windows is able to read it up to 128
chars).
9. No fake-releases
10. A bad rip/release must be reported by either 3 independent people (from
different groups) or the group which released it (release-comment or web
board).
If you re-release something that hasn&#39;t been nuked/marked yet then add this
info to your nfo-file. Otherwise it will get nuked as dupe.
11. Quality
current minimum bitrate is 160kbit
it&#39;s not allowed to re-release something in 192kbit (or higher) because a
previous release was only 160kbit.
12. Promos
If a release is considered not to have every track from the source then it must
be labelled as a promo and can be duped by any legitimate retail release that
DOES contain all tracks. The legitimate release can be identified by the CAT
number, or more suitable proof.
Promos do not have to contain track listings, they are promotional material,
they are not considered legitimate releases, and are still governed by quality
rules.
13. Re-encodes are strictly forbidden.</pre>
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<pre class="nfo"> ___ ___ _ ___ _ _ ___ ____ ___ _
___| __| __(_)/ __(_)__ _| | | _ \ _ \ / _ \ _ _ _ _| |___ ___
/ _ \ _|| _|| | (__| / _` | |__ | _/ |_) | _ | &#39;_| || | / -_|_-&#60;
\___/_| |_| |_|\___|_\__,_|____| |_| |____/|_| |_|_| \_,_|_\___/__/
cREATION dATE : [14]-[APR]-[2002]
____/\_____/\_____/\_____/\_____/\_____/\_____/\_____/\_____/\_____/\____
|___> &#60;___> &#60;___> &#60;___> &#60;___> &#60;___> &#60;___> &#60;___> &#60;___> &#60;___> &#60;___|
\/ \/ \/ \/ \/ \/ \/ \/ \/ \/
RELEASE-NAME-CREATION :
***********************
&#60;program name>.vX.xx.&#60;optional Language>.PalmOS.&#60;cracktype>-&#60;groupname>
&#60;program name>.vX.xx.&#60;optional Language>.Machine-Type.SymbianOS.&#60;cracktype>-&#60;groupname>
Machine-Type : e.g. N9210 or N9210i (Nokia Communikator)
&#60;program name>.vX.xx.&#60;optional Language>.CPU.OP-SYS.&#60;cracktype>-&#60;groupname>
OP-SYS can be
CE that is CE 2.0
PPC that is for WinCE 3.0 but its not called CE, 99runs also on new ARM
machines with PPC2002
HPC2000 that is a HandheldPC with keyboard (no pen) only ONE from HP existing
PPC2002 that is successor of PPC now most common and runs only on ARM machines
CPU types can be
SH3 is SH3 CPU
MIPS is MIPS CPU
ARM is STRONG ARM CPU
IPAQ is NOT a cpu but runs ARM , there are progs that run only on IPAQ so IPAQ has
to be named as CPU
For future extensions :
If there is a program version for a special machine then name the machine type
instead of the cpu ( see the IPAQ example above ! )
or use underscores if you like:
&#60;program name>_vX.xx_&#60;optional Language>_PalmOS_&#60;cracktype>-&#60;groupname>
&#60;program name>_vX.xx_&#60;optional Language>_ALL_OP-SYS_&#60;cracktype>-&#60;groupname>
&#60;program name>_vX.xx_&#60;optional Language>_SymbianOS_&#60;cracktype>-&#60;groupname>
&#60;groupname> has to be &#60;name>pda to part the pda section !!
Examples: WOMAN.v1.4.JAPANESE.PalmOS.Regged-GROUPpda
WOMAN_v1.4_JAPANESE_PalmOS_Regged-GROUPpda
WOMAN.v1.4.JAPANESE.ARM.PPC2002.Regged-GROUPpda
WOMAN_v1.4_JAPANESE_ARM_PPC_Regged-GROUPpda
WOMAN_v1.4_JAPANESE_SymbianOS_Regged-GROUPpda
optional language tag should only be used on NON english releases...
EBOOKS :
********
&#60;ebook name>.&#60;Edition>.&#60;optional Language>.OP-SYS.-&#60;groupname>
Edition : Bookversion or Edition
OP-SYS : OperatingSystems eg. PalmOS, PPC
CRACKTYPES :
************
can be :
Regged serial data is included in nfo
Cracked the program file has been altered to register the
proggy. The program is then &#34;Preregistered&#34;, &#34;any
name and/or serial can be entered&#34; or &#34;nags/trials
removed&#34;
Incl.Keymaker if keymaker is included in package
Incl.Keymaker.Patch if program is patched and shows correct
serial relating to the hotsyncname(palmos,ppc) after
program start or after entering any serial
Incl.PalmOS.Keymaker if keymaker for PalmOS is in the package (if you wanna
use some kind of plugin system for your keygen you HAVE
to incl. the plugin-proggy too (not only the plugin))
Incl.WinCE.Keymaker if keymaker for WinCE is in the package (if you wanna
use some kind of plugin system for your keygen you HAVE
to incl. the plugin-proggy too (not only the plugin))
Incl.Java.Keymaker if keymaker comes via java applet, the java applet has
to be delivered with a name.html file that loads the
java app.
if a Keymaker is only in the package then a url to get the prg has to be
included in nfo !
if a Serial (HOTSYNC independent!) is only in the package then a url to get the prg
has to be included in nfo !
Allowed are :
Keymaker.Only
JAVA.Keymaker.Only
PalmOS.Keymaker.Only
OPL.Keymaker.Only (Epoc16)
OP32.Keymaker.Only (Epoc32)
CPU.OP-SYS.Keymaker.Only
Keymakers can be written in :
Dos, Win32, PalmOS, WinCE, Java ( with start.html )
RELEASE RULES :
***************
Release format/size :
If a release is bigger than 1.44 mb then it has to be parted in 1.44/2.88 MB
packages ( ISO can be packed with rar (most common) )
Keygens: A keymaker is allowed to be only (re-)released
1) when a major version hop of the application occurs i.e.
1.xx -> 2.xx
2) when the key algo changes. An algo-change has to be announced
by including READ.NFO in dirname AND a short
description in the nfo (for example: &#34;Keygenalgo changed ...&#34;)
3) when there has not been a re-release within a 1 year.
Example(1) : Keymaker released first time for v1.43 .
The first time it can be replaced for not being a dupe is when
the version changes to v2.xx or if the keyalgo changes. So also
in v1.44 ;)
Example(2): Prog.v1.1.incl.Keymaker-GRP released 01/01/2000
the next allowed release date for Prog.v1.11.incl.Keymaker-GRP
would be 01/01/2001. Its (of course) not allowed to release the
SAME version again after a 1 year :P
Keymaker.Only releases are allowed, but then include the url where
where to download the program in the nfo.
Keygenpatch: A Keygenpatch is a patch that alters the program that it shows the
right serial for the actual hotsync (and which regs it of course).
Keygenpatches are like Keygens (same rules here) with one difference:
Its allowed to release a Keygen after a Keygenpatch
(even for the same version)
Cracks: Cracks in form of patched programs can be released for every
version UNTIL they got keygened or a serial is released.
If a keygen or serial gets invalid for some reason a new crack
can be released.
Regged: Can be a serial or name + serial. (hotsync id independent)
(Serial) Same rules as for keygens apply here (major version hops, serial
change, 1 year rule...)
Retail: A retail is treated like a crack with these exceptions:
- You are allowed to release a retail after
a serial/crack/keygen/keygenpatch IF (!) there&#39;s something special
added (some kind of extra stuff that you dont have in the shareware/
demo version). If thats the case you have to add a READ.NFO to the
dirname and list whats the additional stuff.
Normally retails should be released when its not possible to download
an uncrippled version which can be regged/keygenned.
All releases must be (zip-)packed with the necessary files for the release and
a .nfo and .diz from the group.
IMPORTANT INFO TO SITEOPs :
***************************
As we have seen in the past, there are some rules which prevent groups
releases being nuked on an affiliate site. We think that if a valid nuke
reason applies to any release, it should be nuked on all sites - affil or
not.
->>> AFFIL PREVENTS NOT FROM BEEING NUKED !! &#60;&#60;
RULES SIGNED BY
-+-+-+-+-+-+-+-+-
APR 2002 -- COREpda
APR 2002 -- UFCpda
APR 2002 -- BLZpda
APR 2002 -- NLPDA</pre>
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<head>
<title>2002_SVCD.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
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.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
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<body>
<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The SVCD Releasing Standards 2002 &#9474;
&#9474; &#9474;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; PROPERS: &#9474;
&#9474; &#9474;
&#9474; - No previous releases may be propered based on audio or video bitrate. &#9474;
&#9474; - Propers will be allowed in the case of technical problems, bad aspect &#9474;
&#9474; ratio, sync problems, skipping/freezing, interlaced, bad ivtc, etc &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; &#9474;
&#9474; - Must be at least 1750kbit average, with a maximum of 2450kbit. &#9474;
&#9474; - TMPGENC: 2 pass minimum &#9474;
&#9474; - CCE: 4 pass minimum &#9474;
&#9474; - Menus allowed. (see notes) &#9474;
&#9474; - Subtitles allowed (and encouraged for foreign releases) &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; &#9474;
&#9474; - Minimum 224kbit @ 44.1khz (regardless of source) &#9474;
&#9474; - Secondary tracks shall be 224 or LESS &#9474;
&#9474; &#9474;
&#9474; PACKAGING: &#9474;
&#9474; &#9474;
&#9474; - All releases must be BIN/CUE. (remove path from cue files) &#9474;
&#9474; - Must be packed with RAR, compression is NOT ALLOWED &#9474;
&#9474; and broken into 15 or 20 MB volumes &#9474;
&#9474; - Recovery record recommended. &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual SVCD release date &#9474;
&#9474; DVD release date &#9474;
&#9474; US theater release date &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video minimum/average/maximum bitrate &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; Number of rars per cd (eg. 44x15MB) &#9474;
&#9474; &#9474;
&#9474; SAMPLES: &#9474;
&#9474; &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - Minimum 30 seconds, maximum 1 full minute in length and in separate &#9474;
&#9474; folder marked &#39;SAMPLE&#39;. &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; &#9474;
&#9474; DIRECTORY NAMING: &#9474;
&#9474; &#9474;
&#9474; - Directory names shall NOT exceed 64 characters. &#9474;
&#9474; - All releases are to include production year. &#9474;
&#9474; - DO NOT indicate Ripping method (CBR/VBR/CCE/TMPGENC and so on), &#9474;
&#9474; WS (widescreen), DVD/SVCD release DATE, GENRE or anything else &#9474;
&#9474; in the directory name (ONLY within the NFO). &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - All Release directories, regardless of year, shall be named &#9474;
&#9474; according to Movie.Name.Year.Source.Codec-Group &#9474;
&#9474; (i.e. Movie.Name.Year.DVDRip.SVCD-Group) &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD will follow these specs: &#9474;
&#9474; - MUST be named CD1, CD2, CD3 and so on. (&#39;disc1&#39;, etc will NOT &#9474;
&#9474; be allowed). &#9474;
&#9474; - There MUST be a SFV included for each CD. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9474; &#9474;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - Source shall be DVD Only, no exceptions! &#9474;
&#9474; - DVD Screeners shall be clearly marked in the directory name and the &#9474;
&#9474; nfo shall contain presence of studio watermarking, or lack thereof. &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Movies should be ripped in their most widescreen format available. &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie including possible menus will be tolerated. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9474; &#9474;
&#9474; &#9492;&#9472;&#9472;&#9472;[ GROUPS &#38; MEMBERS ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; SVCD 2002 revision was organized by: &#9474;
&#9474; - vimVam - ne14a69 - &#9474;
&#9474; &#9474;
&#9474; Respects to the original SVCD council organizers: &#9474;
&#9474; &#9474;
&#9474; iV - V4F - 4HM - XPD - DvCS - PTi - TBH - TWiLiGHT &#9474;
&#9474; &#9474;
&#9474; SVCD 2002 has been approved by the following groups: &#9474;
&#9474; &#9474;
&#9474; EPiC - V4F - aNBc - DEiTY - TheWretched - iFO - WiDE &#9474;
&#9474; &#9474;
&#9474; DvCS - PMM - TBH - SChiZO - ESVCD - PTi &#9474;
&#9474; &#9474;
&#9474; Also signed by: &#9474;
&#9474; &#9474;
&#9474; DMR - VCDWS - tNB - SportsVCD - iNFiNiTY - NAPALM - TmN &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9474; Special thanks to the TDX 2002 rules for their layout and guidelines. &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2002_TV.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
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.nfo {
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font-size: 11px;
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</style>
</head>
<body>
<pre class="nfo">
&#9600;&#9600;&#9608;&#9600;&#9600; &#9608; &#9608; &#9600;&#9600;&#9600;&#9600;&#9608; &#9608;&#9600;&#9600;&#9600;&#9608; &#9608;&#9600;&#9600;&#9600;&#9608; &#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608; &#9608; R E L E A S E R U L E S &#9608;&#9600;&#9600;&#9600;&#9600; &#9608; &#9608; &#9608; &#9608; &#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608; &#9608;&#9604;&#9604;&#9604;&#9604; &#9608;&#9604;&#9604;&#9604;&#9608; &#9608;&#9604;&#9604;&#9604;&#9608; &#9604;&#9604;&#9604;&#9604;&#9608;
&#9608; v1.5 (11/16/02) &#9604;
&#9600;&#9604; &#9604;&#9600;
&#9600;&#9608; &#9604;&#9600;
&#9600;&#9608;&#9604; &#9604;&#9600;
&#9608;&#9604; &#9604;&#9608;&#9600;
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&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9600; &#9600;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9604;
&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;
&#9604;&#9608;&#9608;&#9600; &#9600;&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;
&#9604;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9604; &#9600;&#9600;
&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9474;
&#9608;&#9608;&#9608; &#9616;&#9474;
&#9474; &#9608;&#9608;&#9608; &#9616;&#9474;
&#9474;&#9612; Nuking has always been an issue in the TV &#9608;&#9608;&#9608; &#9616;&#9474;
&#9474;&#9612; scene. So here is the ruleset that tries &#9600;&#9608;&#9608; &#9616;&#9474;
&#9474;&#9612; to cover up the mess a little. &#9600;&#9600; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; DIGITAL CAP: &#9616;&#9474;
&#9474;&#9612; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9616;&#9474;
&#9474;&#9612; This includes any real digital source that didn&#39;t pass through any &#9616;&#9474;
&#9474;&#9612; analog interface between the source (Sat/Antenna/Cable) and the file &#9616;&#9474;
&#9474;&#9612; on your computer. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; This includes ATSC off-air antenna signals carrying MPEG2 Transport &#9616;&#9474;
&#9474;&#9612; Streams (using cards such as MyHD/Hipix/WinTV-HD), DirecTiVo MPEG2 &#9616;&#9474;
&#9474;&#9612; Streams (not standard TiVo!) and DVB Stream Capture cards. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; *HDTV* (High Definition Televison): Digital recording from a source &#9616;&#9474;
&#9474;&#9612; stream at either 1080i or 720p at a bitrate from 19,39mbps or &#9616;&#9474;
&#9474;&#9612; higher. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; *PDTV* (Pure Digital Television): Other resolution digital recor- &#9616;&#9474;
&#9474;&#9612; dings from source streams at a bitrate of 10+mbps or higher. &#9616;&#9474;
&#9474;&#9612; - This includes digital recordings from digital C-Band and &#9616;&#9474;
&#9474;&#9612; DVB. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; *SDTV* (Standard Digital Television): Digital recording or capture &#9616;&#9474;
&#9474;&#9612; from a source stream at any resolution with bitrate under &#9616;&#9474;
&#9474;&#9612; 10mbps. &#9616;&#9474;
&#9474;&#9612; - This includes DirecTiVo but also captures from digisat or &#9616;&#9474;
&#9474;&#9612; digicable with analog capture cards. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; note: For SVCD, analog cable and antenna caps are not allowed, so &#9616;&#9474;
&#9474;&#9612; SDTV is the lowest allowed source and will have no label. See &#9616;&#9474;
&#9474;&#9612; NAMING below. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; note: HDTV and PDTV rips are digital recordings, although PDTV was &#9616;&#9474;
&#9474;&#9612; labeled wrongly in the past by some groups (TiVo is NOT PDTV). &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; ANALOG CAP: &#9616;&#9474;
&#9474;&#9612; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9616;&#9474;
&#9474;&#9612; This includes any source that went through at least one Digital -> &#9616;&#9474;
&#9474;&#9612; Analog -> Digital process. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; This includes Standard TiVo, any MPEG2 capture card, any DV source &#9616;&#9474;
&#9474;&#9612; (unless you&#39;re releasing your home videos that were actually shot on &#9616;&#9474;
&#9474;&#9612; a DV camera) or any other standard capture card. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; PDVTV and HDTV is NEVER captured in analogue, on the other hand a &#9616;&#9474;
&#9474;&#9612; SDTV cap can be both. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; COMMENTS: &#9616;&#9474;
&#9474;&#9612; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9616;&#9474;
&#9474;&#9612; For SVCD/DivX, any video, regardless of Analog or Digital should be &#9616;&#9474;
&#9474;&#9612; converted to 23.976fps (NTSC) or 25fps (PAL) &#34;Progressive Film&#34; for &#9616;&#9474;
&#9474;&#9612; correct encoding. &#9616;&#9474;
&#9474;&#9612; A LOT of group don&#39;t bother with this step and thus their encoding &#9616;&#9474;
&#9474;&#9612; quality suffers, regardless of their source quality. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; Even if your source video comes as Progressive 59.976fps (as it can &#9616;&#9474;
&#9474;&#9612; with ATSC sources), you must still convert to the proper frame rate &#9616;&#9474;
&#9474;&#9612; or your video will be jerky or waste bits. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; For any NTSC encode (other than live shows like the &#34;Tonight Show&#34;) &#9616;&#9474;
&#9474;&#9612; the video must be converted to 23.976fps through the use of IVTC or &#9616;&#9474;
&#9474;&#9612; duplicate frame elimination (for ATSC 59.976fps progressive sources) &#9616;&#9474;
&#9474;&#9612; prior to SVCD encoding. And once encoded, you must enable the 3:2 &#9616;&#9474;
&#9474;&#9612; pulldown flag to enable playback at 29.976fps (even though the sour- &#9616;&#9474;
&#9474;&#9612; ce still remains at 23.976fps). &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; Analog Cable or Analog Antenna rips on SVCD are NOT allowed. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; DUPE RULES: &#9616;&#9474;
&#9474;&#9612; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; - SVCD Releases: &#9616;&#9474;
&#9474;&#9612; . HDTV: &#9616;&#9474;
&#9474;&#9612; - DUPE if there was a PDTV or a HDTV release. &#9616;&#9474;
&#9474;&#9612; - NO DUPE if there was only a SDTV or a VCD version. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . PDTV: &#9616;&#9474;
&#9474;&#9612; - DUPE if there was a PDTV or a HDTV release. &#9616;&#9474;
&#9474;&#9612; - NO DUPE if there was only a SDTV or a VCD version. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . SDTV: &#9616;&#9474;
&#9474;&#9612; - Obvious. DUPE if there was previous release without &#9616;&#9474;
&#9474;&#9612; technical issues. &#9616;&#9474;
&#9474;&#9612; - NO DUPE if there was only a VCD version. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . Widescreen does NOT dupe Fullscreen and vice versa. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; - VCD Releases: &#9616;&#9474;
&#9474;&#9612; . No matter what source, the first release wins. Every &#9616;&#9474;
&#9474;&#9612; other VCD release is a dupe. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; - DivX/Xvid Releases: &#9616;&#9474;
&#9474;&#9612; . HDTV: &#9616;&#9474;
&#9474;&#9612; - DUPE if there was a PDTV or a HDTV release. &#9616;&#9474;
&#9474;&#9612; - NO DUPE if there was only a SDTV or an analog cap. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . PDTV: &#9616;&#9474;
&#9474;&#9612; - DUPE if there was a PDTV or a HDTV release. &#9616;&#9474;
&#9474;&#9612; - NO DUPE if there was only a SDTV or an analog cap. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . SDTV: &#9616;&#9474;
&#9474;&#9612; - DUPE if there was already a analog cap. &#9616;&#9474;
&#9474;&#9612; technical issues. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . Analog cap: &#9616;&#9474;
&#9474;&#9612; - Obvious. DUPE if there was previous release without &#9616;&#9474;
&#9474;&#9612; technical issues. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . Widescreen does NOT dupe Fullscreen and vice versa. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; NUKE RULES: &#9616;&#9474;
&#9474;&#9612; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; - A release is considered as a NUKE, if: &#9616;&#9474;
&#9474;&#9612; . It&#39;s a DUPE. &#9616;&#9474;
&#9474;&#9612; . It has technical issues. &#9616;&#9474;
&#9474;&#9612; . Wrong or no source/cap information is specified in the .nfo. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; NAMING RULES: &#9616;&#9474;
&#9474;&#9612; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; The following tags are used for SVCD releases: &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; - &#34;HDTV&#34; for HDTV caps. &#9616;&#9474;
&#9474;&#9612; - &#34;PDTV&#34; for PDTV caps. &#9616;&#9474;
&#9474;&#9612; - &#34;SDTV&#34; or nothing for SDTV caps. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; . VCD releases don&#39;t need to be tagged. &#9616;&#9474;
&#9474;&#9612; . Widescreen releases are tagged with &#34;WS&#34;, otherwise they are &#9616;&#9474;
&#9474;&#9612; supposed to be fullscreen. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; PROPER RULES: &#9616;&#9474;
&#9474;&#9612; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; - A PROPER is only valid when the previous release has technical &#9616;&#9474;
&#9474;&#9612; issues. A HDTV after a PDTV rip is no reason to dupe and there- &#9616;&#9474;
&#9474;&#9612; fore no reason for a PROPER if the previous release was &#9616;&#9474;
&#9474;&#9612; ok. &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; GROUPS AND MEMBERS: &#9616;&#9474;
&#9474;&#9612; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; This ruleset was written and organized by: &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9632; FoV &#9632; SD-6 &#9632; PHRENiC &#9632; FTV &#9632; FFN &#9632; SFM &#9632; STN &#9632; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; Signed and approved by: &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9612; &#9616;&#9474;
&#9474;&#9600;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9600;&#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The federation of releasing groups presents &#9474;
&#9474; &#9474;
&#9474; The DivX Releasing Standards 2002 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; In an unparalleled event of co-operation and innovation, the DivX scene &#9474;
&#9474; united once again to bring you the 2002 installment of the TDX guideli- &#9474;
&#9474; nes. We thank all of you who so kindly gave up time and energy to bring &#9474;
&#9474; us suggestions and help us brainstorm on the newest of video technolo- &#9474;
&#9474; gies. So without further ado, we present to you, the DivX ripper/enthu- &#9474;
&#9474; siast, the TDX 2002 Releasing Standards. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - PAL (25 fps) = min runtime is 105 minutes/CD &#9474;
&#9474; - FILM (23.976 fps) = min runtime is 110 minutes/CD &#9474;
&#9474; - NTSC (29.97 fps) = min runtime is 92 minutes/CD &#9474;
&#9474; TV-Series Episodes shall NOT be exempt from these rules (See Series &#9474;
&#9474; Notes). &#9474;
&#9474; These runtimes are scalable via the following equation: &#9474;
&#9474; N cd time minimum = (N-1) * allowed_time where N is number of CDs and &#9474;
&#9474; allowable time applies to your format &#9474;
&#9474; (i.e. 4 cd FILM rip min = 110 x (4-1) = 330 minutes) &#9474;
&#9474; &#9474;
&#9474; Media usage is at Ripper&#39;s discretion, please use it. &#9474;
&#9474; Releases should utilize at minimum 97% of total media capacity, however &#9474;
&#9474; an undersized release is not a technical flaw. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - MUST be MP3 or Studio AC3 (AC3 transcoding forbidden). &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; (MONO audio as STEREO on source is considered a MONO source). &#9474;
&#9474; - MUST BE VBR! NO CBR MP3! &#9474;
&#9474; - VBR techniques: &#9474;
&#9474; - strongly recommended to use --r3mix with LAME &#9474;
&#9474; - ABR is considered a VBR technique. &#9474;
&#9474; - AC3 MUST be used wisely and correctly. &#9474;
&#9474; - AC3 MUST be interleaved at 64 or 96 ms. &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; Keyframe: &#9474;
&#9474; - MUST be &#60;=20 seconds and MUST be inserted according to scene &#9474;
&#9474; changes and framesizes as determined by the codec or encoding &#9474;
&#9474; application. &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; - MUST be as close to original source framerate as possible. &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; - MUST be DivX 3.11 or XviD. &#9474;
&#9474; - MUST use 2 pass technique during encoding! &#9474;
&#9474; - NO DUPES BASED ON CODEC TYPE, USE INTERNAL. &#9474;
&#9474; &#9474;
&#9474; Resolution: &#9474;
&#9474; - Width: 512 - 640 pixels and MUST be a multiple of 16. &#9474;
&#9474; EXCEPTION: 4:3 FS sources may use a minimum resolution of 448 pixels. &#9474;
&#9474; - Height: Must be a multiple of 16. &#9474;
&#9474; - Cropping is required. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Subs, Interactive Menus, Trailers: &#9474;
&#9474; - OPTIONAL (if and ONLY if all other requirements have been met). &#9474;
&#9474; - VOBSUB is the preferred format due to the fact it does not use &#9474;
&#9474; OCR, however, any format that displays with DVobSub is acceptable. &#9474;
&#9474; - Subtitles may be MUXED with video stream, but may NOT be BURNED &#9474;
&#9474; into video stream. &#9474;
&#9474; - Subtitles not muxed into video stream MUST be encapsulated in .rar &#9474;
&#9474; file with the MOST compression available and shall be contained in &#9474;
&#9474; the directory named &#39;Subs&#39; and will NOT be packaged with main movie &#9474;
&#9474; .rars. &#9474;
&#9474; - Subbed is preferred over dubbed. &#9474;
&#9474; - Burned subtitles shall only be permissible when the source exhibits &#9474;
&#9474; forementioned subtitles in the picture itself (i.e. Subs in the &#9474;
&#9474; matte portion of the picture MUST be typed in a seperate file and &#9474;
&#9474; the frame shall be cropped). &#9474;
&#9474; - Subs on non english movies MUST fit on CD with main movie, all other &#9474;
&#9474; optional subs SHOULD fit on CD. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Series Notes: &#9474;
&#9474; - Episodes shall not overlap on CDs (i.e. 2eps/CD, 4eps/CD is allowed &#9474;
&#9474; 1.5eps/CD is NOT). &#9474;
&#9474; - Episodes are not subject to the same scaling rules as cinematic &#9474;
&#9474; features and must obey forementioned rule. &#9474;
&#9474; - Suggested media usage: 4x23min = 1CD, 2x45min = 1CD, 1x60min = 1CD &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All releases must be AVI, not BIN/CUE. (see Notes Section) &#9474;
&#9474; - Must be packed with RAR, compression is NOT ALLOWED &#9474;
&#9474; and broken into 15 or 20 MB volumes &#9474;
&#9474; - Recovery record recommended. &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual DivX release date &#9474;
&#9474; DVD release date &#9474;
&#9474; US theater release date &#9474;
&#9474; Video size &#9474;
&#9474; Framesize/aspect ratio &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; Number of rars per cd (eg. 44x15MB) &#9474;
&#9474; Ripping Method &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - Movie credits are preferred but CAN be cut in order to fit within &#9474;
&#9474; 1 CD (700 MB) if the movie length would exceed 110 minutes. &#9474;
&#9474; - NOT required in the AVI itself. &#9474;
&#9474; - NOT required in the NFO - it is &#39;recommended&#39; to list the main few &#9474;
&#9474; characters as IMDB lists them. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - 1 full minute in length (approximately 10 MB) and in separate folder &#9474;
&#9474; marked &#39;SAMPLE&#39;. &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; - Propers are ONLY permitted in the case of a technical flaw with the &#9474;
&#9474; original release (i.e. Bad IVTC, Interlacing, etc). &#9474;
&#9474; - Releases not nuked on release lists and/or sites MUST include &#9474;
&#9474; original sample of technical flaw. &#9474;
&#9474; - Qualitative propers are not allowed, nor are propers based on &#9474;
&#9474; decisions made by a ripper (i.e. # of CDs, AC3 or MP3, etc). &#9474;
&#9474; - Propers based upon the compliance with new instances of TDX &#9474;
&#9474; guidelines are also forbidden (i.e. older rips with 720px res). &#9474;
&#9474; - Subbed (in original movie language) propers dubbed (in any language). &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - Directory names shall NOT exceed 64 characters. &#9474;
&#9474; - All releases are to include production year. &#9474;
&#9474; - DO NOT indicate Ripping method (MM4/VM2/VBR/SBC and so on), &#9474;
&#9474; WS (widescreen), DVD/DivX release DATE, GENRE or anything else &#9474;
&#9474; in the directory name (ONLY within the NFO). &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - All Release directories, regardless of year, shall be named according &#9474;
&#9474; to Movie.Name.Year.Source.Codec-Group, suggested naming for the movie &#9474;
&#9474; itself shall follow the same procedure &#9474;
&#9474; (i.e. Movie.Name.Year.Source.Codec-Group.avi, &#9474;
&#9474; Movie.Name.CD1.Year.Source.Codec-Group.avi). &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD will follow these specs: &#9474;
&#9474; - MUST be named CD1, CD2, CD3 and so on. (&#39;disc1&#39;, etc will NOT &#9474;
&#9474; be allowed). &#9474;
&#9474; - There MUST be a SFV included for each CD. &#9474;
&#9474; - Rars MUST be broken into 2 or more CD volumes. (78 rars of a 2 &#9474;
&#9474; disc title will NOT be tolerated) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - Source shall be DVD Only, no exceptions! &#9474;
&#9474; - DVD Screeners shall be clearly marked in the directory name and the &#9474;
&#9474; nfo shall contain presence of studio watermarking, or lack thereof. &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Maximum VIDEO bitrates are covered by length rules. &#9474;
&#9474; - Movies should be ripped in their most widescreen format available. &#9474;
&#9474; - Multi-language audio tracks are allowed. &#9474;
&#9474; - Multiple languages should be interleaved into the AVI, with &#9474;
&#9474; a graphedit filter for each appropriate audio stream. &#9474;
&#9474; - Movies that would ordinarily fit on one CD should not be made &#9474;
&#9474; into 2 CD releases on the basis of additional audio tracks. &#9474;
&#9474; - Multi-language audio CANNOT be used as a basis for a dupe. &#9474;
&#9474; - Multi-language subtitles CANNOT be used as a basis for a dupe. &#9474;
&#9474; - AVI and not BIN/CUE: &#9474;
&#9474; - Some people burn to archive and play on a computer at a later &#9474;
&#9474; time, BUT since there is no outside purpose other than playing on &#9474;
&#9474; the computer, there is NO need to be packaged as BIN/CUE. &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie will be tolerated. &#9474;
&#9474; - Movie container MUST be AVI. OGG, OGM, MCF, Project Theora, MP4 are &#9474;
&#9474; all forbidden due to bugs and usability factors, maybe next year! &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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&#9474; &#9492;&#9472;&#9472;&#9472;[ GROUPS &#38; MEMBERS ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; TDX 2002 revision was organized by: &#9474;
&#9474; - E.L. - V. - f3k - &#9474;
&#9474; &#9474;
&#9474; Respects to the original TDX, Team DivX, organizers: &#9474;
&#9474; - krazy8 - RipKord - Wuman - Lava - MaTaN - &#9474;
&#9474; &#9474;
&#9474; TDX 2002 has been approved by the following DivX groups: &#9474;
&#9474; - AEN - DOMiNiON - DVD-R - EPiSODE - EPiC - INCiTE - MDX - &#9474;
&#9474; - QiX - SChiZO - VCDVaULT - &#9474;
&#9474; &#9474;
&#9474; Also signed by: &#9474;
&#9474; - SATELLiTE - InFuX - aNBc - DEiTY - MEDiAMANiACS - DVL - &#9474;
&#9474; - CPY - JDX - DDX - REQUiSiTE - SEVcD - FoCUS - &#9474;
&#9474; - DiSTORTiON - COLLiSiON - WOT - &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The federation of releasing groups presents &#9474;
&#9474; &#9474;
&#9474; The DivX Releasing Standards 2002 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - PAL = min runtime is 105 minutes/CD &#9474;
&#9474; - FILM = min runtime is 110 minutes/CD &#9474;
&#9474; - NTSC = min runtime is 92 minutes/CD &#9474;
&#9474; TV-Series Episodes shall NOT be exempt from these rules.(See Series Notes)&#9474;
&#9474; These runtimes are scalable via the following equation: &#9474;
&#9474; N cd timeminimum = (N-1) * allowed_time where N is number of CDs and &#9474;
&#9474; allowable time applies to your format &#9474;
&#9474; (i.e. 4 cd FILM rip min = 110 x (4-1) = 330 minutes) &#9474;
&#9474; &#9474;
&#9474; Media usage is at Ripper&#39;s discretion, please use it &#9474;
&#9474; Releases should utilize at minimum 97% of total media capacity, however &#9474;
&#9474; an undersized release is not a technical flaw &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - MUST be MP3 or Studio AC3 (AC3 transcoding forbidden) &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; (MONO audio as STEREO on source is considered a MONO source) &#9474;
&#9474; - MUST BE VBR! NO CBR MP3! &#9474;
&#9474; - VBR techniques; &#9474;
&#9474; strongly recommended to use --r3mix with LAME &#9474;
&#9474; ABR is considered a VBR technique &#9474;
&#9474; - AC3 MUST be used wisely and correctly &#9474;
&#9474; - AC3 MUST be interleaved at 64 or 96 ms &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; Keyframe: &#9474;
&#9474; - MUST be &#60;=20 second and MUST be inserted according to scene &#9474;
&#9474; changes and framesizes as determined by the codec or encoding &#9474;
&#9474; application &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; - MUST be as close to original source framerate as possible &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; - MUST be DivX 3.11 or XviD &#9474;
&#9474; - MUST use 2 pass technique during encoding! &#9474;
&#9474; - NO DUPES BASED ON CODEC TYPE, USE INTERNAL &#9474;
&#9474; &#9474;
&#9474; Resolution: &#9474;
&#9474; - Width: 512 - 640 pixels and MUST be a multiple of 16 &#9474;
&#9474; EXCEPTION: 4:3 FS sources may use a minimum resolution of 448 pixels &#9474;
&#9474; - Height: Must be a multiple of 16 &#9474;
&#9474; - Cropping is required &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Subs, Interactive Menus, Trailers: &#9474;
&#9474; - OPTIONAL (if and ONLY if all other requirements have been met) &#9474;
&#9474; - VOBSUB is the preferred format due to the fact it does not use &#9474;
&#9474; OCR, however, any format that displays with DVobSub is acceptable &#9474;
&#9474; - Subtitles may be MUXED with video stream, but may NOT be BURNED &#9474;
&#9474; into video stream &#9474;
&#9474; - Subtitles not muxed into video stream MUST be encapsulated in .rar &#9474;
&#9474; file with the MOST compression available and shall be contained in &#9474;
&#9474; the directory named &#39;Subs&#39; and will NOT be packaged with main movie &#9474;
&#9474; .rars &#9474;
&#9474; - Subbed is preferred over dubbed &#9474;
&#9474; - Burned subtitles shall only be permissible when the source exhibits &#9474;
&#9474; forementioned subtitles in the picture itself (i.e. Subs in the &#9474;
&#9474; matte portion of the picture MUST be typed in a seperate file and &#9474;
&#9474; the frame shall be cropped) &#9474;
&#9474; - Subs on non English Movies MUST fit on CD with main movie, all other &#9474;
&#9474; optional subs SHOULD fit on CD &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Series Notes: &#9474;
&#9474; - Episodes shall not overlap on CDs (i.e. 2eps/CD, 4eps/CD is allowed &#9474;
&#9474; 1.5eps/CD is NOT) &#9474;
&#9474; - Episodes are not subject to the same scaling rules as cinematic &#9474;
&#9474; features and must obey forementioned rule &#9474;
&#9474; - Suggested media usage: 4x23min = 1CD, 2x45min = 1CD, 1x60 = 1CD &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All releases must be AVI, not BIN/CUE. (see Notes Section) &#9474;
&#9474; - Must be packed with RAR, compression is NOT ALLOWED &#9474;
&#9474; and broken into 15 or 20 MB volumes &#9474;
&#9474; - Recovery record recommended &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual DivX release date &#9474;
&#9474; DVD release date &#9474;
&#9474; US theater release date &#9474;
&#9474; Video size &#9474;
&#9474; Framesize/aspect ratio &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; Number of rars per cd (eg. 44x15MB) &#9474;
&#9474; Ripping Method &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - Movie credits are preferred but CAN be cut in order to fit within 1 CD&#9474;
&#9474; (700 MB) if the movie length would exceed 110 minutes &#9474;
&#9474; - NOT required in the AVI itself &#9474;
&#9474; - NOT required in the NFO - it is &#39;recommended&#39; to list the main few &#9474;
&#9474; characters as IMDB lists them &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - 1 full minute in length (approximately 10 MB) and in separate folder &#9474;
&#9474; marked &#39;SAMPLE&#39; &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; - Propers are ONLY permitted in the case of a technical flaw with the &#9474;
&#9474; original release (i.e. Bad IVTC, Interlacing, etc.) &#9474;
&#9474; - Releases not nuked on release lists and/or sites MUST include &#9474;
&#9474; original sample of technical flaw &#9474;
&#9474; - Qualitative propers are not allowed, nor are propers based on &#9474;
&#9474; decisions made by a ripper (i.e. # of CDs, AC3 or MP3, etc.) &#9474;
&#9474; - Propers based upon the compliance with new instances of TDX &#9474;
&#9474; guidelines are also forbidden (i.e. older rips with 720px res) &#9474;
&#9474; - Subbed (in original movie language) propers dubbed (in any language) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - Directory names shall NOT exceed 64 characters &#9474;
&#9474; - All releases are to include production year &#9474;
&#9474; - DO NOT indicate Ripping method (MM4/VM2/VBR/SBC and so on), &#9474;
&#9474; WS (widescreen), DVD/DivX release DATE, GENRE or anything else &#9474;
&#9474; in the directory name (ONLY within the NFO). &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474; &#9474;
&#9474; - All Release directories, regardless of year, shall be named according &#9474;
&#9474; to Movie.Name.Year.Source.Codec-Group, suggested naming for the movie &#9474;
&#9474; itself shall follow the same procedure &#9474;
&#9474; (i.e. Movie.Name.Year.Source.Codec-Group.avi, &#9474;
&#9474; Movie.Name.CD1.Year.Source.Codec-Group.avi). &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD will follow these specs: &#9474;
&#9474; - MUST be named CD1, CD2, CD3 and so on. (&#39;disc1&#39;, etc will NOT be &#9474;
&#9474; allowed) &#9474;
&#9474; - There MUST be a SFV included for each CD &#9474;
&#9474; - Rars MUST be broken into 2 or more CD volumes. (78 rars of a 2 &#9474;
&#9474; disc title will NOT be tolerated) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - Source Shall be DVD Only, no exceptions! &#9474;
&#9474; - DVD Screeners shall be clearly marked in the directory name and the &#9474;
&#9474; nfo shall contain presence of studio watermarking, or lack thereof &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Maximum VIDEO bitrates are covered by length rules. &#9474;
&#9474; - Movies should be ripped in their most widescreen format available. &#9474;
&#9474; - Multi-language AUDIO tracks are allowed &#9474;
&#9474; - Multiple languages should be interleaved into the AVI, with &#9474;
&#9474; a graphedit filter for each appropriate audio stream &#9474;
&#9474; - Movies that would ordinarily fit on one CD should not be made &#9474;
&#9474; into 2 CD releases on the basis of additional audio tracks &#9474;
&#9474; - Multi-language audio CANNOT be used as a basis for a dupe. &#9474;
&#9474; - Multi-language subtitles CANNOT be used as a basis for a dupe. &#9474;
&#9474; - AVI and not BIN/CUE: &#9474;
&#9474; - Some people burn to archive and play on a computer at a later &#9474;
&#9474; time, BUT since there is no outside purpose other than playing on &#9474;
&#9474; the computer, there is NO need to be packaged as BIN/CUE &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE &#9474;
&#9474; - NO Intros, Outros, Betweenos, or any other form of defacement of the &#9474;
&#9474; movie will be tolerated &#9474;
&#9474; - Movie container MUST be AVI. OGG, OGM, MCF, Project Theora, MP4 are &#9474;
&#9474; all forbidden due to bugs and usability factors, maybe next year! &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ GROUPS &#38; MEMBERS ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; TDX 2002 revision was organized by: &#9474;
&#9474; - E.L. - V. - f3k - &#9474;
&#9474; &#9474;
&#9474; Respects to the original TDX, Team DivX, organizers: &#9474;
&#9474; - krazy8 - RipKord - Wuman - Lava - MaTaN - &#9474;
&#9474; &#9474;
&#9474; TDX 2002 has been approved by the following DivX groups: &#9474;
&#9474; - AEN - DOMiNiON - DVD-R - EPiSODE - EPiC - INCiTE - MDX - &#9474;
&#9474; - QiX - SChiZO - VCDVaULT - &#9474;
&#9474; &#9474;
&#9474; Also signed by: &#9474;
&#9474; SATELLiTE &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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<title>2003_AUDiOBOOK.nfo</title>
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@font-face {
font-family: nfo;
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<pre class="nfo"> POE Releasing Standards of AUDIOBOOKS
2003-03-22
THE RULESET:
Since we have decided to open this new scene, we thought it was time for
a standard ruleset. Any other groups that wish to compete in the english
audiobook scene can contact us if they have questions, or want the rules
altered.
1 - Audiobooks will be encoded in mp3 at 32kbit/22050Hz/Mono. This
approximates to roughly 10mb per hour of audio. Now this might seem
a rather low standard. However keep in mind that this is purely
spoken word. No bells and whistles -g-
Now it is allowed to split the audio into 80 minute slices so they
can be burned on conventional cd burners. Otherwise this format is
perfectly capable of operating on a standard standalone mp3 player.
2 - Release directory names will consist of the following information:
Name of Author
Name of Book
Example:
Some_Author-Some_Book-AUDIOBOOK-POE
Also prefered is the tag of ABRIDGED or UNABRIDGED; Example:
Some_Author-Some_Book-AUDIOBOOK-UNABRIDGED-POE
Other TAGS that are accepted are:
HEARPLAY
AUDIOPOEM
AUDIOMAG ( this includes papers / magazines / etc. )
3 - Included will be the standard .m3u playlist and standard sfv.
This concludes the standard Audiobook Ruleset. If any changes are made
a revised version will be included with a POE release.
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<pre class="nfo"> &#9608;
&#9604;&#9604;&#9608;&#9604;&#9604; &#9632; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9608;
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&#9608;&#9608; &#9600; &#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;
&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9604;&#9604;&#9604;
&#9632; &#9608;&#9608;&#9608;&#9608; &#9604;&#9608;&#9608;&#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608; &#9604;&#9608;&#9608;&#9608;&#9604; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9608;&#9608;&#9608;
&#9608;&#9608; &#9600;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9612;&#9608;&#9608;&#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9604;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9616;&#9608;&#9608; &#9608; &#9604;&#9608;&#9608;&#9608;&#9612; &#9608; &#9608;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9616;&#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9608;&#9608; &#9632;
&#9600;&#9600;&#9608;&#9608;&#9608;&#9600; &#9616;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9616;&#9608;&#9612;&#9608; &#9608;&#9608;&#9608;&#9612; &#9632; &#9600;&#9608;&#9608;&#9612;
&#9600;&#9600;&#9600; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9616;&#9608;&#9608;&#9608; &#9608;&#9608;&#9600; DiS!AiiA
&#9600;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9612; &#9608;&#9608;&#9600; &#9608;&#9608;
&#9600;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9608;&#9612; &#9632; &#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9600;&#9600;
THE 2003-2004 DVDR RELEASING STANDARDS
[ 09AUG2K3 ]
&#9604;&#9604;&#9604;&#9604;
&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9604;&#9604; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9604;&#9604;
&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9618;&#9618;&#9617;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9618;&#9619;&#9619;&#9618;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9617;&#9618;&#9618;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9608;&#9617; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9617;&#9608;&#9608;&#9608;&#9600;
&#9600;&#9608;&#9608;&#9618; &#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600; &#9618;&#9608;&#9608;&#9600;
&#9616;&#9617; &#9617;&#9612;
General:
. Release size must be at least 4.3 Gb unless source is DVD5.
. PAL after NTSC and NTSC after PAL is allowed.
Video:
. Re-encoding:
. CCE version 2.50+ or Canopus Procoder must be used in all
circumstances where transcoding (re-encoding) of the video
stream is required. Other encoding programs such as:ob
REmpeg and TMPGenc, etc. are NOT allowed.
. Automated Programs that perform DVD9>DVD5 rips are
FORBIDDEN, e.g. InstanCopy, DVDXCopy, etc.
. Minimum average bitrate allowed is 3000 kbit/s
(2800 kbit/s for tv shows). If minimum average bitrate
cannot be achieved, a valid explanation is required in
the NFO.
. Quality Settings:
. CCE:
. No CBR. Multipass is to be enforced.
. The initial 1st pass that encodes the .vaf file
in CCE is NOT considered within the multipass set.
. The number of passes required for a movie is
determined by the length (runtime) of the movie.&#34;
. Movies below or equal to 100 minutes will
require 5 passes or more.
. Movies over 100 minutes will require 6 passes
or more.
. Canopus Procoder:
. No CBR. 2-pass VBR is to be enforced for all
bitrate scenarios.
. The quality settings will also be determined
by the length (runtime) of the movie.
. Movies below or equal to 100 minutes will
require the &#34;High-Quality&#34; setting.
. Movies over 100 minutes will require the
&#34;Highest-Quality&#34; setting.
Audio:
. Dolby Digital is considered the standard audio format and is
required in all releases that contain this audio format.
. DVDs that contain only PCM audio are allowed and should
be noted in the NFO.
. Downsampling of audio tracks, except audio commentary is
banned. No downsampling of any other tracks.
. If audio is stripped from a DVD9 disk, superior audio tracks
need to be kept. e.g. If a DVD contained DD2.0 and DD5.1
audio, DD2.0 would be stripped in favor to 5.1. However in
regards to DVDs that contain both DTS and 5.1, 5.1 must be
kept. The inclusion of a DTS stream is up to the ripper&#39;s
discretion.
. For non-English movies, the movie&#39;s original language audio
stream must be kept unless it is not contained in the retail.
In the circumstances that a reissue/new edition dvd contains
an original language audio stream, a re-release of the movie
is valid.
. For ALL English movies, the English audio stream MUST be kept.
. The inclusion of other audio streams will be based upon the
ripper&#39;s discretion, whether they are foreign or commentary.
Notes: DTS/SUPERBIT/DTS-ONLY are issues that cannot be ignored.
However, it is not up to us to decide whether they should
be allowed or not. Rather, it&#39;s up to the SITES that will
determine their own appropriate rules. However, those
groups that wish to release DTS, SUPERBIT and/or DTS-ONLY
should name their directory clearly with the appropriate
tags of DTS, SUPERBIT and/or DTS-ONLY.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Source:
. Releases of superior/remastered editions of previous released
DVDs are ALLOWED as they improve upon the initial release.
e.g. If a new mastered DVD contains a 5.1 stream compared
to an inferior stream in the previous release, the
release is considered valid.
. Mastered DVDs of: Director&#39;s Cut, Criterion, Unrated or any
editions with additional/extended scenes are not considered
dupes over existing mastered DVDs.
. The DVD to be ripped should also be the best available edition
on the market. Releases of inferior editions are NOT ALLOWED.
Authoring:
. Authoring in both Scenarist and DVD Maestro are allowed.
However, users of DVD Maestro need to be aware of the problem
which check that if the total bitrate exceeds
9800kbit/s. Rippers should be aware that the MAX bitrate is
9800kbit/s for both audio and video streams.
Subtitles:
. If English subtitles are present, they will be kept under ALL
circumstances.
. If the dvd contains no more than three subtitle streams, all
will be kept. If the dvd contains more than three subtitle
streams, it&#39;s ripper&#39;s discretion which subtitles should be
kept. Its advised to keep the most common used language
subtitles. It is recommended to keep them all (they don&#39;t take
up much space).
Menus:
. Menus MUST be included. In extreme cases where the retail does
not contain a menu, it must be mentioned in the NFO.
. The menu must be in English and not foreign, unless they
are aimed for non-English endusers.
. Removing useless links within the menu is optional. This is the
only extreme of menu authoring allowed. Such programs such as
MenuEdit are recommended.
. Menus on TV Show disk must be kept at all costs.
Extras:
. Extras are an added value but are not needed. Extras are
allowed to be transcoded with a minimum average bitrate of
1700kbit/s.
. A minimum of 5 passes for extras is required.
DVD Limitations:
. Macro vision must be removed.
. All user limitations and restrictions must be removed.
. Releases must be made region free.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Packaging:
. All releases must either use .IMG or .ISO. Other formats
are NOT allowed.
. Releases must be broken up into rars of 50,000,000 bytes.
. Solid Archive and Recovery Record MUST be used.
. SFVs and NFOs MUST be included.
. NFO must include the following:
. Groups name.
. Title.
. Regions, NTSC or PAL.
. Number of Passes and Bitrate used when re-encoding.
. Audio streams, and subtitles included.
. What has been stripped, extras, menu, etc.
. IMDB, or similar link.
. Number of archive files.
Samples:
. Samples are required. Minimum size shall be 30mb, but must be
no more than 50mb.
. Samples must be put in a separate sub directory, labeled
&#39;Sample&#39;.
. Vobs may be cut and used as sample, or renamed to mpg.
. Samples must be from actual packed vob. Separate encodes are
not allowed.
Directory Naming:
. Directory names shall NOT exceed 64 characters.
. ALL releases are to include production year.
. Directory name should include REGION (NTSC or PAL).
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
. DVD-5, and DVD-9 COMPLETE are recommended to be named as:
MOVIE.TITLE.YEAR.COMPLETE.REGION.DVDR-GROUP
e.g. The.Godfather.1972.COMPLETE.NTSC.DVDR-TDRS
. Non-Complete DVD-9 releases are recommended be named as:
MOVIE.TITLE.YEAR.REGION.DVDR-GROUP
. Sub directories are recommended to be labeled as DISC1, DISC2,
etc. EXTRA and CD1, CD2 dirs are NOT allowed.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Propers:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc.
. Just because a previous release was not COMPLETE does not
provide a legitimate reason to PROPER/DUPE.
. Propers based on previous releases having improper dir names
will not be tolerated.
. PPF patches should be used for fixing releases with simple
problems such as RCE/Region coding, VTS sectors, P-Ups and
soforth. REPACKS/PROPERS should be avoided if a PPF patch is
possible.
Tagging:
. Intros and outros are not tolerated.
. Group watermarks within the DVD are STRICTLY forbidden.
. Volume Label must be EXACTLY like the original. Adding any
tags to the Volume Label will not be tolerated.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
&#9616;
The DVDR Releasing Standards Originally Written and Organized By:
AUK . SOUL . JR . MAH . PURP . CONE
Signed, Approved and Enforced By:
&#9616;&#9617; &#9617;&#9612;
&#9604;&#9608;&#9608;&#9618; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9618;&#9608;&#9608;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9617; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9617;&#9608;&#9608;&#9608;&#9604;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
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<pre class="nfo">Music Video Council 2.0 FINAL
This document is designed to resolve problems with dupes, propers, REAL_PROPERS, etc.. and to ensure that only quality releases are released to the MV scene. The following groups have agreed to follow these guidelines:
FSPViDZ GOD kvz MiLF mkv mv mVa mVi mVz pHViD rHViD SE UVZ VME wcs
Index
1) Encoding
2) Releasing
a) Dirname/Filename
b) Logos
c) Concerts &#38; Live Performances
d) NFO
3) Propers &#38; Dupes
1) Encoding
Two formats will be allowed: SVCD and VCD.
- This means that any other format, such as:
XVCD, XSVCD, nVCD, DIVX, XVID, DVDR/DVDS
will not be allowed. If you must, keep them INTERNAL.
VCD Audio - MPEG-1 Layer 2 44.1KHz 224kbps
- Replacing audio on VCD rips is RECOMMENDED,
but not required.
VCD Video: - PAL - 1150kbps CBR, 352x288, 25 fps.
- NTSC - 1150kbps CBR, 352x240, 29.970 fps.
- NTSC-FILM - 1150kbps CBR, 352x240, 23.967 fps. (via IVTC)
SVCD Audio - Audio must be replaced on all SVCD music videos.
Replacement audio must be from a CD, or from a high
bitrate MP3 (192kbps+) ripped from a CD. All
video soundeffects must be inserted into the replac-
ement audio
* If replacement audio *DOES NOT EXIST* for videos older than 1998,
then you can release with normalised tv audio, AND, IF
REPLACEMENT AUDIO BECOMES AVAILABLE, it&#39;s a PROPER
* Vinyl ripped MP3s are not to be used. Replacing
less-than-cd-quality with less-than-cd-quality is
pointless.
* Use uncensored audio. If you use censored audio,
prepare to be propered.
- Live rips (concerts, performances) use normalised audio
from source. If source is 48KHz, downsample to 44.1KHz.
SVCD Video: - PAL - Should be inverse 2:2 pulldown manually, if possible.
(This is also known as manual-deinterlace)
- NTSC - Should be inverse 3:2 pulldown manually, if possible.
(This is also known as IVTC).
If 3:2 pulldown is not possible, then
inverse 2:2 pulldown manually, if possible.
(This is also known as manual-deinterlace)
- Interlaced videos will not be allowed.
- Video and audio bitrate MUST be within SVCD standard.
For maximum player compatibility, it is STRONGLY
RECOMMENDED that the video bitrate does not exceed
2496 kbps. - SVCD rips must not be ripped from VHS or SVHS source,
due to the sub-SVCD specs of both formats.
VHS resolution (analogue) approx 240 lines of resolution.
SVHS resolution (analogue) approx 400 lines of resolution.
VCD resolution = 352x240(NTSC), 352x288(PAL)
SVCD resolution = 480x480(NTSC), 480x576(PAL)
VHS/SVHS is only sufficient for VCD rips. SVCD rips
from VHS/SVHS must be kept INTERNAL.
2) Releasing
2a) Dirname/filename
- Directory name is decided by the group. However, the following naming
scheme is STRONGLY RECOMMENDED:
Artist_name-Song_title-extra_info_here-FORMAT-YEAR-GRP
Example:
Britney_spears-Baby_one_more_time-Live_in_london_01_03-SVCD-2003-GRP
- SFV and NFO are required.
- The standard extension is .mpg for both VCD and SVCD releases. However,
it doesn&#39;t matter, so groups decide to use .mpg or .m2v as extension.
2b) Logos
- Including an intro/outro is NOT RECOMMENDED. Advertisements in your
videos is not what the MV scene is about... if you must spam, then
do it your NFO file. However, intro/outro will not be banned, and
propering a video with a logo will not be permitted.
- Watermarking on videos is NOT ALLOWED. This is the same situation as
intro/outro - nobody wants to stare at your spam while watching your
rips. It&#39;s already bad enough that tv stations do it. Videos with
watermarks can be propered.
For letterboxed videos, covering a TV station logo that is entirely
in the letterbox is RECOMMENDED. However, propering because of
tv-station-not-covered will not be permitted.
2c) Concerts and Live Performances
- Concerts involving one artist must be released as one release.
This means, for example, that if you rip a concert of Linkin Park
at the Royal Albert Hall, you CANNOT release each song as a release.
- You should include the main introduction and any other introductions
between songs, as the point in ripping a concert is to have a COMPLETE
copy of the concert.
- The ripper decides to rip as separate tracks or as full CDs.
If you rip as separate tracks, DO NOT PUT A LOGO ON EACH TRACK.
Single-tracks ripped concerts should be packaged in ONE release,
similar to a mp3 album:
Artist-concert_title-svcd-2002-group/00-artist-concert_title.nfo
Artist-concert_title-svcd-2002-group/00-artist-concert_title.sfv
Artist-concert_title-svcd-2002-group/01-artist-introduction.mpg
Artist-concert_title-svcd-2002-group/02-artist-song1.mpg
Artist-concert_title-svcd-2002-group/03-artist-song2.mpg
If you rip as full CDs, it is recommended that you use multipass VBR
to make it fit evenly on one or more CDs. Also package it as a BIN/CUE,
and release it the same way VCDs are: 15mb rars, and a 1 minute sample:
Artist-concert_title-svcd-2002-group/CD1
Artist-concert_title-svcd-2002-group/CD2
Artist-concert_title-svcd-2002-group/Sample
Artist-concert_title-svcd-2002-group/nfo_file.nfo
- Non-concert live performances with more than one song, such as those
on TOTP, awards shows, etc. should be released as individual videos
with any intermediate footage (interviews, presentations, etc.) cut
out. Also, include the date and the name of the show in the dirname.
- COMMERCIALS (such as Britney Spears&#39; Pepsi) are not music videos, so
they will not be allowed. Keep non music video rips INTERNAL.
2d) NFO
- Your NFO should contain:
- Artist and Title
- Format (VCD/SVCD, and PAL/NTSC/NTSC-FILM)
- Video source
- Audio source
- Deinterlace type
- Size
- Genre (This is nice for sites with scripts that search NFOs for genre)
- Video Year
- Live videos MUST include the show it is from and the date it was aired.
- If you are propering, you MUST include the reason for proper,
and the name/date of the release being propered.
- Other useful information to include in your NFO, optionally, is:
- Length in min:sec
- Bitrate of video and audio streams
- Album name
- Description of video
- Fullscreen or Letterbox (FS or WS)
- Source (Name of DVD or name of TV station)
3) Propers and Dupes
Propering because of SLIGHT quality increase is not acceptable. If the original rip
was very bad, then proper, but un-neeeded propers will be nuked !
- PAL &#38; NTSC
NTSC and PAL dupes will NOT BE ALLOWED. Keep PAL/NTSC dupes INTERNAL.
Releases of lower quality are dupes of higher quality, as decided by
the following list, which is in order of lowest quality to highest:
CONVERT TV-Rip, CONVERT DVD-Rip, NATIVE TV-Rip, NATIVE DVD-Rip
Native: This means progressive.
NTSC produced video is native to NTSC broadcasts, and PAL
produced video is native to PAL broadcasts. Native NTSC
broadcast means IVTC-able NTSC or progressive NTSC.
Native PAL means progressive PAL.
Convert: This also means deinterlaced.
A PAL produced video, broadcast in NTSC, is converted before
it&#39;s bradcasted. A NTSC produced video is converted to PAL
before it&#39;s broadcasted. These converts cannot be reversed
to progressive, and must be deinterlaced.
Hence, it is not a good idea to release pal-ntsc converts of top 50 videos,
because a native rip will be released.
- Widescreen/fullscreen dupes will not be allowed. Keep WS/FS dupes INTERNAL.
- The following are reasons for you to release a PROPER:
- Desync
- Incomplete
- Improper inverse 3:2 or 2:2 pulldown
- Lack of inverse 3:2 or 2:2 pulldown (when possible)
- Out-of-spec rips
- Massive frame drops
- Very bad quality (includes low bitrate on high motion videos)
- Rips without replaced audio (Concerts/performances excluded)
- Native video with correct picture aspect is broadcasted
- Logo included more than once in a concert release
- Watermarked video
- Censored replacement audio
- Improper multiplexing (such as underflowed audio)
It is vitally important that you state which release you are propering
and your reasons in your nfo, and as well make sure to put -proper- in
your dirname.
- It is STRONGLY RECOMMENDED that you demux with M2 edit, and remux with
bbmpeg, to avoid improper multiplexing errors.
- No propering of releases previous to MV COUNCIL will be allowed.
If you want to release a better version of an OLD video, keep it INTERNAL !
- MV COUNCIL 1.0 FINAL begins on 01 OCTOBER, 2002.
- MV COUNCIL 2.0 FINAL begins on XX XXXXXXX, 2003.
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<pre class="nfo">/-------------------------------------------------------------------\
| | | | |
| | | | |
| | | | | |
| | | | | |
|----- -----| ------| | |
| | | | | | |
| | | | | --------| /|
| | | | | | \|
| | | |------ | | | |
| | | | | | | |
| | | | | | | |
| | | | | | | |
\-------------------------------------------------------------------/
| The Scenes Cover Rules 2004 |
| Retail &#38; Customs Releases |
|-------------------------------------------------------------------|
| These are the 2004 rules set by members of the covers scene on |
| June 15th 2004. Members from the largest groups atteneded a |
| meeting in order to determine the standards for cover scanning / |
| custom cover creation. We would like to thank everyone involved |
| in the TSCR meeting for your input and views, We would also like |
| to wish you all a good year! |
|-------------------------------------------------------------------|
| |
| **RETAIL SCAN RULES** |
| |
| **IMAGE RULES** |
| Images must be a minimum of 300 DPI, scaling down is allowed but |
| to a maximum of 50%. In order for the scalling to be acceptable |
| the image must stay in its original ratio. The amount of scalling |
| is left up to the scanners discression. CROPPING IN ORDER TO GET |
| RID OF ANGLES WILL NOT BE TOLERATED. There is no file size limit. |
| All scans must be cleared in a editing package to clear dust etc. |
| The file type of .tif, .png or .jpeg must be used. No |
| compression is allowed on the .tif or .png files. No Watermarks |
| are allowed to be placed on the image by the group. If cat no&#39;s |
| are removed clone brush must be used and not blocks. If a covers |
| has rounded edges clone brush must be used to fill them out. |
| |
| **PACKING &#38; DIRECTORY NAMING** |
| Directory&#39;s must be labelled clearly weather the package contains |
| all contents of the original DVD package (Front/Inlay/DVD) or |
| only the front cover. e.g: |
| |
| For Complete Package: This.Is.A.Movie.Retail.Covers-Group |
| |
| The NFO must state what is in the package. E.g Front/Inlay/DVD. |
| You must always state the word &#34;Covers&#34; in the directory name so |
| that they are not confused with movie rips. If Dir Name is wrong |
| then a dir fix must be issued. |
| |
| The files must be rared in either 3mb, 5mb, or 10 mb Volumes |
| and the recovery record should also be selected. |
| All releases must have a .sfv file and a .nfo stating any notes |
| essential to the release. RARS may not have compression. |
| |
| *3mb = 3,000,000bytes 5mb = 5,000,000bytes 15mb |
|-------------------------------------------------------------------|
| |
| |
| **CUSTOM ART RULES** |
| |
| **IMAGE RULES** |
| Must be the size of a normal dvd case (Scalling not allowed). |
| High quality pictures must be used to eradicate lack of quality, |
| this means small pictures blow up to the level of distortion is |
| not allowed. No Custom art must be released if it has already |
| been published on a covers website: e.g CDCOVERS.CC or DVDCOVERART|
| any releases breaking these rules will be nuked as stolen. |
| |
| Files must be in .tif, .png or .jpeg format only. No compression |
| is allowed at all. Watermarks are not acceptable. |
| |
| **PACKING &#38; DIRECTORY NAMING** |
| Directory&#39;s must be labelled clearly that the release is a CUSTOM |
| release. This is so they do not get confused with Retail scans. |
| Different versions must be named with .V* to differentiate |
| between different versions. For Example: |
| |
| For A First Release: This.Is.A.Movie.CUSTOM.Covers-GROUP |
| |
| or |
| |
| For A Second Release: This.Is.A.Movie.V2.CUSTOM.Covers-GROUP |
| |
| You must always state the word &#34;Covers&#34; in the directory name so |
| that they are not confused with movie rips. Year is not nescessary|
| |
| The files must be rared in either 3mb, 5mb or 10mb volumes. |
| All releases must have a .sfv file and a .nfo stating any notes |
| essential to the release. RARS may not have compression. |
| *3mb = 3,000,000bytes 5mb = 5,000,000bytes 15mb |
|-------------------------------------------------------------------|
| |
| **PROPERING A RELEASE** |
| A proper is only valid if the original release is lacking in |
| quality, a proper due to bad dirname or no nfo is not a valid |
| reason. A group may proper if the file type is not the correct |
| type as specified earlier in these rules. A custom release may |
| not be propered but a new Version may be brought out. |
|-------------------------------------------------------------------|
| |
| **FINAL NOTES** |
| |
| These rules were put in place to avoid bad releases being put in |
| to the scene, therefore any release not following these rules |
| will be nuked. |
|-------------------------------------------------------------------|
| THANK YOU FOR READING AND HAPPY |
| SCANNING! |
|-------------------------------------------------------------------|
| The TSCR Consists Of Members From: |
| |
| EMU - SaNdS - iNDiAN - GCaRDiNaL |
| |
| And Was also Signed By: |
| |
| |
|-------------------------------------------------------------------|
| TSCR 2004: The Scenes Cover Rules |
\-------------------------------------------------------------------/</pre>
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<pre class="nfo">Achtung: Diese Rules sind eine zusammenfassung der (nach wie vor) gueltigen 2002
Rules (oddr-20020501a.htm11111.html) und der 2004er Beta3 Rules.
(ODDR-20040502_beta_3.html)
Alle Additions aus den 2004 RUles werden mit &#34;*&#34; am anfang eingefuegt.
Dieses File wurde aus aktuellem anlass erstellt das Groups wie FmE meinen ihre
eigenen not valid Rules erstellen zu duerfen.
---------------------------------------------------------------------------------
OFFiZiELLE DEUTSCHE DiVX REGELN
.PROLOG__________________________________________________________________
Diese Regeln wurden aufgestellt, um eine Richtlinie f&#8319;r qualitativ hochwertige DiVX-Rips zu schaffen. Sie sollen Siteops und Nukern, aber
auch unetablierten Gruppen und dem letztendlichen Konsumenten, ein paar Grundsaetze vermitteln, die wir bei einem guten Rip als Minimalanspruch
erachten. Sie sind weder ein Gesetz, noch statisch. Aufgrund immer neuer Erkenntnisse und der Weiterentwicklung von Codecs und Programmen
koennen sie nur eine Momentaufnahme des jetzigen Erkenntnisstandes sein. Wir bitten euch deshalb um eure Mithilfe, diese Regeln immer so
aktuell und zeitgemaess wie moeglich zu halten.
Bitte sprecht den Fuehrer eurer Gruppe bezueglich Verbesserungen oder Fehlern an und wir beruecksichtigen dies in der naechsten Version.
Danke.
.Aenderungen_____________________________________________________________
seit ODDR-20011113a.htm: 03, 04, 05, 06, 07, 09, 11, 12
.ALLGEMEiN_______________________________________________________________
1. Der Rip muss komplett von der Gruppe stammen, es muessen Video und Audio von derselben Quelle kodiert worden sein.
2. Es muss ein DVD- oder direkt kopierter digital-TV-Rip sein (d.h. die Quelle muss ein rein digital verarbeiter MPEG2-Stream sein).
3. Filme als dTV-Rips duerfen kein Senderlogo oder jegliche Einblendungen enthalten.
4. Ein Sample von 30 Sekunden, welches aus dem releasten AVI stammt (d.h. nicht extra kodiert wurde) muss in einem separaten Verzeichnis im
Release enthalten sein.
5. Es muss per SBC 2-Pass kodiert worden sein.
*5. Es muss 2-Pass kodiert werden. Entweder mit XViD (Empfohlen!), oder mit DiVX 3.11.
6. Jedes Release muss eine minimale Aufloesung von freigestellten 135.000 Pixeln haben.
*6. Jedes Release muss eine Mindestaufloesung von freigestellten 135.000 Pixeln haben und darf eine X-Aufloesung von 512 nicht unterschreiten.
7. a) Die minimale/maximale Audiobitrate muss 128/192 (C/ABR) oder 96-160/128-224 (Lame VBR) sein. Die Audioaufloesung betraegt 44khz/48khz @ 16bit.
*7. a) Die minimale/maximale MP3-Bitrate sollte bei 96-160/128-224 (Lame VBR) liegen. Die Audioaufloesung sollte 48khz und 16bit betragen.
(Hinweis: ein &#34;SOLLTE&#34; impliziert keine pflicht... Nach wie vor ist CBR erlaubt. ABR ist eine VBR Technik und somit ebenfalls erlaubt.)
b) Bei einem 2CD-Release ist die AC3-Tonspur erwuenscht, sofern eine Videobitrate von 1000kbit nicht unterschritten wird.
*b) 2CD+ Rips sollten 2 MP3-Tonspuren (deutsch &#38; original) haben, sofern die Videobitrate mindestens 1000 kbit betraegt.
c) Sofern ein Film 2 CDs benoetigt und die Videospur mindestens 1000kbit betraegt, ist eine deutsche und die Originaltonspur erwuenscht
(Die Tonspuren beide nur als MP3, nicht als AC3, siehe dazu 7a).
(Hinweis: Hier unterscheiden sich die Rules etwas.. Es kann also bei 2CD+ entweder DL oder Ac3 verwandt werden wenn die Video Bitrate 1000
nicht unterschreitet)
8. Das Seitenverhaeltnis der Videoaufloesung darf maximal 5% von dem des DVD-Bildes abweichen.
Die X-Werte der Aufloesung muessen div32 sein, die Y-Werte div16.
*8. a) Das Seitenverhaeltnis (aspect ratio) der Videoaufloesung darf maximal 2% von dem des DVD-Bildes abweichen.
Die X-Werte der Aufloesung muessen div32 sein, die Y-Werte div16. (Es wird GordianKnot zur Einstellung empfohlen.)
* b) Das Video muss freigestellt (Cropped) werden. Zum Erreichen des richtigen Seitenverhaeltnisses sind bis zu 10 Pixelreihen
oben und unten erlaubt.
(Hinweis: Cropping ist bereits in 6. geregelt (freigestellt..= ohne Balken)
9. Bei einem nCD Release, muss jede CD die &#60;n
095 Minuten bei einem AR von 1.33:1
100 Minuten bei einem AR von 1.85:1
105 Minuten bei einem AR von 2.35:1
Film enthalten - ausgenommen sind vollstaendig computeranimierte Filme (z.B. Toy Story, Antz, Shrek), XXX und S/W.
(Hinweis: An dieser Stelle ist anzumerken das es useless ist bei 106 minuten direkt auf 2 CDs zu gehen.)
10. Der Abspann muss in einem 1CD Release nicht vollstaendig enthalten sein, jedoch soweit, dass erkennbar ist, dass der Film tatsaechlich geendet hat. Falls im Abspann noch Filmszenen enthalten sind, muss dieser in gleichberechtigter Bitrate wie der eigentliche Film, soweit diese Szenen reichen, kodiert werden. In einem 2CD+ Release muss der Abspann in voller Laenge enthalten sein.
*Bei einem 2CD+ Release muss der Abspann in voller Laenge enthalten sein, darf jedoch mit geringerer Bitrate kodiert werden, sofern er nur Text enthaelt.
11. Inhaltsrelevante fremdsprachliche Dialoge (und nur diese) muessen mit den deutschen Untertiteln von der DVD versehen werden, sofern vorhanden. Falls die Untertitel softkodiert auf der DVD sind, m&#8319;ssen diese im Format von Vobsub releast werden.
*11. Untertitel in wenigstens Deutsch, Englisch und Franzoesisch sollten als RAR-gepackter VobSub-Rip im Release enthalten sein.
(Hinweis: Auch hier ist es etwas anders.. Generell kann man sagen..das adden der SUBS sollte kein Problem darstellen und auch die Crews nicht weiter aufhalten.)
12. Bei einem Nuke aufgrund technischer Maengel, muss ein Proper immer zugleich mit einem Fix in einem separaten Unterverzeichnis releast werden, sofern technisch m&#247;glich.
.BENNENNUNG______________________________________________________________
&#60;gruppe>-&#60;filmtitel>_&#60;cd#>.avi 1CD = grp-pitch_black.avi
2CD = grp-pitch_black_1.avi
grp-pitch_black_2.avi
&#60;gruppe>-&#60;abkuerzung>&#60;cd#>.rar 1CD = grp-pibl.rar
2CD = grp-pib1.rar
grp-pib2.rar
&#60;gruppe>-&#60;abkuerzung>&#60;cd#>.sfv 1CD = grp-pibl.sfv
2CD = grp-pib1.sfv
grp-pib2.sfv
&#60;gruppe>-&#60;filmtitel>_(&#60;jahr>).nfo = grp-pitch_black_(2000).nfo
Die Benennung des Verzeichnisses ist beliebig - enthalten sein muss jedoch:
&#60;Filmtitel> DiVX German &#60;QUELLE> -&#60;GRUPPE>
Beispiele, Quelle = DVD:
Pitch.Black.DiVX.DVDRIP.German-GRP
Pitch.Black.DiVX-DVDRIP-German-GRP
Pitch_Black_DiVX-DVDRIP-German-GRP
Beispiele, Quelle = digital-TV:
Pitch.Black.DiVX.dTV.German-GRP
Pitch.Black.DiVX-dTV-German-GRP
Pitch_Black_DiVX-dTV-German-GRP
.NFO_____________________________________________________________________
In der NFO sollten mindestens folgende Informationen enthalten sein:
* Releasedatum
* Anzahl der RARs pro CD
* Videoaufloesung (*und Bitrate)
* Audioaufloesung (*und Bitrate)
* deutscher Titel und Originaltitel
* deutscher Kinostart und DVD-Release-Datum
* Name des Regisseurs
* Laenge des Films
* IMDB-Rating und URL zum Film
* 5-zeilige Angabe desPlots
* Informationen fuer die Beschaffung erforderlicher Codecs, Plugins, Tools
Folgende Informationen sollten nicht in der NFO stehen:
* Nicks der Mitglieder
* Namen von Sites / HQs
* Adressen zur Kontaktierung. (Wer euch erreichen muss, soll &#34;site msg&#34; auf einem HQ nutzen.)
.SiGNiERUNG______________________________________________________________
Diese Regeln wurden von allen Fuehrern der offiziellen deutschen Divx-Gruppen anerkannt.
(Diese Signierung gillt nur fuer diese Regeln OHNE die addons)
ZUSATZ TV RULES
---------------
Also diese Rules sollen keine Eigenstaendigen sein, vielmehr sind Sie als eine Ergaenzung der ODDR anzusehen.
Einige Rules moegen etwas hart klingen am Anfang, Sie machen bei naeherer Betrachtung aber durchaus Sinn, jeder
von uns der Serien macht weiss bestimmt was in der englischen Serien Szene abgeht. Da wird mit Absicht mit
Settings gerippt die inkompatibel zu nem Release der selben Serie einer anderen Group sind. Da werden dann
von einer Group 2 Folgen auf fuer eine CD gerippt und eine andere Group die bei einer Folge schneller war macht es
fuer 3 Folgen pro CD oder encoded gar auf 400mb damit das ja nicht passt
1.) Als Source zul&#931;ssig sind nur DVDs und dTV Streams. Bei dTV sollte nach Moeglichkeit eine Nachtwiederholung als
Quelle genommen werden, Warum? Ganz einfach: Auf Premiere werden Folgen nachts groessenteils mit einer hoeheren
Aufloesung und/oder hoeheren Bitrates ausgestrahlt. Wer die Rules weiterliest versteht auch das es machbar ist eine
Nachtwiederholung zu nehmen. Der Rip darf kein Logo/Watermark enthalten.
****** 2.) Sollte zu einer Serien die im dTV laeuft innerhalb der naechsten 8 Wochen eine DVD erscheinen ist auf die DVD zu
warten.
(Hinweis: Ebenfalls aus aktuellem Anlass... DIESE RULE IST WICHTIG UND SOLLTE ENDLICH MAL BEACHTET WERDEN!!!!!!!!!!!!!!)
3.) Eine Serie die von einer Group angefangen wurde, sollte bei der Group bleiben, aber mit gewissen Einschr&#931;nkungen:
-> Faengt eine Group eine Serie an, muss Sie diese auch konsequent zu Ende rippen. Sollte bei einer taeglich
ausgestrahlten Serie innerhalb von 7 Tagen und einer woechentlichen ausgestrahlten Serie innerhalb von
14 Tagen kein Rip der zugehoerigen Group vorhanden sein, kann die Serie automatisch von einer anderen
Group weiter gemacht werden, hier greift diese Rule dann auch wieder.
-> Bei einer Serie auf DVD sollte innerhalb von 7 Tagen eine Episode released werden. Ist die erste Episode
released hat automatisch die Group den Zuschlag fuer die ganze Serie muss aber innerhalb der naechsten
7 Tage jeweils eine Folge der DVD Box releasen, ansonsten greift hier Rule 3.1.
-> Die Nummerierung muss immer von der Group uebernommen werden, welche die Serie begonnen hat. Es gibt
viele Episodenguides mit vielen verschiedenen Nummerierungen und alle meinen Sie seien korrekt.
-> Sollte einer Group ein Stream fehlen, weil defekt oder sonst irgendwelcher Problemchen, bedeutet dies NICHT
das die Serie an eine andere Group faellt, erst wenn auch die Folgen danach nicht mehr kommen ist davon
auszugehen das die Group hier grobe Fehler gemacht hat.
4.) Bei den Episodennummerierungen ist ein Blick auf http://www.epguides.de/ hilfreich. Diese Adresse hat sich als
korrekt fuer nahezu jede Serie erwiesen und enthaelt neben einer simplen Episodenbeschreibung nuetzliche
Hintergrundinfos zu fast jeder Serie. Die Nummerierung ist NICHT fortlaufend zu waehlen.
-> Richtig: S01E01
S01E02
S02E01
...
-> Falsch: S01E01
S01E02
S02E03
...
5.) Die Dirnamen sind den ODDR zu entnehmen es kommt lediglich eine eindeutige Seriennummerierung hinzu.
Serientitel-S01E01-Episodentitel-German-DVDRiP-DivX-MMP
Serientitel.S01E01.Episodentitel.German.DVDRiP.DivX-MMP
-> Sollte eine Serie nur eine Staffel haben oder keine Staffelnummerierung, so kann die Staffelbezeichnung
unerw&#931;hnt bleiben.
Serientitel-E01-Episodentitel-German-DVDRiP-DivX-MMP
Serientitel.E01.Episodentitel.German.DVDRiP.DivX-MMP
Beispiele, Quelle = digital-TV:
Pitch.Black.DiVX.dTV.German-GRP
Pitch.Black.DiVX-dTV-German-GRP
Pitch_Black_DiVX-dTV-German-GRP
(Hinweis an CONFUSED: Auch Ihr muesst das real Tag verwenden, also dTV und nicht SATRIP... SATRIP war nie valid...)
-> Um eine einheitliche Nummerierung zu gewaehrleisten, muss eine Staffel-/Episodennummerierung immer zweistellig
formatiert sein. Auch wenn die Serie weniger als 10 Staffeln/Episoden enthaelt. Dies schliesst auch Anime Serien
ein.
Richtig: S0xE0x
Falsch: SxEx
6.) Bei 4:3 Serien sollte generell eine Aufloesung von 512x384 Pixeln gewaehlt werden. (Achtung, hier ist der AR zu beachten!
AR fehler muessen auch hier mit GordianKnot korrigiert werden *siehe oben*)
Serien die nicht 4:3 sind sollten je nach Source entschieden werden, Bei dTV streams sollte eine Aufloesung von 576xXXX nicht ueberschritten werden.
Bei DVD sollten 640xXXX nicht ueberschritten werden.
7.) Kommen wir nun zur Dateigroesse: Bei 20-25 Minuten Kurzserien sollten 3 Folgen auf eine Gesamtgroesse von 700 MB
encoded werden. Bei einer Laenge von 45 Minuten sollten 2 Folgen auf 700 MB encoded werden.
8.) Dies ist keine richtige Rule nur ein Hinweis: Jede Serien Group sollte hin und wieder mal einen Blick auf
http://www.wunschliste.de/ werfen. Dort stehen viele zukuenftige Serienstarts, man kann fuer Serien woechentlich
voten und es gibt ein Serien Rating System.
Wir hoffe vorallem das mit diesen Rules der Massenpre der Serien aufhoert, denn im Moment geht das fast nicht anders, sowie
eine Group eine Serie anf&#931;ngt, stuerzen sich andere Groups mit drauf, obwohl Sie von alleine niemals darauf gekommen waeren
diese Serie zu encoden, es bleibt einen also im Moment nix anderes uebrig als eine Serie fast komplett in einem Ruck zu pren.
Auch wird mit den Einschraenkungen zur Rule 3 kein Ausruhrecht fuer eine Group definiert. Fuer die obigen Rules gibt es genug
Beispiele wieso so etwas langsam noetig wird, noch vor einem Jahr haetten wir keine eigenstaendigen Serien Rules gebraucht. Ich
weiss Rule 3 klingt etwas hart, aber damit wird einmal unnoetiger Traffic vermieden, weil nicht mehr nach Group Internal Rips
gefragt werden muss (viele Groups verwenden nunmal andere Aufloesungen und Settings, jedem sein gutes Recht.) und die Spannungen
werden damit hoffentlich endlich mal beendet. Wer natuerlich die 7 Tage verpennt ist selber Schuld, ich denk mit 7 Tagen ist die
Rule recht annehmbar.
</pre>
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&#9608;&#9608;&#9608;&#9619; &#9619;&#9608;&#9608;&#9608;&#9619;&#9604;&#9600;&#9608;&#9608;&#9608;&#9619; &#9618;&#9608;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9619; &#9618;&#9608;&#9608;&#9608;&#9617; &#9608;&#9608;&#9608;&#9619; &#9619;&#9608;&#9608;&#9608;&#9619;&#9604; &#9608;&#9608;&#9608;&#9604;&#9604;&#9618;&#9604;&#9608;&#9600;&#9619;
&#9618;&#9608;&#9608;&#9608;&#9619;&#9604;&#9608; &#9600;&#9608;&#9608;&#9608;&#9608;&#9619; &#9618;&#9608;&#9608;&#9608;&#9619;&#9604;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608; &#9618;&#9608;&#9608;&#9608; &#9618;&#9608;&#9608;&#9608;&#9604; &#9618;&#9608;&#9608;&#9608;&#9619;&#9604;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608; &#9618;&#9608;&#9608;&#9608;&#9604; &#9600;&#9608;&#9608;&#9608;&#9608;&#9619; &#9619;&#9608;&#9600;&#9608;&#9608;&#9608;&#9608;&#9600;&#9619;&#9618;
&#9619;&#9600;&#9608;&#9608;&#9600;&#9619; &#9619;&#9600;&#9618; &#9619;&#9600;&#9608;&#9608;&#9600;&#9619; &#9619;&#9600;&#9608;&#9600; &#9619;&#9608;&#9600; &#9619;&#9608;&#9600;&#9619; &#9619;&#9600;&#9608;&#9608;&#9600;&#9619; &#9619;&#9600;&#9608;&#9600; &#9600;&#9619;&#9608;&#9600; &#9619;&#9600;&#9618; &#9618; &#9619; &#9600;&#9600;&#9619;
&#9618;&#9604;&#9604; .:E.L.E.M.E.N.T.S..:::..P.R.E.S.E.N.T.S:. &#9604;&#9604;&#9618;
&#9618;&#9604;&#9608;&#9608;&#9608;&#9619; ----------------------------------------- &#9619;&#9608;&#9608;&#9608;&#9604;&#9618;
&#9604;&#9608;&#9608;&#9608;&#9619; &#9619;&#9608;&#9608;&#9608;&#9604;
&#9604; &#9604;&#9604;&#9608;&#9617;&#9600; &#9600;&#9600;&#9618; Ebook Rules 2004 &#9618;&#9600;&#9600; &#9600;&#9617;&#9608;&#9604;&#9604; &#9604;
&#9616;&#9608;&#9608;&#9608;&#9617;&#9608;&#9612;&#9604; &#9604;&#9616;&#9608;&#9617;&#9608;&#9608;&#9608;&#9612;
&#9617;&#9608;&#9608;&#9608;&#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600;&#9608;&#9608;&#9608;&#9617;
&#9608;&#9608;&#9608;&#9619; sUPPLIED bY..: Team ELM gERNE......: sceneware &#9619;&#9608;&#9608;&#9608;
&#9618;&#9608;&#9608;&#9616; rELEASE dATE.: 12-2003 sYSTEM.....: siteread &#9612;&#9608;&#9608;&#9618;
&#9618;&#9608;&#9608;&#9608; sTORE dATE...: 12-2003 lANGUAGE...: German &#9608;&#9608;&#9608;&#9618;
&#9619;&#9608;&#9608;&#9608; Protection...: - Cracker....: - &#9608;&#9608;&#9608;&#9619;
&#9616;&#9608;&#9608;&#9608;&#9617; ISBN.........: - dISKsIZE...: 1 x 3 MB &#9617;&#9608;&#9608;&#9608;&#9612;
&#9619;&#9608;&#9608;&#9608; Autor........: pxd pUBLISHER..: elements &#9608;&#9608;&#9608;&#9619;
&#9600;&#9619;&#9608;&#9604; sYSTEM rEQUIREMENTS: PC, bRAIN &#9604;&#9608;&#9619;&#9600;
&#9618; &#9600; &#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600; &#9600; &#9618;
.: rELEASE nFO :.
-------------
Ebook Rules Beta 0.70a
Alle Systeme erlaubt Win9x/NT/2K/XP/Linux, Mac OS, Palm usw
Alle formate erlaubt, txt, html, pdf, pdb, chm usw.
-----------------------------------------------------------
Verlag x Titel x Ausgabe x Language x Version x Ebook - Grp
Bei B&#8319;chern mit Auflage H&#247;her als 1 geh&#247;rt diese Angabe in den Dir Namen
Auflage 1 muss nicht erw&#931;hnt werden.
Hanser.Verlag.-.Hans.Im.Wald.3.Ausgabe.German.Retail.Ebook-Hans legit
Hanser.Verlag.-.Hans.Im.Wald.1.Ausgabe.German.Retail.Ebook-Hans nuke
Taggs
-----
Verlag.-.Titel.German.Retail.Ebook-grp legit
Autor.-.Titel.German.Retail.Ebook-grp legit
Titel.German.Retail.Ebook-grp nuke
Daily News brauchen keine Angabe des Verlages
Mond.Am.Abend.03.Dezember.2003.German.Retail.Ebook-Grp legit
Mond.Am.Abend.03.12.2003.German.Retail.Ebook-Grp legit
Palm Release m&#8319;ssen gesondert gekennzeichnet werden
Hanser.Verlag.-.Hans.Im.Wald.3.Ausgabe.Included.Palm.OS.Version.German.Retail.Ebook-Hans
Hanser.Verlag.-.Hans.Im.Wald.3.Ausgabe.German.Palm.OS.Retail.Ebook-Hans
Datumsangaben im deutschen Format sollten f&#8319;r eine deutsche Grp
kein Problem darstellen
01.12.2003 legit
01.Dezember.2003 legit
Dezember.2003 legit
Retail Ebooks m&#8319;ssen als solche gekennzeichnet werden xxx.Retail.Ebook-Grp
Selfscanns m&#8319;ssen nicht gekennzeichnet werden, alles wo nicht Retail drauf steht
ist halt einfach ein Scann.
Scann Rules kann ich nichts zu sagen aber 300 DPI bei 1024 x 768 sollten das Minimum
der heutigen Zeit sein und sind auch machbar.
Release m&#8319;ssen im Zip Format vorliegen mit nfo/diz
Only 8.3 filenames
Disksize
--------
= 1,44 MB legit
= 3,00 MB legit
= 5,00 MB legit
=>15,00 MB nuke
Retail Ebooks max Release Size = 40 MB
Retail Jahresarchive max Release Size = 200 MB
Selfscan Ebooks max Release Size = 60 MB
Retail Ebook Release nach Scan Release erlaubt
----------------------------------------------
Scan Ebook Release nach Retail Release erlaubt wenn Neuauflage
Neuauflagen Release eines Buches fr&#8319;hestens 3 Wochen nach Vorpree
- Hans.Tomate.German.Retail.Ebook-Grp 03.Oktober 2004
- Hans.Tomate.2.Auflage.German.Retail.Ebook-Grp 10.Oktober.2004 nuke
- Hans.Tomate.2.Auflage.German.Retail.Ebook-Grp 10.November.2004 legit
Nfo Header Minimum
------------------
als Minimum gilt, Supply, Grp, Store Date, Release Date, File Size,
ISBN, Publisher, Genre
Genre sind noch zu definieren wobei ich sagen w&#8319;rde man kann sich an
die Buchladen Vorgaben halten also Drama, Thriller, Krimi, IT Book,
Wirtschaft usw.
Willkommen sind auch
- webseite, Autor, Fileformat und anderes
Inhaltsangaben bei Daily News nicht n&#247;tig
ISSN bei Daily News nicht n&#247;tig
Daily News m&#8319;ssen deutschlandweit Paper sein.
Regionale Zeitungen die weder im Internet noch in anderen St&#931;dten verf&#8319;gbar
sind sind NICHT legit
PROPER Release sind erlaubt, Vorraussetzungen
---------------------------------------------
Proper muss max 50 % der Gr&#247;sse des Vorreleases haben
Proper muss deutlich h&#247;here Lesequalit&#931;t als Vorrelease haben
Jahresarchive
--------------
Archive von Zeitungen und Zeitschriften sind nur erlaubt wenn
- die Einzelausgaben &#8319;bers Jahr verteilt nicht pree wurden
oder
- das Archiv einen Extremen Mehrwert gegen&#8319;ber den Einzelausgaben enth&#931;lt
(z.b. Suchfunktionen)
oder
- Einzelausgaben nur als Scanned vorliegen
Gamestar 2003 Jahresarchiv z.b. nicht erlaubt da Gamestar 2003 alle Ausgaben
als Retail vorliegen
PC Games Jahresarchiv erlaubt weil nur Scanns released worden sind
Archive gr&#247;sser als 200 MB sind im Book Dir nicht erlaubt, ISO Preen !!
Technische B&#8319;cher
-----------------
IT und andere Fachb&#8319;cher &#931;lter als 2 Jahre zum Release Date sind nuke.
Niemand glaubt doch daran das sowas noch uptodate ist.
Sachb&#8319;cher und Romane usw sind von dieser Bedingung nat&#8319;rlich ausgeschlossen
da Zeitlos.
Signaturen
----------
Signaturen, Crypt, DRM nicht erlaubt !! nuke
Grp Taggs erlaubt !! legit
Race
----
Es ist erlaubt anderer Grps Daily News zu racen. Ich halte es f&#8319;r sinnlos
einer Grp die Monopolstellung f&#8319;r Daily News einzur&#931;umen nur weil Sie diese
als erste Pree haben. Wer zu sp&#931;t kommt den bestraft das Leben. Absprachen
unter den Grps muss Jeder f&#8319;r sich ausmachen.
Fazit
-----
Diese Regeln sind mein Beitrag zur Diskussion und sind nur als Anstoss eben
Dieser zu sehen. In Teilen h&#931;lt man sich ja schon daran aber es sollte in unser
aller Interesse sein wenn es einmal zu festen Regeln in dieser Sektion kommt.
Weiterhin erwarte ich von jeder Grp, dass sie sowohl f&#8319;r sich als auch f&#8319;r alle
in dieser Sektion denkt. Es hilft der Sektion nicht und im Gegenteil es schadet
ihr nur wenn weiterhin unbedacht alles klaren Menschenverstandes jeder Scheiss
released wird. Ich setze hier keine inhaltlichen Schwerpunkte da die Geschm&#931;cker
verschieden sind aber ich m&#247;chte euch doch bitten von Freeware und Edonkey Releasen
Abstand zu nehmen und euch auf das wesentliche zu Konzentrieren. Das es in unserer
Sektion leicht einmal ein Fremdsupply geben kann ist mir verst&#931;ndlich aber wer diese
nicht auf Korrektheit pr&#8319;ft soll sich nachher nicht darauf herausreden er h&#931;tte es
nicht besser gewusst.
Pr&#8319;ft eure Quellen oder besser Supply eure Ebooks selber dann gibt es auch keinen
&#9472;rger mehr. Und H&#247;rt damit auf speziell an mir und meinen Release herumzum&#931;keln.
Ihr tut euch keinen Gefallen damit und der Sektion schonmal &#8319;berhaupt nicht.
Falls es noch niemandem hier aufgefallen ist sind Ebooks ein kleiner winziger Teil
in der Scene und auch recht unwichtig im Vergleich zu Anderem. Wenn Ihr also auch
in anderen Teilen der Scene ernst genommen werden wollt h&#247;rt auf mit dem Kleinkram
und akzeptiert das es immer Jemanden geben wird der besser ist als man selber.
Bin zu vern&#8319;nftigen Diskussionen &#8319;ber die Rules jederzeit bereit solange Sie nicht
unwirrsch gef&#8319;hrt werden.
pxd
ps. wer Schreibfehler findet darf sie behalten um 3 Uhr Nachts interessieren die mich
nicht mehr :)
&#9604; &#9604;
&#9632;&#9600;&#9619;&#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600;&#9619;&#9600;&#9632;
&#9617;&#9600; &#9618; &#9618; &#9618; &#9618; &#9600;&#9617;
.: iNSTALL nFO :.
-------------
read and talk to me
&#9604; &#9604;
&#9632;&#9600;&#9619;&#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600;&#9619;&#9600;&#9632;
&#9617;&#9600; &#9618; &#9618; &#9618; &#9618; &#9600;&#9617;
.: cONTACT :.
---------
On the internet, write to us at attica_hq@hushmail.com
&#9604; &#9604;
&#9632;&#9600;&#9619;&#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600;&#9619;&#9600;&#9632;
&#9617;&#9600; &#9618; &#9618; &#9618; &#9618; &#9600;&#9617;
.: nEWS :.
------
You want to join, just write me.
We are just about a 100% internet group, so you will find
most of our wares on the internet first.
Only suppliers/gfx are wanted. I&#39;m against a group having any
couriers since that&#39;s the job of courier groups. I have seen the
consequences of not enough suppliers, and too many couriers in
one group. If you want to : join, you have to just give me one
unreleased ware, and that&#39;s it. You&#39;re then in for life(maybe).
Egos are not wanted. Thank you, drive through.
-pxd-
Note to the Feds:
This is a non-profit group. We have never nor will we ever accept
one cent from anybody. This includes Couriering, Suppliers,
Members Membership, and any person willing to pay for our Ebooks.
If the founder or any members does accept any such payment, we will
immediately : disband this group.
&#9604; &#9604;
&#9632;&#9600;&#9619;&#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600;&#9619;&#9600;&#9632;
&#9617;&#9600; &#9618; &#9618; &#9618; &#9618; &#9600;&#9617;
&#9474; &#183; Greets &#183;
to: 8088, SI, TRSI, INC, LEGEND, PDM, DNS, CMG, TGSC, Comix
JGT, Library, cro, DFS
and all Friends, SiteOps I didn&#39;t mention.
fuck you goes to:
Team Liberty Ebook Devision &#38; mks from HS
&#9604; &#9618;&#9604;&#9608;&#9617;&#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600;&#9617;&#9608;&#9604;&#9618; &#9604;
&#9616;&#9608;&#9608;&#9608;&#9617;&#9608;&#9612;&#9604; &#9618; &#9618; &#9618; &#9618; &#9604;&#9616;&#9608;&#9617;&#9608;&#9608;&#9608;&#9612;
&#9617;&#9608;&#9608;&#9608;&#9600; .: search :. &#9600;&#9608;&#9608;&#9608;&#9617;
&#9608;&#9608;&#9608;&#9619; ------ &#9619;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;
&#9618;&#9608;&#9608;&#9616; headhunter &#9612;&#9608;&#9608;&#9618;
&#9618;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9618;
&#9616;&#9608;&#9608;&#9608;&#9617; &#9617;&#9608;&#9608;&#9608;&#9612;
&#9619;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9619;
&#9600;&#9619;&#9608;&#9604; &#9604;&#9608;&#9619;&#9600;
&#9600;&#9600;&#9632;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9632;&#9600;&#9600;
LINUS TORVALDS SAY &#34;JUST FOR FUN&#34;
</pre>
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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2004_DE_PD.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo">2004-12-14 DPDR
Deutsche Pirate-Dub-Regeln
01. Ein PD ist nur dann valid, wenn er innerhalb von 4 Wochen nach
.DE-Kinostart kommt.
02. Ein SVCD-PD ist Dupe, sofern ein VCD-PD existiert und vice versa.
03. Das Quellmaterial darf nur mit expliziter Erlaubnis der Gruppe verwendet
werden. Die Gruppe muss in der NFO angegeben werden.
NOTE: Every Group is allowed to forbid the pirate-dubbing of their
releases. Our nukers will respect that and strictly nuke all of
those releases.
04. Die Bildquelle muss vollstaendig sein.
05. Die Tonspur darf nicht per Mikrophon abgegriffen worden sein.
06. PDs von CAMs sind nicht zulaessig.
07. Sofern die deutsche Kinoversion eines Filmes laenger als das Quellvideo
ist, ist ein PD nicht zulaessig.
08. Sofern ein PD valid war, duerfen keine Proper-PDs kommen, die sich
primaer durch qualitativ hoeherwertige Quellen rechtfertigen.
09. Ansonsten gelten die ueblichen technischen Standards fuer VCD und SVCD -
Standalone-Player gelten dabei als Referenz fuer Mangelfreiheit.
10. Benennung:
&#60;Deutscher*Titel>*&#60;QUELLE>*PD*German*&#60;FORMAT>-&#60;GRUPPE>
* = . oder _
PD = Pirate Dub
Der.Stadtneurotiker.TS.PD.German.SVCD-GRP
Der_Stadtneurotiker_SCREENER-PD-GERMAN.VCD-GRP
...
[DPDR-20020804a]
</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2004_DVDR.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo"> &#9608;
&#9604;&#9604;&#9608;&#9604;&#9604; &#9632; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9608;
&#9604;&#9608;&#9608;&#9608;&#9608; &#9600;&#9600; &#9608;&#9608; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9616;&#9604;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9600;&#9600; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608; &#9604;&#9608;&#9608;&#9604; &#9608;&#9608;&#9608;
&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9600; &#9604;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9616;&#9608;&#9608; &#9632;
&#9608;&#9608;&#9608;&#9604;&#9604; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608;&#9604;&#9604; &#9608;&#9608;&#9612; &#9608;
&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9600;&#9608;&#9608;&#9612; &#9604;&#9608;&#9608; &#9604;&#9604;&#9608;&#9608;&#9608;&#9612; &#9632; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9604;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9608;&#9612;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;
&#9608; &#9632; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9608;&#9608;&#9604;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
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&#9608;&#9608; &#9600; &#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;
&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9604;&#9604;&#9604;
&#9632; &#9608;&#9608;&#9608;&#9608; &#9604;&#9608;&#9608;&#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608; &#9604;&#9608;&#9608;&#9608;&#9604; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9608;&#9608;&#9608;
&#9608;&#9608; &#9600;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9612;&#9608;&#9608;&#9608; &#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9604;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9616;&#9608;&#9608; &#9608; &#9604;&#9608;&#9608;&#9608;&#9612; &#9608; &#9608;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9616;&#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9608;&#9608; &#9632;
&#9600;&#9600;&#9608;&#9608;&#9608;&#9600; &#9616;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9616;&#9608;&#9612;&#9608; &#9608;&#9608;&#9608;&#9612; &#9632; &#9600;&#9608;&#9608;&#9612;
&#9600;&#9600;&#9600; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9616;&#9608;&#9608;&#9608; &#9608;&#9608;&#9600; DiS!AiiA
&#9600;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9612; &#9608;&#9608;&#9600; &#9608;&#9608;
&#9600;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9608;&#9612; &#9632; &#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9600;&#9600;
THE 2004 DVDR RELEASING STANDARDS
[ 19JUN2K4 ]
&#9604;&#9604;&#9604;&#9604;
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&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9618;&#9618;&#9617;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9618;&#9619;&#9619;&#9618;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9617;&#9618;&#9618;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9608;&#9617; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9617;&#9608;&#9608;&#9608;&#9600;
&#9600;&#9608;&#9608;&#9618; &#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600; &#9618;&#9608;&#9608;&#9600;
&#9616;&#9617; &#9617;&#9612;
General:
. Release size must be at least 4.15 Gb unless source is DVD5.
. PAL after NTSC and NTSC after PAL is allowed.
Video:
. Re-encoding:
. CCE version 2.50+ must be used for all purposes where
the transcoding (re-encoding) of the video stream is
required. Other encoding programs such as: REmpeg and
TMPGenc, etc. are NOT allowed in any circumstances.
. Automated Programs that perform DVD9>DVD5 rips are
FORBIDDEN, e.g. InstanCopy, DVDXCopy, etc.
. Minimum average bitrate allowed is 3000 kbit/s
(2800 kbit/s for tv shows). If minimum average bitrate
cannot be achieved, a valid explanation is required in
the nfo.
. Passes:
. Movies below or equal 100 Minutes: 5 or more passes.
. Movies over 100 Minutes: 6 or more passes.
. Extras: If transcoded, 5 or more passes.
. Note: The initial 1st pass that encodes the .vaf
file in CCE is NOT considered a pass in any
circumstance.
Audio:
. Dolby Digital is considered the standard audio format and is
required in ALL releases.
. DTS is not considered a standard audio format and is NOT
a reason to proper/dupe an existing release. DTS-only releases
are also strictly FORBIDDEN as valid releases.
. If audio is stripped from a DVD9 disk, higher bitrates must be
kept over lower bitrates (if a dvd has 2.0 and 5.1 audio, 2.0
would be stripped in favor to 5.1) unless their is a valid
reason, e.g. significantly reduces bitrate. However in regards
to DVDs that contain both DTS and 5.1, 5.1 must be kept. The
inclusion of a DTS stream is up to the ripper&#39;s discretion.
. For non-English movies, the movie&#39;s original language audio
stream must be kept unless it is not contained in the retail.
In the circumstances that a reissue/new edition dvd contains
an original language audio stream, a re-release of the movie
is valid.
. For ALL English movies, the English audio stream MUST be kept.
. The inclusion of other audio streams are at ripper&#39;s discretion
whether they are foreign or commentary.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Source:
. Releases MUST be from either SCREENER or RETAIL dvds. Other
sources are not allowed, e.g. PDVD, VHS, TV, TS, TC, CAM, etc
shall not be tolerated.
. Region duping (differs from PAL/NTSC duping), i.e. R1, R2 are
not permitted unless there were problems with the first
release (problems need to be stated regarding 1st release).
. Releases from reissues/superior editions of previous released
DVDs are only valid for: Criterion Ed. and DVDs which do
markedly improve upon the initial release, i.e. contains a
5.1 stream comparitive to an inferior stream in the previous
release.
Authoring:
. Authoring in both Scenarist and DVD Maestro are allowed.
However, users of DVD Maestro need to be aware of the problem
which doesn&#39;t check that if the total bitrate exceeds
9800kbit/s. Rippers should be aware that the MAX bitrate is
9800kbit/s for both audio and video streams.
Subtitles:
. If English subtitles are present, they will be kept under ALL
circumstances.
. If the dvd contains no more than three subtitle streams, all
will be kept. If the dvd contains more than three subtitle
streams, it&#39;s ripper&#39;s discretion which subtitles should be
kept. Its advised to keep the most common used language
subtitles.
Menus:
. Menus MUST be included.
. The menu must be in English and not foreign, unless they
are aimed for non-English endusers.
. Menus on TV Show disk must be kept at all costs.
Extras:
. Extras are an added value but are not needed. Extras are
allowed to be transcoded with a minimum average bitrate of
1700kbit/s.
DVD Limitations:
. Macro vision must be removed.
. All user limitations and restrictions must be removed.
. Releases must be made region free.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Packaging:
. All releases must either use .IMG or .ISO. Other formats
NOT allowed.
. Releases must be broken up into rars of 50,000,000 bytes.
. Solid Archive and Recovery Record MUST be used.
. SFVs and NFOs MUST be included.
. NFO must include the following:
. Groups name.
. Title.
. US theatrical release date.
. Regions, NTSC or PAL.
. Number of Passes and Bitrate used when re-encoding.
. Audio streams, and subtitles included.
. What has been stripped, extras, menu, etc.
. IMDB, or similar link.
. Number of archive files.
Samples:
. Samples are required. Minimum size shall be 30mb, but must be
no more than 50mb.
. Samples must be put in a separate sub directory, labeled
&#39;Sample&#39;.
. Vobs may be cut and used as sample, or renamed to mpg.
. Samples must be from actual packed vob. Separate encodes are
not allowed.
Directory Naming:
. Directory names shall NOT exceed 64 characters.
. ALL releases are to include production year.
. Directory name should include Disktype (NTSC/PAL)
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
. DVD-5, and DVD-9 COMPLETE are recommended to be named as:
Movie.Title.Year.COMPLETE.Disktype.DVDR-Groupname
. Non-Complete DVD-9 releases must be named as follows:
Movie.Title.Year.Disktype.DVDR-Groupname
. Sub directories must be labeled DISK1, DISK2, DISK3, etc
CD1, DVD1, will NOT be tolerated.
`
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&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Propers:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc. No dupes/propers if
the previous release was not COMPLETE.
. Propers based on previous releases having improper dir names
will not be tolerated.
. If previous release was not region free, a patch must be used,
NOT a proper.
Other Notes:
. Intros and outros are not tolerated.
. Group watermarks within the DVD are STRICTLY forbidden.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
&#9616;
The DVDR Releasing Standards Originally Written and Organized By:
AUK . SOUL . JR . MAH . PURP . CONE
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&#9604;&#9608;&#9608;&#9618; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9618;&#9608;&#9608;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9617; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9617;&#9608;&#9608;&#9608;&#9604;
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<pre class="nfo"> &#9604;&#9619;&#9600;&#9600;&#9604;
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&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619;
&#9619;&#9608; HIGH COUNCIL for FRENCH ANIME RULES &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Date v1: ........................................24/10/2004 &#9608;&#9608;
&#9608;&#9608; Date v2: ........................................14/11/2004 &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9619;&#9608; Teams: M**.E*0***.MAN******.DV*****.DRAG***.NIN**.KEN** &#9608;&#9619; &#9617;
&#9617; &#9619;&#9608; Kit**.PEPI**.TK*.W* &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; RELEASE NOTES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
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&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Chers membres de la scene francaise,
Le present document vous est presente suite a la rencontre de plusieurs
teams francaises Animes. Ensemble, nous avons discute de plusieurs
aspects de notre scene francaise anime dont les rules generales
a respecter afin de maintenir et accroitre la qualite des releases
qui vous sont offertes. Suite aux nombreuses suggestions, propositions
et arguments presentes durant cette rencontre, nous avons elabore ces
rules dont l&#39;unanimite des teams ont lu et accepte de respecter.
Un petit mot plus particulierement aux siteops/nukers de sites o&#183; les
animes sont trades: Nous tenons a ce que vous respectiez et appliquiez
ces rules que nous, les teams francaises animes, avons choisi
d&#39;honorer.
---------------------------------------------------------------------------
ANiME RULES v2.0
Nom de la source a specifier pour les captures broadcast de chaines TV FR
(chaines MANGAS, AB1 etc...)
HDTV: Capture numerique via une carte DVB ou une carte HDTV au format
High Definition TeleVision
PDTV: Capture numerique via une carte DVB (S ou C) appeler aussi DVBRIP
SDTV: Capture numerique via une platine DVD de salon
SATRIP: Capture via une carte de capture analogique avec une source
satellite ou cable numerique
TVRiP: Capture via une carte de capture terrestre ou carte de capture
analogique avec une source cable analogique avec entrees
RCA video/audio
LE DVDRIP HK est considere comme une source Broadcast. A savoir que c&#39;est
la commercialisation d&#39;une capture avec le travail d&#39;une equipe chinoise
pour faire des Sub US de l&#39;audio JAP.
LE DVDRIP HK comme les RAW a une qualite suivant les annees de captures.
Le Japon est passe en diffusion HDTV en 2002-2003.
Reste a savoir la methode qui a ete employee pour capturer le HDTV.
Voila pourquoi les DVDHK ont une qualite differente selon les annees de
diffusion TV.
Le Rawrip est une capture SAT au japon bien souvent en HDTV de tres bonne
qualite.
Le Rawrip d&#39;un DVDRIP est considere comme un DVDRIP, le nom RAWRIP etant
accorde au capture broadcast.
Les captures SAT sur les chaines Francaise devront specifier leur format
de capture : le format DVBrip n&#39;existe donc plus et devra etre remplace
par PDTV pour suivre les rules HCR serie TV.
Les formats en FANSUB ne se nukent pas les uns les autres. En d&#39;autres
termes une serie fansub ne peut pas etre recommencee. Une serie en RAWRIP
ne peut etre recommencee en DVDRIP Z1, Z2jap etc...
SEULE une serie Z2 subfrench retail peut recommencer la serie.
Si un groupe arrete une serie, une autre team peut la reprendre et ce meme
dans une source differente (un Z1 arrete peut etre continue en rawrip
et vice-versa)
Peuvent avoir la denomination de DVDrip :
les DVD Z1, DVD Z2 PAL/UK/JAP, DVD Z3 (coreen) et les raw ayant pour
source un DVD (generalement DVD Zone2 JAP).
Cas des DVDrip avec un AUDIO VF non DVD (source audio: broadcast ou VHS)
Desormais ce genre de rlz ne sera plus considere comme DVDRIP mais
DVDSCR pour eviter que de vrais DVDRIP Z2 FRENCH RETAILs soient nuke.
Les nouveaux format sont donc:
DVDRIP - DVDSCR - HKDVDRIP - RAWRIP - HDTV/PDTV/SDTV/SATRIP/TVRIP
Si le Z2 subfrench est OUT en magasin, la serie fansub peut continuer si
la serie a ete sortie dans ses 3/4. Dans le cas contraire, la serie fansub
doit se terminer.
Si c&#39;est le Z2 French qui est OUT, la serie Fansub peut continuer.
Une serie Fansub (VO) peut commencer si la serie FRENCH est sortie en DVD.
La distribution d&#39;anime de team fansub non warez est possible si ces teams
l&#39;autorisent et si elles sont conformes avec les rules HCR animes (reso,
codec audio et video etc...).
Dans ce cas, la team warez devra indiquer dans ses NFO le nom de la team
fansub acceptant la diffusion.
VOBSUB obligatoire (et pas Subrip) pour DVD Zone 2 Subfrench.
Verifier la hauteur des sous-titres, s&#39;ils sont un peu au milieu de
l&#39;image, il faudra les descendre (bien verifier ensuite le resultat sur
les sous-titres etant sur une et deux lignes).
Une serie fansub commencee dans un codec et une rezo doit etre poursuivie
ainsi, meme si ces formats ne sont plus allowed avec les rules HCR anime
d&#39;aujourd&#39;hui (idee de continuite).
Differentes categories d&#39;animes:
L&#39;anime JAP/FR/US (Marvel, Disney (non sorti en salles FR, sinon section
DiVX), etc.)
Le HENTAI
Le SENTAI (X-OR, Bioman etc.)
KID (Maya, Mask, Minipouss etc.)
C&#39;est aux sites a soit differencier ces sections, ou au contraire a les
regrouper en une seule ayant pour nom ANIMES.
Notion d&#39;exclusivite pour PRE une box Z2 serie anime :
La team qui sort le premier 2 cds en suivant, a l&#39;exclusivite pour pre la
box entiere. Cependant si dans les 4 jours ils n&#39;ont pas termine la box,
une autre team peut RACE la serie.
Exemple: team A CD1 et team B CD2-3. C&#39;est la team B qui a l&#39;exclu pour
RLZ le reste de la box jusqu&#39;a terme des 4jours a partir de la
pre du CD3.
Attention les series anime dont les DVDS sont vendu a l&#39;unite n&#39;ont pas
cette notion d&#39;exclusivite. Chaque DVD pouvant etre rlz par une team
differente.
Exemple: Olive et Tom, DBZ, dont les DVDs vendus a l&#39;unite peuvent etre
race par des teams differentes.
Format:
Le SBC est allowed mais il est conseille d&#39;utiliser le XViD
Video XViD 1.0 en 2 pass 29fps ou 23.9fps (NTSC) OU 25fps (PAL)
La diminution du FPS de 29.9 a 23.9 doit etre faite uniquement via IT.dll,
decomb.dll, ou autre methode de qualite equivalente.
La diminution du FPS NTSC 29.9 a NTSC 23.9 n&#39;est desormais plus
obligatoire.
Audio MP3 128kbps CBR 44.1khz/48khz, AC3 autorise.
Resolution:
- doit respecter l&#39;aspect ratio (AR) original de la diffusion originale
1.33 (4/3) 704 x 528 | 640 x 480 | 576 x 432
1.66 (16/9) 704 x 432 | 640 x 384 | 576 x 352
1.77 (16/9) 704 x 384 | 640 x 352 | 576 x 320
1.85 (WS 16/9) 704 x 384 | 640 x 352 | 576 x 304
2.35 (CS 16/9) 704 x 304 | 640 x 272 | 576 x 240
- Le cropping est obligatoire
Taille:
Episode de 20-29mn = 170 a 235 Mo
Episode de 30-49mn = 235 a 350 Mo
Episode de + de 50mn = 375 a 700 Mo
Z2 Retail uniquement:
Quant au nbr des episodes a release
On met 3 episodes/cd quand ca tombe juste sinon
on met en 4 episodes / cd.
Package:
Dirname Serie: TITRE.DE.LA.SERIE.CDX.LANGAGE.SOURCE.CODEC-TEAM
Dirname Serie Saison: TITRE.DE.LA.SERIE.SAISONX.CDX.LANGAGE.SOURCE.CODEC-TEAM
Dirname anime long metrage: TITRE.DE.LA.SERIE.LANGAGE.SOURCE.CODEC-TEAM
Rars: 15mb par fichier
Qualite:
- Les teams doivent se rappeler que la qualite de leurs series devrait
etre optimale par respect pour les amateurs et pour elles-memes.
Le nuke en anime:
- On nuke une serie qui dupe une autre en pretextant un format superieur
(un Z1 fansub qui voudrait refaire la meme serie qu&#39;un rawrip fansub)
- Pour mauvaise resolution, mauvais codec, mauvais bitrate/codec audio
- Pour mauvaise qualite d&#39;image.
- Pour subs incoherents, mauvaise traduction, trop de fautes.
------------------------------------------------------------------------------
DVDR ANIMe RULES v2
Generales:
- Pour commencer une saison, la team doit release le VOL01/DVD1
- Les DVDs suivants doivent etre PRE dans l&#39;ordre chronologique
- Pour sortir la saisons suivante une team n&#39;est pas obliger
d&#39;attendre la fin de la precedente.
Notion d&#39;exclusivite pour PRE une box Z2 serie anime:
La team qui sort le premier DVDR, a l&#39;exclusivite pour pre la box entiere.
Cependant la team a 3 jours pour Pre une release DVDR.
Attention les series animes dont les DVDS sont vendus a l&#39;unite n&#39;ont pas
cette notion d&#39;exclusivite. Chaque DVD pouvant etre rlz par une team
differente.
Les dvd9 doivent etre reauthores pas d&#39;utilisation de ifoupdate ou autres.
Format:
Video:
CCE 4 a 9pass
Resolution:
- doit respecter l&#39;aspect ratio (AR) original de la source dvd
ainsi que la resolution
Bonus:
-Les bonus sont autorise
Package:
Dirname: TITRE.DE.LA.SERIE.S1.DVDX.FRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.S1.DVDX.MULTI.DVDR-TEAM
TITRE.DE.LA.SERIE.S1.DVDX.SUBFRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.VOLX.SUBFRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.VOLX.FRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.VOLX.MULTI.DVDR-TEAM
S&#39;il n&#39;y a pas de saison juste mettre DVDX (X etant le numero du volume
DVD)
FULL: rien n&#39;a ete enleve
MULTI: mini 2 langues
Rars: 50mb par fichier
Autres:
Fansub:
- Le Fansub est autorise s&#39;il s&#39;agit d&#39;un DVD Z1, Z3, Z2UK/JAP (allowed
selon les sites)
FANSUB de DVDR HK interdit.
Subfrench:
- Le Subfrench est autorise
Qualite:
- Les teams doivent se rappeler que la qualite de leurs series devrait
etre optimale par respect pour les amateurs et pour elles-memes.
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; HCR des rules animes: DVDR - DVDRIP - Broadcast &#9608;&#9608;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; Lu et approuve dans leur majorite par les teams animes &#9608;&#9608; &#9617;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; 14/11/2004 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
</pre>
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<pre class="nfo"> &#9604;&#9619;&#9600;&#9600;&#9604;
&#9619;&#9608;&#9612;
TiME &#9618;&#9604;&#9604; &#9604;&#9604;&#9608; &#9604;&#9608;&#9608;&#9608;&#9612;
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&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9619;&#9604;&#9604; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618; &#9619;&#9608;&#9608;&#9608;&#9608; &#9619; &#9604;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9604;
&#9617; &#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9616;&#9608;&#9608;&#9608;&#9612; &#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600; &#9618;&#9618;&#9600; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9632; &#9619; &#9619;&#9608;&#9608;&#9608;&#9608;&#9608; &#9618; &#9618;&#9608;&#9608;&#9617; &#9618; &#9616;&#9608;&#9608;&#9608;&#9608;&#9604;&#9617;
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&#9608;&#9600; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9612;&#9608;&#9608;&#9608;&#9608;&#9612; &#9619;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618; &#9619;&#9608;&#9608;&#9608;&#9612; &#9619;&#9604; &#9600;&#9619; &#9616;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608; &#9617;&#9608;&#9608;&#9608;&#9604; &#9604;&#9604;&#9604;&#9619;&#9608;&#9608;&#9619;&#9600;&#9600;
&#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9600;&#9600;&#9608;&#9619;&#9604;&#9600;&#9616;&#9608;&#9608;&#9608;&#9608;&#9612; &#9619; &#9608;&#9608;&#9608;&#9608;&#9612; &#9619;&#9604; &#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9619;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600; &#9617;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618;&#9617;
&#9618;&#9600;&#9600;&#9600;&#9600;&#9600; &#9617;&#9604; &#9617;&#9608;&#9608;&#9608;&#9619; &#9600; &#9608;&#9608;&#9608;&#9608;&#9612; &#9617;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9612; &#9604; &#9619;&#9608;&#9604;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;
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&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9617; &#9619;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617; &#9600; &#9617;&#9600; &#9616;&#9612; &#9616;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600; &#9618; asx &#9617;&#9604;&#9604;&#9604;&#9618;&#9617;
&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9617; &#9600;&#9600;&#9600;&#9619;&#9600; &#9604; &#9632;&#9600; &#9600;&#9600;&#9619;&#9612; &#9617; &#9616;&#9612; &#9616;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9604;&#9604;&#9619;&#9600;&#9600;&#9618; &#9617;
&#9617; &#9600;&#9600;&#9600;&#9619;&#9604; &#9617;&#9608;&#9619; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9618;&#9604;&#9604;&#9618; &#9600;&#9618; &#9618; &#9618;&#9619; &#9618;&#9600; &#9604;&#9604;&#9604;&#9618;&#9600;&#9600; &#9617;
&#9618;&#9600;&#9619;&#9619;&#9600; &#9618;&#9632;&#9600; &#9600;&#9600;&#9604; &#9618; &#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9617;
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9600;&#9618;&#9600; &#9600;&#9618;&#9619; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9617;&#9618; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619;
&#9619;&#9608; HIGH COUNCIL for FRENCH SERiES RULES &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Date: ...................................................12/09/04 &#9608;&#9608;
&#9608;&#9608; Date: ...................................................00/00/04 &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9619;&#9608; Team: .TVI.PDTVFR.WB.SVP.MOZAIC.MACK4.PLOP.PEPiTO.SESSiON.RiDERS. &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; .DVBCITY.SERIOUS.UNRATED.PANiK.QCSERIES.iNFOS.............. &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; RELEASE NOTES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Chers membres de la scene francaise,
Le pr&#952;sent document vous est pr&#952;sent&#952; suite &#945; la rencontre de plusieurs
teams francaises series tv. Ensemble, nous avons discut&#952; de plusieurs
aspects de notre scene francaise series tv dont les rules g&#952;n&#952;rales
&#945; respecter afin de maintenir et accro&#949;tre la qualit&#952; des releases
qui vous sont offertes. Suite aux nombreuses suggestions, propositions
et auguments pr&#952;sent&#952;s durant cette rencontre, nous avons &#952;labor&#952; ces
rules dont l&#39;hunanimit&#952; des teams ont lu et accept&#952; de respecter.
Un petit mot plus particuli&#934;rement aux siteops/nukers de sites o&#183; les
series tv sont trades: Nous tenons &#945; ce que vous respectez et appliquez
ces rules que nous, les teams francaises series tv, avons choisi
d&#39;honorer.
TVRiP RULES
Generales:
- Pour commencer une serie/saison, la team doit release l&#39;episode 01
Ensuite, elle obtient la priorit&#952; de la s&#952;rie/saison
- Les &#952;pisodes suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique
- Toutefois, si le team tarde (48 heures apr&#934;s la diffusion de l&#39;episode)
&#945; releaser une episode, une autre team est autoris&#952;e a race sur
l&#39;episode si, et seulement si, la qualit&#952; de la source est identique
ou sup&#952;rieure et dans le meme format
- Le logo doit etre enlev&#952;, si possible, selon la chaine
Source/broadcast (en ordre de sup&#952;riorit&#952;):
HDTV: capture num&#952;rique via une carte DVB ou une carte HDTV au format
High Definition TeleVision
PDTV: capture num&#952;rique via une carte DVB (S ou C)
SATRIP: capture via une carte de capture analogique avec une source
satellite ou cable num&#952;rique
TVRiP: capture via une carte de capture terrestre ou carte de capture
analogique avec une source cable analogique avec entr&#952;es
RCA video/audio
Format:
Video XViD 1.0 1pass ou 2pass 23.976fps (NTSC) OU 25fps (PAL)
Audio MP3 128kbps CBR ou ABR/VBR ou OGG , 44.1khz
vbr/abr: minimum de 96kbps et une moyenne de 128kbps minimum
Resolution:
- doit respecter l&#39;aspect ratio (AR) original de la diffusion originale
1.33 ( 4:3) 640 x 480 | 576 x 432 | 512 x 384
1.77 (16:9) 640 x 368 | 576 x 320 | 512 x 288
1.85 (16:9) 640 x 352 | 576 x 304 | 512 x 272
2.35 (16:9) 640 x 272 | 576 x 240 | 512 x 224
- Le cropping est obligatoire
Taille:
Episode de 20-29min = 125 &#945; 235 Mo
Episode de 30-49min = 235 &#945; 350 Mo
Episode de + de 50mn = 375 &#945; 700 Mo
Package:
Dirname: TITRE.DE.LA.SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
Early.Edition.S01E01.FRENCH.PDTV.XVID-TEAM
sauf si serie de FR ou du QC car titre US non existant
Rars: Store 15mb ou 20mb par fichier
Autres:
Fansub:
- Le Fansub est interdit
Subfrench:
- Le Subfrench est autoris&#952;
Recommandation: En ce qui a trait aux series de 25 ou 26 &#952;pisodes de moins
de 30min, une taille variant entre 320 et 330 Mo serait
pr&#952;f&#952;rable pour que la serie complete entre sur 2 DVDR
(13 episodes/DVDR)
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDRiP RULES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Generales:
- Pour commencer une s&#952;rie/saison, la team doit release l&#39;&#952;pisode 01/CD1
Ensuite, elle obtient la priorit&#952; du volume/coffret dvd
- Les &#952;pisodes/CDs suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique
- Toutefois, si le team tarde(plus de 2 jours entre chaque) &#945; releaser
les &#952;pisodes/CDs suivants, une autre team est autoris&#952;e a continuer cette
serie/saison avec les memes caract&#952;ristiques Video et Audio que les
episodes/CDs pr&#952;c&#952;dents
Format:
Video:
XViD 1.0 2pass 23.976fps (NTSC) OU 25fps (PAL)
Resolution:
- doit respecter l&#39;aspect ratio (AR) original de la source dvd
1.33 ( 4:3) 640 x 480 | 576 x 432 | 512 x 384
1.77 (16:9) 640 x 368 | 576 x 320 | 512 x 288
1.85 (16:9) 640 x 352 | 576 x 304 | 512 x 272
2.35 (16:9) 640 x 272 | 576 x 240 | 512 x 224
- Le cropping est obligatoire
Audio:
- doit etre MP3 CBR ou ABR/VBR 128kbps, 44.1kHz
- doit etre STEREO
- audio vbr/abr: minimum de 96kbps et une moyenne de 128kbps minimum
- AC3 est accept&#952;
Taille:
Une serie dvdrip peut etre release soit:
- par episode:
Episode de 20-29min = 233 Mo
Episode de 30-49min = 350 Mo
Episode de + de 50min = 700 Mo
- par CD:
3 episodes de 20-29min a 233mo
2 episodes de 30-49min a 350mo
1 episode de + de 50min a 700 Mo
Package:
Dirname: TITRE.DE.LA.SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01CD1.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01DVD1.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01VOL1.FRENCH.SOURCE.FORMAT-TEAM
Early.Edition.S01E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01CD1.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01DVD1.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01VOL1.FRENCH.DVDRiP.XVID-TEAM
- sauf si serie de FR ou du QC car titre US non existant
Rars: Store 15mb ou 20mb par fichier
Autres:
Fansub:
- Le Fansub est interdit
Subfrench:
- Le Subfrench est autoris&#952;
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; CONTACT &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; EMAIL : NEVER &#9608;&#9608; &#9617;
&#9608;&#9608; IRC : NEVER &#9608;&#9608;
&#9617; &#9619;&#9608; WWW : NEVER &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; READ AND APPROVED BY &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
&#9632; iNFOS &#9632; PDTVFR &#9632; QCSeries &#9632;
&#9632; WB &#9632; SVP &#9632; MOZAiC &#9632; PLOP &#9632; TVI &#9632; PANiK &#9632;
&#9632; PEPiTO &#9632; SESSiON &#9632; RiDERS &#9632; SERiOUS &#9632; UNRATED &#9632;
&#9632; BiGNAiN &#9632; DVBCiTY &#9632; M4CK4 &#9632;
&#9618; &#9618;
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; asphyx &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9600;&#9617; &#9632;</pre>
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<pre class="nfo"> &#9604;&#9619;&#9600;&#9600;&#9604;
&#9619;&#9608;&#9612;
TiME &#9618;&#9604;&#9604; &#9604;&#9604;&#9608; &#9604;&#9608;&#9608;&#9608;&#9612;
&#9604;&#9604;&#9604;&#9617; &#9619;&#9619;&#9619;&#9604;&#9604; &#9617;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9608;&#9608;&#9608; &#9632;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608; &#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
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&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9619;&#9604;&#9604; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618; &#9619;&#9608;&#9608;&#9608;&#9608; &#9619; &#9604;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9604;
&#9617; &#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9616;&#9608;&#9608;&#9608;&#9612; &#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600; &#9618;&#9618;&#9600; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9632; &#9619; &#9619;&#9608;&#9608;&#9608;&#9608;&#9608; &#9618; &#9618;&#9608;&#9608;&#9617; &#9618; &#9616;&#9608;&#9608;&#9608;&#9608;&#9604;&#9617;
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&#9608;&#9600; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9612;&#9608;&#9608;&#9608;&#9608;&#9612; &#9619;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618; &#9619;&#9608;&#9608;&#9608;&#9612; &#9619;&#9604; &#9600;&#9619; &#9616;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608; &#9617;&#9608;&#9608;&#9608;&#9604; &#9604;&#9604;&#9604;&#9619;&#9608;&#9608;&#9619;&#9600;&#9600;
&#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9600;&#9600;&#9608;&#9619;&#9604;&#9600;&#9616;&#9608;&#9608;&#9608;&#9608;&#9612; &#9619; &#9608;&#9608;&#9608;&#9608;&#9612; &#9619;&#9604; &#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9619;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600; &#9617;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618;&#9617;
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&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9617; &#9600;&#9600;&#9600;&#9619;&#9600; &#9604; &#9632;&#9600; &#9600;&#9600;&#9619;&#9612; &#9617; &#9616;&#9612; &#9616;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9604;&#9604;&#9619;&#9600;&#9600;&#9618; &#9617;
&#9617; &#9600;&#9600;&#9600;&#9619;&#9604; &#9617;&#9608;&#9619; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9618;&#9604;&#9604;&#9618; &#9600;&#9618; &#9618; &#9618;&#9619; &#9618;&#9600; &#9604;&#9604;&#9604;&#9618;&#9600;&#9600; &#9617;
&#9618;&#9600;&#9619;&#9619;&#9600; &#9618;&#9632;&#9600; &#9600;&#9600;&#9604; &#9618; &#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9617;
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9600;&#9618;&#9600; &#9600;&#9618;&#9619; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9617;&#9618; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619;
&#9619;&#9608; HIGH COUNCIL for FRENCH SERiES RULES &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Date: ...................................................28/09/04 &#9608;&#9608;
&#9608;&#9608; Date: ...................................................18/10/04 &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9619;&#9608; Team: .TVI.PDTVFR.WB.SVP.MOZAIC.MACK4.PLOP.PEPiTO.SESSiON.RiDERS. &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; .DVBCiTY.SERiOUS.UNRATED.PANiK.QCSeries.iNFOS.TiMER.BiGNAiN &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; RELEASE NOTES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Chers membres de la sc&#934;ne fran&#964;aise,
Le pr&#952;sent document vous est pr&#952;sent&#952; suite &#945; la rencontre de plusieurs
Teams fran&#964;aises de s&#952;ries TV. Ensemble, nous avons discut&#952; de plusieurs
aspects de notre sc&#934;ne fran&#964;aise s&#952;ries TV dont les rules g&#952;n&#952;rales
&#945; respecter afin de maintenir et accro&#949;tre la qualit&#952; des releases
qui vous sont offertes. Suite aux nombreuses suggestions, propositions
et arguments pr&#952;sent&#952;s durant cette rencontre, nous avons &#952;labor&#952; ces
rules dont l&#39;unanimit&#952; des teams ont lue et accept&#952;u de respecter.
Un petit mot plus particuli&#934;rement aux siteops/nukers de sites o&#183; les
s&#952;ries TV sont trades: Nous tenons &#945; ce que vous respectez et appliquez
ces rules que nous, les teams fran&#964;aises s&#952;ries TV, avons choisi
d&#39;honorer.
TVRiP RULES v2.0
Generals:
* S&#952;ries en cours de diffusion :
- Pour commencer et obtenir la priorit&#952; d&#39;une saison, une team doit
releaser l&#39;&#952;pisode qui est diffus&#952;e en premier par la cha&#949;ne.
- Les &#952;pisodes d&#39;une saison doivent &#8486;tre PRE dans l&#39;ordre de diffusion.
- Toutefois, si la team tarde (48h apr&#934;s la diffusion) &#945; releaser
un &#952;pisode, une autre team est autoris&#952;e a race sur cette episode
uniquement. La qualit&#952; de la source doit &#8486;tre identique ou
sup&#952;rieure et dans le m&#8486;me format.
- Pour releaser une saison, il est sugg&#952;r&#952; d&#39;attendre que la saison
pr&#952;c&#952;dente soit compl&#934;tement releas&#952;e, sauf si elle n&#39;a pas &#952;t&#952; diffus&#952;e.
- Si une s&#952;rie est abandonn&#952;e ou qu&#39;il s&#39;&#952;coule 3 semaines sans aucune
release de la team qui a la priorit&#952;, une team est autoris&#952;e &#945; compl&#952;ter
la s&#952;rie en cours ou &#945; sortir la saison suivante et elle obtient la
priorit&#952; de la saison.
- Si la cha&#949;ne ne diffuse plus la s&#952;rie pendant un temps et ensuite
reprend la diffusion, la team ayant la priorit&#952; originellement
&#945; toujours la priorit&#952; sur la suite de cette saison.
* S&#952;ries en stock :
- Il arrive parfois, et m&#8486;me souvent, que les teams stockent plusieurs
saisons d&#39;une s&#952;rie, et d&#952;cident par la suite de les diffuser.
Dans ce cas, il est conseill&#952; que la team annonce dans leur nfo
d&#934;s le d&#952;but le nombre de saisons et &#952;pisodes qu&#39;elle souhaite diffuser.
- Aucune priorit&#952; n&#39;est donn&#952;e avant le PRE de l&#39;&#952;pisode 01 d&#39;une saison
mais il est fortement sugg&#952;r&#952; qu&#39;une autre team respecte, par souci
de pr&#952;server une bonne r&#952;putation, d&#39;&#952;thique ainsi que de bonne foi, les
souhaits d&#39;une autres teams.
- Dans un cas ou une team &#945; annoncer les saisons et &#952;pisodes qu&#39;elle
pr&#952;voyait diffuser et qu&#39;une autre team race, la team ayant rac&#952;e
obtient la priorit&#952; de la saison qu&#39;elle a d&#952;but&#952;e mais cette team
doit respecter les rules HCR.
- Pour commencer et obtenir la priorit&#952; d&#39;une saison, une team doit
release l&#39;&#952;pisode 01.
- Les &#952;pisodes doivent PRE dans l&#39;ordre chronologique.
- Pour sortir la saisons suivante, une team n&#39;est pas oblig&#952;e d&#39;attendre
la fin de la pr&#952;c&#952;dente.
- L&#39;espacement maximal entre 2 PRE doit &#8486;tre de 24h maximum, sinon
une autre team est autoris&#952;e &#945; racer sur cette &#952;pisode uniquement.
Pour racer une team la qualit&#952; de la source doivent &#8486;tre identique
ou sup&#952;rieure et dans le m&#8486;me format.
- Dans un cas ou une team &#945; annoncer qu&#39;elle allait releaser une saison ou
une s&#952;rie qu&#39;elle poss&#952;dait en stock, mais que cette saison revient en
ondes avant que la team n&#39;aille releaser l&#39;&#952;pisode 01, cette team &#945; 24h
pour sortir l&#39;&#952;pisode 01 apr&#934;s la d&#952;but de la diffusion. Apr&#934;s ce 24h, la
s&#952;rie sera soumise aux rules des s&#952;ries en diffusion et donc pour sortir
une rlz une team doit le faire dans les 24h restant.
Source/broadcast (en ordre de sup&#952;riorit&#952;):
- Ordre de qualit&#952;: HDTV --> PDTV --> SDTV ou SATRIP --> TVRIP
HDTV: Capture num&#952;rique via une carte DVB ou une carte HDTV au format
High Definition TeleVision.
PDTV/DVBRIP: Capture num&#952;rique via une carte DVB (C ou S ou bien T).
SDTV/SATRIP: Capture d une source num&#952;rique satellite ou c&#915;ble avec
une carte d acquisition analogique ou graveur DVD avec
branchement analogique.
TVRiP: Capture via une carte de capture terrestre ou carte de capture
analogique avec une source c&#915;ble analogique avec entr&#952;es
RCA vid&#952;o/audio.
Format:
Vid&#952;o:
- XViD (1.x) 1 &#945; 2pass 23.976/29.970fps (NTSC) OU 25fps (PAL).
Audio:
- MP3 128kbps CBR ou ABR/VBR, 44.1khz/48khz.
Vbr/abr: minimum de 96kbps et une moyenne de 128kbps minimum.
R&#952;solution:
- doit respecter l&#39;aspect ratio (AR) original de la diffusion originale.
1.33 (4/3) 640 x 480 | 576 x 432 | 544 x 408 | 512 x 384
1.66 (16/9) 644 x 388 | 568 x 342 | 528 x 318 | 508 x 306
1.77 (16/9) 644 x 364 | 584 x 330 | 556 x 314 | 512 x 288
1.85 (WS 16/9) 644 x 348 | 584 x 316 | 544 x 294 | 492 x 266
2.35 (CS 16/9) 644 x 274 | 592 x 252 | 536 x 228 | 512 x 218
WS = WIDESCREEN
CS = CINEMASCOPE
- Mais les anciennes r&#952;solutions TDX sont toujours accept&#952;es
- Le cropping est obligatoire.
Taille:
&#9556;pisode de 20-29mn = 125 &#945; 235 Mo
&#9556;pisode de 30-49mn = 235 &#945; 350 Mo
&#9556;pisode de + de 50mn = 375 &#945; 700 Mo
Package:
Dirname: TITRE.DE.LA.SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
Early.Edition.S01E01.FRENCH.PDTV.XVID-TEAM
Sauf si s&#952;rie de FR ou du QC car titre US non existant.
Rars: Store 15mb ou 20mb par fichier.
Autres:
Fansub:
- Le Fansub est interdit.
Logo:
- Le logo doit &#8486;tre enlev&#952;, si possible, selon la cha&#949;ne.
Subfrench:
- Le Subfrench est autoris&#952;.
Qualit&#952;:
- Les teams doivent se rappeler que la qualit&#952; de leurs s&#952;ries devrait &#8486;tre optimal
par soucie envers les amateurs et pour eux m&#8486;me.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDRiP RULES v2.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
G&#952;n&#952;rales:
- Pour commencer une saison, la team doit release l&#39;E01/CD1.
- Les &#952;pisodes/CDs suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique.
- Toutefois, si le team tarde (plus de 3 jours entre chaque) &#945; releaser
les &#952;pisodes/CDs suivants, une autre team est autoris&#952;e &#945; continuer
cette saison avec les m&#8486;mes caract&#952;ristiques vid&#952;o/audio que les
&#952;pisodes/CDs pr&#952;c&#952;dents.
- Pour sortir la saisons suivante une team n&#39;est pas oblig&#952;e d&#39;attendre la
fin de la pr&#952;c&#952;dente.
Format:
Vid&#952;o:
- XViD (1.x) 2pass 23.976/29.970fps (NTSC) OU 25fps (PAL).
R&#952;solution:
- doit respecter l&#39;aspect ratio (AR) original de la source DVD.
1.33 (4/3) 640 x 480 | 576 x 432 | 544 x 408 | 512 x 384
1.66 (16/9) 644 x 388 | 568 x 342 | 528 x 318 | 508 x 306
1.77 (16/9) 644 x 364 | 584 x 330 | 556 x 314 | 512 x 288
1.85 (WS 16/9) 644 x 348 | 584 x 316 | 544 x 294 | 492 x 266
2.35 (CS 16/9) 644 x 274 | 592 x 252 | 536 x 228 | 512 x 218
WS = WIDESCREEN
CS = CINEMASCOPE
- Mais les anciennes r&#952;solutions TDX sont toujours accept&#952;es
- Le cropping est obligatoire.
Audio:
- doit &#8486;tre MP3 CBR ou ABR/VBR 128kbps, 44.1khz/48khz.
- doit &#8486;tre STEREO.
- audio vbr/abr: minimum de 96kbps et une moyenne de 128kbps minimum.
- AC3 est accept&#952;.
Taille:
Une s&#952;rie dvdrip peut &#8486;tre release soit:
- par &#952;pisode:
&#9556;pisode de 20-29min = 233 Mo
&#9556;pisode de 30-49min = 350 Mo
&#9556;pisode de + de 50min = 700 Mo
- par CD:
3 &#952;pisodes de 20-29min a 233mo
2 &#952;pisodes de 30-49min a 350mo
1 &#952;pisode de + de 50min a 700 Mo
Package:
Dirname: TITRE.DE.LA.SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01CD1.FRENCH.SOURCE.FORMAT-TEAM
Early.Edition.S01E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01CD1.FRENCH.DVDRiP.XVID-TEAM
- sauf si s&#952;rie de FR ou du QC car titre US non existant.
Rars: Store 15mb ou 20mb par fichier.
Autres:
Fansub:
- Le Fansub est interdit.
Subfrench:
- Le Subfrench est autoris&#952;.
Qualit&#952;:
- Les teams doivent se rappeler que la qualit&#952; de leurs s&#952;ries devrait &#8486;tre optimale
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDR RULES v1.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
G&#952;n&#952;rales:
- Pour commencer une saison, la team doit releaser le VOL01/DVD1
- Les DVD suivants doit &#8486;tre PRE dans l&#39;ordre chronologique
- Toutefois, si la team tarde (plus de 8 jours entre chaque) &#945;
releaser les DVD suivants, une autre team est autoris&#952;e a race
sur ce DVD uniquement, si et seulement si la qualit&#952; est identique
ou sup&#952;rieure et dans le m&#8486;me format.
- Pour sortir la saison suivante, une team n&#39;est pas oblig&#952;e
d&#39;attendre la fin de la saison pr&#952;c&#952;dente.
Format:
Vid&#952;o:
CCE 4 &#945; 9pass 23.976/29.970fps (NTSC) OU 25fps (PAL)
R&#952;solution:
- doit respecter l&#39;aspect ratio (AR) original de la source DVD
ainsi que la r&#952;solution.
Audio:
- doit &#8486;tre AC3 ou Dolby 5.1/2.0.
- doit &#8486;tre FRENCH 5.1 si possible, inclure ENGLISH 2.0.
- doit &#8486;tre STEREO.
Bonus:
-Les bonus sont autoris&#952;s.
Package:
Dirname: TITRE.DE.LA.SERIE.US.S01DVD1.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01DVD1.MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01VOL1.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.SERIE.US.S01VOL1.MULTI.SOURCE.FORMAT-TEAM
Early.Edition.S01DVD1.FRENCH.DVDR-TEAM
Early.Edition.S01DVD1.MULTI.DVDR-TEAM
Early.Edition.S01VOL1.FRENCH.DVDR-TEAM
Early.Edition.S01VOL1.MULTI.DVDR-TEAM
- sauf si s&#952;rie de FR ou du QC car titre US non existant.
Rars: Store 50mb par fichier.
Autres:
Fansub:
- Le Fansub est interdit.
Subfrench:
- Le Subfrench est autoris&#952;.
Qualit&#952;:
- Les teams doivent se rappeler que la qualit&#952; de leurs s&#952;ries devrait &#8486;tre optimale
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; CONTACT &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; EMAIL : NEVER &#9608;&#9608; &#9617;
&#9608;&#9608; IRC : NEVER &#9608;&#9608;
&#9617; &#9619;&#9608; WWW : NEVER &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; READ AND APPROVED BY &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
&#9632; iNFOS &#9632; PDTVFR &#9632; QCSeries &#9632;
&#9632; SVP &#9632; MOZAiC &#9632; M4CK4 &#9632; TiMER &#9632; PANiK &#9632;
&#9632; PEPiTO &#9632; SESSiON &#9632; RiDERS &#9632; SERiOUS &#9632; UNRATED &#9632; DVBCiTY &#9632;
&#9632; BiGNAiN &#9632; TVI &#9632; WB &#9632; PLOP &#9632;
&#9618; &#9618;
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; asphyx &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9600;&#9617; &#9632;
</pre>
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<pre class="nfo"> ___ ___
__) |_____ __) |_____ .
|_ | /__ | /__ . ..:.. .
_ _____ _ _ _// _ _|_ | _| :
: ::::::::::::: )| | \\_// | \\_ _ _ _____ _ __
//____| |____| |( . .|
+--------|______\\--|_______\\ : _|
___ y yyy ___ . ____ | ... ___ | pO/iMP____ \\_
__) _|_____ __) _|_____ __) _/____ __) |_____ __) _/____ .|
|_ _____ /__ \ /__ _| /__ | /__ _| /__ :|
_// | / _|_ | _|_ | _|_ / _|_ | _| :|
)| | / \\_// | \\_//| \\_// | \\_//| \\_ :|
//___|/ |___| |__| |____| |__| |(:|
+-------|_______\\--|_______\\-|_______\\---|______\\-|_______\\-+
&#224; H Q S C E N E &#224; ._ . ....::: . . |
_ _____ _ _ _// | ::::::: | : |
|:. | ::::::: | : .:|
+---------| ::::::: |-------------------+
+---------+ :
.
------------------------------------------------------------------------------
those signed herein propose that a quality standard of
--alt-preset standard
using the currently recommended lame compile (by developers/hydrogenaudio.org)
become the new high-quality standard of the mp3 scene. the benefits of vbr
over cbr regarding the ratio of quality to size are now abundant using this
compile. this benefits both the end user and the siteop. since it is now
commonly known that vbr far outweighs cbr regarding disk usage, bandwidth, and
quality, vbr uses a sites resources to its fullest potential. the end user who
uses a portable device or a personal computer also benefits from having the
smallest possible file size (given the sample complexity) at the highest
possible quality. the only true concern regarding vbr was the lack of
zipscripts that support it, but this is no longer the case since zip scripts
have been created that fully support vbr. note that vbr is _STILL_ a .mp3
file, it just uses different settings than the previous standard.
this current recommended compile of lame can be obtained at the following url:
* http://rarewares.hydrogenaudio.org/files/lame-3.90.3modified.zip
(this zip includes both lame.exe and lame_enc.dll)
while eac remains the recommended ripping software, we do not propose that it
become a standard due to hardware conflicts and limitations of some drives.
* http://www.exactaudiocopy.de
* http://hqscene.fatty.dk/eaclame1.html
for those that wish to encode to mp3 after ripping the entire cd, razorlame is
recommended. razorlame is a gui front-end for lame that works on windows
platforms.
* http://www.dors.de/razorlame/download.php
* http://hqscene.fatty.dk/razorlame.htm
for a complete guide on the encoding with the alt-presets and VBR overview
peep the following url:
* http://hqscene.fatty.dk
the public modification/addon for project-zs is available here
* http://www.glftpd.at
* http://zs.fatty.dk
signed by important people of the following groups
0MNi AMOK APC ATM ATR BLA BOS BOSS BPM CHR CMC CMS CR DPS DRUM FKK FNT FSP
FuFFeNS gEm gF gTi HiT2000 hXc iTS JAH JUST KrbZ mbs MIL MiM MnD MNS NVS OSC
pH PMS PsyCZ RAGEMP3 RKS RNS RSD sb SER SiRiON SMS soup SSR TGX TWCMP3 uF
WLM XXL YARD
-------------------------------------------------------------------------------
hqscene:01/14/2004
</pre>
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<pre class="nfo"> The Naming Standards of Pressbooks
2004-07-02
_ /\____ _____/( -x- )\_____ ____/\ _
)\_/ ` (_____) / _ _ \ (_____) &#170; \_/(
\______ ___ /___/(____)\___\ ___ _____/
/________)_ __\ | /__ _(________\
| /_____\ \_.\|/._/ /_____\ |
| _ _ __ ____ [|] ____ __ _ _ | .....
_____| \\\_\\\__|||||||__///_/// |______ :::..
\| ||||||||| |/ ::.:: ......
/\______ ______| /\___________|||||||||_____ _______ _/\_______ ::::: ::.:.:
/ \_____/ |___/ \_____ \||||||||__ \/ | /_ ______\__:::: ::::::
_/________ \_ | \_ |/ \||||||||/ \ __|__/___ _____/_::: ::::::
/ | / \ | \ |______/||||||||______/ \ \ \ \ :::
| |/ \ | \ | .||||||||| / __\ \ \_ \: :::::
| / / | :|||||||||. \ / /: :::::
\_____________\/_________/____| |||||||||: \_______________/________\/:: :::::
sDW ________| _ _ _ _ __ _|||||||_ __ _ _ _ _ |________ :::::
_//___ |_\\ \ \\\_\\\ ||||| ///_/// / //_| __\\_ ::::
)_ \_|||_/ _( :::
| (___) | ::
| | .
| FROM JULY 2nd 2oo4 sUppLeX iS GOiNG TO TAG THE BELOVED |
| PRESSBOOKS FROM THE GREAT MOTiON PiCTURES IN TWO WAYS: |
| |
| A PRESSBOOK iS A HiGH QUALiTY PRODUCTiON, WiTH MANY PiCS |
| AND A GOOD DESIGN, A PRESSTEXT iS A LOW QUALiTY PRODUCTiON |
| BASED UPON MANY NON iLLUSTRATED PAGES OF TEXT. |
&#729; &#729;
&#9472;&#729;&#9472; &#9552; G C &#9552; &#9472;&#729;&#9472;
&#9472;&#729; &#729; &#729; &#729; &#729; &#729;&#9472;
&#729; &#9472; &#9472;&#729;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9532;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9532;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#729;&#9472; &#9472; &#729;
&#729; &#9472; &#9472;&#729;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; _________________ &#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#729;&#9472; &#9472; &#729;
&#729; &#9472; &#9472;&#729;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; / _____/\_ ___ \ &#9500;&#9472;&#9472;&#9472;&#9472;&#729;&#9472; &#9472; &#729;
&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; / \ ___/ \ \/ &#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;
&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; \ \_\ \ \____ &#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;
&#729; &#9472; &#9472;&#729;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; \______ /\______ / &#9500;&#9472;&#9472;&#9472;&#9472;&#729;&#9472; &#9472; &#729;
&#729; &#9472; &#9472;&#729;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; \/ \/ &#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#729;&#9472; &#9472; &#729;
&#729; &#9472; &#9472;&#729;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9532;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9532;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#729;&#9472; &#9472; &#729;
&#9553; From now on we will tag our releases the same way &#9553;
&#9553; as -sUppLeX do, as mentioned in their NFO. &#9553;
&#9553; &#9553;
&#9553; We are going to tag the beloved release in 4 ways - &#9553;
&#9553; &#9553;
&#9553; Pressbook - high quality production, good design with &#9553;
&#9553; photos, pictures, and alot of information &#9553;
&#9553; about the movie &#9553;
&#9553; &#9553;
&#9553; Presstext - Mostly production notes, composed by many &#9553;
&#9553; non grapich pages of text &#9553;
&#9553; &#9553;
&#9553; Pressphotos - high resolution photos/pictures/shot from &#9553;
&#9553; the movie &#9553;
&#9553; &#9553;
&#9553; Presskits - pressbook and/or presstext w/ some photos &#9553;
</pre>
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<pre class="nfo">
-----------------------[- SWESUB STANDARDS 2004 -]-------------------------------
.1-[ViDEO]
---| Aspect Ratio PAL 576x480 / NTSC 480x480.
---| Only FS 4:3 and WS 16/9 are allowed. Not anamorphic ws becouse they
---| dont work 100% on all standalone dvdplayers.
---| Telecid should be turned on to get ultimate quality ( if movie is interlaced )
---| Never release a movie if less bitrate then 1674 or highest 2450 +-1%
---| Examples below
---| ( 104Min 74Min=2CDS = 1702 Bitrate )
---| ( 112Min 80Min=2CDS = 1708 Bitrate )
---| ( 156Min 74Min=3CDS = 1702 Bitrate )
---| ( 168Min 80Min=3CDS = 1708 Bitrate )
---| MAX Bitrate 2496 MIN Bitrate 1554 use 120 or more from MIN/MAX AVG bitrate
---| else cce/tmpgenc can fail
---| Never use less PASS then below and always use Varible Bitrate.
---| Tmpgenc: 2 PASS VBR (Min)
---| Cinema Craft Encoder: 4 PASS MVBR (Min)
---|-----------------------------------------------------------------------------
.2-[ViDEO+SOUND]
---| PEAK Video + Audio
---| Bitrate on video max avg 2450 + Sound 224kbs 44.1Khz = PEAK at MAX 2674 AVG
---| Bitrate on video min avg 1674 + Sound 224kbs 44.1Khz = PEAK at MIN 1898 AVG
---| So never go less then 1898 AVG. and never go higher then 2674 AVG
---|-----------------------------------------------------------------------------
.3-[AUDiO]
---| 224Kbs 44100Khz STEREO
---|-----------------------------------------------------------------------------
.4-[SUBTiTLES]
---| Subtitles should be as on DVD. / alternative at one 16/9 movie 50/50 on bottom
---| border if subtitles 100% is in the picture.
---| Only Permanent subtitles allowed.
---| Fonts should be ( Verdana ) they are easiest to read.
---| Subtitle color should be white.
---|-----------------------------------------------------------------------------
.5-[SAMPLE]
---| Sample should be 1Min no more or less.
---|-----------------------------------------------------------------------------
.6-[PACKAGiNG]
---| All releases must be BIN/CUE.
---| Must be packed with RAR, compression is NOT ALLOWED and broken into 15MB volumes
---| If 2/3/4 CD release last CD shouldnt be less then 44/45X15MB = 650MB+
---| Must have SFV
---| Must have NFO
---| Directory names shall NOT exceed 64 characters.
---| Another.Movie.SVCD.DVDRip.SWESUB.YEAR-GROUP : Example what should be in one dir
---| Allowed disc dirs CD1 CD2 CD3 Sample not Cd1 Cd2 Cd3 or Disc1 Disc2 Disc3
---| Always use small letters in the .rar archive and .nfo
---| Nfo file another.movie.svcd.dvdrip.swesub.year-group.nfo : Example
---| If its possible please use SVCDINFO.TXT its one proof of the svcd quality
---| FS = 4:3 and WS = 16/9 and if movie is STV or LiMiTED you need to have that info
---| in .NFO or DIRNAME.
---| On movies from .SE .NO .DK .FI should movie be named like retail/theater title
---| from that country.
---| On other movies use .US retail/theater title.
---| Acceptable characters in a directory
---| ABCDEFGHIJKLMNOPQRSTUVWXYZ
---| abcdefghijklmnopqrstuvwxyz
---| 0123456789 . -_
---|-----------------------------------------------------------------------------
.7-[MENUES/INTRO]
---| Menu is allowed if they are like source.
---| Never use intro/cd change pictures
---|-----------------------------------------------------------------------------
.8-[PROPERS]
---| No previous releases may be propered based on audio or video bitrate.
---| Propers will be allowed in the case of technical problems, bad aspect
---| ratio, sync problems, skipping/freezing, interlaced, wrong placed subtitles,
---| other font colour then allowed and bad .rar archives,, or stolen sourches.
---|-----------------------------------------------------------------------------
.9-[DUPES]
---| FS = 4:3 Dupes WS = 16/9
---| Wierd proper reasons
---| Retail subs never dupe Custom sub....
---|-----------------------------------------------------------------------------
.10[REENCODE]
---| Dl a dvdr and encode to svcd its NOT ok&#952;... And if its one COMPLETE DVDR
---| (not encoded movie) then you need to have PERMISSION from the group that
---| released it to make svcd swesub from that.. or else its STOLEN.
---| Simple honor by thiefs.....
---|-----------------------------------------------------------------------------
.11[THEATER?]
---| What is limited and stv?
---| An limited movie has 1-499 (SCREENS) .US and 1-299 (SCREENS) .UK
---| A stv never hit one public theater and got straight to video
---| If movie is Festival it will go like limited.
---| You can find all info at www.imdb.com ...
---|-----------------------------------------------------------------------------
-----------------------------[- SiGNED BY -]------------------------------------
BBSvCD - PWRSVCD - CaKe - PiTch - DiTS - iNSANE
-------------------------------[- 2004 -]---------------------------------------
Updated 2004-01-26</pre>
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<style type="text/css">
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The federation of releasing groups presents &#9474;
&#9474; &#9474;
&#9474; The XviD Releasing Standards 2004 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; Yes it took us a while, but here they are. The new XviD standards 2004. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - PAL (25 fps) = min runtime is 105 minutes/CD &#9474;
&#9474; - FILM (23.976 fps) = min runtime is 110 minutes/CD &#9474;
&#9474; - NTSC (29.97 fps) = min runtime is 92 minutes/CD &#9474;
&#9474; - These runtimes are scalable via the following equation: &#9474;
&#9474; N cd timeminimum = (N-1) * allowed_time where N is number of CDs and &#9474;
&#9474; allowable time applies to your format &#9474;
&#9474; (i.e. 3 cd FILM rip min = 110 x (3-1) = 220 minutes) &#9474;
&#9474; - Length rules applies per MINIMUM time on a cd, not MAXIMUM! &#9474;
&#9474; - The use of AC3 has nothing to do with the length rules! &#9474;
&#9474; &#9474;
&#9474; Media usage is at Ripper&#39;s discretion, please use it. &#9474;
&#9474; Releases must utilize at minimum 97% of total media capacity (700mb cd) &#9474;
&#9474; an undersized release is a technical flaw unless it is a multi-cd release &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - MUST be MP3 or Studio AC3 (AC3 transcoding forbidden). &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; (MONO audio as STEREO on source is considered a MONO source). &#9474;
&#9474; - MUST BE VBR! NO CBR MP3! &#9474;
&#9474; - MP3 tracks must have the original frequency as on the AC3. &#9474;
&#9474; - MP3 files must be normalized. &#9474;
&#9474; - VBR techniques: &#9474;
&#9474; - strongly recommended to use --r3mix with LAME &#9474;
&#9474; - ABR is considered a VBR technique. &#9474;
&#9474; - AC3 MUST be used wisely and correctly. &#9474;
&#9474; - AC3 MUST be interleaved at 64 or 96 ms. &#9474;
&#9474; -MONO AC3 is BANNED! in that case must encode to 1.0 mp3! &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; Keyframe: &#9474;
&#9474; - MUST be &#60;=20 seconds and MUST be inserted according to scene &#9474;
&#9474; changes and framesizes as determined by the codec or encoding &#9474;
&#9474; application. &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; - MUST be as close to original source framerate as possible. &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; - MUST be DivX 3.11 or XviD. &#9474;
&#9474; - MUST use 2 pass technique during encoding! &#9474;
&#9474; - NO DUPES BASED ON CODEC TYPE, USE INTERNAL. &#9474;
&#9474; &#9474;
&#9474; Resolution and Aspect Ratio &#9474;
&#9474; - Width: 512 - 640 pixels and MUST be a multiple of 16. &#9474;
&#9474; EXCEPTION: 4:3 FS sources may use a minimum resolution of 448 pixels, &#9474;
&#9474; and maximal resolution of 576 pixels! &#9474;
&#9474; - Height: Must be a multiple of 16. &#9474;
&#9474; - Cropping is required to the MAXIMUM possible. &#9474;
&#9474; - Movie encodes must be within 5% of original aspect ratio. &#9474;
&#9474; &#9474;
&#9474; Subs, Interactive Menus, Trailers: &#9474;
&#9474; - OPTIONAL (if and ONLY if all other requirements have been met). &#9474;
&#9474; - VOBSUB is the preferred format due to the fact it does not use &#9474;
&#9474; OCR, however, any format that displays with DVobSub is acceptable. &#9474;
&#9474; - Subtitles may be MUXED with video stream, but may NOT be BURNED &#9474;
&#9474; into video stream. MUXED subs will proper BURNED subs &#9474;
&#9474; - Subtitles not muxed into video stream MUST be encapsulated in .rar &#9474;
&#9474; file with the MOST compression available and shall be contained in &#9474;
&#9474; the directory named &#39;Subs&#39; and will NOT be packaged with main movie &#9474;
&#9474; .rars. &#9474;
&#9474; - Burned subtitles shall only be permissible when the source exhibits &#9474;
&#9474; forementioned subtitles in the picture itself (i.e. Subs in the &#9474;
&#9474; matte portion of the picture MUST be typed in a seperate file and &#9474;
&#9474; the frame shall be cropped). &#9474;
&#9474; - Subs on non english movies MUST fit on CD with main movie, all other &#9474;
&#9474; optional subs SHOULD fit on CD. &#9474;
&#9474; - Foreign movies (Non English Spoken) with no english subs must have &#9474;
&#9474; the language name taggings (applies to the various none english &#9474;
&#9474; scenes). Movies with english subs present, WILL NOT have any language &#9474;
&#9474; tag on them! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All releases must be AVI, not BIN/CUE. (see Notes Section) &#9474;
&#9474; - Must be packed with RAR, compression is NOT ALLOWED &#9474;
&#9474; and broken into 15 or 20 MB volumes &#9474;
&#9474; - Recovery record recommended. &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO SHOULD INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual XviD release date &#9474;
&#9474; DVD release date &#9474;
&#9474; Theatrical relase date (US preferably) &#9474;
&#9474; Video size &#9474;
&#9474; Framesize/aspect ratio &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/amazon/any other dvd site info link &#9474;
&#9474; Number of rars per cd (eg. 50x15MB) &#9474;
&#9474; Ripping Method &#9474;
&#9474; - All NFOs have to include the maximum information possible. Lack of &#9474;
&#9474; info or smartass comments such as &#34;good size&#34; or &#34;nice res&#34; will not &#9474;
&#9474; be tolerated! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - Movie credits can be encoded separately at a lower birate only if &#9474;
&#9474; the time length exceeds the no. of cds used. (ie. 111 min on 1cd &#9474;
&#9474; for ntsc source, or 211 min on 2cds for pal source etc.) &#9474;
&#9474; - Any movies with scenes in the credits (ie. bloopers,continuation of &#9474;
&#9474; story) MAY NOT be downsampled! &#9474;
&#9474; - Cutting Credits is FORBIDDEN! &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - 1 full minute in length (approximately 10 MB) and in separate folder &#9474;
&#9474; marked &#39;SAMPLE&#39;. &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; - Vob samples are recommended for any rip that is deemed questionable, &#9474;
&#9474; (No ivtc possible on source, ivtc to 24.975fps etc). &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; - Propers are ONLY permitted in the case of a technical flaw with the &#9474;
&#9474; original release (i.e. Bad IVTC, Interlacing, bad no. of cds). &#9474;
&#9474; - Releases not nuked on release lists and/or sites MUST include &#9474;
&#9474; original sample of technical flaw. &#9474;
&#9474; - Qualitative propers are not allowed, nor are propers based on &#9474;
&#9474; decisions made by a ripper (i.e. # of CDs, AC3 or MP3, etc). &#9474;
&#9474; - Propers based upon the compliance with new instances of TDX &#9474;
&#9474; guidelines are also forbidden. &#9474;
&#9474; - Only propers that will be acceptable when propering old tdx rips are &#9474;
&#9474; propers based on picture damage. (Aspect Ratio and IVTC) &#9474;
&#9474; - Subbed (in original movie language) propers dubbed (in any language). &#9474;
&#9474; - Hardcored Subs may be propered by releases containing Vobsub/Srt. &#9474;
&#9474; &#60;This rule will not apply to movies ripped before TXD2K4.> &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; WS after FS: &#9474;
&#9474; - FS movies after WS was out, are FORBIDDEN! &#9474;
&#9474; - WS movies after FS was out, MUST HAVE original sample from the &#9474;
&#9474; previous release, unless proven no WS dvd was out at the time the &#9474;
&#9474; FS was released. A WS not following the above is considered a DUPE! &#9474;
&#9474; - WS or FS name tags on the release name, if the other wasnt released &#9474;
&#9474; in the past, WILL NOT BE TOLERATED! &#60;use nfo to mention the AR> &#9474;
&#9474; - WS cannot proper another WS. &#60;for example 2.35:1 after 1.85:1 is out> &#9474;
&#9474; Use the tag WS in the dirname. However WS after WiderWS released &#9474;
&#9474; will be considered a DUPE unless proven it contains more picture! &#9474;
&#9474; Sample rule, applies here also. &#9474;
&#9474; - Letterboxed DVDs are not considered FS even if it&#39;s FS on the source! &#9474;
&#9474; &#9474;
&#9474; Special Movie Editions: &#9474;
&#9474; - Allowed: SE, DC, Extended, Remastered, UNRATED, CHRONO. &#9474;
&#9474; - Releases MUST CONTAIN at least 2 minute extra/alternate footage from &#9474;
&#9474; the past releases of the same movie. If not use the INTERNAL tag. &#9474;
&#9474; PAL - NTSC length diffrence comes from the no. of frames. BE AWARE! &#9474;
&#9474; - Remastered will not be considered a dupe ONLY IF the previous &#9474;
&#9474; release was BLACK AND WHITE. Everything else use INTERNAL! &#9474;
&#9474; - Extras ARE NOT CONSIDERED an edition and will be nuked for dupe, &#9474;
&#9474; unless released seperatly. &#60;and are not dupes of previous releases> &#9474;
&#9474; - Chrono editions will be accepted only if its a retail version, and &#9474;
&#9474; not homemade. &#9474;
&#9474; - Extras that are put into the movie by hand, will not be claimed as &#9474;
&#9474; extended or unrated etc, and will be considered as a fake. &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - Directory names shall NOT exceed 64 characters. &#9474;
&#9474; - All releases are to include production year. &#9474;
&#9474; - DO NOT indicate Ripping method (MM4/VM2/VBR/SBC and so on), &#9474;
&#9474; DVD/DivX release DATE, GENRE or anything else! (ONLY within the NFO) &#9474;
&#9474; - NO AC3/FESTIVAL/STV/LIMITED/READ.NFO in dirnames, include it in NFO! &#9474;
&#9474; - Permited tags are: WS &#60;rules above>, PROPER, REPACK, RERIP, INTERNAL &#9474;
&#9474; DC, SE, EXTENDED, REMASTERED, UNRATED, CHRONO. &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - All Release directories, regardless of year, shall be named according &#9474;
&#9474; to Movie.Name.Year.Source.Codec-Group, suggested naming for the movie &#9474;
&#9474; itself shall follow the same procedure &#9474;
&#9474; (i.e. Movie.Name.Year.Source.Codec-Group.avi, &#9474;
&#9474; Movie.Name.CD1.Year.Source.Codec-Group.avi). &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD will follow these specs: &#9474;
&#9474; - MUST be named CD1, CD2, CD3 and so on. (&#39;disc1&#39;, etc will NOT &#9474;
&#9474; be allowed). &#9474;
&#9474; - There MUST be a SFV included for each CD. &#9474;
&#9474; - Rars MUST be broken into 2 or more CD volumes. (78 rars of a 2 &#9474;
&#9474; disc title will NOT be tolerated) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; TV Series Notes: &#9474;
&#9474; - All Episodes &#60;Caps or DVDRips> are obligated to follow the above &#9474;
&#9474; rules. &#9474;
&#9474; - Media usage capicity: 4x25min = 1CD, 2x50min = 1CD &#9474;
&#9474; Episodes of up to 25 minutes, will not be over 175mb. &#9474;
&#9474; Episodes of up to 50 minutes, will not be over 350mb. &#9474;
&#9474; Episodes further then 50 minutes, will follow the length rules of &#9474;
&#9474; TXD2K4. &#9474;
&#9474; - Capping method ie. PDTV/HDTV/DSRip etc. must be mentioned in the &#9474;
&#9474; dirname. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - Source shall be DVD RETAIL Only, no exceptions! &#9474;
&#9474; - DVD Screeners shall be clearly marked in the directory name and the &#9474;
&#9474; nfo shall contain presence of studio watermarking, or lack thereof. &#9474;
&#9474; - Use of downsampled DVD-Rs as source is FORBIDDEN! &#60;only untouched> &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Maximum VIDEO bitrates are covered by length rules. &#9474;
&#9474; - If DRF average would be over 4.0, the resolution must be lowered if &#9474;
&#9474; possible, untill the minimal res is reached. See Resolution rules. &#9474;
&#9474; DRF average can be checked with DRF Analyzer. &#9474;
&#9474; - Quant. Matrix always has to be H.263 due lack of hardware support for &#9474;
&#9474; for Custom matrixes. &#9474;
&#9474; - Quarterpel / GMC forbidden due lack of hardware support. &#9474;
&#9474; - Multi-language audio tracks are allowed. &#9474;
&#9474; - Multiple languages should be interleaved into the AVI, with &#9474;
&#9474; a graphedit filter for each appropriate audio stream. &#9474;
&#9474; - Movies that would ordinarily fit on 1 CD should not be made &#9474;
&#9474; into 2 CD releases on the basis of additional audio tracks. &#9474;
&#9474; - Multi-language audio CANNOT be used as a basis for a dupe. &#9474;
&#9474; - Multi-language subtitles CANNOT be used as a basis for a dupe. &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie will be tolerated. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; The Tradition Continues: TXD RULES 2k4 (finale date here) &#9474;
&#9474; TDX2k2 &#60;7/12/02) 2k1 (4/22/01) original (4/26/00) &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;-------&#9472;[ GROUPS ]--------&#9496; &#9474;
&#9474; TXD2K4 Rules signed by the following XviD Groups: &#9474;
&#9474; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9474;
&#9474; FiCO - iLLUSiON - PROMiSE - TML - TWiST - VoMiT &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9496;
&#9492;----[ Edited By tcj- 2004. Respect goes to all TDX teams 2000-2004 ]----&#9496;</pre>
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<pre class="nfo">!# 5:th of April 2004
&#9604; &#9604;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9604; &#9616;&#9608;&#9617;&#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
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&#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619; &#9618; &#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9612; &#9617;&#9608;&#9608;&#9619; &#9617;&#9618; &#9617;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618;&#9608;
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&#9617;&#9608;&#9608;&#9608;&#9617;&#9619; &#9618;&#9608;&#9608;&#9608;&#9619; &#9619;&#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;&#9618; &#9618;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618; &#9618;&#9617;&#9604;&#9608;&#9608;&#9608;&#9617;&#9618; &#9608;&#9608;&#9608;&#9617;&#9618;&#9617;&#9608;&#9608;&#9617;&#9618;&#9619; &#9618;&#9617;&#9604;&#9608;&#9600;
&#9608;&#9608;&#9608;&#9617;&#9618; &#9617; &#9619;&#9617;&#9608;&#9608;&#9608;&#9618; &#9619;&#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;
&#9600;&#9600;&#9608;&#9617;&#9618;&#9619; &#9618;&#9608;&#9600;&#9600;&#9608;&#9617;&#9619; &#9619;&#9618;&#9617;&#9600;&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;
&#9616;&#9608;&#9617;&#9618;&#9619; &#9617;&#9608; &#9617;&#9616;&#9608;&#9618; &#9617; &#9619;&#9618;&#9608; [ XXX DVDR SCENE RELEASE STANDARDS 2004 ]
&#9608;&#9617;&#9619; &#9617; &#9619;&#9608;&#9612; &#9604; &#9608;&#9618; &#9617; &#9619;&#9618;&#9617;&#9608; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604; &#9604;&#9604; &#9604;
&#9608;&#9608;&#9618; &#9617; &#9618;&#9608; &#9617; &#9608;&#9617;&#9619; &#9617; &#9619;&#9618;&#9618;&#9617;&#9608;&#9612;&#9604; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600; &#9600;&#9600; &#9600;
&#9608;&#9617;&#9618;&#9619; &#9619;&#9617;&#9608; &#9604; &#9616;&#9617;&#9619; &#9619;&#9618;&#9617;&#9608;&#9608;&#9600;&#9600; &#9617; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9608;
&#9600;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9617;&#9608; &#9618; &#9617; &#9608;&#9618;&#9619; &#9618;&#9617;&#9608;&#9608;&#9600; . &#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608; &#9608; &#9608; &#9608;&#9608;&#9608; &#9608;
&#9616; &#9600;&#9608;&#9608;&#9608;&#9618;&#9618;&#9617;&#9618;&#9608;&#9612; . &#9616;&#9608;&#9618;&#9617;&#9618;&#9608;&#9608; &#9618; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608; &#9608; &#9608; &#9608;&#9608;&#9608; &#9608;
&#9608; &#9617;&#9604; &#9600;&#9600;&#9608;&#9608;&#9608;&#9608; &#9617; &#9617; &#9600;&#9608;&#9608;&#9608;&#9600; &#9617; &#9608;&#9608;&#9608; &#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608; &#9608; &#9608;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9604; &#9608;
&#9608; &#9618; &#9617; . &#9600; . &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9608;&#9608;&#9608; &#9608;
&#9612; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;
&#9612; VIDEO:..........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9616;&#9612;
&#9608; - Encoder should be CCE (Cinema Craft Encoder). &#9608;
&#9608; - Bitrate should be as followed: &#9608;
&#9608; &#9608;
&#9608; Main: &#9608;
&#9608; &#9608;
&#9608; 3000+ / with an minimun of 5 passes. &#9608;
&#9608; &#9608;
&#9608; Extras: &#9608;
&#9608; &#9608;
&#9608; 2250+ / with an minimun of 5 passes. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; AUDIO:..........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; PCM: PCM audio can be recoded to AC3 if the bitrate cant be kept over 3000 &#9608;
&#9608; LANG: Native language must be kept, else its considered DUBBED. &#9608;
&#9608; Extras shall always be kept before multi audio. &#9608;
&#9608; Multilanguage/tracks are considered dupe of an earlier release with &#9608;
&#9608; native language and extras. &#9608;
&#9608; &#9608;
&#9608; Other: &#9608;
&#9608; &#9608;
&#9608; 2.0 DD is considered the highest lever of audio quality. &#9608;
&#9608; All above is considered dupe if thats the only difference. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; SPLIT DISC:.....]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Is allowed if the bitrate cant be kept over 3000. &#9608;
&#9608; Original menu shall then be on both discs and it HAS to be COMPLETE. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; SIZE:...........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; 1 DISC: Minimun 4.3 gb and should fit an dvdr. &#9608;
&#9608; (DVD5 should be its originaly size) &#9608;
&#9608; 2 DISC: First disc should be handled as a 1 DISC release, &#9608;
&#9608; and a minimun 4.3 gb, 2nd shall contain the remaining. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; INTERLACED:.....]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Output on a TV should not have any visible faults. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; MENU:...........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Release must have an working menu. &#9608;
&#9608; If release is stripped, the affected menu parts shall be removed. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; STRIPPING:......]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; If extras are stripped, Trailers and Warnings shall be removed first. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; INTERACTIVE:....]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Interactive discs should be kept complete due to functionallity. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; IMAGE:..........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Accepted formats are IMG and ISO. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; COMPLETE:.......]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; When everything on the DVD is within the release. &#9608;
&#9608; Re-encoded video/audio is not considered &#39;NOT COMPLETE&#39;. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; PROPER:.........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Valid propers reasons are: &#9608;
&#9608; - Do not work. &#9608;
&#9608; - Do not fit the technical rules. &#9608;
&#9608; - No menu. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; DUPES:..........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; - NTSC / PAL dont dupe each other. &#9608;
&#9608; - Multilanguage releases are considered dupe of the earlier with native &#9608;
&#9608; language. If thats the only reason for an extra release. &#9608;
&#9608; - Complete releases are dupe to non-complete releases and vice versa. &#9608;
&#9608; - Audio > 2.0 DD is considered dupe to 2.0 DD if thats the only &#9608;
&#9608; difference. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; SAMPLE:.........]&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; - All releases should have a sample. &#9608;
&#9608; - Sample should be between 30 - 60 mb. &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; NFO:............]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; Nfo should have the following information in it: &#9608;
&#9608; - Bitrate / Passes / Encoder. &#9608;
&#9608; - Size of image. (Archive) &#9608;
&#9608; - Type of disc. (DVD5 / DVD9). &#9608;
&#9608; - Image type (IMG / ISO). &#9608;
&#9608; - Region. (NTSC / PAL). &#9608;
&#9608; - Whats on it? Is it stripped, if so, what? &#9608;
&#9608; - Street date &#38; Production date. &#9608;
&#9608; - URL &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; LABELING:.......]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; The following things should be in dirnames. &#9608;
&#9608; - DVDR &#9608;
&#9608; - XXX &#9608;
&#9608; - PAL/NTSC &#9608;
&#9608; - YEAR - Current year label is optional, older releases should have &#9608;
&#9608; streetdate in dir, NOT production year. &#9608;
&#9608; - PROPER (if it is). &#9608;
&#9608; - COMPLETE (if it is). &#9608;
&#9608; &#9608;
&#9612; &#9604;&#9612;
&#9612; PACKING:........]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; - 50mb archives. &#9608;
&#9608; - No compression, m0 (store). &#9608;
&#9608; - Nfo/Sfv should have same name as the rars. &#9608;
&#9608; - Small letters, preferred oldschool naming. &#9608;
&#9608; - Recovery record can be added, optional. &#9608;
&#9608; &#9608;
&#9608; &#9604;&#9612;
&#9608;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;[.: CREATED AND DEVELOPED BY :.]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; AiDS - BUMSXXX - CRYMXXX - HiV - MeGA - kRc &#9608;
&#9608; &#9608;
&#9608; &#9604;&#9612;
&#9608;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;[......: ALSO SiGNED BY :......]&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9608;
&#9608; FNG - DVDiSO - HaDeS &#9608;
&#9608; &#9608;
&#9608; &#9608;
&#9608; &#9608;
&#9608; &#9604; &#9604;&#9608;&#9608;&#9608;&#9604;&#9604; &#9608;
&#9608; &#9604;&#9608;&#9608;&#9608;&#9604; &#9616;&#9608;&#9617;&#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9608;
&#9608; &#9604;&#9608;&#9608;&#9617;&#9618;&#9617;&#9608; &#9608;&#9617;&#9619; &#9618;&#9619;&#9617;&#9618;&#9608;&#9608;&#9604; &#9608;
&#9608; &#9604;&#9608;&#9608;&#9617;&#9618;&#9619; &#9617;&#9608;&#9612; &#9608;&#9618; &#9619;&#9618;&#9617;&#9608; &#9608;
&#9608; &#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9618;&#9617;&#9608; &#9608;&#9619; &#9617; &#9617; &#9619;&#9618;&#9608;&#9612; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604; &#9604;&#9604; &#9604; &#9608;
&#9608; &#9608;&#9617;&#9618;&#9619; &#9619;&#9617;&#9608;&#9604;&#9604;&#9608;&#9619; &#9619;&#9618;&#9617;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9612;
&#9608; &#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619; &#9618;&#9608;&#9608;&#9608;&#9617; &#9617; &#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;
&#9608; &#9608;&#9608;&#9608;&#9608;&#9604;&#9617;&#9618;&#9619; &#9618;&#9608;&#9608;&#9608;&#9618; &#9619;&#9618;&#9617;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617; &#9618;&#9617;&#9618; &#9617;&#9608;&#9608;&#9617;&#9618; &#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9617;&#9618; &#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9600;&#9617;&#9618; &#9619;&#9618;&#9617;&#9608;
&#9608; &#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9617;&#9618; &#9619;&#9617;&#9608;&#9608;&#9619; &#9618;&#9617;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;&#9618; &#9618;&#9616;&#9608;&#9608;&#9618; &#9604;&#9604;&#9604; &#9616;&#9608;&#9608;&#9618; &#9617;&#9604;&#9604;&#9604; &#9616;&#9608;&#9608;&#9617; &#9618;&#9608;
&#9608; &#9617;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9619; &#9618;&#9608;&#9617; &#9617;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;&#9617; &#9617;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9612; &#9617;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9612; &#9617;&#9608;&#9608;&#9618; &#9616;&#9608;&#9608;&#9600;&#9600;&#9600;&#9600;
&#9608; &#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617; &#9619; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618;&#9617; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9612; &#9618;&#9608;&#9608; &#9608;&#9608;&#9608; &#9618;&#9608;&#9608;&#9612; &#9617;&#9600;&#9600;&#9600;&#9608;&#9604;
&#9608; &#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9600;&#9617;&#9618;&#9619; &#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619; &#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9612; &#9608;&#9608; &#9600;&#9600; &#9616;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9617; &#9616;&#9608;
&#9608; &#9617;&#9618;&#9619;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619; &#9618; &#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619; &#9608;&#9608;&#9608;&#9612; &#9617;&#9608;&#9608;&#9619; &#9617;&#9618; &#9617;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618;&#9608;
&#9608; &#9617;&#9618;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619; &#9619;&#9617;&#9608;&#9618; &#9619;&#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;&#9617; &#9617;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9600;&#9600;&#9600; &#9616;&#9608;&#9608;&#9618; &#9608;&#9604; &#9600;&#9608;&#9608;&#9618; &#9617;&#9608;
&#9608; &#9617;&#9608;&#9608;&#9608;&#9617;&#9619; &#9618;&#9608;&#9608;&#9608;&#9619; &#9619;&#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;&#9618; &#9618;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618; &#9618;&#9617;&#9604;&#9608;&#9608;&#9608;&#9617;&#9618; &#9608;&#9608;&#9608;&#9617;&#9618;&#9617;&#9608;&#9608;&#9617;&#9618;&#9619; &#9618;&#9617;&#9604;&#9608;&#9600;
&#9608; &#9608;&#9608;&#9608;&#9617;&#9618; &#9617; &#9619;&#9617;&#9608;&#9608;&#9608;&#9618; &#9619;&#9618;&#9617;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600; &#9604;
&#9608; &#9600;&#9600;&#9608;&#9617;&#9618;&#9619; &#9618;&#9608;&#9600;&#9600;&#9608;&#9617;&#9619; &#9619;&#9618;&#9617;&#9600;&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;
&#9608; &#9616;&#9608;&#9617;&#9618;&#9619; &#9617;&#9608; &#9604;&#9616;&#9608;&#9618; &#9617; &#9619;&#9618;&#9608; [ XXX DVDR SCENE RELEASE STANDARDS 2004 ] &#9608;
&#9600; &#9608;&#9617;&#9619; &#9617; &#9619;&#9608;&#9612; &#9617; &#9608;&#9618; &#9617; &#9619;&#9618;&#9617;&#9608; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604; &#9604;&#9604; &#9604; &#9600;
&#9608;&#9608;&#9618; &#9617; &#9618;&#9608; &#9608;&#9617;&#9619; &#9617; &#9619;&#9618;&#9618;&#9617;&#9608;&#9612;
&#9608;&#9617;&#9618;&#9619; &#9619;&#9617;&#9608; &#9617; &#9616;&#9617;&#9619; &#9619;&#9618;&#9617;&#9608;&#9608;&#9600;&#9600; ASCii scribbeled together by SlowBeat [2004]
&#9600;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9617;&#9608; &#9604; &#9608;&#9618;&#9619; &#9618;&#9617;&#9608;&#9608;&#9600; .
&#9600;&#9608;&#9608;&#9608;&#9618;&#9618;&#9617;&#9618;&#9608;&#9612; &#9618; . &#9616;&#9608;&#9618;&#9617;&#9618;&#9608;&#9608; &#9617;
&#9617; &#9604; &#9600;&#9600;&#9608;&#9608;&#9608;&#9608; &#9600;&#9608;&#9608;&#9608;&#9600; &#9604;
&#9618; &#9600; &#9618; &#9617;
. &#9604; &#9617; &#9617;
&#9617; &#9617; .
</pre>
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<pre class="nfo">OoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoO
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O.ffizielle D.eutsche D.VDR R.elease R.ules 2k5
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OoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoOoO
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1. FESTLEGUNGEN ZUM RELEASE:
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1.1 Muss vorhanden sein:
------------------------
1.1.1. Original-Menue (entfernte Links totlegen - d.h. entweder
duerfen sie nicht mehr mit dem Cursor anwaehlbar sein, oder
beim Druecken passiert nichts)
1.1.2. Hauptfilm
1.1.3. 2-Sprachig (deutsch/englisch Dolby Digital)
1.1.3.1. Ab 140min Lauflaenge kann das Release 1-sprachig sein
um eine bessere Bildqualitaet zu erzielen. Bei Erreichen
guter Bildqualitaet ist Duallanguage aber weiter erlaubt.
1.1.4. DTS Tonspur MUSS nicht vorhanden sein, kann sofern die
Bitrate nicht zu gering ausfaellt (siehe 2.) vorhanden sein
1.1.5. Alle Subtitles
1.2 Kann vorhanden sein:
------------------------
1.2.1. Extras
1.2.2. Sonstige Tonspuren
(das Vorhandensein ist aber NIEMALS Proper-Grund und wird
als DUPE gewertet solange das Erst-Release unnuked ist)
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2. FILM:
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2.1. Sofern alle in 1.1. genannten Voraussetzungen erfuellt sind
und der Videostream ohne Neu-Enkodierung auf eine DVDR passt
(d.h. wenn die unter 1.1. beschriebenen Daten nicht auf
4,37GB passen), duerfen nicht zusaetzliche Extras oder
Tonspuren hinzugefuegt werden, die eine Neu-Enkodierung
erforderlich machen wuerden.
2.2 Videokodierung
2.2.1. CCE ab Version 2.5x
2.2.2. Der Film MUSS bis 120 Min. mit 4 Passes und ab
120 Min mit mindestens 5 Passes enkodiert werden.
2.2.3. Die oddrr-2k5 schreiben keine minimale AvgBitrate vor.
Sie sollte entsprechend der Komprimierbarkeit und der Groesse
des Original-Video-Streams gewaehlt werden um keinen
bad.quality Nuke zu provozieren. Die Angabe der Bitrate sowie
der benutzten Passes ist in der NFO zu vermerken!!!
2.3 Serien DVDs
2.3.1 Diese enthalten oft nur 2.0 ger+engl Ton und keine
Extras (vgl. 1.1.3.1.).
Eine serien-DVD9 sollte nur in Ausnahmefaellen als 2-DISC DVD5
released werden (zb. wenn das Bild sichtbar auf laengere zeit
grosse Artefakte enthaelt).
2.3.2 Sollte eine Group eine Season beginnen, gelten alle anderen
Release dieser Season durch eine andere Group als Dupe.
Bei Start einer Season darf es maximal 6 Wochen dauern bis alle
DVDs dieser Season released sind, ansonsten verfaellt der Dupe.
Zwingend fuer den Start einer Season ist DISC 1!!!
2.3.3 Bei Rls und Split auf 2 DVDs sollte Disc 1 das Originalmenue
enthalten, Disc 2 sollte fuer den Fall, dass alle Serien in
einem PGC sind ein selbstgefertigtes Menue enthalten, in dem
jede Episode einzeln anwaehlbar ist. Im Falle mehrerer PGC
muss auch Disc 2 das Originalmenue enthalten.
2.4 Groesse einer DVD-R
2.4.1. Sofern Neukodiert, muss das Release (d.h. alle Dateien
im Image zusammen, nicht das Image-File selber) insgesamt
min. 4,24 GB (= 4.550.000.000 Bytes) enthalten, was
91 Files zu 50.000.000 Bytes entspricht (und ca. 143 MB
Leerraum auf der dvdr).
2.4.2. Ausnahme sind DVD5 die als COMPLETE (vgl. 3.6.) kleiner sind.
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3. BETITELUNG:
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Titel.Titel.Titel.German(.DL|.ML)(.SUBBED).YYYY(.ANIME|.HENTAI|.DOCU|.XXX)(.xDISC|SyyDxx|SyyDxxSzz)(.COMPLETE).PAL(.PROPER)
.DVDR(.MDVDR)(.INTERNAL)-GRP
3.1. Titel.Titel.Titel:
Ist der deutsche Name des Films - hierbei werden &#34;-&#34; ersetzt
durch &#34;.&#34; (bsp &#34;Otto-Der Film&#34; wird zu &#34;Otto.Der.Film&#34;)
3.2. German(.DL|.ML):
Gibt die Anzahl der Sprachen an. (nur ger. Audio: German,
2-Sprachig: German.DL, 3- und Mehrsprachig: German.ML)
Bei COMPLETE entfaellt die Bezeichnung &#34;DL/ML&#34; (weitere Angaben
gemaess NFO)
3.2.1. German(.SUBBED):
Wenn der Film nur in Originalsprache inkl. deutschen Subs vorliegt (Omu).
3.3. YYYY:
Gibt das Produktions-Jahr (imdb-date) an.
3.4. ANIME|HENTAI|DOKU|XXX:
Kennzeichnung bei Anime/Hentai/Doku/XXX etc. Filmen
3.4.1. Bei der Bezeichnung .MDVDR entfaellt das .DVDR im Releasetag und wird
an deren Position gesetzt.
3.5. xDISC|SyyDxx|SyyDxxSzz:
3.5.1. Sofern das Release aus mehr als einer DVDR besteht wird
hier mit &#34;x&#34; die Anzahl der DVDs angegeben. (bsp: 2DISC)
3.5.2. Sofern es sich um eine Serien-DVD Release handelt wird
die Season und die Disc angegeben (bsp: S01D01, S03D05)
3.5.3. Bei einer 2-seitigen, 1-schichtigen Serien dvd wird zusaetzlich
auch noch die Seite angegeben (bsp: S01D01S01, S01D01S02)
3.6. COMPLETE:
Wenn die DVD komplett inkl. aller Sprachen und Extras uebernommen
wurde. Das gilt auch bei reencode (weitere Angaben gemaess NFO)
3.7. PROPER:
Wenn es sich um ein PROPER-Release handelt
(Ein Proper MUSS innerhalb eines Zeitraumes von 30 Tagen gebracht
werden, falls das zu propernde Release nicht schon vorher genuked
worden ist)
3.8. INTERNAL:
Nur bei internal Releases zu verwenden
(Internal Dupes duerfen nicht ohne Approval getraded werden sonst
gelten sie als offizieller Dupe und werden genuked).
3.9. GRP:
Der Gruppenname
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4. BESONDERHEITEN:
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4.1. Region Free, PUP:
Das DVD-R Release muss Region-Free sein und die PUPs
entfernt werden. Region-Free heist es muessen Region 1-6
aktiviert sein. Region 7 darf nicht aktiviert sein, da
dies bei wenigen DVD-Playern Probleme macht.
4.2. Format:
Die DVD-R muss als .img File erstellt werden.
4.3. Packen:
DVD-R releases werden mit WinRAR in Files mit einer
Groesse von 50.000.000 Bytes &#34;gestored&#34; (d.h. Compression
Ratio 0 - &#34;rar -m0 a foo.rar foo.img&#34;)
4.4. Sample:
Das Sample sollte zwischen 30-60 Sekunden lang sein und
45MB nicht uebersteigen. Es ist Empfehlenswert ein zweites
Sample vom Original beizulegen welches an gleicher Stelle
erstellt wurde.
Ein Proper MUSS immer drei Samples enthalten: Original,
Own Reencode und das zu propernde, welche alle an derselben
Stelle zu erstellen sind und nicht mehr als 30 Sek/Sample
laufen sollten. Bei Serien DVDs ist ein zusaetzliches Sample
vom Original pflicht.
4.5. PROPER Releases:
NUR zulaessig, wenn das Erst-Release technische Fehler
aufweist bzw Verstoesse gegen die ODDRR beinhaltet und
aus diesem Grunde geNUKED wurden.
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an der Ausarbeitung wirkten mit:
CDD, c0nFuSed, DAW, DFE, DFL, DLRG, DRABBiTS, FAI, GDC,
GMI, GOTHAM, HS, LC, MOS, OMERTA, SiECHTUM, STRAiGHT, TM,
TM3, VSN, VTK, ZZG
letztes Update: 20.03.2005
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THE 2005 DVDR RELEASING STANDARDS
[ 11APR2K5 ]
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&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
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&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9600;&#9608;&#9608;&#9608;&#9617; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9617;&#9608;&#9608;&#9608;&#9600;
&#9600;&#9608;&#9608;&#9618; &#9600;&#9600;&#9600;&#9600; &#9600;&#9600;&#9600;&#9600; &#9618;&#9608;&#9608;&#9600;
&#9616;&#9617; &#9617;&#9612;
General:
. Release size must be at 4.3-4.37 Gb unless source is DVD5.
. PAL after NTSC and NTSC after PAL is allowed.
Video:
. Re-encoding:
. CCE version 2.50+ or must be used in all
circumstances where transcoding (re-encoding) of the video
stream is required. REmpeg and TMPGenc are NOT allowed.
New unknown or unreleased encoders are not strictly
forbidden, however use at your own risk.
. Automated Programs that perform DVD9>DVD5 rips are
FORBIDDEN, e.g. InstanCopy, DVDXCopy, DVDShrink etc.
. Minimum average bitrate allowed is 3000 kbit/s
(2800 kbit/s for tv shows). If minimum average bitrate
cannot be achieved, a valid explanation is required in
the NFO.
. TV-DVDR does not need to be deinterlaced.
. Quality Settings:
. CCE:
. No CBR. Multipass is to be enforced.
. The initial 1st pass that encodes the .vaf file
in CCE is NOT considered within the multipass set.
. The number of passes required for a movie is to be
determined by the final avg bitrate. Under
4,000k/s 6+ passes required, over 4,000k/s
5 passes are required.
Audio:
. Dolby Digital is considered the standard audio format and is
required in all releases that contain this audio format.
. DVDs that contain only PCM audio are allowed and should
be noted in the NFO.
. Downsampling of audio tracks, except audio commentary is
banned. No downsampling of any other tracks.
. If audio is stripped from a DVD9 disk, superior audio tracks
need to be kept. e.g. If a DVD contained DD2.0 and DD5.1
audio, DD2.0 would be stripped in favor to 5.1. However in
regards to DVDs that contain both DTS and 5.1, 5.1 must be
kept. The inclusion of a DTS stream is up to the ripper&#39;s
discretion.
. For non-English movies, the movie&#39;s original language audio
stream must be kept unless it is not contained in the retail.
In the circumstances that a reissue/new edition dvd contains
an original language audio stream, a re-release of the movie
is valid.
. For ALL English movies, the English audio stream MUST be kept.
. The inclusion of other audio streams will be based upon the
ripper&#39;s discretion, whether they are foreign or commentary.
Notes: DTS/SUPERBIT/DTS-ONLY are issues that cannot be ignored.
However, it is not up to us to decide whether they should
be allowed or not. Rather, it&#39;s up to the SITES that will
determine their own appropriate rules. However, those
groups that wish to release DTS, SUPERBIT and/or DTS-ONLY
should name their directory clearly with the appropriate
tags of DTS, SUPERBIT and/or DTS-ONLY.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Source:
. Releases of superior/remastered editions of previous released
DVDs are ALLOWED as they improve upon the initial release.
e.g. If a new mastered DVD contains a 5.1 stream compared
to an inferior stream in the previous release, the
release is considered valid.
. Mastered DVDs of: Director&#39;s Cut, Criterion, Unrated or any
editions with additional/extended scenes are not considered
dupes over existing mastered DVDs.
. The DVD to be ripped should also be the best available edition
on the market.
Authoring:
. NO ONE CLICK APPS ARE TO BE USED! e.g. InstanCopy, DVDXCopy,
DVDShrink etc. Anything else like Scenarist and Maestro are
acceptable so long as newly reauthored DVDR plays as original does.
. VTS Sectors must always be gotten.
Subtitles:
. Keep them all. If certain subs present a problem, it is the
rippers discretion to retain.
. Closed Captioning must be retained if no subtitles are present on
the source disc, and if CC are present.
Menus:
. Menus MUST be included. In extreme cases where the retail does
not contain a menu, it must be mentioned in the NFO.
. The menu must be in English and not foreign, unless they
are aimed for non-English endusers.
. Removing useless links within the menu is required. If you
remove something, disable or remove the button.
. If all else is stripped and still can&#39;t get a 3000k/s avg
bitrate, then the menu may be reencoded at a minimum of
3000k/s avg.
Extras:
. Extras are an added value but are not needed. Extras are
allowed to be transcoded @ ripper&#39;s discretion.
. A minimum of 5 passes for extras is required.
DVD Limitations:
. Macro vision must be removed.
. All user limitations and restrictions must be removed.
. Releases must be made region free.
. Any new unmentioned copy protection that comes out( ie: ARcoSS) must be stripped.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Packaging:
. All releases must either use .IMG or .ISO. Other formats
are NOT allowed.
. Releases must be broken up into rars of 50,000,000 bytes.
. Recovery Record MUST be used.
. Compression method must be store.
. SFVs and NFOs MUST be included.
. NFO must include the following:
. Groups name.
. Title.
. Region, NTSC or PAL.
. Number of Passes and Bitrate used when re-encoding
main movie.
. Number of Passes and Bitrate used when re-encoding
extras.
. Audio streams, and subtitles included.
. What has been stripped, extras, menu, etc.
. IMDB, or similar link.
. Number of archive files.
Samples:
. Samples are required. Minimum size shall be 30mb, but must be
no more than 50mb.
. Samples must be put in a separate sub directory, labeled
&#39;Sample&#39;.
. Vobs must be cut and used as sample. You cannot rename a rar
and use it as the sample. The sample must have a header.
. Samples must be from actual packed vob. Separate encodes are
not allowed.
. VOBSplitter or ChopperXP are recommended for making samples.
Directory Naming:
. ALL releases are to include production year, except for
current year and TV series.
. Directory name MUST include REGION (NTSC or PAL).
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
. COMPLETE is for DVD5 only
. Non-Complete DVD-9 releases are to be named as:
MOVIE.TITLE.YEAR.REGION.DVDR-GROUP
. Sub directories are to be labeled as DISC1, DISC2,
etc. EXTRA and CD1, CD2 dirs are NOT allowed.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
Propers:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc.
. Just because a previous release was not COMPLETE does not
provide a legitimate reason to PROPER/DUPE.
. Propers based on previous releases having improper dir names
will not be tolerated.
. PPF patches should be used for fixing releases with simple
problems such as RCE/Region coding, VTS sectors, P-Ups and
so forth. REPACKS/PROPERS should be avoided if a PPF patch is
possible.
. R1 or R2 after R3 is not considered a DUPE.
Tagging:
. Intros and outros are not tolerated.
. Group watermarks within the DVD are STRICTLY forbidden.
. Volume Label must be EXACTLY like the original. Adding any
tags to the Volume Label will not be tolerated.
&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9608;&#9608;&#9604;&#9604; &#9604;&#9604;&#9608;&#9604;&#9604;
&#9608;&#9608;&#9608;&#9619;&#9618;&#9608;&#9618;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9619;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9608;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9608;&#9608;&#9608;&#9600;&#9600;&#9608;&#9608;&#9619;&#9618;&#9608;&#9608;&#9608;&#9619;&#9618;&#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600; &#9608; &#9612; &#9608;&#9600;&#9618;&#9600;&#9608;&#9608;&#9618;&#9618;&#9619;&#9600;&#9600;&#9600;&#9608; &#9608; &#9608;&#9612;
&#9612; &#9616;&#9608;&#9608; &#9632; &#9608; &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9608; &#9608; &#9608;&#9608; &#9612; &#9616;&#9612; &#9616; &#9612; &#9608; &#9612; &#9632;&#9616;&#9608;&#9608;
&#9612; &#9608; &#9608;&#9600; &#9612; &#9612; &#9608;&#9616;&#9612; &#9616;&#9616;&#9612; &#9608; &#9612;&#9608; &#9616; &#9616;&#9608; &#9616; &#9612;&#9612; &#9600; &#9608;&#9600;
&#9616; &#9612;&#9616;&#9608;&#9616; &#9632; &#9608; &#9608; &#9612; &#9612;
&#9616;&#9608;&#9608;
&#9616;
The DVDR Releasing Standards Originally Written and Organized By:
AUK . SOUL . JR . MAH . PURP . CONE
The 2005 Revised Releasing Standards Written and Organized By:
ANBC . BADBOYS . BHP . CUNT . EMERALD . FBiSO
HELLBOUND . IGUANA . iNERTiA . iV . KooSH . REQDVD
&#9616;&#9617; &#9617;&#9612;
&#9604;&#9608;&#9608;&#9618; &#9604;&#9604;&#9604;&#9604; &#9604;&#9604;&#9604;&#9604; &#9618;&#9608;&#9608;&#9604;
&#9604;&#9608;&#9608;&#9608;&#9617; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9619; &#9619;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9617;&#9608;&#9608;&#9608;&#9604;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9618; &#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9618;&#9618;&#9619; &#9619;&#9618;&#9618;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9618;&#9608;&#9608;&#9608;&#9608;&#9608;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9619;&#9619; &#9619;&#9619;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9618;&#9618;&#9617;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617;&#9618;&#9618;&#9619;&#9619;&#9618;&#9618;&#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9617;&#9618;&#9618;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612;
&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;
&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9618;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;
&#9600;&#9600; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9600;&#9600;
&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;
&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;
&#9600;&#9600;&#9600;&#9600;</pre>
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<pre class="nfo"> &#9604;&#9619;&#9600;&#9600;&#9604;
&#9619;&#9608;&#9612;
TiME &#9618;&#9604;&#9604; &#9604;&#9604;&#9608; &#9604;&#9608;&#9608;&#9608;&#9612;
&#9604;&#9604;&#9604;&#9617; &#9619;&#9619;&#9619;&#9604;&#9604; &#9617;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9608;&#9608;&#9608; &#9632;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608; &#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
&#9619;&#9608;&#9608;&#9608;&#9619;&#9604;&#9604;&#9604; &#9616;&#9608;&#9608;&#9608;&#9608; &#9617;&#9617;&#9617; &#9617;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; &#9617; &#9616;&#9619;&#9608;&#9608;&#9608;&#9612; &#9604;&#9619;&#9604; &#9604;&#9619;&#9608;&#9600;&#9617; &#9600;&#9608;&#9608;&#9608;&#9619;
&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9619;&#9604;&#9604; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9612; &#9618; &#9619;&#9608;&#9608;&#9608;&#9608; &#9619; &#9604;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9608;&#9604;
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&#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600; &#9608;&#9608;&#9608;&#9608; &#9600;&#9600;&#9608;&#9619;&#9604;&#9600;&#9616;&#9608;&#9608;&#9608;&#9608;&#9612; &#9619; &#9608;&#9608;&#9608;&#9608;&#9612; &#9619;&#9604; &#9608;&#9612; &#9608;&#9608;&#9608;&#9608;&#9619;&#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600; &#9617;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9618;&#9617;
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&#9600;&#9600;&#9618; &#9616;&#9608;&#9608;&#9608;&#9619; &#9600;&#9619;&#9618; &#9619;&#9608;&#9608;&#9608;&#9619; &#9619;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9612; &#9619; &#9619;&#9608;&#9600; &#9604;&#9619; &#9617;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600; &#9617;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;
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&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9617; &#9619;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617; &#9600; &#9617;&#9600; &#9616;&#9612; &#9616;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600; &#9618; asx &#9617;&#9604;&#9604;&#9604;&#9618;&#9617;
&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9617; &#9600;&#9600;&#9600;&#9619;&#9600; &#9604; &#9632;&#9600; &#9600;&#9600;&#9619;&#9612; &#9617; &#9616;&#9612; &#9616;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9604;&#9604;&#9619;&#9600;&#9600;&#9618; &#9617;
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&#9618;&#9600;&#9619;&#9619;&#9600; &#9618;&#9632;&#9600; &#9600;&#9600;&#9604; &#9618; &#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9617;
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&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9617;&#9618; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619;
&#9619;&#9608; HIGH COUNCIL for FRENCH TV/SERiES RULES &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Date: HCRV1SERIE-FRENCH-2004-TiME........................28/09/04 &#9608;&#9608;
&#9608;&#9608; Date: HCRV2SERIE-FRENCH-2004-TiME........................18/10/04 &#9608;&#9608;
&#9608;&#9608; Date: HCRV3SERIE-FRENCH-2005-TiME........................02/03/05 &#9608;&#9608;
&#9608;&#9608; Date: HCRV4SERIE-FRENCH-2005-TiME........................15/06/05 &#9608;&#9608;
&#9608;&#9608; Date: HCRV5SERIE-FRENCH-2005-TiME........................08/10/05 &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9619;&#9608; Team: &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; .Special participation of: CLiMAT/DVBCiTY &#9616;&#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9617; &#9619;&#9608; Team: .TVrIders.MACK4.PEPiTO.MAGiCAL.CIRCUS.CHOCAPiC.QCXViD.BIPOP. &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; .FoReVer.EViDENCE.DREAMFORCE.VXZ.KETCHUP.Dx6.ZAP.HYBRiS.SLY. &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; .iNCERTiTUDE.DiGiTAL.WiRE.T2F &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; RELEASE NOTES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Chers membres de la sc&#934;ne fran&#964;aise,
Voici la v5 du HCR TV/SERIE , il y a plus d&#39;un an ce concept naissait
transformant la section et la faisant &#952;voluer vers quelque chose de meilleur
cette ann&#952;e fut remplie de d&#952;fis et surpassement.Mais apr&#934;s cette ann&#952;e nous
sommes plus fort que jamais,prouvant que le concept marche , prouvant qu&#39;il
est possible et qu&#39;il doit toujours l&#39;&#8486;tre que des teams puissent reprendre
le contr&#8992;le de leur section, d&#952;cidant de la facon et mani&#934;re dont celle-ci
doit fonctionner et ne plus laisser comme bien d&#39;autre le fond entre les
mains de gens ne la comprenant pas mais comme dans chaque HCR passer nous
leur tendons une fois de plus la main les priants de bien vouloir respecter
ce documents et ses rules au m&#8486;me titre que tout autre rules de vos sites et
des sections rattacher a ceux-ci :)
alors Happy Day HCR TV/SERIE et que tu puisses vivre encore longtemps :)
TVRiP RULES v5.0
1) Generals:
S&#952;ries en cours de diffusion :
101... Pour commencer et obtenir la priorit&#952; d&#39;une saison, une team doit
releaser l&#39;&#952;pisode qui est diffus&#952; en premier par la chaine.
102... Les &#952;pisodes d&#39;une saison doivent &#8486;tre PRE dans l&#39;ordre de diffusion.
103... Toutefois, si la team tarde (48h apr&#934;s la diffusion) &#945; releaser
un &#952;pisode, une autre team est autoris&#952;e &#945; race sur cet &#952;pisode
uniquement. La qualit&#952; du broadcast doit &#8486;tre identique ou
sup&#952;rieure et la release dois poss&#934;der les m&#8486;mes sp&#952;cificit&#952;s video/audio.
104... Toutefois une team qui se fait racer sur 2 &#952;pisodes cons&#952;cutifs par une
autre team et dont la raison est la rule 103 cette team perd
la priorit&#952; de la saison , et devra se battre sur l&#39;&#952;pisode suivant pour
r&#952;cup&#934;rer sa priorit&#952;.
105... Pour releaser une saison, il est sugg&#952;r&#952; d&#39;attendre que la saison
pr&#952;c&#952;dente soit compl&#934;tement releas&#952;e, sauf si elle n&#39;a pas &#952;t&#952; diffus&#952;e.
106... Si la s&#952;rie est diffus&#952;e &#945; coup de 1 episode par semaine il faudra 2 semaines
sans release pour perdre la priorit&#952;. Pour une serie diffus&#952;e &#945; coup de
2 episodes par semaine ou plus il ne faudra qu&#39;1 semaine sans release pour perdre
sa priorit&#952;.
107... Si la chaine ne diffuse plus la s&#952;rie pendant un temps et qu&#39;ensuite
reprend la diffusion, la team ayant la priorit&#952; originellement
&#945; toujours la priorit&#952; sur la suite de cette saison.
S&#952;ries en stock :
108... Il arrive parfois, et m&#8486;me souvent, que les teams stockent plusieurs
saisons d&#39;une s&#952;rie, et d&#952;cident par la suite de les diffuser.
Dans ce cas, il est conseill&#952; que la team annonce dans leur nfo
d&#934;s le d&#952;but le nombre de saisons et &#952;pisodes qu&#39;elle souhaite diffuser.
109... Aucune priorit&#952; n&#39;est donn&#952;e avant le PRE de l&#39;&#952;pisode 01 d&#39;une saison
mais il est fortement sugg&#952;r&#952; qu&#39;une autre team respecte, par soucis
de pr&#952;server une bonne r&#952;putation, d&#39;&#952;thique ainsi que de bonne foi, les
souhaits d&#39;une autre team.
110... Dans un cas o&#183; une team &#945; annonc&#952; les saisons et &#952;pisodes qu&#39;elle
pr&#952;voyait de diffuser et qu&#39;une autre team race, la team ayant rac&#952;
obtient la priorit&#952; de la saison qu&#39;elle a d&#952;but&#952; mais cette team
doit respecter les rules HCR.
111... Pour commencer et obtenir la priorit&#952; d&#39;une saison, une team doit
releaser l&#39;&#952;pisode 01.
112... Les &#952;pisodes doivent etre PRE dans l&#39;ordre chronologique.
113... Pour sortir la saison suivante, une team n&#39;est pas oblig&#952;e d&#39;attendre
la fin de la pr&#952;c&#952;dente.
114... L&#39;espacement maximal entre 2 PRE doit &#8486;tre de 48h maximum, sinon
une autre team est autoris&#952;e &#945; racer sur cette &#952;pisode uniquement.
Pour racer une team, la qualit&#952; de la source doit &#8486;tre identique
ou sup&#952;rieure et dans le m&#8486;me format.
115... Dans un cas o&#183; une team &#945; annonc&#952; qu&#39;elle allait releaser une saison ou
une s&#952;rie qu&#39;elle poss&#952;dait en stock, mais que cette saison revient en
ondes avant que la team n&#39;ait releas&#952; l&#39;&#952;pisode 01, cette team a 24h
pour sortir l&#39;&#952;pisode 01 apr&#934;s le d&#952;but de la diffusion. Apr&#934;s ces 24h, la
s&#952;rie sera soumise aux rules des s&#952;ries en diffusion et donc pour sortir
une rlz une team doit le faire dans les 24h restantes.
2) Source/broadcast (en ordre de sup&#952;riorit&#952;):
201... Ordre de qualit&#952;: DVTV --> HDTV --> PDTV ou DVBRiP ou DSR --> SDTV ou SATRIP --> TVRIP
202... DVTV: L&#39;image provenant exclusivement de HDTV/DVD Z1 ou Z2 et le son lui
provenant de source de haute qualit&#952; de PDTV.
203... HDTV: Capture num&#952;rique via une carte HDTV au format High Definition TeleVision.
204... PDTV/DVBRIP/DSR: Capture num&#952;rique via une carte DVB (C ou S ou bien T).
205... SDTV/SATRIP: Capture d&#39;une source num&#952;rique satellite ou c&#915;ble avec
une carte d&#39;acquisition analogique ou graveur DVD avec
branchement analogique.
206... TVRiP: Capture via une carte de capture terrestre ou carte de capture
analogique avec une source c&#915;ble analogique avec entr&#952;es
RCA vid&#952;o/audio.
207... Si une team release une s&#952;rie dans un broadcast sup&#952;rieur, la team qui release
dans un broadcast inf&#952;rieur doit s&#39;arr&#8486;ter de releaser sur cette s&#952;rie pour
assurer la meilleure qualit&#952; aupr&#934;s des fans.
Broadcast:
DVTV:
208... La Video doit provenir de HDTV/DVD PAL/NTSC uniquement.
209... Le Son doit provenir de HDTV/PDTV uniquement.
210... La provenance de la source VIDEO doit &#8486;tre inscrite.
211... Le DVTV est autoris&#952; uniquement pour les s&#952;ries jamais diffus&#952;es ou sorties en DVD sans SON FR.
212... Le DVTV est autoris&#952; si les dvd sortent dans un minimum de 2 mois apr&#934;s la release DVTV.
213... La provenance de la video doit &#8486;tre inscrite dans le nfo.
3) Format:
Vid&#952;o:
301... Le VCD/XViD (1.x)/DiVX (6.x) sont accept&#952;.
302... Le VCD doit &#8486;tre fait en 1 pass et le XViD (1.x)/DiVX (6.x) doit &#8486;tre fait en 2 pass obligatoirement.
303... Une Team doit toujours releaser en 2 pass le XViD (1.x)/DiVX (6.x) sous peine de perdre sa priorit&#952;.
304... Le SBC est interdits.
305... Une serie sans action doit comporter un bitrate mininal de 700 kbs.
306... Une serie avec action doit comporter un bitrate mininal de 900 kbs.
307... Le fichier doit toujours &#8486;tre sous forme de .avi pour du XViD (1.x)/DiVX (6.x)
308... Le fichier doit toujours &#8486;tre sous forme de .bin .cue pour du VCD
309... Aucune release de 3 CD n&#39;est autoris&#952;e.
Audio:
310... Doit &#8486;tre du MP3 CBR ou ABR/VBR 128kbps, 44.1khz/48khz.
311... Doit &#8486;tre STEREO sauf si la chaine diffuse en MONO.
312... Audio vbr: minimum de 96kbps et une moyenne de 128kbps minimum.
R&#952;solution:
313... Doit respecter l&#39;aspect ratio (AR) original de la diffusion originale.
1.33 (4/3) 640 x 480 | 576 x 432 | 544 x 408 | 512 x 384
1.66 (16/9) 644 x 388 | 568 x 342 | 528 x 318 | 508 x 306
1.77 (16/9) 644 x 364 | 584 x 330 | 556 x 314 | 512 x 288
1.85 (WS 16/9) 644 x 348 | 584 x 316 | 544 x 294 | 492 x 266
2.35 (CS 16/9) 644 x 274 | 592 x 252 | 536 x 228 | 512 x 218
- 624 x 352 est la seule r&#952;solution accept&#952;e dans les releases HDTV.
WS = WIDESCREEN
CS = CINEMASCOPE
Mais les anciennes r&#952;solutions TDX sont toujours accept&#952;es.
1.33 ( 4:3) 640 x 480 | 576 x 432 | 512 x 384
1.77 (16:9) 640 x 368 | 576 x 320 | 512 x 288
1.85 (WS 16/9) 640 x 352 | 576 x 304 | 512 x 272
2.35 (CS 16/9) 640 x 272 | 576 x 240 | 512 x 224
314... Le cropping est obligatoire.
315... Le ivtc est obligatoire.
316... L&#39;intro et le g&#952;n&#952;rique doivent &#8486;tre pr&#952;sents.
Taille:
317.... &#9556;pisode de 20-29mn = 140 &#945; 270 Mo
318.... &#9556;pisode de 30-49mn = 200 &#945; 385 Mo
319.... &#9556;pisode de + de 50mn = 350 &#945; 700 Mo
4) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
401... Le Nom de Groupe
402... Le Titre Francais ou Anglais
403... Le FPS de la vid&#952;o.
404... La Langue de la s&#952;rie.
405... Lien IMDB, ou similaire.
406... Nombre de rar.
5) Package:
501... Dirname: TITRE.DE.LA.ETV/SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S1E01.FRENCH.SOURCE.FORMAT-TEAM
Titre_De_La_ETv/Serie.SAISONxEPISODE.FRENCH_SOURCE_FORMAT-TEAM
Ex: Early.Edition.S01E01.FRENCH.HDTV.XVID-TEAM
Early.Edition.S1E01.FRENCH.HDTV.XVID-TEAM
Early_Edition.1x01.FRENCH_HDTV_XVID-TEAM
Francais:
Pour que ce dirname fran&#964;ais soit accept&#952;, il faut que:
502... Que le titre fr et qc soient le m&#8486;me sinon une team doit mettre le titre Us.
503... Que le titre Us soit toujours pr&#952;sent dans le nfo.
504... Que le dirname d&#39;une s&#952;rie reprise soit le m&#8486;me que celui de d&#952;part.
505... Sauf si s&#952;rie de FR ou du QC car titre US non existant.
Autres:
506... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
507... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
508... Pour l&#39;episode final toujours inscrire .FINAL. dans le dirname:
Ex: Early.Edition.S01E00.FiNAL.FRENCH.HDTV.XVID-TEAM
Early.Edition.S1E00.FiNAL.FRENCH.HDTV.XVID-TEAM
Early_Edition.1x00.FiNAL.FRENCH_HDTV_XVID-TEAM
509... Les sous-dossiers doivent &#8486;tre nomm&#952;s CD1/DISK1 : aucun autre nom n&#39;est autoris&#952;.
Rars:
510... Store 15mb ou 20mb par fichier nomm&#952;s en OLD Format (.rxx)
6) Proper:
601... Un REPACK est toujours autoris&#952; avant un PROPER et jamais apr&#934;s.
602... Un PROPER est autoris&#952; si une release ne respecte pas les rules HCR.
603... Un PROPER est autoris&#952; si une release poss&#934;de un probl&#934;me AUDIO/VIDEO/.RAR
604... Une PREUVE doit &#8486;tre fournie sous forme de BUG.AVI pour &#8486;tre valide.
605... Un PROPER sur une release en XViD/DiVX en 1 pass est juger valide car la pr&#952;c&#952;dente
release est consid&#934;re comme de mauvaise qualit&#952;.
606... Une TEAM qui PROPER sur l&#39;E01 est consider&#952;e comme valide si le PROPER concerne les rules:
305,306,312,313,317,318,319,501 &#945; 508 et 704 pour tout autre raison ce PROPER est INVALIDE.
607... Une TEAM doit sortir sont PROPER sur l&#39;E01 AVANT le PRE de l&#39;E02 sinon il est invalide et si cela
d&#952;passe 48h apr&#934;s le PRE de l&#39;E01 il n&#39;y a aucune perte de priorit&#952;.
608... Un PROPER sur autre chose que l&#39;E01 n&#39;entraine pas la perte de la priorit&#952; et il doit &#8486;tre valide.
609... Un PROPER dois respecter les bonnes sp&#952;cification video/audio de la release proper sinon elle devient invalide.
610... Un PROPER pour Bad.Quality sur l&#39;E01 ou autre est autoriser si une des RULES HCR n&#39;est pas respect&#952;es.
7) Autres:
E01:
701... L&#39;&#952;pisode 01 doit toujours &#8486;tre fait en 2 pass.
Fansub:
702... Le FANSUB est toujours interdit.
Logo:
703... Le logo devrait &#8486;tre enlev&#952;, si possible, selon la chaine.
Sample:
704... Le sample doit &#8486;tre d&#39;une taille minimal de 3 mb ou comporter 1 minute de video et sous forme de .avi.
Subfrench:
705... Le Subfrench est autoris&#952;.
Qualit&#952;:
706... La Qualit&#952; est la chose primordiale quitte &#945; passer un peu plus de temps avant de sortir sa release.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; PPCRiP RULES v2.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
- Le HCR tient &#945; rapeller les rules PPCTV faites par MiTP/PPCTV
1) G&#952;n&#952;rales:
101... Pour commencer une saison, une team doit release l&#39;E01.
102... Les &#952;pisodes suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique.
103... Toutefois, si la team tarde (plus de 2 jours entre chaque) &#945; releaser
les &#952;pisodes suivants, une autre team est autoris&#952;e &#945; continuer
cette saison avec les m&#8486;mes caract&#952;ristiques vid&#952;o/audio que les
&#952;pisodes pr&#952;c&#952;dents.
104... Si une s&#952;rie est abandonn&#952;e ou qu&#39;il s&#39;&#952;coule 1 semaine sans aucune
release de la team qui a la priorit&#952;, une team est autoris&#952;e &#945; compl&#952;ter
la s&#952;rie en cours ou &#945; sortir la saison suivante et &#945; obtenir ainsi la
priorit&#952; de la saison.
105... Pour sortir la saison suivante, une team n&#39;est pas oblig&#952;e d&#39;attendre la
fin de la pr&#952;c&#952;dente.
2) Format:
Source:
201... Il faut obtenir l&#39;autorisation de la source video pour pouvoir releaser la version PPC.
Video:
202... Uniquement le XViD (1.x) est accept&#952;.
203... Le DIVX (6.x)/SBC sont interdits.
204... Une serie doit avoir un bitrate minimum de 200 kbs.
Audio:
205... MP3 64kbps CBR ou ABR/VBR, 44.1khz/48khz.
Vbr/abr: minimum de 24kbps et une moyenne de 64kbps minimum.
R&#952;solution:
206... Doit respecter l&#39;aspect ratio (AR) original de la diffusion originale ou du DVD.
207... 320*xxx
208... Le cropping est obligatoire.
209... l&#39;intro et le g&#952;n&#952;rique doivent &#8486;tre pr&#952;sents.
Taille:
210... &#9556;pisode de 20 &#945; + de 50mn = 45 &#945; 128 Mo
3) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
301... Le Nom de Groupe
302... Le Titre Francais ou Anglais
303... Le nom de la TEAM utilis&#952;e pour la source de l&#39;&#952;pisode.
304... Le FPS de la vid&#952;o.
305... La Langue de la s&#952;rie.
306... Lien IMDB, ou similaire.
307... Nombre de rar.
4) Package:
401... Dirname: Dirname: TITRE.DE.LA.ETV/SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S1E01.FRENCH.SOURCE.FORMAT-TEAM
Ex: Early.Edition.S01E01.FRENCH.PPC.XVID-TEAM
Early.Edition.S1E01.FRENCH.PPC.XVID-TEAM
Francais:
Pour que ce dirname fran&#964;ais soit accept&#952;, il faut que:
402... Que le titre fr et qc soient le m&#8486;me sinon une team doit mettre le titre Us.
403... Que le titre Us soit toujours pr&#952;sent dans le nfo.
404... Que le dirname d&#39;une s&#952;rie reprise soit le m&#8486;me que celui de d&#952;part.
405... Sauf si s&#952;rie de FR ou du QC car titre US non existant.
Autres:
406... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
407... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
408... Pour l&#39;episode final toujours inscrire .FINAL. dans le dirname:
Ex: Early.Edition.S01E00.FiNAL.FRENCH.PPC.XVID-TEAM
Early.Edition.S1E00.FiNAL.FRENCH.PPC.XVID-TEAM
Rars:
409... Store 15mb ou 20mb par fichier nomm&#952;s en OLD Format (.rxx)
5) Autres:
Fansub:
501... Le FANSUB est toujours interdit.
Sample:
502... Le sample doit &#8486;tre d&#39;une taille minimal de 3 mb ou compoter 1 minute de video et sous forme de .avi.
Subfrench:
503... Le Subfrench est autoris&#952;.
Qualit&#952;:
504... La Qualit&#952; est la chose primordial quit &#945; passer un peu plus de temps avant de sortir sa release.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDRiP RULES v5.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
1) Generals:
101... Pour commencer une saison, une team doit release l&#39;E01/CD1.
102... Les &#952;pisodes/CDs suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique.
103... Toutefois, si la team tarde (plus de 2 jours entre chaque) &#945; releaser
les &#952;pisodes/CDs suivants, une autre team est autoris&#952;e &#945; continuer
cette saison avec les m&#8486;mes caract&#952;ristiques vid&#952;o/audio que les
&#952;pisodes/CDs pr&#952;c&#952;dents.
104... Si une s&#952;rie est abandonn&#952;e ou qu&#39;il s&#39;&#952;coule 1 semaine sans aucune
release de la team qui a la priorit&#952;, une team est autoris&#952;e &#945; compl&#952;ter
la s&#952;rie en cours ou &#945; sortir la saison suivante et &#945; ainsi obtenir la
priorit&#952; de la saison.
105... Pour sortir la saison suivante, une team n&#39;est pas oblig&#952;e d&#39;attendre la
fin de la pr&#952;c&#952;dente.
106... Une team est autoris&#952; a utiliser la video d&#39;une team US ou autres mais cette
team dois en indiquer la provenance en tout temps et en obtenir l&#39;autorisation
si cela est possible.
2) Format:
Vid&#952;o:
201... XViD (1.x)/DiVX (6.x) 2pass 23.976/29.970fps (NTSC) OU 25fps (PAL).
202... Le SBC/VCD sont interdits.
203... Une serie avec peu d&#39;action doit comporter un bitrate mininal de 700 kbs.
204... Une serie avec beaucoup d&#39;action doit comporter un bitrate mininal de 800 &#945; 1000 kbs.
205... Le fichier doit toujours &#8486;tre sous forme de .avi.
206... Aucune release de 3 CD n&#39;est autoris&#952;.
R&#952;solution:
207... Doit respecter l&#39;aspect ratio (AR) original de la source DVD.
1.33 (4/3) 640 x 480 | 576 x 432 | 544 x 408 | 512 x 384
1.66 (16/9) 644 x 388 | 568 x 342 | 528 x 318 | 508 x 306
1.77 (16/9) 644 x 364 | 584 x 330 | 556 x 314 | 512 x 288
1.85 (WS 16/9) 644 x 348 | 584 x 316 | 544 x 294 | 492 x 266
2.35 (CS 16/9) 644 x 274 | 592 x 252 | 536 x 228 | 512 x 218
WS = WIDESCREEN
CS = CINEMASCOPE
Mais les anciennes r&#952;solutions TDX sont toujours accept&#952;es.
1.33 ( 4:3) 640 x 480 | 576 x 432 | 512 x 384
1.77 (16:9) 640 x 368 | 576 x 320 | 512 x 288
1.85 (WS 16/9) 640 x 352 | 576 x 304 | 512 x 272
2.35 (CS 16/9) 640 x 272 | 576 x 240 | 512 x 224
208... Le cropping est obligatoire.
209... l&#39;intro et le g&#952;n&#952;rique doivent &#8486;tre pr&#952;sents.
Audio:
210... Doit &#8486;tre du MP3 CBR ou ABR/VBR 128kbps, 44.1khz/48khz.
211... Audio vbr: minimum de 96kbps et une moyenne de 128kbps minimum.
212... AC3 est accept&#952;.
4) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
401... Le Nom de Groupe
402... Le Titre Francais ou Anglais
403... La Regions, NTSC ou PAL
404... Le FPS de la vid&#952;o.
405... La Langue de la s&#952;rie.
406... Lien IMDB, ou similaire.
407... Nombre de rar.
5) Taille:
Une s&#952;rie dvdrip peut &#8486;tre releas&#952;e soit:
- par &#952;pisode:
501... &#9556;pisode de 20-29min = 170 &#945; 233 Mo
502... &#9556;pisode de 30-49min = 250 &#945; 350 Mo
503... &#9556;pisode de + de 50min = 700 Mo
- par CD:
504... 3 &#952;pisodes de 20-29min de 170 &#945; 233mo
505... 2 &#952;pisodes de 30-49min de 250 &#945; 350mo
506... 1 &#952;pisode de + de 50min de 700 Mo
6) Package:
601... Dirname: TITRE.DE.LA.ETV/SERIE.US.S01E01.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S01CD1.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S1E01.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S1CD1.FRENCH.SOURCE.FORMAT-TEAM
Ex: Early.Edition.S01E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01CD1.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S1E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S1CD1.FRENCH.DVDRiP.XVID-TEAM
Francais:
Pour que ce dirname fran&#964;ais soit accept&#952;, il faut que:
602... Que le titre fr et qc soient le m&#8486;me sinon une team doit mettre le titre Us.
603... Que le titre Us soit toujours pr&#952;sent dans le nfo.
604... Que le dirname d&#39;une s&#952;rie reprise soit le m&#8486;me que celui de d&#952;part.
605... Sauf si s&#952;rie de FR ou du QC car titre US non existant.
Autres:
606... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
607... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
608... Pour l&#39;episode final toujours inscrire .FINAL. dans le dirname:
Ex: Early.Edition.S01E01.FiNAL.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01CD1.FiNAL.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S1E01.FiNAL.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S1CD1.FiNAL.FRENCH.DVDRiP.XVID-TEAM
609... Si il s&#39;agit d&#39;un box final le dirname doit porter la mention BOX.FiNAL.
610... Les sous-dossiers doivent &#8486;tre nomm&#952;s CD1/DISK1 : aucun autre nom n&#39;est autoris&#952;.
Rars:
611... Store 15mb ou 20mb par fichier nomm&#952;s en OLD Format (.rxx)
7) Proper:
701... Un REPACK est toujours autoris&#952; avant un PROPER et jamais apr&#934;s.
702... Un PROPER est autoris&#952; si une release ne respecte pas les rules HCR.
703... Un PROPER est autoris&#952; si une release poss&#934;de un probl&#934;me AUDIO/VIDEO/.RAR
704... Une PREUVE doit &#8486;tre fournie sous forme de BUG.AVI pour &#8486;tre valide.
705... Un PROPER sur une release en XViD/DiVX en 1 pass est juger valide car la pr&#952;c&#952;dente
release est consid&#934;re comme de mauvaise qualit&#952;.
706... La TEAM PROPER sur l&#39;E01/CD1 perd la priorit&#952; si le PROPER est valide.
707... 607... Une TEAM doit sortir sont PROPER sur l&#39;E01/CD1 AVANT le PRE de l&#39;E02/CD2 sinon il est invalide et si cela
d&#952;passe 48h apr&#934;s le PRE de l&#39;E01/CD1 il n&#39;y a aucune perte de priorit&#952;.
708... Un proper sur autres chose que l&#39;E01/CD1 n&#39;entraine pas la perte de la priorit&#952; et il doit &#8486;tre valide.
709... Un PROPER dois respecter les bonnes sp&#952;cification video/audio de la release proper sinon elle devient invalide.
710... Un PROPER pour Bad.Quality sur l&#39;E01/CD1 ou autre ou autre est autoriser si une des RULES HCR n&#39;est pas
respect&#952;es.
8) Source:
801... DVDRiP signifie que la source originale sonore et video doit provenir d&#39;un DVD Z1 ou DVD Z2 retail.
9) Autres:
Fansub:
901... Le FANSUB est toujours interdit.
Sample:
902... Le sample doit &#8486;tre d&#39;une taille minimal de 3 mb ou compoter 1 minute de video et sous forme de .avi
Subfrench:
903... Le Subfrench est autoris&#952;.
Qualit&#952;:
904... La Qualit&#952; est la chose primordiale quit &#945; passer un peu plus de temps avant de sortir sa release.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDR RULES v4.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
1) G&#952;n&#952;rales:
101... Pour commencer une saison, la team doit releaser le VOL01/DVD1.
102... Les DVD suivants doit &#8486;tre PRE dans l&#39;ordre chronologique
103... Toutefois, si la team tarde (plus de 5 jours entre chaque) &#945;
releaser les DVD suivants, une autre team est autoris&#952;e &#945; race
sur ce DVD uniquement, si et seulement si la qualit&#952; est identique
ou sup&#952;rieure et dans le m&#8486;me format.
104... Si une s&#952;rie est abandonn&#952;e ou qu&#39;il s&#39;&#952;coule 2 semaines sans aucune
release de la team qui a la priorit&#952;, une team est autoris&#952;e &#945; compl&#952;ter
la s&#952;rie en cours ou &#945; sortir la saison suivante et &#945; obtenir la
priorit&#952; de la saison.
105... Pour sortir la saison suivante, une team n&#39;est pas oblig&#952;e d&#39;attendre la fin de
la saison pr&#952;c&#952;dente.
2) Format:
Vid&#952;o:
201... Video en 23.976/29.970fps (NTSC) OU 25fps (PAL).
202... CCE pour un dvd de 100 minutes et moins 4 passes minimum pour un dvd de plus de 100 minutes
5 pass pour un maximum de 9 pass.
203... Le bitrates minimum doit &#8486;tre minimum de 2400 kbit pour les DVDR-SERIE de plus de 150 minutes.
204... DVDSHRINK ou les programmes all-in-one ne sont pas accept&#952;s
205... Les Macro vision doivent &#8486;tre retir&#952;s.
206... Toute limitation pour un utilisateur doit &#8486;tre retir&#952;e.
207... Une release DVDR-TV DVDR-SERIE doit toujours etre free region.
208... Les fichier VTS qui font de 0 &#945; 100ko ne sont pas autoriser sur un DVDR-SERIE.
209... Le reauthoring du menu et de la structure d&#39;un DVDR-SERIE n&#39;est pas obligatoire sauf si il cause probl&#934;me
&#945; atteindre le bitrate minimal
R&#952;solution:
208... Doit respecter l&#39;aspect ratio (AR) original de la source DVD
ainsi que la r&#952;solution.
Audio:
209... Doit &#8486;tre au minimum AC3 ou Dolby 5.1/2.0/1.0
210... Doit &#8486;tre FRENCH 5.1 si possible, inclure ENGLISH 2.0.
Bonus:
211... Les bonus sont autoris&#952;s mais pas obligatoire.
212... L&#39;intro et le g&#952;n&#952;rique doivent &#8486;tre pr&#952;sents.
3) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
301... Le Nom de Groupe.
302... Le Titre Francais ou Anglais.
303... La Region, NTSC ou PAL.
304... Bitrate utilis&#952; lors du r&#952;encodage.
305... Les Audio, et sous-titres inclus.
306... Ce qui &#945; &#952;t&#952; stripped, extras, menu, etc.
307... Lien IMDB, ou similaire.
308... Nombre de rar.
4) Package:
401... Dirname: TITRE.DE.LA.ETV/SERIE.US.S01DVD1.ZONE.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S01DVD1.ZONE.MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S1DVD1.ZONE.FRENCH.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/SERIE.US.S1DVD1.ZONE.MULTI.SOURCE.FORMAT-TEAM
Ex: Early.Edition.S01DVD1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01DVD1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01VOL1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01VOL1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1VOL1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1VOL1.PAL.FRENCH/MULTI.DVDR-TEAM
Francais:
Pour que ce dirname fran&#964;ais soit accept&#952;, il faut que:
402... Que le titre fr et qc soient le m&#8486;me sinon une team doit mettre le titre Us.
403... Que le titre Us soit toujours pr&#952;sent dans le nfo.
404... Que le dirname d&#39;une s&#952;rie reprise soit le m&#8486;me que celui de d&#952;part.
405... Sauf si s&#952;rie de FR ou du QC car titre US non existant.
Autres:
406... PAL ou NTSC doivent se trouver en tout temps dans le DIRNAME.
407... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
408... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
409... Pour l&#39;episode final toujours inscrire .FINAL. dans le dirname:
Ex: Early.Edition.S01DVD1.FiNAL.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01DVD1.FiNAL.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01VOL1.FiNAL.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01VOL1.FiNAL.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.FiNAL.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.FiNAL.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1VOL1.FiNAL.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1VOL1.FiNAL.PAL.FRENCH/MULTI.DVDR-TEAM
410... Si rien n&#39;a &#952;t&#952; compress&#952; ou chang&#952; du DVDR ORIGINAL le dirname doit comporter la mention FULL/COMPLETE
411... Les sous-dossiers doivent &#8486;tre nomm&#952;s DVD1/DISK1 : aucun autre nom n&#39;est autoris&#952;.
412... Si il s&#39;agit d&#39;un box final le dirname doit porter la mention BOX.FiNAL.
Rars:
413... Store 50mb par fichier nomm&#952;s en OLD Format (.rxx)
5) Proper:
501... Un REPACK est toujours autoris&#952; avant un PROPER et jamais apr&#934;s.
502... Un PROPER est autoris&#952; si une release ne respecte pas les rules HCR.
503... Un PROPER est autoris&#952; si une release poss&#934;de un probl&#934;me AUDIO/VIDEO/.RAR
504... Une PREUVE doit &#8486;tre fournie sous forme de BUG.VOB pour &#8486;tre valide.
505... La TEAM PROPER sur l&#39;DVD1/VOL1 perd la priorit&#952; si le PROPER est valide.
506... Une TEAM doit sortir sont PROPER sur l&#39;DVD1/VOL1 AVANT le PRE de l&#39;DVD2/VOL2 sinon il est invalide.
507... Un proper sur autres chose que l&#39;DVD1/VOL1 n&#39;entraine pas la perte de la priorit&#952; et il doit &#8486;tre valide.
508... Un PROPER dois respecter les bonnes sp&#952;cification video/audio de la release proper sinon elle devient invalide
et si cela d&#952;passe 48h apr&#934;s le PRE de l&#39;DVD1/VOL1 il n&#39;y a aucune perte de priorit&#952;.
509... Un PROPER pour Bad.Quality sur l&#39;DVD1/VOL1 ou autre est autoriser si une des RULES HCR n&#39;est pas respect&#952;es.
510... Un PROPER est autoris&#952; si une team &#945; utilis&#952; un SOFT ALL IN ONE
511... Un PROPER sur un DVDR-SERIE est autoris&#952; si une des RULES HCR n&#39;est pas respect&#952;es.
6) Autres:
Fansub:
601... Le FANSUB est toujours interdit.
Sample:
602... Le sample doit &#8486;tre d&#39;une taille minimale de 30mb et sous forme de .vob.
Subfrench:
603... Le Subfrench est autoris&#952;.
Zone:
604... Le Zone dupe est autoris&#952;.
Qualit&#952;:
605... La Qualit&#952; est la chose primordiale quitte &#945; passer un peu plus de temps avant de sortir sa release.
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
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&#9617; &#9608;&#9608; Lu et approuv&#952; dans leur majorit&#952; par les teams s&#952;ries. &#9608;&#9608; &#9617;
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&#9632; Merci &#9632;
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&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; asphyx &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9600;&#9617; &#9632;
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<pre class="nfo"> &#9604;&#9619;&#9600;&#9600;&#9604;
&#9619;&#9608;&#9612;
TiME &#9618;&#9604;&#9604; &#9604;&#9604;&#9608; &#9604;&#9608;&#9608;&#9608;&#9612;
&#9604;&#9604;&#9604;&#9617; &#9619;&#9619;&#9619;&#9604;&#9604; &#9617;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9608;&#9608;&#9608; &#9632;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608; &#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
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&#9618;&#9600;&#9600;&#9600;&#9600;&#9600; &#9617;&#9604; &#9617;&#9608;&#9608;&#9608;&#9619; &#9600; &#9608;&#9608;&#9608;&#9608;&#9612; &#9617;&#9608; &#9616;&#9608;&#9608;&#9608;&#9608;&#9612; &#9604; &#9619;&#9608;&#9604;&#9608;&#9619; &#9616;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;
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&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9617; &#9600;&#9600;&#9600;&#9619;&#9600; &#9604; &#9632;&#9600; &#9600;&#9600;&#9619;&#9612; &#9617; &#9616;&#9612; &#9616;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9617; &#9618; &#9604;&#9604;&#9619;&#9600;&#9600;&#9618; &#9617;
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&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619;
&#9619;&#9608; HIGH COUNCIL for FRENCH ANIME RULES &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Date v1: ........................................24/10/2004 &#9608;&#9608;
&#9608;&#9608; Date v2: ........................................14/11/2004 &#9608;&#9608;
&#9608;&#9608; Date v3: ........................................03/10/2005 &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9619;&#9608; Teams: DRAG***.Kit**.CHO*****.EXO***.HER***.T**.BAK****, M** &#9608;&#9619; &#9617;
&#9617; &#9619;&#9608; &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; RELEASE NOTES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Chers membres de la scene francaise,
Le pr&#952;sent document vous est pr&#952;sent&#952; suite &#945; la rencontre de plusieurs
teams francaises Anim&#952;s. Ensemble, nous avons discut&#952; de plusieurs
aspects de notre scene francaise anim&#952; dont les rules g&#952;n&#952;rales
&#945; respecter afin de maintenir et accro&#949;tre la qualit&#952; des releases
qui vous sont offertes. Suite aux nombreuses suggestions, propositions
et arguments pr&#952;sent&#952;s durant cette rencontre, nous avons &#952;labor&#952; ces
rules que la quasi-unanimit&#952; des teams a lu et accept&#952; de respecter.
Un petit mot plus particuli&#934;rement aux siteops/nukers de sites o&#183; les
anim&#952;s sont trades : Nous tenons &#945; ce que vous respectiez et appliquiez
ces rules que nous, certaines teams francaises anim&#952;s, avons choisi
d&#39;honorer.
---------------------------------------------------------------------------
ANiME RULES v3
Nom de la source &#945; sp&#952;cifier pour les captures broadcast de cha&#949;nes TV FR
(cha&#949;nes MANGAS, AB1 etc...)
HDTV : Capture num&#952;rique via une carte DVB ou une carte HDTV au format
High Definition TeleVision
PDTV : Capture num&#952;rique via une carte DVB (S ou C) appel&#952;e aussi DVBRIP
SDTV : Capture num&#952;rique via une platine DVD de salon
SATRIP : Capture via une carte de capture analogique avec une source
satellite ou c&#915;ble num&#952;rique
TVRiP : Capture via une carte de capture terrestre ou carte de capture
analogique avec une source c&#915;ble analogique avec entr&#952;es
RCA video/audio
LE DVDRIP HK est consid&#952;r&#952; comme une source Broadcast. A savoir que c&#39;est
la commercialisation d&#39;une capture avec le travail d&#39;une &#952;quipe chinoise
pour faire des Subs US de l&#39;audio JAP.
LE DVDRIP HK comme les RAW a une qualit&#952; qui varie selon les ann&#952;es de captures.
Le Japon est pass&#952; en diffusion HDTV en 2002-2003.
Reste &#945; conna&#949;tre la m&#952;thode qui a &#952;t&#952; employ&#952;e pour capturer le HDTV.
Voil&#945; pourquoi les DVDHK ont une qualit&#952; diff&#952;rente selon les ann&#952;es de
diffusion TV.
Le Rawrip est une capture SAT au japon bien souvent en HDTV de tr&#934;s bonne
qualit&#952;.
Le Rawrip d&#39;un DVDRIP est consid&#952;r&#952; comme un DVDRIP, le nom RAWRIP &#952;tant
accord&#952; aux captures broadcast.
Les captures SAT sur les cha&#949;nes fran&#964;aises devront sp&#952;cifier leur format
de capture : le format DVBrip n&#39;existe donc plus et devra &#8486;tre remplac&#952;
par PDTV pour suivre les rules HCR s&#952;rie TV.
Les formats en FANSUB ne se nukent pas les uns les autres. En d&#39;autres
termes une s&#952;rie fansub ne peut pas &#8486;tre recommenc&#952;e. Une s&#952;rie en RAWRIP
ne peut &#8486;tre recommenc&#952;e en DVDRIP Z1, Z2jap etc...
SEULE une s&#952;rie Z2 subfrench retail peut recommencer la s&#952;rie.
Si un groupe arr&#8486;te une s&#952;rie, une autre team peut la reprendre et ce m&#8486;me
dans une source diff&#952;rente (un Z1 arr&#8486;t&#952; peut &#8486;tre continu&#952; en rawrip
et vice-versa)
Peuvent avoir la d&#952;nomination de DVDrip :
les DVD Z1, DVD Z2 PAL/UK/JAP, DVD Z3 (cor&#952;en) et les raw ayant pour
source un DVD (g&#952;n&#952;ralement DVD Zone2 JAP).
Cas des DVDrip avec un AUDIO VF non DVD (source audio: broadcast ou VHS)
D&#952;sormais ce genre de rlz ne sera plus consid&#952;r&#952; comme DVDRIP mais
DVDSCR pour &#952;viter que de vrais DVDRIP Z2 FRENCH RETAIL soient nuke.
Les nouveaux format sont donc :
DVDRIP - DVDSCR - HKDVDRIP - RAWRIP - HDTV/PDTV/SDTV/SATRIP/TVRIP
Si le Z2 subfrench est OUT en magasin, la s&#952;rie fansub peut continuer si
la s&#952;rie a &#952;t&#952; sortie aux 3/4. Dans le cas contraire, la s&#952;rie fansub
doit se terminer.
Si c&#39;est le Z2 French qui est OUT, la s&#952;rie Fansub peut continuer.
Une s&#952;rie Fansub (VO) peut commencer si la s&#952;rie FRENCH est sortie en DVD.
La distribution d&#39;anim&#952;s de teams fansub non warez est possible si ces teams
l&#39;autorisent et si elles sont conformes avec les rules HCR anim&#952;s (r&#952;so,
codec audio et video etc...).
Dans ce cas, la team warez devra indiquer dans ses NFO le nom de la team
fansub acceptant la diffusion.
VOBSUB obligatoire (et pas Subrip) pour DVD Zone 2 Subfrench.
V&#952;rifier la hauteur des sous-titres, s&#39;ils sont un peu au milieu de
l&#39;image, il faudra les descendre (bien v&#952;rifier ensuite le r&#952;sultat sur
les sous-titres &#952;tant sur une et deux lignes).
Une s&#952;rie fansub commenc&#952;e dans un codec et une r&#952;so doit &#8486;tre poursuivie
ainsi, m&#8486;me si ces formats ne sont plus allowed par les rules HCR anim&#952;s
d&#39;aujourd&#39;hui (id&#952;e de continuit&#952;).
Diff&#952;rentes cat&#952;gories d&#39;anim&#952;s :
L&#39;anim&#952; JAP/FR/US (Marvel, Disney (non sorti en salles FR, sinon section
DiVX), etc.)
Le HENTAI
Le SENTAI (X-OR, Bioman etc.)
KID (Maya, Mask, Minipouss etc.)
C&#39;est aux sites soit de diff&#952;rencier ces sections, ou au contraire de les
regrouper en une seule ayant pour nom ANIMES.
Notion d&#39;exclusivit&#952; pour PRE une box Z2 s&#952;rie anime :
La team qui, la premi&#934;re, sort 2 cds de m&#8486;me langage &#945; la suite, a l&#39;exclusivit&#952; pour pre la
box enti&#934;re. Cependant si dans les 4 jours elle n&#39;a pas termin&#952; la box,
une autre team peut RACE la s&#952;rie.
Exemple : team A CD1 et team B CD2-3. C&#39;est la team B qui a l&#39;exclu pour
RLZ le reste de la box jusqu&#39;&#945; terme des 4 jours &#945; partir de la
pre du CD3.
Attention les s&#952;ries anime dont les DVDS sont vendus a l&#39;unit&#952; n&#39;ont pas
cette notion d&#39;exclusivit&#952;. Chaque DVD pouvant &#8486;tre rlz par une team
diff&#952;rente.
Exemple : Olive et Tom, DBZ, dont les DVDs vendus &#945; l&#39;unit&#952; peuvent &#8486;tre
race par des teams diff&#952;rentes.
Format :
Le SBC est allowed mais il est conseill&#952; d&#39;utiliser le XViD
Video XViD 1.0 en 2 pass 29fps ou 23.9fps (NTSC) OU 25fps (PAL)
La diminution du FPS de 29.9 &#945; 23.9 doit &#8486;tre faite uniquement via IT.dll,
decomb.dll, ou toute autre m&#952;thode de qualit&#952; &#952;quivalente.
La diminution du FPS NTSC 29.9 a NTSC 23.9 n&#39;est d&#952;sormais plus
obligatoire.
Audio MP3 128kbps CBR 44.1khz/48khz, AC3 autoris&#952;.
R&#952;solution :
- Multiple de 16, doit respecter l&#39;aspect ratio (AR) original
1.33 (4/3) 704 x 528 | 640 x 480 | 576 x 432
1.66 (16/9) 704 x 432 | 640 x 384 | 576 x 352
1.77 (16/9) 704 x 400 | 640 x 368 | 576 x 320
1.85 (WS 16/9) 704 x 384 | 640 x 352 | 576 x 304
2.35 (CS 16/9) 704 x 304 | 640 x 272 | 576 x 240
Ou
- Multiple de 4, doit respecter l&#39;aspect ratio (AR) original
1.33 (4/3) 704 x 528 | 640 x 480 | 576 x 432
1.66 (16/9) 704 x 424 | 640 x 384 | 568 x 342
1.77 (16/9) 704 x 396 | 640 x 360 | 584 x 330
1.85 (WS 16/9) 704 x 380 | 644 x 348 | 584 x 316
2.35 (CS 16/9) 704 x 300 | 644 x 274 | 592 x 252
- Le cropping est obligatoire
Taille:
Episode de 20-29mn = 170 &#945; 235 Mo
Episode de 30-49mn = 235 &#945; 350 Mo
Episode de + de 50mn = 375 &#945; 700 Mo
Z2 Retail uniquement :
Quant au nombre des &#952;pisodes &#945; release
On met 3 &#952;pisodes/cd quand &#964;a tombe juste sinon
on met en 4 &#952;pisodes / cd.
Package:
Dirname S&#952;rie: TITRE.DE.LA.SERIE.CDX.LANGAGE.SOURCE.CODEC-TEAM
Dirname S&#952;rie Saison: TITRE.DE.LA.SERIE.SAISONX.CDX.LANGAGE.SOURCE.CODEC-TEAM
Dirname anim&#952; long m&#952;trage: TITRE.DE.LA.SERIE.LANGAGE.SOURCE.CODEC-TEAM
Rars : 15mb par fichier
Qualit&#952; :
- Les teams doivent se rappeler que la qualit&#952; de leurs s&#952;ries devrait
&#8486;tre optimale par respect pour les amateurs et pour elles-m&#8486;mes.
Le nuke en anim&#952; :
- On nuke une s&#952;rie qui dupe une autre en pr&#952;textant un format sup&#952;rieur
(un Z1 fansub qui voudrait refaire la m&#8486;me s&#952;rie qu&#39;un rawrip fansub)
- Pour mauvaise resolution, mauvais codec, mauvais bitrate/codec audio
- Pour mauvaise qualit&#952; d&#39;image.
- Pour subs incoh&#952;rents, mal plac&#952;, mauvaise traduction, trop de fautes.
------------------------------------------------------------------------------
DVDR ANIM&#952; RULES v3
G&#952;n&#952;rales :
- Pour commencer une saison, la team doit release le VOL01/DVD1
- Les DVDs suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique
- Pour sortir la saisons suivante une team n&#39;est pas oblig&#952;e
d&#39;attendre la fin de la pr&#952;c&#952;dente.
Notion d&#39;exclusivit&#952; pour PRE une box Z2 s&#952;rie anim&#952; :
La team qui sort le premier DVDR, a l&#39;exclusivit&#952; pour pre la box enti&#934;re.
Cependant la team a 3 jours pour Pre une release DVDR.
Attention les s&#952;ries anim&#952;s dont les DVDS sont vendus &#945; l&#39;unit&#952; n&#39;ont pas
cette notion d&#39;exclusivit&#952;. Chaque DVD pouvant &#8486;tre rlz par une team
diff&#952;rente.
Dans le cas de DVD9, DVDSHRINK , DVDSTRIPPER ou les programmes
all-in-one ne sont pas accept&#952;s sous peine de propers.
Le reauthoring est obligatoire pour tout le contenu du DVD.
Les softs pouvant &#8486;tre utilis&#952;s sont Maestro ou Sonic Scenarist...
D&#39;autres softs pourront etre ajout&#952;s si ils parviennent a des r&#952;sultats &#952;quivalents
en mati&#934;re de reauthoring.
Dans le cas de DVD9, Toutes publicit&#952;s et avertissements doivent &#8486;tre supprim&#952;s.
Dans le DVD il ne devra y avoir qu&#39;un seul menu.
Les fichiers de dummy ne sont plus tol&#952;r&#952;s dans l&#39;arborescence du DVD.
Format :
Video :
- CCE 4 &#945; 9 pass
R&#952;solution :
- doit respecter l&#39;aspect ratio (AR) original de la source dvd
ainsi que la r&#952;solution
Bonus :
- Les bonus sont autoris&#952;s
Package :
Dirname : TITRE.DE.LA.SERIE.S1.DVDX.FRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.S1.DVDX.MULTI.DVDR-TEAM
TITRE.DE.LA.SERIE.S1.DVDX.SUBFRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.VOLX.SUBFRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.VOLX.FRENCH.DVDR-TEAM
TITRE.DE.LA.SERIE.VOLX.MULTI.DVDR-TEAM
S&#39;il n&#39;y a pas de saison juste mettre DVDX (X &#952;tant le num&#952;ro du volume
DVD)
FULL : rien n&#39;a &#952;t&#952; enlev&#952;
MULTI : mini 2 langues
Rars : 50mb par fichier
Autres :
Fansub :
- Le Fansub est autoris&#952; s&#39;il s&#39;agit d&#39;un DVD Z1, Z3, Z2UK/JAP (allowed
selon les sites)
FANSUB de DVDR HK interdit.
Subfrench :
- Le Subfrench est autoris&#952;
Qualit&#952; :
- Les teams doivent se rappeler que la qualit&#952; de leurs s&#952;ries devrait
&#8486;tre optimale par respect pour les amateurs et pour elles-m&#8486;mes.
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; HCR des rules anim&#952;s: DVDR - DVDRIP - Broadcast &#9608;&#9608;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; Lu et approuv&#952; dans leur majorit&#952; par les teams anim&#952;s &#9608;&#9608; &#9617;
&#9618; &#9619;&#9608; cit&#952; pr&#952;c&#952;demment. &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; 03/10/2005 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
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<pre class="nfo">Rules DVDR-CLASSiQ ( 07.2005 )
Apres la concertation de la plupart des teams DVDR-CLASSiK pr&#952;sentes sur la sc&#934;ne
nous avons &#952;tablis ces quelques regles :
1. iMDB :
Les releases devront avoir une note au-dessus de 5.0 et un minimum de 1000 votes
ou 6.0 et un minimum de 100 votes
2. Les series de films ( ALiEN, RAMBO etc... ) :
La team qui release le premier film d&#39;une serie de plusieurs a la priorite sur les
films qui suivent l&#39;ordre de la serie, sans periode de temps entre deux films de cette
serie. Toutefois une team peut reprendre la suite de la serie apres accord avec la
team prioriotaire. De plus les suites de films ne sont pas tenu de respect&#952; la regle 1.
3. CCE :
Si il ya reencodage de la vid&#952;o, cela devra se faire avec CCE et un minimum de 5 pass.
La taille minimale d&#39;une vid&#952;o apres r&#952;encodage devra etre de 3.0Go.
4. Reauthoring :
Le menu doit etre reauthored si il y a besoin ( suppression de boutons etc ... )
Les warnings, annonces FBi etc... devront etre retir&#952; obligatoirement.
5. Audio :
Audio FRENCH obligatoire et VO si pr&#952;sent, les autres audios ne sont pas obligatoire mais
recommand&#952;s si il est possible de les mettres sans nuire a la qualit&#952; vid&#952;o.
6. Subs :
FRENCH, sous-titres de langue originale du film et US obligatoire si pr&#952;sent. Les autres
subs ne sont pas obligatoire mais recommand&#952;s.
7. Format
Les releases devront etre mises en .img avant d&#39;etre mise en .rar
8. Dirtag
DVD5 : Nom.De.La.Rlz.Ann&#952;e.PAL/NTSC.FULL.FRENCH/MULTi.DVDR-TEAM
DVD FS: Nom.De.La.Rlz.Ann&#952;e.PAL/NTSC.FS.FRENCH/MULTi.DVDR-TEAM
sinon Nom.De.La.Rlz.Ann&#952;e.PAL/NTSC.FRENCH/MULTi.DVDR-TEAM
9. Les All in one &#34;dvdshrink&#34; sont formellement interdit
10. NFO
les informations suivantes doivent figur&#952;es dans la NFO
Release Name .:
Release Date .:
Genre ........:
Bonus ........: yes ou no
Menu .........: Reauthored ou Untouched
video.........: Cce X pass ou untouched
Audio ........:
Subs .........:
Archives .....: 92*50mo
IMDB .........:
Allocine .....:
Lu et approuv&#952; par : CHOCAPiC - DREAMFORCE - FONDATION - HUNTER - iPoD - KzK - MFT - SDA - TEASPOON - WaDjeT - WiRE - Youppi
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The federation of releasing groups presents &#9474;
&#9474; &#9474;
&#9474; The HighDef XViD Releasing Standards 2005 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Why HighDef XViD? Isn&#39;t DVD-R good enough? No. &#9474;
&#9474; XViD is superior to MPEG-2 by a lot. At some bitrate (e.g. 4 mbit/s) &#9474;
&#9474; MPEG-2 can let 720x576/720x480 look good. XViD can let 1280x720 look &#9474;
&#9474; good at the very same video bitrate. &#9474;
&#9474; Compatibility is a lot smaller problem by now thanks to XBMC and modern &#9474;
&#9474; standalone players ... so why not let everyone enjoy true HDTV? &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Runtime: &#9474;
&#9474; &#9474;
&#9474; 0 to 30 min: 1 CD ( 734,000,000 byte) &#9474;
&#9474; 25 to 60 min: 1/3 DVD-5 (1,560,000,000 byte) &#9474;
&#9474; 55 to 85 min: 1/2 DVD-5 (2,340,000,000 byte) &#9474;
&#9474; 80 to 170 min: 1 DVD-5 (4,680,000,000 byte) &#9474;
&#9474; 160 to * min: 1 DVD-9 (8,450,000,000 byte) &#9474;
&#9474; &#9474;
&#9474; Releases must utilize 97 to 100% of the target file size. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Audio: &#9474;
&#9474; &#9474;
&#9474; AC3 5.1 is to be used. &#9474;
&#9474; Source can be from the HDTV airing and/or from a foreign DVD. &#9474;
&#9474; Muxing a different audio language to an existing release&#39;s video is &#9474;
&#9474; welcome if allowed by the video source group and mentioned in the nfo. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Video: &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; Must be as close to original source framerate as possible. &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; Must be XviD. &#9474;
&#9474; Must not be singlepass encoding technique. &#9474;
&#9474; &#9474;
&#9474; Resolution: &#9474;
&#9474; Must be 1280x720 progressive. &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; Full Credits must be included. &#9474;
&#9474; Credits must not be encoded separately at a lower bitrate if they &#9474;
&#9474; contain video footage, ie bloopers. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; &#9474;
&#9474; Must be .avi, not bin/cue, iso or img. &#9474;
&#9474; Must be packed with .rar, compression is not allowed. &#9474;
&#9474; Must be broken into 15MB (CD), 50MB (DVD-5) or 100MB (DVD-9) volumes. &#9474;
&#9474; Must include recovery record. &#9474;
&#9474; Must have .sfv. &#9474;
&#9474; Must have .nfo including: &#9474;
&#9474; group name &#9474;
&#9474; title &#9474;
&#9474; release date &#9474;
&#9474; theatrical relase date (movies) &#9474;
&#9474; original air date (TV episodes) &#9474;
&#9474; file size &#9474;
&#9474; number and size of volumes &#9474;
&#9474; audio source, format and bitrate &#9474;
&#9474; video bitrate &#9474;
&#9474; runtime &#9474;
&#9474; iMDB-link or similar &#9474;
&#9474; All .nfos have to include the maximum information possible. Lack of &#9474;
&#9474; info or smartass comments such as &#34;good size&#34; or &#34;nice audio&#34; will not &#9474;
&#9474; be tolerated. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; &#9474;
&#9474; A 15 to 30MB Sample must be included. &#9474;
&#9474; Must be taken from the release - not encoded separately. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; &#9474;
&#9474; Propers are only permitted in the case of a technical flaw with the &#9474;
&#9474; original release (i.e. sync problems, bad choice of file size, ...). &#9474;
&#9474; Propers must state the proper reason and include proof. &#9474;
&#9474; Qualitative propers are not allowed. &#9474;
&#9474; Propers based upon the compliance with new instances of THX &#9474;
&#9474; guidelines are not allowed. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; &#9474;
&#9474; All releasenames must include: &#9474;
&#9474; TV: Show name, season &#38; episode number (S??E??), episode title, &#9474;
&#9474; language, source (720p.HDTV), codec (XVID), groupname. &#9474;
&#9474; Movies: Title, production year, language, source (720p.HDTV), &#9474;
&#9474; codec (XVID), groupname. &#9474;
&#9474; English language does not need to be tagged. &#9474;
&#9474; No FESTIVAL/STV/LIMITED/READ.NFO in dirnames. &#9474;
&#9474; Permited tags are: PROPER, REPACK, RERIP, INTERNAL, DC, EXTENDED, &#9474;
&#9474; REMASTERED, UNRATED. &#9474;
&#9474; &#9474;
&#9474; Acceptable characters in the directory name are: &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789.-_ &#9474;
&#9474; No spaces or double dots. &#9474;
&#9474; &#9474;
&#9474; Examples: &#9474;
&#9474; Funky.Show.S93E72.Groovy.Title.720p.HDTV.XVID-CoolGroup &#9474;
&#9474; Great.Movie.2007.Chinese.UNRATED.720p.HDTV.XVID-BigGroup &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; &#9474;
&#9474; For now the only source to be used is 720p HDTV. &#9474;
&#9474; THX will be updated when we will be blessed with HD-DVDs. &#9474;
&#9474; Re-encoding HDWMV to XVID will not be tolerated. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; &#9474;
&#9474; Group watermarks are not allowed. &#9474;
&#9474; No intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie will be tolerated. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Filesystem related notes: &#9474;
&#9474; &#9474;
&#9474; ISO9660 craps out above 2GB files, so in order to burn 1/2 DVD-5 or &#9474;
&#9474; larger releases you will have to use UDF. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Thx to TDX2k4, we kinda stole their design :) &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;[ GROUPS ]&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; THX2K5 signed by the following Groups: &#9474;
&#9474; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9496;
&#9492;&#9472;&#9472;[ v0.3 created by the Union of Themepark Zombies in September 2005 ]&#9472;&#9472;&#9496;
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<pre class="nfo"> -/\/- MP3 Rules (2005-03-03) -\/\-
1. No Dupes !
We check complete albums/releases, not single tracks. So a release is not
a dupe if it has different or more tracks.
Exceptions:
1.1.
It&#39;s also a dupe if the complete release is included in a previous one.
For example CDM is released, now someone releases the CDS and all tracks
of the CDS were already included on the CDM (excactly the same).
1.2.
You are allowed to create a duplicate release from a release that has a
source of lower quality (not lower bitrate! (see rule 11)).
Example: if vinyl is out then a CD-release is allowed.
If you do that then please add this info to NFO and dirname.
1.3.
All MIXED cds should be ripped as one track supplied with a .cue.
If they are not, they may be duped by another group that releases it as
one track with a .cue supplied.
Note: if you want to release an import-album or some &#34;extendend edition&#34;
then check rule 7 as well !
2. An .SFV and .NFO file must be included in every release.
3. Directoryname must at least contain:
3.1 Artist Name - Title - Published Year (decimal) - Group name
(extra info is allowed of course)
3.2
All bootleg releases must have the word BOOTLEG in the dirname.
Street mixes that are not available at major retailers or only at one
suspicious webshop are bootlegs and they need to be labeled as such.
(bootleg rule start: 2005-03-14)
Exception:
If a vinyl/cd has no title then it&#39;s allowed to replace the title by
labelname+catnumber (both!). If there is only one artist on the vinyl/cd
then you must add the artistname.
4. Filename must at least contain:
Track Number - Song Title
If it&#39;s an album with different artists (one artist per track) then you
must add the artist name as well (&#34;VA-tracks&#34; like mixes don&#39;t need
artistnames).
Make sure that your filename is unique otherwise some sites might
dupeskip it. (You can search for filenames here as well)
Exception:
If no tracknames are supplied by the source (cd,vinyl,..) then you *must*
provide proof that these tracks have no names. Either by a scan of the
original cover of the record company/label (no selfmade cdr or bootleg
covers) or a link to an official or trusted webpage with proofs. If
these &#34;untitled tracks&#34; are part of a big mix (no silence between the
&#34;tracks&#34;) then it&#39;s considered as one track and you must rip it as one
mp3/cue and give this track same name as the &#34;album&#34;.
5. Files/directories must only contain characters; a-z A-Z 0-9 _ . - ()
This is to avoid problems with windows/linux-filesystem and ftp-servers.
6. Self-made releases
6.1.
Self-made compilations are not allowed !
A self-made compilation is when you select tracks from other sources,
put them together and release that as something new.
6.2.
A self-made MIX or completely self-made music is allowed if it&#39;s good.
Sites decide if it&#39;s shit by nuking it. We won&#39;t nuke/unnuke such a
release.
If you are releasing self-made stuff then that must be clearly visible
in your nfo. If it&#39;s not possible to see that it&#39;s self-made then it
will get nuked as bad pack.
Exception: if the selfmade release is free available at release time
or when you obviously know that it will be available soon then it&#39;s not
allowed to release it.
If it&#39;s not clear if it&#39;s selfmade or not and it&#39;s not possible to find
any information about the release/artist/label then it&#39;s up to the group
to prove that this release is not selfmade (coverscan, url, ...). If
they are not able to prove that it&#39;s real it will get nuked as bad pack.
7. The entire CD,Vinyl,etc. must be released (not individual tracks)
If you think it&#39;s too much work to rip all tracks you better don&#39;t rip
at all. Releasing the complete CD/Vinyl is necessary because otherwise
it would be possible to make several (different) releases of the same
cd/vinyl/etc..
Exception for albums:
If an RETAIL album has been released in different editions and the only
difference is one or more bonus tracks (imports) then it&#39;s allowed to
release the bonustrack(s) only. But you may NOT re-release an entire
inital edition within the first three months.
Example: album released in US with 10 tracks, japanese edition with 11
tracks (1 bonus track that is a new song) then you MUST release the jap
bonus track only (without including previously released tracks of the
US album) during the first three months after first full retail release.
If it&#39;s more than 3 months later then you are allowed to do either the
bonustrack-only or the full album.
Moreover, it is NOT allowed to re-release a new edition of an retail
album EVER if the extra/bonus tracks are already included in one (!)
previous release. For example, USA album is released and four months
later japanese with simply a remix from an old CDM/CDS still wouldn&#39;t
be allowed.
8. Current maximum directory/filename-length is 128 characters
Because of limitations on windows cd-filesystem (linux has 256char-limit)
and about 99of the people here use either windows or linux.
9. No fake-releases
It&#39;s a fake release when artist, title, group or source is incorrect
(different).
examples:
- Some_Artist-Crappy_Music-2004-GRP not released by GRP
- Another_Artist-Lots_of_Noise-CDM-2004-GRP was ripped from TV or
downloaded from a paysite
- Madonna-Something_New-2004-GRP really containing some tracks by
Marilyn Manson
10. A bad rip/release must be reported by either 3 independent people
(from different groups) or the group which released it.
If you re-release something that hasn&#39;t been nuked/marked yet then add
this info to your nfo-file. Otherwise it will get nuked as dupe.
11. Quality
current minimum bitrate is 160kbit
it&#39;s not allowed to re-release something in 192kbit (or higher) because
a previous release was only 160kbit.
12. Promos/Advances
If a release is considered not to have every track from the source then
it must be labelled as a promo and can be duped by any legitament retail
release that DOES contain all tracks. The legitament release can be
identified by the CAT number, or more suitable proof.
Promos do not have to contain track listings, they are promotional
material, they are not considered legitament releases, and are still
governed by quality rules.
If you release a promo when the retail is already out then you must
provide proof that this promo is real to make sure this is not a
selfmade &#34;promo&#34;.
to reduce amount of fakes (starting on 2005-03-14):
ALL promos/advances must either have cover scans or be VBR/Lame+preset
(any Lame version, any preset, 3.90.3/APS recommended).
A one track promo single release must include cover scans even if it is
VBR/Lame+preset already.
13. Re-encodes are strictly forbidden.
14. Don&#39;t add duplicate nuke requests unless it differs from the original.
15. FREE MP3s
Free MP3s that are legally available on the net (artist / record company
allows it) in acceptable quality are NOT allowed to release.
16. SOURCE
The tracks of a release must all be from the same source and have the
same quality/bitrate. Taking tracks from other scene releases or internal
group releases of other groups is strictly forbidden.
If the source is not CDDA or vinyl (tv,radio,web,whatever,..) then it
must be either part of the dirname (-TV-, -RADIO-, -WEB-, etc.) or
mentioned in your NFO file.
Notes:
- When dupe checking input partial text of the release name in the search
field, do not search for the entire album name that you have, because it
may have already been released under something slightly different.
- Radio rips that were recorded via the radio tuner can be duped by a
source that is superior in quality AND if there is proof of mastering
involved, for example, removing commercials and commentary.
- Releases with an apparently incorrect year may not be nuked. However
the year should be correct of course. Keep in mind that a lot of sites
nuke for fake year when it&#39;s incorrect. (The Year in dirname is not the
year when you released it but when the record company/artist published
it!)
- If a release labeled as &#34;advance&#34; is identical to the retail version
then the advance turns into a retail release. This means then it is not
allowed to dupe it and it counts as retail for ALL rules. If the retail
is different then of course it&#39;s allowed to release it.
- We tolerate typos if it still is readable and either artist or title is
100correct.
- For webrips (bought online) we assume that they are made from a digital
source. So duping them for better quality (rule 1, exception 2) is not
allowed.
Nukerequest/Re-Rip info for older releases:
Our rules started on 2000-09-17. To describe which of the older releases
are allowed to re-release or nukerequested here are some notes how we
handle these older releases:
before RIAA:
RIAA rules started 1. february 1999. Releases before 1999-02-01 are taken
as is. This means we just accept the nuke-status and you are not allowed
to re-release a group-release that has been accepted. To count as
&#34;group-release&#34; it needs at least a groupname, artistname and
track/albumname. If it has these attributs and it&#39;s not nuked then it&#39;s
valid.
RIAA time:
With exception of rule 7 the RIAA-rules were active from 1999-02-01 to
2000-09-17.
You are allowed to request nukes for releases made during RIAA period
according to the RIAA rules except rule 7.
There was a 64-char limit for dirnames during RIAA time. However sites
usually didn&#39;t nuke releases that had longer dirnames.
Since this rule (RIAA-rule #7) was ignored by a lot of sites/groups we
will not nuke any releases because of that rule. However if the sites
nuked it we will not unnuke it. In other words: we don&#39;t touch it. If
it&#39;s nuked you are allowed to re-release it, if not then not. No
nukerequests allowed.
general:
There was no bitrate limit until 2000-09-17.
Releases before that date that have been accepted (were not nuked) here
or on the sites can *NOT* be nukerequested or re-ripped because of the
bitrate !
An incomplete tracklist here is *NO* reason for a nukerequest or re-rip.
That we didn&#39;t scan it completely doesn&#39;t mean it was released incomplete.
We started on only one site and had some problems with the scan-script
first. If you want to re-release something because you are sure it was
incomplete then you must give proofes in your nfo.
The mix-exception that it&#39;s allowed to re-release something when the
first release was single tracks and not one file with cue (rule 1.3)
does *not* count for releases before 2001-05-08. Releases before that
date are not allowed to re-release as single track.
The dupe-rule that we dupe for whole releases and not for single tracks
always has been used (even if it wasn&#39;t written down) so it counts for
ALL releases even the very old ones.
That a self-made release is only allowed when it&#39;s possible to see that
in the NFO starts on 2003-07-15.
Listing non-cd/vinyl source is mandatory since 2004-10-11.
Rule 3.2 (bootleg tag) and VBR/coverscan part of rule 12 started on
2005-03-14.
change-log:
09-17-2000 - first version
12-31-2000 - changed rule 1,11
05-08-2001 - updated rule 10, added rule1/exception 3, added rules 12-15,
added notes
11-15-2001 - changed exception of rule 7
09-16-2002 - added exception to rule 3
01-14-2003 - changed exception of rule 7, added note to rule 1
02-05-2003 - added rule 15
02-05-2003 - added exception to rule 6
03-21-2003 - added Nukerequest/Re-Rip info
04-02-2003 - changed wording of rule 4 to make clear that one-track mixes
with lots of artists don&#39;t need artistname in filename
05-17-2003 - added exception to rule 4, added rule 16
07-15-2003 - rules 6 changed (selfmade rels in nfo)
09-28-2003 - added &#34;retail&#34; to rule 7 to make sure it does not count for
advance/promos
09-28-2003 - &#34;promo proof after retail&#34; sentence added to rule 12
12-14-2003 - added &#34;advance&#34; note
12-23-2003 - added &#34;decimal&#34; to rule 3
10-11-2004 - added explanation to rule 9 (fakes), rule 16: listing
non-cd/vinyl source is mandatory now, typo note and webrip
note added
12-14-2004 - fake year notes added
03-03-2005 - added bootleg info to rule 3 (3.2), start: 2005-03-14
03-03-2005 - added VBR + cover scan info to rule 12, start: 2005-03-14
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<pre class="nfo">miniDVD Standards Are The Same As DVDR Standards.
Video:
. Re-encoding:
. CCE version 2.50+ or Canopus Procoder must be used in all
circumstances where transcoding (re-encoding) of the video
stream is required. Other encoding programs such as
TMPGenc are NOT allowed.
. Automated Programs that perform DVD9>DVD5 rips are
FORBIDDEN, e.g. InstanCopy, DVDXCopy, etc.
. Minimum average bitrate allowed is 3000 kbit/s
(2800 kbit/s for tv shows). If minimum average bitrate
cannot be achieved, a valid explanation is required in
the NFO.
. Quality Settings:
. CCE:
. No CBR. Multipass is to be enforced.
. The initial 1st pass that encodes the .vaf file
in CCE is NOT considered within the multipass set.
. The number of passes required for a movie is
determined by the length (runtime) of the movie.&#34;
. Movies below or equal to 100 minutes will
require 5 passes or more.
. Movies over 100 minutes will require 6 passes
or more.
. Canopus Procoder:
. No CBR. 2-pass VBR is to be enforced for all
bitrate scenarios.
. The quality settings will also be determined
by the length (runtime) of the movie.
. Movies below or equal to 100 minutes will
require the &#34;High-Quality&#34; setting.
. Movies over 100 minutes will require the
&#34;Highest-Quality&#34; setting.
Audio:
. Dolby Digital is considered the standard audio format and is
required in all releases that contain this audio format.
. DVDs that contain only PCM audio are allowed and should
be noted in the NFO.
. Downsampling of audio tracks, except audio commentary is
banned. No downsampling of any other tracks.
. If audio is stripped from a DVD9 disk, superior audio tracks
need to be kept. e.g. If a DVD contained DD2.0 and DD5.1
audio, DD2.0 would be stripped in favor to 5.1. However in
regards to DVDs that contain both DTS and 5.1, 5.1 must be
kept. The inclusion of a DTS stream is up to the ripper&#39;s
discretion.
. For non-English movies, the movie&#39;s original language audio
stream must be kept unless it is not contained in the retail.
In the circumstances that a reissue/new edition dvd contains
an original language audio stream, a re-release of the movie
is valid.
. For ALL English movies, the English audio stream MUST be kept.
. The inclusion of other audio streams will be based upon the
ripper&#39;s discretion, whether they are foreign or commentary.
Notes: DTS/SUPERBIT/DTS-ONLY are issues that cannot be ignored.
However, it is not up to us to decide whether they should
be allowed or not. Rather, it&#39;s up to the SITES that will
determine their own appropriate rules. However, those
groups that wish to release DTS, SUPERBIT and/or DTS-ONLY
should name their directory clearly with the appropriate
tags of DTS, SUPERBIT and/or DTS-ONLY.
Source:
. Releases of superior/remastered editions of previous released
DVDs are ALLOWED as they improve upon the initial release.
e.g. If a new mastered DVD contains a 5.1 stream compared
to an inferior stream in the previous release, the
release is considered valid.
. Mastered DVDs of: Director&#39;s Cut, Criterion, Unrated or any
editions with additional/extended scenes are not considered
dupes over existing mastered DVDs.
. The DVD to be ripped should also be the best available edition
on the market. Releases of inferior editions are NOT ALLOWED.
Authoring:
. Authoring in both Scenarist and DVD Maestro are allowed.
However, users of DVD Maestro need to be aware of the problem
which check that if the total bitrate exceeds
9800kbit/s. Rippers should be aware that the MAX bitrate is
9800kbit/s for both audio and video streams.
Subtitles:
. If English subtitles are present, they will be kept under ALL
circumstances.
. If the dvd contains no more than three subtitle streams, all
will be kept. If the dvd contains more than three subtitle
streams, it&#39;s ripper&#39;s discretion which subtitles should be
kept. Its advised to keep the most common used language
subtitles. It is recommended to keep them all (they don&#39;t take
up much space).
Menus:
. Menus MUST be included. In extreme cases where the retail does
not contain a menu, it must be mentioned in the NFO.
. The menu must be in English and not foreign, unless they
are aimed for non-English endusers.
. Removing useless links within the menu is optional. This is the
only extreme of menu authoring allowed. Such programs such as
MenuEdit are recommended.
. Menus on TV Show disk must be kept at all costs.
Extras:
. Extras are an added value but are not needed. Extras are
allowed to be transcoded with a minimum average bitrate of
1700kbit/s.
. A minimum of 5 passes for extras is required.
DVD Limitations:
. Macro vision must be removed.
. All user limitations and restrictions must be removed.
. Releases must be made region free.
Packaging:
. All releases must either use .IMG or .ISO. Other formats
are NOT allowed.
. Releases must be broken up into rars of 50,000,000 bytes.
. Solid Archive and Recovery Record MUST be used.
. SFVs and NFOs MUST be included.
. NFO must include the following:
. Groups name.
. Title.
. Regions, NTSC or PAL.
. Number of Passes and Bitrate used when re-encoding.
. Audio streams, and subtitles included.
. What has been stripped, extras, menu, etc.
. IMDB, or similar link.
. Number of archive files.
Samples:
. Samples should be more than 15 minutes long but
less than 3 minutes.
. Samples should be encoded and only in vob form
if it is a encoded vob.
. Samples are required. Minimum size shall be 30mb, but must be
no more than 50mb.
. Samples must be put in a separate sub directory, labeled
&#39;Sample&#39;.
. Vobs may be cut and used as sample, or renamed to mpg.
. Samples must be from actual packed vob. Separate encodes are
not allowed.
Directory Naming:
. Directory names shall NOT exceed 64 characters.
. ALL releases are to include production year.
. Directory name should include REGION (NTSC or PAL).
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
. DVD-5, and DVD-9 COMPLETE are recommended to be named as:
MOVIE.TITLE.YEAR.COMPLETE.REGION.DVDR-GROUP
e.g. The.Godfather.1972.COMPLETE.NTSC.DVDR-TDRS
. Non-Complete DVD-9 releases are recommended be named as:
MOVIE.TITLE.YEAR.REGION.DVDR-GROUP
. Sub directories are recommended to be labeled as DISC1, DISC2,
etc. EXTRA and CD1, CD2 dirs are NOT allowed.
Propers:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc.
. Just because a previous release was not COMPLETE does not
provide a legitimate reason to PROPER/DUPE.
. Propers based on previous releases having improper dir names
will not be tolerated.
. PPF patches should be used for fixing releases with simple
problems such as RCE/Region coding, VTS sectors, P-Ups and
soforth. REPACKS/PROPERS should be avoided if a PPF patch is
possible.
Tagging:
. Intros and outros are not tolerated.
. Group watermarks within the DVD are STRICTLY forbidden.
. Volume Label must be EXACTLY like the original. Adding any
tags to the Volume Label will not be tolerated.
The miniDVD Releasing Standards Originally Written and Organized By:
AUK . SOUL . JR . MAH . PURP . CONE
Signed, Approved and Enforced By:
miniDVD -</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2005_NMP3v22a.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo">
.--- - ----------------------------------------------------.
| S!&#39; _ _ ______._ - --. |
| &#39; \|| | | |
____|_______ _____ /\___ _ ____|_ __ |_________/\ ___________| /\_____
_/ _ // |/ _/ _//_/ |_ _ \______ \_/ __/
// / / / // | |/ / / _ ./ |
_/ / _/ _/ / |_ / ______/ / // |
\_____ /\___________________/|_______ / /|______________________/|______|
&#60;--- \/ -+------------------------- \/ | .______ --------------|------->
| . _|______|_|______\_ _ |
| | &#39; |
| `-- - |
`----------------------------------------------------------&#39;
[ ::::::: Nuclear MP3 Releasing Standards 2005 ::::::: ]
.----------------------------------------------------------.
| Version 0.22a |
`----------------------------------------------------------&#39;
--
1. SFVs
1.1. An .SFV file must be included to verify file integrity in every
release.
--
2. NFOs
2.1. An .NFO file must be included with every release.
2.2. The NFO file must feature at least:
- Album Title
- Artist Name
- Release Date (Recommended format: YYYY-MM-DD)
- Tracks &#38; Playtime
- Genre
- Source
- Encoding Bitrate
- Encoder Used
We suggest including:
- Label
Note: The NFO must contain as much information about the release as
possible. It is recommended that you place a &#39;Release Notes&#39;
section in your NFO file for any other information pertinent to
the release.
--
3. Directory Naming and Labeling Specifications
3.1. The following are the standards for directory naming:
- Directories must only contain characters of type a-Z 0-9 _ . - ( )
Example: Artist_-_Title-Promo-CDS-2005-Group
- The first and last characters must be of type a-Z 0-9
Examples: Artist-Title-EP-REPACK-2005-Group
Artist-Title_(feat_blah)-DE-2005-Group
DJ_blah-Live_at_blah-CABLE-(YY-MM-DD)-Group
3.2. Parenthesis are allowed in the directory name.
3.3. Directory naming will follow this format (spaces are used solely to
clearly illustrate the format):
Artist Name - Title - Additional Info - Published Year - Group Name
Example: Artist_-_Title-4CD-Retail-2000-Group
3.4. All release data will be held within the single release directory. No
CD1, CD2 directories.
3.5. Various Artist album releases must be prefixed with &#34;VA-&#34;. Soundtrack
Album releases must be prefixed with &#34;OST-&#34;.
3.6. Underscores and singular periods will be used. No double periods are
to be used.
Example: ..
3.7. Directory names can be up to 64 characters in length. It is acceptable
to use abbreviations/selftitled/etc to achieve this. This is enforced
to ensure wide device filesystem compatibility.
3.8. Additional Tagging Information (mandatory if applicable):
VLS - Vinyl Single (1-2 tracks)
EP - Vinyl Maxi-single (2-5 tracks)
LP - Vinyl Full-length Album
CDS - CD Single (1-2 tracks)
CDM - CD Maxi-single (2-5 tracks)
CDR - CD-Recordable (CD-R)
DVDA - DVD-Audio
MD - MiniDisk
Promo - Promotional
Mixtape - Mixtape, Pressed or promotional from a real artist or
one of their representatives
Bootleg - Any release not produced by real artists or their
representatives
XX - Import
RETAIL - Retail
Liveset - DAB/SAT/CABLE/TAPE/etc, full date needed, e.g. -YYYY-MM-DD-
Example: -2005-12-31-
TLD - Non-English dialect lang. by Top Level Domain (TLD)
Examples: -DE- -FR- -SE- -UK- -NL- -CN- -JP- -KR- -MX- -BR-
Reference: http://www.iana.org/cctld/cctld-whois.htm
--
4. File Naming and Labeling Specifications
4.1. Files must only contain characters; a-z A-Z 0-9 _ . - ()
4.2. Periods are not allowed as replacement for spaces in filenames.
4.3. The use of periods is restricted to abbreviations only.
4.4. File names can be up to 64 characters in length. It is acceptable
to use abbreviations/selftitled/etc to achieve this. This is enforced
to ensure wide device filesystem compatibility.
4.5. Parenthesis are allowed in the filenames when:
- They are part of the track title
Example: 01-usher_-_i_want_to_pee_on_you_(girl)-group.mp3
- They are needed to specify a featured artist
Example: 01-artist_-_title-(feat_blah)-group.mp3
- They specify the producers of the track when groupname isnt given
Example: 01-artist_-_title-(produced_by_name)-group.mp3
- They specify unique track properties
Example: 01-artist_-_title-(remix)-group.mp3
Parenthesis are not allowed in any circumstances except those outlined
above.
4.6. All filenames must be lowercase.
4.7. File naming will follow this format (spaces are used to display the
format better):
Track Number - Artist - Song Title - Additional Info - Group.mp3
If Group name is chosen to not be used, the producer(s) of each track
must be included so that each track has an original filename.
Track numbering example:
Single CD Release, or non CD and less than 2 sides, cds, etc...
01-... (track 1)
02-... (track 2)
etc.
Multi CD Release, or non CD and more than 1 side, cd, etc...
101-... (track 1 from cd 1)
102-... (track 2 from cd 1)
201-... (track 1 from cd 2)
202-... (track 2 from cd 2)
etc.
For vinyl releases you may also use the naming scheme a1, a2, b1, b2,
etc. Labeling with &#39;a&#39; would indicate side-a, &#39;b&#39; would indicate
side-b, and so forth.
--
5. Encoding
5.1. Encoder
The following encoder
Lame 3.90.3
Note: As new significantly improved final builds of codecs are
released, this document will be updated by NUCLEAR.
5.2. Encoding Method:
Use Lame&#39;s --alt-preset standard (APS)
URL: http://hqscene.fatty.dk
5.3. Re-Encoding is strictly forbidden.
--
6. No dupes!
6.1. You are not allowed to create a duplicate release from a source of
lower quality if the original CD has already been released.
- Not Allowed : Vinyl after CD release
- Allowed : CD after vinyl release
6.2. A release is a dupe if the complete release (all tracks) is included
in ONE previous release. Futhermore, if a release is different
because it has fewer tracks, it is not a valid release if a previous
release contains all of the tracks.
--
7. Mixes
7.1. Mixes must include track listing in NFO and a .CUE file (N/A for
liveset)
7.2. No selfmade or homemade compilations. Real DJ Mixes are allowed.
No, IRC DJs are NOT real DJs.
--
8. ID3 Tags
8.1. All ID3 tags must be generated correctly and all available information
must be used (appropriate information in the correct fields).
8.2. Both ID3.v1 and ID3.v2 must be used.
--
9. No Partials!
9.1. The entire CD, Vinyl etc. must be released (no individual tracks).
--
10. Broadcast Sources
10.1. Live recordings (from radio etc.) must contain a date when they were
broadcast in the directory name.
Note: See rule 3.8 for additional info
10.2. All commercials must be removed.
--
11. Additional Specifications
11.1. Including covers in a release is optional, but strongly advised when
possible. This can be done with a scanner, digital camera, or some
other image capturing device. If, for whatever reason, you are unable
to provide proof, you should include a concise and clearly written
explanation in your NFO file. This will save you and everyone else
grief and reduce the likelihood of a nuke.
This Document was signed &#38; approved in March 2005 by the following entities
representing their respective groups:
2005-03-10 : v0.21a Written and Reviewed by:
laiso mC Jnc7 pinky t0i sJ
#EOF</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2005_NMP3v24a.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo">
.--- - ----------------------------------------------------.
| S!&#39; _ _ ______._ - --. |
| &#39; \|| | | |
____|_______ _____ /\___ _ ____|_ __ |_________/\ ___________| /\_____
_/ _ // |/ _/ _//_/ |_ _ \______ \_/ __/
// / / / // | |/ / / _ ./ |
_/ / _/ _/ / |_ / ______/ / // |
\_____ /\___________________/|_______ / /|______________________/|______|
&#60;--- \/ -+------------------------- \/ | .______ --------------|------->
| . _|______|_|______\_ _ |
| | &#39; |
| `-- - |
`----------------------------------------------------------&#39;
[ ::::::: Nuclear MP3 Releasing Standards 2005 ::::::: ]
.----------------------------------------------------------.
| Version 0.24a |
`----------------------------------------------------------&#39;
Recently there has been a lot of FUD (Fear, Uncertainty,
and Doubt) regarding how things should be in the MP3
arena. As a result, Nuclear has composed these standards
and guidelines designed to assist groups in releasing
high-quality material. The contents of this document
contain the standards that we use when looking at MP3
releases.
--
1. SFVs
1.1. An .SFV file must be included to verify file integrity in every
release.
1.2. Only .mp3 files are allowed in the SFV. This means .bin, .cue, .jpg,
and .nfo filetypes are NOT allowed to be indexed in the SFV file.
--
2. NFOs
2.1. An .NFO file must be included with every release.
2.2. The NFO file must feature at least:
- Album Title
- Artist Name
- Release Date (Recommended format: YYYY-MM-DD)
- Tracks &#38; Playtime
- Genre
- Source
- Encoding Bitrate
- Encoder Used
We suggest including:
- Label
Note: The NFO must contain as much information about the release as
possible. It is recommended that you place a &#39;Release Notes&#39;
section in your NFO file for any other information pertinent to
the release.
--
3. Directory Naming and Labeling Specifications
3.1. The following are the standards for directory naming:
- Directories must only contain characters of type a-Z 0-9 _ . - ( )
Example: Artist_-_Title-Promo-CDS-2005-Group
- The first and last characters must be of type a-Z 0-9
Examples: Artist-Title-EP-REPACK-2005-Group
Artist-Title_(feat_blah)-DE-2005-Group
DJ_blah-Live_at_blah-CABLE-(YY-MM-DD)-Group
3.2. Parenthesis are allowed in the directory name.
3.3. Directory naming follows this format (spaces are used solely to
clearly illustrate the format):
Artist Name - Title - AdditionalInfo - Published Year - Group Name
Example: Artist_-_Title-4CD-Retail-2000-Group
Example: Artist-Title-AdditionalInfo-Language-Group
3.4. All release data will be held within the single release directory. No
CD1, CD2 directories.
3.5. Various Artist album releases must be prefixed with &#34;VA-&#34;. Soundtrack
Album releases must be prefixed with &#34;OST-&#34;.
3.6. Underscores and singular periods will be used. No double periods are
to be used.
Example: ..
3.7. Directory names can be up to 64 characters in length. It is acceptable
to use abbreviations/selftitled/etc to achieve this. This is enforced
to ensure wide device filesystem compatibility.
3.8. Additional Tagging Information (mandatory if applicable):
Bootleg - Any release not produced by real artists or their
representatives
CDM - CD Maxi-single (2-5 tracks)
CDR - CD-Recordable (CD-R)
CDS - CD Single (1-2 tracks)
DVDA - DVD-Audio
EP - Vinyl Maxi-single (2-5 tracks)
Lbl_Cat - Label and category number of the release.
Example: -WS_1203- WS=Wavescape label Category number 1203
Liveset - DAB/SAT/CABLE/TAPE/etc, full date needed, e.g. -YYYY-MM-DD-
Example: -2005-12-31-
LP - Vinyl Full-length Album
MD - MiniDisk
Mixtape - Mixtape, pressed or promotional from a real artist or
one of their representatives
Promo - Promotional
RETAIL - Retail
TLD - Non-English dialect lang. by Top Level Domain (TLD)
Examples: -DE- -FR- -SE- -UK- -NL- -CN- -JP- -KR- -MX- -BR-
Reference: http://www.iana.org/cctld/cctld-whois.htm
VINYL - Vinyl source (for newbie rippers)
VLS - Vinyl single (1-2 tracks)
xCD - Number of CDs, e.g. -3CD-
XX - Import
--
4. File Naming and Labeling Specifications
4.1. Files must only contain characters; a-z A-Z 0-9 _ . - ()
4.2. Periods are not allowed as replacement for spaces in filenames.
4.3. The use of periods is restricted to abbreviations only.
4.4. File names can be up to 64 characters in length. It is acceptable
to use abbreviations/selftitled/etc to achieve this. This is enforced
to ensure wide device filesystem compatibility.
4.5. Parenthesis are allowed in the filenames when:
- They are part of the track title
Example: 01-usher_-_i_want_to_pee_on_you_(girl)-group.mp3
- They are needed to specify a featured artist
Example: 01-artist_-_title-(feat_blah)-group.mp3
- They specify the producers of the track when groupname isnt given
Example: 01-artist_-_title-(produced_by_name)-group.mp3
- They specify unique track properties
Example: 01-artist_-_title-(remix)-group.mp3
Parenthesis are not allowed in any circumstances except those outlined
above.
4.6. All filenames must be lowercase.
4.7. File naming will follow this format (spaces are used to display the
format better):
Track Number - Artist - Song Title - Additional Info - Group.mp3
If Group name is chosen to not be used, the producer(s) of each track
must be included so that each track has an original filename.
Track numbering example:
Single CD Release, or non CD and less than 2 sides, cds, etc...
01-... (track 1)
02-... (track 2)
etc.
Multi CD Release, or non CD and more than 1 side, cd, etc...
101-... (track 1 from cd 1)
102-... (track 2 from cd 1)
201-... (track 1 from cd 2)
202-... (track 2 from cd 2)
etc.
For vinyl releases you may also use the naming scheme a1, a2, b1, b2,
etc. Labeling with &#39;a&#39; would indicate side-a, &#39;b&#39; would indicate
side-b, and so forth.
--
5. Encoding
5.1. Encoder
The following encoder is recommended for highest quality:
Lame 3.90.3b
Note: As new significantly improved final builds of codecs are
released, this document will be updated by NUCLEAR.
5.2. Encoding Method:
Use of Lame&#39;s --alt-preset standard (APS) is recommended.
URL: http://hqscene.fatty.dk
Use of 192kbps CBR FS or 160kbps CBR JS is at ripper&#39;s distrection.
5.3. Re-Encoding is strictly forbidden.
Re-Encoding is defined as taking a file which is already in the mp3
format and encoding it again.
A release that was bought as MP3 may be released as-is as long as it
is noted in the nfo. Re-Encoding something originally purchased in mp3
format would result in undesireable loss of quality. Please note that
this does not apply to free, publicly accessable files from the web.
--
6. No dupes!
6.1. You are not allowed to create a duplicate release from a source of
lower quality if the original CD has already been released.
- Not Allowed : Vinyl after CD release
- Allowed : CD after vinyl release
6.2. A release is a dupe if the complete release (all tracks) is included
in ONE previous release. Futhermore, if a release is different
because it has fewer tracks, it is not a valid release if a previous
release contains all of the tracks.
--
7. Mixes
7.1. Mixes must include track listing in NFO and a .CUE file (N/A for
liveset)
7.2. No selfmade or homemade compilations. Real DJ Mixes are allowed.
No, IRC DJs are NOT real DJs.
--
8. ID3 Tags
8.1. All ID3 tags must be generated correctly and all available information
must be used (appropriate information in the correct fields).
8.2. Both ID3.v1 and ID3.v2 must be used.
--
9. No Partials!
9.1. The entire CD, Vinyl etc. must be released (no individual tracks).
9.2. Bonus Tracks must be released separately, if the original album has
already been released.
Example: Artist-Album-2CD-2005-Group has been released.
Artist-Album-UK_Bonus_Tracks-2005-Group may be released, but
not the full album including the boni.
--
10. Broadcast Sources
10.1. Live recordings (from radio etc.) must contain a date when they were
broadcast in the directory name.
Note: See rule 3.8 for additional info
10.2. All commercials must be removed.
--
11. Additional Specifications
11.1. Including covers in a release is optional, but strongly advised when
possible. This can be done with a scanner, digital camera, or some
other image capturing device. If, for whatever reason, you are unable
to provide proof, you must include a concise and clearly written
explanation in your NFO file. This will save you and everyone else
grief and reduce the likelihood of a nuke.
This Document was signed &#38; approved in April 2005 by the following entities
representing their respective groups:
2005-04-19 : v0.24a Written and Reviewed by:
laiso mC Jnc7 pinky t0i sJ
Any kind of feedback is welcome at nuclear@hush.ai
#EOF</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2005_NUCLEAR_MP3.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
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.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo"> .--- - ----------------------------------------------------.
| S!&#39; _ _ ______._ - --. |
| &#39; \|| | | |
____|_______ _____ /\___ _ ____|_ __ |_________/\ ___________| /\_____
_/ _ // |/ _/ _//_/ |_ _ \______ \_/ __/
// / / / // | |/ / / _ ./ |
_/ / _/ _/ / |_ / ______/ / // |
\_____ /\___________________/|_______ / /|______________________/|______|
&#60;--- \/ -+------------------------- \/ | .______ --------------|------->
| . _|______|_|______\_ _ |
| | &#39; |
| `-- - |
`----------------------------------------------------------&#39;
[ ::::::: Nuclear MP3 Releasing Standards 2005 ::::::: ]
.----------------------------------------------------------.
| Version 0.23a |
`----------------------------------------------------------&#39;
Recently there has been a lot of FUD (Fear, Uncertainty,
and Doubt) regarding how things should be in the MP3
arena. As a result, Nuclear has composed these standards
and guidelines designed to assist groups in releasing
high-quality material. The contents of this document
contain the standards that we use when looking at MP3
releases.
--
1. SFVs
1.1. An .SFV file must be included to verify file integrity in every
release.
--
2. NFOs
2.1. An .NFO file must be included with every release.
2.2. The NFO file must feature at least:
- Album Title
- Artist Name
- Release Date (Recommended format: YYYY-MM-DD)
- Tracks &#38; Playtime
- Genre
- Source
- Encoding Bitrate
- Encoder Used
We suggest including:
- Label
Note: The NFO must contain as much information about the release as
possible. It is recommended that you place a &#39;Release Notes&#39;
section in your NFO file for any other information pertinent to
the release.
--
3. Directory Naming and Labeling Specifications
3.1. The following are the standards for directory naming:
- Directories must only contain characters of type a-Z 0-9 _ . - ( )
Example: Artist_-_Title-Promo-CDS-2005-Group
- The first and last characters must be of type a-Z 0-9
Examples: Artist-Title-EP-REPACK-2005-Group
Artist-Title_(feat_blah)-DE-2005-Group
DJ_blah-Live_at_blah-CABLE-(YY-MM-DD)-Group
3.2. Parenthesis are allowed in the directory name.
3.3. Directory naming will follow this format (spaces are used solely to
clearly illustrate the format):
Artist Name - Title - AdditionalInfo - Published Year - Group Name
Example: Artist_-_Title-4CD-Retail-2000-Group
Example: Artist-Title-AdditionalInfo-Language-Group
3.4. All release data will be held within the single release directory. No
CD1, CD2 directories.
3.5. Various Artist album releases must be prefixed with &#34;VA-&#34;. Soundtrack
Album releases must be prefixed with &#34;OST-&#34;.
3.6. Underscores and singular periods will be used. No double periods are
to be used.
Example: ..
3.7. Directory names can be up to 64 characters in length. It is acceptable
to use abbreviations/selftitled/etc to achieve this. This is enforced
to ensure wide device filesystem compatibility.
3.8. Additional Tagging Information (mandatory if applicable):
VLS - Vinyl Single (1-2 tracks)
EP - Vinyl Maxi-single (2-5 tracks)
LP - Vinyl Full-length Album
CDS - CD Single (1-2 tracks)
CDM - CD Maxi-single (2-5 tracks)
CDR - CD-Recordable (CD-R)
DVDA - DVD-Audio
MD - MiniDisk
Promo - Promotional
Mixtape - Mixtape, Pressed or promotional from a real artist or
one of their representatives
Bootleg - Any release not produced by real artists or their
representatives
XX - Import
RETAIL - Retail
xCD - Number of CDs, e.g. -3CD-
Liveset - DAB/SAT/CABLE/TAPE/etc, full date needed, e.g. -YYYY-MM-DD-
Example: -2005-12-31-
Lbl_Cat - Label and Category number of the release.
Example: -WS_1203- WS=Wavescape label Category number 1203
TLD - Non-English dialect lang. by Top Level Domain (TLD)
Examples: -DE- -FR- -SE- -UK- -NL- -CN- -JP- -KR- -MX- -BR-
Reference: http://www.iana.org/cctld/cctld-whois.htm
--
4. File Naming and Labeling Specifications
4.1. Files must only contain characters; a-z A-Z 0-9 _ . - ()
4.2. Periods are not allowed as replacement for spaces in filenames.
4.3. The use of periods is restricted to abbreviations only.
4.4. File names can be up to 64 characters in length. It is acceptable
to use abbreviations/selftitled/etc to achieve this. This is enforced
to ensure wide device filesystem compatibility.
4.5. Parenthesis are allowed in the filenames when:
- They are part of the track title
Example: 01-usher_-_i_want_to_pee_on_you_(girl)-group.mp3
- They are needed to specify a featured artist
Example: 01-artist_-_title-(feat_blah)-group.mp3
- They specify the producers of the track when groupname isnt given
Example: 01-artist_-_title-(produced_by_name)-group.mp3
- They specify unique track properties
Example: 01-artist_-_title-(remix)-group.mp3
Parenthesis are not allowed in any circumstances except those outlined
above.
4.6. All filenames must be lowercase.
4.7. File naming will follow this format (spaces are used to display the
format better):
Track Number - Artist - Song Title - Additional Info - Group.mp3
If Group name is chosen to not be used, the producer(s) of each track
must be included so that each track has an original filename.
Track numbering example:
Single CD Release, or non CD and less than 2 sides, cds, etc...
01-... (track 1)
02-... (track 2)
etc.
Multi CD Release, or non CD and more than 1 side, cd, etc...
101-... (track 1 from cd 1)
102-... (track 2 from cd 1)
201-... (track 1 from cd 2)
202-... (track 2 from cd 2)
etc.
For vinyl releases you may also use the naming scheme a1, a2, b1, b2,
etc. Labeling with &#39;a&#39; would indicate side-a, &#39;b&#39; would indicate
side-b, and so forth.
--
5. Encoding
5.1. Encoder
The following encoder
Lame 3.90.3
Note: As new significantly improved final builds of codecs are
released, this document will be updated by NUCLEAR.
5.2. Encoding Method:
Use Lame&#39;s --alt-preset standard (APS)
URL: http://hqscene.fatty.dk
5.3. Re-Encoding is strictly forbidden.
Re-Encoding is defined as taking a file which is already in the mp3
format and encoding it again.
A release that was bought as MP3 may be released as-is as long as it
is noted in the nfo. Re-Encoding something originally purchased in mp3
format would result in undesireable loss of quality. Please note that
this does not apply to free, publicly accessable files from the web.
5.4. VBR is to be used in all situations except in a situation where rule
5.3 applies.
--
6. No dupes!
6.1. You are not allowed to create a duplicate release from a source of
lower quality if the original CD has already been released.
- Not Allowed : Vinyl after CD release
- Allowed : CD after vinyl release
6.2. A release is a dupe if the complete release (all tracks) is included
in ONE previous release. Futhermore, if a release is different
because it has fewer tracks, it is not a valid release if a previous
release contains all of the tracks.
--
7. Mixes
7.1. Mixes must include track listing in NFO and a .CUE file (N/A for
liveset)
7.2. No selfmade or homemade compilations. Real DJ Mixes are allowed.
No, IRC DJs are NOT real DJs.
--
8. ID3 Tags
8.1. All ID3 tags must be generated correctly and all available information
must be used (appropriate information in the correct fields).
8.2. Both ID3.v1 and ID3.v2 must be used.
--
9. No Partials!
9.1. The entire CD, Vinyl etc. must be released (no individual tracks).
--
10. Broadcast Sources
10.1. Live recordings (from radio etc.) must contain a date when they were
broadcast in the directory name.
Note: See rule 3.8 for additional info
10.2. All commercials must be removed.
--
11. Additional Specifications
11.1. Including covers in a release is optional, but strongly advised when
possible. This can be done with a scanner, digital camera, or some
other image capturing device. If, for whatever reason, you are unable
to provide proof, you must include a concise and clearly written
explanation in your NFO file. This will save you and everyone else
grief and reduce the likelihood of a nuke.
This Document was signed &#38; approved in March 2005 by the following entities
representing their respective groups:
2005-03-28 : v0.23a Written and Reviewed by:
laiso mC Jnc7 pinky t0i sJ
Any kind of feedback is welcome at nuclear@hush.ai
#EOF</pre>
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<title>2005_PDA_TRAiNER.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
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src: url(nfo.eot);
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<pre class="nfo">PDA Trainer rules: (Updated: Aug 2005)
---------------------------------------
Naming:
Folder names:
For Trainers naming should be:
Game.Version.Plus.X.Trainer.OS-Group
example:
Mario.v1.0.Plus.3.Trainer.PalmOS-FooBar
For cheats/guides naming should be:
Game.Version.Type.OS-Group
example:
Mario.v1.0.Cheats.PalmOS-FooBar
Allowed types are:
- Cheats
- Walkthrough
- Guide
Allowed OS: same as PDA rules, if PDA rules change, so does this.
Allowed Group name: same as PDA rules if PDA rules change, so does this.
All file names MUST follow 8.3 rule.
If a trainer is already released, a trainer with more cheats is allowed. A group is only allowed to release ONE trainer for each game version (if group X releases +3 and group Y release +4, group X can NOT release +5 unless as stated that the version has changed).
If a game is released with more than one version (lowres and highres), the trainer-release must include trainers with equal functionality for all these versions
Trainers/Cheats for games that have not been release on the scene is NOT allowed. The scene release can not be more than 4 months old.
Trainers MUST:
... Work on both cracked/uncracked version
Trainers MUST NOT:
... Be bigger than 100k bytes
... Bundle the game
... Cracks the game.
... Require better PDA than the game
Cheats MUST NOT:
... Be stolen from anywere (you have to hack them out yourself)
IMPORTANT INFO TO SITEOPs :
... As we have seen in the past, there are some rules which prevent groups releases being nuked on an affiliate site. We think that if a valid nuke reason applies to any release, it should be nuked on all sites - affil or not.
->>> AFFIL PREVENTS NOT FROM BEEING NUKED !!! &#60;&#60;&#60;-
RULES SIGNED BY
-+-+-+-+-+-+-+-+-
Nov 2003 -- CSCPDA
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<head>
<title>2005_PSP.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The Council of PSP Movie Releasing Groups Presents &#9474;
&#9474; &#9474;
&#9474; The PSP Movie Releasing Standards 2005 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; SOURCE: &#9474;
&#9474; &#9474;
&#9474; - DVDR and XviD source allowed and source grp should be mentioned in nfo. &#9474;
&#9474; - Source Quality (DVD/DVDSCR/TS/TC) should be mentioned in dirname. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; &#9474;
&#9474; - CBR technique must be used. &#9474;
&#9474; - Minimum bitrate of 384kbps. Maximum of 768kbps. &#9474;
&#9474; - Releases must be maximum 458mb per disc to fit in a 512mb CARD. &#9474;
&#9474; - Movies over 110 mins can go to 2 discs. &#9474;
&#9474; - .THM must be included. &#9474;
&#9474; - Cropping is required to the maximum possible. &#9474;
&#9474; - Movie encode must be within 5% of original aspect ratio. &#9474;
&#9474; - At least 2pass rips are required. &#9474;
&#9474; - Burned subtitles are ONLY needed for foreign releases. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; FRAMERATE: &#9474;
&#9474; &#9474;
&#9474; - MUST be closest possible to the original source framerate &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; &#9474;
&#9474; - CBR technique must be used. &#9474;
&#9474; - Minimum 128kbit @ 44.1khz &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; SAMPLE: &#9474;
&#9474; &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - Minimum 1 minute in length or about 5mb. &#9474;
&#9474; - Must be in folder marked sample rarred with .sfv &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PACKAGING: &#9474;
&#9474; &#9474;
&#9474; - All releases must be MP4/THM. &#9474;
&#9474; - Must be packed with RAR into 15mb volumes ,compression is NOT ALLOWED &#9474;
&#9474; - Recovery record recommended. &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual PSP release date &#9474;
&#9474; DVD release date &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Source used (Xvid/DVDR) and (TC/TS/DVD/DVDSCR) &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; Number of rars per CARD (eg. 31x15MB) &#9474;
&#9474; - Releases that are more than 1 CARD will follow these specs: &#9474;
&#9474; - MUST be named CARD1, CARD2 and so on. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; DIRECTORY NAMING: &#9474;
&#9474; &#9474;
&#9474; - Directory names shall NOT exceed 64 characters. &#9474;
&#9474; - Including production year is at groups discretion, but encouraged. &#9474;
&#9474; - Indicate source quality in dirname (TS/TC/DVDRiP/DVDSCR) &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - All Release directories, shall be named according to : &#9474;
&#9474; Movie.Name.Year.Source.Codec.PSP-Group, &#9474;
&#9474; (i.e. Matrix.1997.DVDRiP.MP4.PSP-Homo) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PROPERS: &#9474;
&#9474; &#9474;
&#9474; - No previous releases may be propered based on quality. That means no &#9474;
&#9474; propers based on audio or video bitrate, and/or, divx/dvdr source used &#9474;
&#9474; For quality reasons you can use INTERNAL. &#9474;
&#9474; - Propers will be allowed in the case of technical problems, bad aspect &#9474;
&#9474; ratio, sync problems, skipping/freezing, interlaced, bad ivtc, etc &#9474;
&#9474; - Sample of the propered release should be included for proof. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie is accepted. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;-------&#9472;[ GROUPS ]--------&#9496; &#9474;
&#9474; &#9474;
&#9474; The PSP Releasing Standards 2005 decided and signed by the following groups&#9474;
&#9474; &#9474;
&#9474; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9474;
&#9474; &#9474;
&#9474; MTG - MmM - SbN - iRGUN - PmG &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;</pre>
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<pre class="nfo"> &#9556;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9556;&#9552;&#9565; GENERAL &#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9553; &#9553;
&#9553; &#9658; CUSTOM SWESUB skall preas 14 dagar innan retail datum. (Ex p&#963; Discshop.se) &#9553;
&#9553; &#9658; K&#931;llreleasen m&#963;ste uppges i releasens nfo. &#9553;
&#9553; &#9658; Subtitles p&#963; releasen ska finnas angivna i NFO. Vilken som &#931;r CUSTOM ska &#9553;
&#9553; tydligt m&#931;rkas ut. &#9553;
&#9553; &#9658; Anv&#931;ndning av andra gruppers &#247;vers&#931;ttningar &#931;r strikt f&#247;rbjuden, med &#9553;
&#9553; undantag av till&#963;telse. Anv&#931;ndning av s&#963; kallade &#34;www-subbar&#34; ska ske med &#9553;
&#9553; stor aktsamhet, och m&#963;ste omarbetas grovt. &#9553;
&#9553; &#9658; Endast WS-releaser till&#963;tna. Undantag om releasen bara kommer i FS. Detta &#9553;
&#9553; g&#931;ller s&#963;v&#931;l retail som TC och DVDscr. &#9553;
&#9553; &#9658; F&#247;ljande sources &#931;r till&#963;tna till custom-releaser: REAL TC (TeleCine), &#9553;
&#9553; DVDScr, Retail. Ej till&#963;tna sources: TS (TeleSync), Screeners, CAM. &#9553;
&#9553; &#9658; De grupper som f&#247;jer standarden rekommenderas att m&#931;rka ut det i sina NFO &#9553;
&#9553; filer, f&#247;rslagsvis som f&#247;ljande: &#34;&#60;GRPNAMN> har signerat och f&#247;ljer CUSTOM &#9553;
&#9553; SWESUB RLSSTD 2K5&#34;. &#9553;
&#9553; &#9658; Genom att grupper g&#247;r detta kan vi beh&#963;lla den svenska custom-scenen med &#9553;
&#9553; god kvalit&#952;t, och gott n&#247;je f&#247;r alla parter. &#9553;
&#9553; &#9553;
&#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9565;
&#9556;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9556;&#9552;&#9565; DVDR &#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9553; &#9553;
&#9553; &#9658; Videoformatet (NTSC/PAL) ska anges i NFO. Frivilligt i release-namnet. &#9553;
&#9553; &#9658; Releasen ska taggas korrekt med LiMiTED / STV / dylikt om s&#963; &#931;r fallet. &#9553;
&#9553; &#9658; Subtitle-str&#247;mmarna ska vara komplett synliga p&#963; TV-sk&#931;rm, och absolut &#9553;
&#9553; inte g&#963; utanf&#247;r sk&#931;rmens kant. &#9553;
&#9553; &#9658; Anv&#931;ndning av tre subtitle-str&#247;mmar f&#247;r varje spr&#963;k, med olika placering &#9553;
&#9553; rekommenderas starkt, dock inte obligatoriskt. &#9553;
&#9553; &#9658; Subtitle-str&#247;mmarna ska vara fullt l&#931;sliga. Typsnitt Arial, stl 18, &#9553;
&#9553; fetstil, med svart outline border rekommenderas. Vit f&#931;rg p&#963; texten. &#9553;
&#9553; &#9658; Menyer skall finnas p&#963; samtliga CUSTOM SWESUB-releaser. Om menyn &#931;r retail &#9553;
&#9553; eller custom &#931;r gruppens egna val, och ska sj&#931;lvfallet vara fungerande. &#9553;
&#9553; &#9658; Filmens huvudsp&#963;r fr&#963;n source-releasen ska finnas med. Med huvudsp&#963;r menas &#9553;
&#9553; filmens originalspr&#963;k i b&#931;sta version, rangordning: DD5.1, DTS, DD2.0, &#9553;
&#9553; Stereo, Mono. &#9555;vriga sp&#963;r f&#247;rutom huvudsp&#963;ret &#931;r frivilliga. &#9553;
&#9553; &#9658; P&#963; custom-releaser med source som levereras med engelsk subtitle, ska den &#9553;
&#9553; engelska subben &#931;ven vara med i custom-releasen. &#9555;vriga subtitles fr&#963;n &#9553;
&#9553; sourcen &#931;r frivilliga att inkludera. &#9553;
&#9553; &#9658; Intron &#931;r frivilliga. Max 25 sekunder. Ska placeras som &#34;first play&#34;, &#9553;
&#9553; och ska kunna skippas genom &#34;Next&#34; eller &#34;Menu&#34;-knapp p&#963; fj&#931;rrkontroll. &#9553;
&#9553; &#9553;
&#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9565;
&#9556;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9556;&#9552;&#9565; SVCD &#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9553; &#9553;
&#9553; &#9658; Bara FS 4:3 och WS 16:9 &#931;r till&#963;tet. Inte anamorfisk WS, f&#247;r det funkar &#9553;
&#9553; inte till 100% p&#963; alla standalone DVD-spelare. &#9553;
&#9553; &#9658; Anv&#931;nd Telecide f&#247;r att deinterlaca, om filmen &#931;r interlaced. &#9553;
&#9553; &#9658; Minimum bitrate, 1750Kbps, h&#247;gsta bitrate till&#963;ten, 2450Kbps. &#9553;
&#9553; &#9658; Anv&#931;nd alltid VBR, 2-pass VBR i TMPEG-Enc, 4 passes i CCE. &#9553;
&#9553; &#9658; H&#963;ll audio p&#963; 224Kbps, 44.1Khz Stereo. &#9553;
&#9553; &#9658; Bara permanenta subtitles till&#963;tna. &#9553;
&#9553; &#9658; F&#247;reslaget typsnitt p&#963; subtitle; Arial, stl 18, fetstil. Vit f&#931;rg p&#963; text. &#9553;
&#9553; &#9658; Alla releaser ska vara i CUE/BIN, och packas i RAR om 15MB. &#9553;
&#9553; &#9658; Om mer &#931;n en CD, skall den sista inte vara mindre &#931;n totalt 650MB. &#9553;
&#9553; &#9658; CD change / Intro-bilder ej till&#963;tna. &#9553;
&#9553; &#9658; Ladda ner och reencoda CUSTOM SWESUB DVDR utan till&#963;telse &#931;r oacceptabelt. &#9553;
&#9553; &#9658; Se till att &#931;ven SVCD-releasen h&#963;ller r&#931;tt taggning med STV, LiMITED, osv. &#9553;
&#9553; &#9553;
&#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9565;
&#9556;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9556;&#9552;&#9565; SUBTITLE GUIDELINES &#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9553; &#9553;
&#9553; Notera att f&#247;ljande stycke inte &#931;r obligatoriskt, men rekommenderas f&#247;r god &#9553;
&#9553; kvalit&#952; p&#963; &#247;vers&#931;ttningarna. &#9553;
&#9553; &#9553;
&#9553; &#9658; Ha aldrig mer &#931;n max tv&#963; (2) rader p&#963; en ins&#931;ttning. &#9553;
&#9553; &#9658; H&#963;ll antalet tecken per rad till 40, aldrig mer &#931;n 42. &#9553;
&#9553; &#9658; Dialoger, konversationer markeras ut p&#963; f&#247;ljande &#34;vanliga&#34; s&#931;tt. &#9553;
&#9553; &#9553;
&#9553; &#34;- Hej, Pelle! Hur &#931;r det? &#9553;
&#9553; - Hej, Lisa. Tackar bra!&#34; &#9553;
&#9553; &#9553;
&#9553; &#9658; Om en mening g&#963;r &#247;ver tv&#963; ins&#931;ttningar, dela upp dem p&#963; f&#247;ljande vis; &#9553;
&#9553; &#9553;
&#9553; &#34;Vi hade t&#931;nkt g&#247;ra &#931;ppelpaj-&#34; &#9553;
&#9553; &#34;-men vi hittade inga &#931;pplen.&#34; &#9553;
&#9553; &#9553;
&#9553; &#9658; Vid paus och/eller avbrytning i tal, dela upp p&#963; f&#247;ljande vis; &#9553;
&#9553; &#9553;
&#9553; &#34;Jo, hon kom hit, sen skulle vi...&#34; &#9553;
&#9553; &#34;...sen skulle vi g&#963; ut tillsammans.&#34; &#9553;
&#9553; &#9553;
&#9553; &#9658; F&#247;rs&#247;k h&#963;lla ins&#931;ttningsl&#931;ngden till max 8 sekunder, och minst tv&#963; &#9553;
&#9553; sekunder per rad i ins&#931;ttningarna. &#9553;
&#9553; &#9553;
&#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9565;
&#9556;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9556;&#9552;&#9565; FRAMTAGNA AV F&#9555;LJANDE GRUPPER I SAMR&#9532;D &#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9559;
&#9553; &#9553;
&#9553; AMEN aTerFalleT BRiO DEVASTATiON ESB &#9553;
&#9553; &#9553;
&#9553; FiSHBONE QSUB PYTHON SFSVCD TROPiCAL Wool &#9553;
&#9553; &#9553;
&#9562;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9552;&#9565;</pre>
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; An Independent Critic presents &#9474;
&#9474; a Rebuttal of... &#9474;
&#9474; The XviD Releasing Standards 2005 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or any other ascii viewer. &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; To introduce myself first...I am a member of one of the oldest active XviD &#9474;
&#9474; release groups and one of main writers/contributors to TDX2k2. Neither I, &#9474;
&#9474; nor my group was informed of this new ruleset. That is reflected in the &#9474;
&#9474; fact that we are not a signatory. I find it astounding that the writers of &#9474;
&#9474; this ruleset can give &#34;respect&#34; to the previous TDX teams but at the same &#9474;
&#9474; time self-proclaim themselves to be the new TDX team and write a new ruleset&#9474;
&#9474; without even consulting them. In fact, not even half of the of the (active) &#9474;
&#9474; groups to whom the main TDX2k2 writers belonged have signed off on TXD2k5. &#9474;
&#9474; Several of the oldest XviD groups have not signed TXD2k5, but instead of &#9474;
&#9474; any attempts at compromise, the new ruleset was steamrolled through without &#9474;
&#9474; them or their input. &#9474;
&#9474; &#9474;
&#9474; As a result of these strong-arm tactics, I am now forced to point out each &#9474;
&#9474; any every flaw that the TXD2k5 authors are forcing the XviD scene to &#9474;
&#9474; swallow. The TDX2k5 ruleset was meant to plug the holes in TDX2k2 and some &#9474;
&#9474; had hoped it would usher in a new era in MPEG-4 based encoding. Sadly, this &#9474;
&#9474; abomination does neither. Within the ruleset guideline below, I have &#9474;
&#9474; included my rebuttal comments. While many of my points might seem to be &#9474;
&#9474; bordering on anal, it is my opinion that a ruleset must be precise and &#9474;
&#9474; concise. It should eliminate all ambiguity and close all loopholes. &#9474;
&#9474; As you will see, I find that this new ruleset does neither. The scope of &#9474;
&#9474; the rules is adequate, but it could have gone a lot further in some areas, &#9474;
&#9474; and went too far in others. TDX as a ruleset must curb the release of bad &#9474;
&#9474; rips, while at the same time it cannot impede a ripper&#39;s ability to create &#9474;
&#9474; the highest possible quality rip. I do also acknowledge that some of the &#9474;
&#9474; words and ideas that I contest in my rebuttal were present in TDX2k2. This &#9474;
&#9474; does not excuse TXD2k5 of having the same problem since the TXD2k5 writers &#9474;
&#9474; had the choice to edit or reword anything they felt appropriate. &#9474;
&#9474; &#9474;
&#9474; I know that some people will just dismiss this as me holding a personal &#9474;
&#9474; grudge or think that I&#39;m just out to pick a fight. If you take the time to &#9474;
&#9474; read my rebuttal comments, you should find them to be valid concerns. I &#9474;
&#9474; truly care about the future of the MPEG-4 scene and am deeply troubled when &#9474;
&#9474; I see a document like this being flaunted as a new ruleset. &#9474;
&#9474; &#9474;
&#9474; This document is meant only as a rebuttal of the TXD2k5 document and is not &#9474;
&#9474; intended as a reflection of any of the signee groups. I know that many of &#9474;
&#9474; the groups that signed did so blindly in order to support what appeared to &#9474;
&#9474; be a positive advancement for the XViD Scene. As such, I&#39;m not suprised by &#9474;
&#9474; the number of obvious errors that I was able to locate when picking it &#9474;
&#9474; apart. I don&#39;t believe that having signed TXD2k5 precludes any group from &#9474;
&#9474; lending their voice to anything that might arise from the dialogue that I &#9474;
&#9474; hope to have started. I would encourage all groups who agree with any of my &#9474;
&#9474; points to speak their mind, whether it be with me or the writers of TXD2k5, &#9474;
&#9474; or even in a public forum or their own nfos. I welcome any groups to &#9474;
&#9474; include this nfo or their own rebuttals with their releases. &#9474;
&#9474; &#9474;
&#9474; Thank you for your time. &#9474;
&#9474; &#9474;
&#9474; P.S. I find it strange how TXD2k5&#39;s intro is written in the first person &#9474;
&#9474; singular when it is supposedly an intro from the entire new TDX &#9474;
&#9474; committee... &#9474;
&#9474; &#9474;
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&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - PAL (25 fps) = MINIMUM runtime is 100 minutes/CD. &#9474;
&#9474; - FILM (23.976 fps) = MINIMUM runtime is 105 minutes/CD. &#9474;
&#9474; - NTSC (29.97 fps) = MINIMUM runtime is 87 minutes/CD. &#9474;
&#9474; - These runtimes are scalable via the following equation: &#9474;
&#9474; N CD time minimum = (N-1) * allowed time where N is number of CDs and &#9474;
&#9474; allowable time applies to fps as outlined above: &#9474;
&#9474; i.e. 3 CD FILM rip minimum = 105 x (3-1) = 210 minutes. &#9474;
&#9474; - MINIMUM time length rule is as implied - that is the MINIMUM time per &#9474;
&#9474; CD -- NOT MAXIMUM!!! (i.e. no such thing as &#34;must be more than 1 CD&#34;) &#9474;
&#9474; - Release runtime must be at least 50 minutes for using the full burnable &#9474;
&#9474; media capacity. In such cases, releases MUST utilize a MINIMUM of &#9474;
&#9474; 680mb of the 700mb standard burnable media (Multi-CD releases MUST &#9474;
&#9474; conform to the 680mb minimum, for each CD used). Any other use of the &#9474;
&#9474; media shall not be over 350mb (Sizes between 350mb to 680mb are not &#9474;
&#9474; allowed). &#9474;
&#9474; - Media usage is at ripper&#39;s discretion, please use it. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - The runtime rule is still a slightly vague and occasionally contested &#9474;
&#9474; issue within TDX. The new wording doesn&#39;t change this at all. The &#9474;
&#9474; correct interpretation of this rule is that it is permitted to use an &#9474;
&#9474; additional CD for every additional x minutes beyond the original x &#9474;
&#9474; minute runtime (x being the runtime based on the framerate). The way it &#9474;
&#9474; is currently worded can still be interpreted such that each CD MUST &#9474;
&#9474; have at least x minutes on it. &#9474;
&#9474; - With the improvements in encoding technology, I don&#39;t understand why &#9474;
&#9474; the new ruleset would be trending towards less compression with the &#9474;
&#9474; modified length rules. &#9474;
&#9474; - The first time I read the new point that was added, I thought that it &#9474;
&#9474; related to shorts but apparently it&#39;s not. The point just seems to &#9474;
&#9474; bumble around. Couldn&#39;t it just have been simply stated that the &#9474;
&#9474; minimum capacity used on a CD is 680MB? The 50 minute rule should have &#9474;
&#9474; just been included in some new rules about the runtime of shorter &#9474;
&#9474; features (which I definitely feel is needed). The new TDX implies that &#9474;
&#9474; everything under 50 minutes can be ripped to 350MB, but doesn&#39;t a 350MB &#9474;
&#9474; rip of a 5 or 10 minute short seem a bit oversized? &#9474;
&#9474; - Why is the capacity of a CD not explicitly defined? Is it 700MB even &#9474;
&#9474; (734,003,200 bytes)? 702MB (which will still fit on a CD)? or something &#9474;
&#9474; else? There have been several releases between 700 and 702MB, is that &#9474;
&#9474; allowed? &#9474;
&#9474; - So what are the rules for non-standard framerate releases? There are &#9474;
&#9474; plenty of silent films that IVTC to 16 to 22fps... &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - MUST be MP3 or Studio AC3 (AC3 transcoding forbidden). &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; (MONO audio as STEREO on source is considered a MONO source). &#9474;
&#9474; - MUST BE VBR! NO CBR MP3! &#9474;
&#9474; - MP3 tracks must have the original frequency as it was on the DVD&#39;s &#9474;
&#9474; audio: i.e. 48khz for 48khz and 44.1khz for 44.1khz. &#9474;
&#9474; - MP3 files must be normalized. &#9474;
&#9474; - ABR is considered a VBR technique. &#9474;
&#9474; - AC3 MUST be used wisely and correctly. Ripper&#39;s discretion on when to &#9474;
&#9474; use it. Using or not using AC3 IS NOT a technical flaw. &#9474;
&#9474; - MONO AC3 is not allowed, in that case must encode to mono MP3. &#9474;
&#9474; - Multi-language audio tracks are FORBIDDEN! (Use INTERNAL!) &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Please define mono. The term was incorrectly used in TDX2k2 and has &#9474;
&#9474; caused all sorts of issues. Technically speaking, any audio track with &#9474;
&#9474; identical channel(s) is mono. Of course, the intention is to forbid the &#9474;
&#9474; use of 2.0 Mono MP3/AC3, but once again, this is left unclear. &#9474;
&#9474; - The term source also needs definition. Is it the source AC3 track on &#9474;
&#9474; the DVD? The original theatrical master? This ruleset still doesn&#39;t &#9474;
&#9474; clear up whether a DVD should be encoded in stereo when the studio &#9474;
&#9474; remasters a mono theatrical track into 2.0 (Stereo) or 5.1 audio. &#9474;
&#9474; - Why MUST MP3 need to be normalized? Wouldn&#39;t minimal processing of a &#9474;
&#9474; track be ideal? The rule also doesn&#39;t state the extent to which the &#9474;
&#9474; audio must be normalized. Without that, the rule means absolutely &#9474;
&#9474; nothing. &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; - Keyframe: &#9474;
&#9474; MUST be &#60;=20 seconds and MUST be inserted according to scene changes &#9474;
&#9474; and framesizes as determined by the codec or encoding application. &#9474;
&#9474; - Group watermarks of any kind on the video will not be tolerated! &#9474;
&#9474; - Intermission messages must be removed from the avi! &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - I know the intermission rule is personal. I still maintain that there &#9474;
&#9474; is often wonderful musical accompaniment during the intermission and &#9474;
&#9474; that would be lost if that rule is kept in effect. Sometimes the &#9474;
&#9474; intermission is used as a directorial tool as well, so removing it &#9474;
&#9474; would alter the flow of the movie. If removing the climax of a movie is &#9474;
&#9474; frowned upon, shouldn&#39;t the same common sense lend itself to any other &#9474;
&#9474; part of a movie? &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; - MUST be as close to original source framerate as possible. &#9474;
&#9474; - In some cases PAL movies should be ivtc&#39;d (i.e. to 24fps). Therefore &#9474;
&#9474; using a PAL source is not an excuse for lack of ivtc. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Once again, the term source needs to be defined. While it seems obvious &#9474;
&#9474; to most what the correct framerate should be, there are some that think &#9474;
&#9474; that the NTSC telecine framerate of 29.97fps is the &#34;source framerate&#34;. &#9474;
&#9474; - Hybrids? What are the guidelines for ripping hybrids? What would &#9474;
&#9474; make a hybrid encode properable? Hasn&#39;t this been a hot enough issue to &#9474;
&#9474; address? &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; - MUST BE XviD (all DivX codecs are banned). &#9474;
&#9474; - MUST use 2 pass technique during encoding. &#9474;
&#9474; - NO DUPES BASED ON CODEC TYPE, USE INTERNAL! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Resolution and Aspect Ratio: &#9474;
&#9474; - Width: 512 - 672 pixels for WS movies (Letterboxed is considered WS). &#9474;
&#9474; 448 - 576 pixels for FS movies (Only 4:3 images). &#9474;
&#9474; - Height and Width: Must be a multiple of 16. &#9474;
&#9474; - Cropping is required to be the MAXIMUM possible (black borders must &#9474;
&#9474; be cropped to their maximum). Over cropped releases are considered &#9474;
&#9474; a technical flaw. Some movies present changing ARs, in that case the &#9474;
&#9474; cropping applies only to the image that presents more pixels (Means &#9474;
&#9474; that part of the movie will have bad cropping). &#9474;
&#9474; - Movie encodes must be within 5% of the original aspect ratio. &#9474;
&#9474; Calculating AR % error: (Release AR - Original AR)/Original AR x 100 &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Due to the popular 1.37:1 AR, the FS rule should probably be extended &#9474;
&#9474; from the 4:3 definition to any AR 1.4/1.5:1 and narrower. It&#39;s obvious &#9474;
&#9474; that 1.37:1 isn&#39;t widescreen. &#9474;
&#9474; - The term &#34;bad cropping&#34; is kind of silly. It&#39;s either overcropped or &#9474;
&#9474; undercropped. Once again, the wording of the 3rd point is imprecise. &#9474;
&#9474; Why not just say what correct cropping is and go from there. The &#9474;
&#9474; &#34;maximum possible&#34; cropping is just to crop the whole frame away. The &#9474;
&#9474; rule regarding a source with varying ARs is appropriate but again badly &#9474;
&#9474; worded. How does cropping apply to anything? Does this sentence make &#9474;
&#9474; sense? &#34;In the case that the movie presents changing ARs, cropping &#9474;
&#9474; applies only to the image that presents more pixels.&#34; Huh?! How about: &#9474;
&#9474; &#34;In the case..., the movie must be cropped such that no frame is &#9474;
&#9474; overcropped&#34;. Simple. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Subs, Interactive Menus, Trailers: &#9474;
&#9474; - OPTIONAL (ONLY if all other requirements have been met). &#9474;
&#9474; - VOBSUB is the preferred format due to the fact it does not use OCR. &#9474;
&#9474; However, any format that displays with DVobSub is acceptable. &#9474;
&#9474; - Subtitles may be MUXED with video stream, but MAY NOT be BURNED into &#9474;
&#9474; video stream. MUXED subs will proper BURNED subs. &#9474;
&#9474; - Subtitles not muxed into video stream MUST be encapsulated in a .rar &#9474;
&#9474; file with the MOST compression available and shall be contained in &#9474;
&#9474; the directory named &#39;Subs&#39; and will NOT be packaged with main movie &#9474;
&#9474; rars. &#9474;
&#9474; - Burned subtitles shall only be permissible when the source exhibits &#9474;
&#9474; aforementioned subtitles in the picture itself (i.e. Subs in the &#9474;
&#9474; matte portion of the picture MUST be typed in a separate file and the &#9474;
&#9474; frame shall be cropped). If there is a part of the burned subtitles &#9474;
&#9474; on the picture itself, and another part on the matte portion of the &#9474;
&#9474; picture, the frame must be cropped to 2 pixels from the start of the &#9474;
&#9474; subtitles on the matte portion. Upside cropping of the picture has &#9474;
&#9474; nothing to do with the downside, therefore the cropping on the upside &#9474;
&#9474; MUST BE to it&#39;s maximum. &#9474;
&#9474; - English subs on non English movies MUST fit on CD with main movie, &#9474;
&#9474; all other optional subs SHOULD fit on the CD. &#9474;
&#9474; - Foreign movies (Non English Spoken) with no English subs, must have &#9474;
&#9474; the language name taggings (applies to the various non English &#9474;
&#9474; scenes). Movies with English subs present, WILL NOT HAVE any language &#9474;
&#9474; tag on them! &#9474;
&#9474; - Using of hand made subs on non English releases (i.e. fansubs) MUST &#9474;
&#9474; be mentioned in the nfo, and at nuker&#39;s discretion if to nuke the &#9474;
&#9474; release for Bad.Subs, depends on how bad the subtitles are. Please &#9474;
&#9474; use common judgement! Releases that were nuked for bad subtitles, may &#9474;
&#9474; be propered only by subtitles that came from the retail DVD (Ripper&#39;s &#9474;
&#9474; choice if to release the full movie again or just the subtitles). &#9474;
&#9474; - Multi-language subtitles cannot be used as a basis for a dupe. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - I see nothing about Interactive Menus or Trailers, or any other extras &#9474;
&#9474; for that matter. &#9474;
&#9474; - As we appear to be still using the avi container, it is not possible to &#9474;
&#9474; mux subs into the actual container (which is what muxing actually means)&#9474;
&#9474; - I&#39;m not sure about the mandatory use of rar. I know there are certain &#9474;
&#9474; (standalone) players that wouldn&#39;t read through the rar. Not that &#9474;
&#9474; many (if any) current standalones play Vobsubs anyway. &#9474;
&#9474; - I&#39;ve always loved this 1/2 matted burned subs discussion. Doing it the &#9474;
&#9474; way that the ruleset indicates would cause the image to be off-center &#9474;
&#9474; during fullscreen playback. Some people swear that they can&#39;t watch &#9474;
&#9474; anything off-center, personally don&#39;t think it&#39;s the end of the world. &#9474;
&#9474; In any event, a few of us had thought up a great compromise based on &#9474;
&#9474; the macroblock structure of MPEG encoding. It&#39;s too bad we weren&#39;t &#9474;
&#9474; consulted. &#9474;
&#9474; - EngSub Must fit on CD rule: See above rar comment and more above CD &#9474;
&#9474; filesize comment. &#9474;
&#9474; - The next bullet...&#34;will not&#34; or &#34;must/may not&#34;? (And I find the use of &#9474;
&#9474; exclamation marks to be very unprofessional in a ruleset) &#9474;
&#9474; - How many times do I have to say it? How bad do subs have to be to be &#9474;
&#9474; bad.subs? I&#39;m sure there&#39;s no consensus on what &#34;common judgement&#34; is. &#9474;
&#9474; (judgment is misspelled too). This of course is even worse since the &#9474;
&#9474; rules state that if SOMEONE has made the call to nuke it for bad.subs, &#9474;
&#9474; then it can be propered. &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All releases must be AVI, not BIN/CUE. &#9474;
&#9474; - Must be packed with RAR and broken into 15 or 20 MB volumes. &#9474;
&#9474; Releases that are more then 1 CD must have the RAR files broken into &#9474;
&#9474; 2 or more CD volumes. &#9474;
&#9474; - Compression is not allowed. &#9474;
&#9474; - Recovery and MD5 record are recommended. &#9474;
&#9474; - Must have SFV included for each CD. &#9474;
&#9474; - Must have NFO. &#9474;
&#9474; - NFO SHOULD INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual XviD release date &#9474;
&#9474; DVD release date &#9474;
&#9474; Theatrical release date (US preferably) &#9474;
&#9474; Video size &#9474;
&#9474; Framesize/Aspect Ratio &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Movie runtime/Length &#9474;
&#9474; IMDB/Amazon/Any other DVD site info link &#9474;
&#9474; Number of rars per CD (i.e. 50x15MB) &#9474;
&#9474; Ripping method &#9474;
&#9474; DRF average &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Now that we&#39;ve cleared up what it SHOULD include, what MUST it include? &#9474;
&#9474; - DRF. Sigh... (see more about this below) &#9474;
&#9474; - Exactly what ripping method we are talking about? &#9474;
&#9474; - How about...Audio Codec? XviD Build? Packed Bitstream? Max Conseq BFs? &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - Movie credits can be encoded separately at a lower bitrate only if the &#9474;
&#9474; time length exceeds the no. of CDs used (i.e. 106 min on 1CD for FILM &#9474;
&#9474; source, or 201 min on 2CDs for PAL source, etc). &#9474;
&#9474; - Any movies with scenes in the credits (i.e. bloopers or continuation &#9474;
&#9474; of story) MAY NOT be downsampled! &#9474;
&#9474; - Cutting Credits is not allowed. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - I don&#39;t see the advantage in restricting when credit downsampling can &#9474;
&#9474; occur. There&#39;s no consistency. They&#39;re either expendable, or they &#9474;
&#9474; aren&#39;t. &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED! &#9474;
&#9474; - 1 full minute in length and in a separate folder marked as &#39;Sample&#39;. &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; - Vob samples are recommended for any rip that is deemed questionable: &#9474;
&#9474; i.e. no ivtc possible on source, ivtc to 24.975fps etc. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; - Propers are ONLY permitted in the case of a technical flaw in the &#9474;
&#9474; original release (i.e. Bad IVTC, Interlacing, bad number of CDs). &#9474;
&#9474; - Releases not nuked on release lists and/or sites MUST include &#9474;
&#9474; original sample of the technical flaw. &#9474;
&#9474; - Qualitative propers are not allowed, nor are propers based on &#9474;
&#9474; decisions made by a ripper (i.e. No. of CDs, AC3 or MP3, etc). &#9474;
&#9474; - Propers based upon the compliance with new instances of TXD2K5 &#9474;
&#9474; guidelines are also forbidden. &#9474;
&#9474; Only propers acceptable when propering old tdx rips are propers based &#9474;
&#9474; on picture damage: Aspect Ratio, IVTC, Over-Cropping. Other propers &#9474;
&#9474; acceptable are propers based on releases that did not follow previous &#9474;
&#9474; tdx guidelines, at the time they were released. &#9474;
&#9474; - Subbed (in original movie language) propers dubbed (in any language). &#9474;
&#9474; - Hardcored Subs may be propered by releases containing Vobsub/Srt. &#9474;
&#9474; &#60;This rule will not apply to movies ripped before TXD2K5> &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - &#34;bad number of CDs&#34;...speaks for itself. &#9474;
&#9474; - Speaking of which...something can be propered for &#34;bad number of CDs&#34; &#9474;
&#9474; but not for &#34;No. of CDs&#34;. &#9474;
&#9474; - Are you expecting new instances of TXD2K5? That whole sentence needs to &#9474;
&#9474; be rethought. &#34;Only propers acceptable&#34; -> &#34;Propers are only acceptable&#34;&#9474;
&#9474; might be slightly better English? Although that whole sentence probably &#9474;
&#9474; needs reworking. The meaning of &#34;old tdx rips&#34; is obvious even if it &#9474;
&#9474; doesn&#39;t seem to make sense. I also believe that the list of flaws was &#9474;
&#9474; previously called technical flaws (a couple points up, why change that?)&#9474;
&#9474; In any event, I&#39;m sure there are plenty of other ways to reword that &#9474;
&#9474; bullet. &#9474;
&#9474; - &#34;Original movie language&#34; -> &#34;Movie&#39;s original/native language&#34;? &#9474;
&#9474; - I know some people are pretty passionate about their subs, but hardcore &#9474;
&#9474; might be going a bit to far (Yes, I know it&#39;s just a typo) &#9474;
&#9474; - Propers imply that there was something wrong with the original release &#9474;
&#9474; and it doesn&#39;t make sense to penalize a group for ripping a hardsubbed &#9474;
&#9474; DVD. &#9474;
&#9474; &#9474;
&#9474; WS vs. FS: &#9474;
&#9474; - FS movies after WS was out, are FORBIDDEN unless proven it contains &#9474;
&#9474; more picture (use of sample or .jpg as proof). &#9474;
&#9474; - WS movies after FS was out, MUST HAVE original sample from the &#9474;
&#9474; previous release, unless proven no WS DVD was out at the time the FS &#9474;
&#9474; was released. A WS not following the above is considered a DUPE! &#9474;
&#9474; - WS or FS name tags on the release name, if the other wasn&#39;t released &#9474;
&#9474; in the past, WILL NOT BE TOLERATED! &#60;use nfo to mention the AR>. &#9474;
&#9474; - WS cannot proper another WS: for example 2.35:1 after 1.85:1 is out. &#9474;
&#9474; Use the tag WS in the dirname instead. However WS after a wider WS &#9474;
&#9474; was released, will be considered a DUPE unless proven it contains &#9474;
&#9474; more picture! Sample rule applies here also. &#9474;
&#9474; - Letterboxed DVDs are not considered FS even if it&#39;s FS on the source! &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - &#34;FS movies after WS was out&#34; is also grammatically incorrect. &#9474;
&#9474; - Why no FS tag when it&#39;s the first one out? I can understand people not &#9474;
&#9474; wanting to read the nfo just to see if the release if FS or WS. &#9474;
&#9474; - Aren&#39;t violations of any rule not to be tolerated? Why makes this one &#9474;
&#9474; so special? &#9474;
&#9474; - Again, define source...In this case, the physical layout of the DVD is &#9474;
&#9474; being considered the source. &#9474;
&#9474; - This whole segment feels that it could be reworked for less redundancy &#9474;
&#9474; and more conciseness. &#9474;
&#9474; &#9474;
&#9474; Special Movie Editions: &#9474;
&#9474; - Allowed: SE, DC, EXTENDED, UNCUT, REMASTERED, UNRATED, THEATRICAL, &#9474;
&#9474; CHRONO. &#9474;
&#9474; - Special Edition releases without any different features in the film &#9474;
&#9474; itself will be considered dupes of previous releases of the same &#9474;
&#9474; movie. &#9474;
&#9474; - Shorter cut version of a movie after a longer version was released is &#9474;
&#9474; allowed (i.e. THEATRICAL), and MUST be mentioned in the dirname. &#9474;
&#9474; - Remastered movies after the original have been released are allowed &#9474;
&#9474; only if the original release was in BLACK AND WHITE and the &#9474;
&#9474; remastered edition is colour. Everything else use INTERNAL! &#9474;
&#9474; (Remastered DVD releases that were nuked in the past and were colour &#9474;
&#9474; after black and white, shall not be unnuked and shall not be duped!) &#9474;
&#9474; - Remastered audio will be considered a dupe if it&#39;s the only reason &#9474;
&#9474; movie was re-released. &#9474;
&#9474; - Extras released in a special movie edition, cannot be used as a basis &#9474;
&#9474; for a dupe, unless released separately &#60;and are not dupes of previous &#9474;
&#9474; releases>. &#9474;
&#9474; - Homemade Rips are not allowed (Use INTERNAL!). For example adding of &#9474;
&#9474; deleted scenes, alternate endings, chrono editions. Only retail DVD &#9474;
&#9474; rips of this versions are allowed. &#9474;
&#9474; - NOTE: PAL - NTSC length difference comes from the no. of frames, not &#9474;
&#9474; extra footage. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - &#34;different features&#34; -> &#34;different footage&#34;? What is a feature in a &#9474;
&#9474; movie and how can it differ? &#9474;
&#9474; - How about Original Black &#38; White after a studio coloured version? &#9474;
&#9474; - Aren&#39;t violations of any rule not to be tolerated? Why makes this one &#9474;
&#9474; so special? &#9474;
&#9474; - Uh, excuse me? PAL &#60;-> NTSC time difference comes from the SAME number &#9474;
&#9474; of frames being played at a different rate. Example: &#9474;
&#9474; NTSC: 86400 frames &#247; 24frames/secs &#247; 60 secs/min = 60 mins &#9474;
&#9474; PAL: 86400 frames &#247; 25frames/secs &#247; 60 secs/min = 57.6 mins &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - All releases are to include production year (applies to the pre scene &#9474;
&#9474; as well). &#9474;
&#9474; - DO NOT indicate Ripping method, DVD/XviD release date, Genre, Audio &#9474;
&#9474; which was used (no AC3) or anything else! (ONLY WITHIN THE NFO) &#9474;
&#9474; - Movie distribution tags i.e. FESTIVAL, STV, LIMITED or TV (TV tag &#9474;
&#9474; is used for TV movies only) are allowed and shall be used wisely and &#9474;
&#9474; correctly. &#9474;
&#9474; - READ.NFO is strictly forbidden. &#9474;
&#9474; - Other permitted tags are: WS/FS &#60;rules above>, PROPER, REPACK, RERIP, &#9474;
&#9474; REAL, RETAIL, EXTENDED, REMASTERED, UNRATED, CHRONO, THEATRICAL, DC, &#9474;
&#9474; SE, UNCUT, INTERNAL, DUBBED, SUBBED. &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 .-_ &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD MUST be named CD1, CD2, CD3 and so &#9474;
&#9474; on (&#39;disc1&#39; and others are NOT allowed). &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - I almost missed it, and I know that READ.NFO is often abused, but there &#9474;
&#9474; are legitimate uses for it. Banning it is an overreaction. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; TV Series Notes: &#9474;
&#9474; - All Episodes &#60;DVD rips> are obligated to follow the above rules. &#9474;
&#9474; - Media usage capacity: &#9474;
&#9474; * 4x 20-23min = 1CD, Releases shall not be over 175mb. &#9474;
&#9474; * 3x 23-35min = 1CD, Releases shall not be over 233mb. &#9474;
&#9474; * 2x 35-50min = 1CD, Releases shall not be over 350mb. &#9474;
&#9474; * Episodes further then 50 minutes, will follow the length rules &#9474;
&#9474; of TXD2K5. &#9474;
&#9474; NOTE: Runtimes not mentioned above should fit on 1 CD i.e. 5x120mb, &#9474;
&#9474; 6x116mb, 7x100mb etc. &#9474;
&#9474; - Sizes mentioned above may be used only when minimum runtime is applied, &#9474;
&#9474; i.e. 23 minutes on 233mb or 35 minutes on 350mb. Media usage is at &#9474;
&#9474; ripper&#39;s discretion (i.e. 25 minutes may also be on 175mb). &#9474;
&#9474; - Recommendation: 26x22min = 1 DVD-R Disc, 13x45min = 1 DVD-R Disc &#9474;
&#9474; i.e. 172mb x 26eps or 344mb x 13eps fits on 1 burnable DVD-R Disc. &#9474;
&#9474; - Exception: 20-23min NTSC episodes (29.97 fps) may use 233mb. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - &#34;Episodes further then&#34; -> &#34;Episodes longer than&#34;? (and no comma) &#9474;
&#9474; - &#34;Sizes mentioned above may be used only when minimum runtime is &#9474;
&#9474; applied&#34;. What does this actually mean? It seems redundant? &#9474;
&#9474; - For consistency, how about 29.97fps 23-35min or 35-50min eps? &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - DVD source shall be RETAIL/DVD Screener only. Non DVD sources like &#9474;
&#9474; CAM, TS, TC, VHS, SCREENER, PDVD, LDVD etc, MUST be tagged with source &#9474;
&#9474; in dirname and MUST adhere to ALL TXD2K5 rules! &#9474;
&#9474; - DVD Screeners shall be clearly marked in the directory name and the &#9474;
&#9474; nfo shall contain presence of studio watermarking and counters or &#9474;
&#9474; lack thereof. &#9474;
&#9474; - Use of downsampled DVD-Rs as source is FORBIDDEN! &#60;only untouched> &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Maybe it&#39;s just me, but what is a LDVD? Is is supposed to be Laserdisc? &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Internals: &#9474;
&#9474; - All INTERNALS must follow TXD2K5 rules, apart from the time length &#9474;
&#9474; rules and multi-language audio tracks rule (and will not be considered &#9474;
&#9474; as dupes). Other codecs and containers are allowed for experimental &#9474;
&#9474; purposes. &#9474;
&#9474; - NOTE: INTERNAL dirfix is not allowed as a basis of avoiding a nuke. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Excuse me? Groups can do whatever they want with internals. Internals &#9474;
&#9474; are not meant to be regulated. Internal dupes? Am I missing something? &#9474;
&#9474; - Many people disagree with dirfixing an internal to avoid a dupe, but &#9474;
&#9474; TDX doesn&#39;t have jurisdiction over internals. Let sites and dupechecks &#9474;
&#9474; decide what they want to do with them. &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Maximum VIDEO bitrates are covered by length rules. &#9474;
&#9474; - If DRF average would be over 4.0, the resolution should be lowered if &#9474;
&#9474; possible, until the minimal res is reached. See Resolution rules. &#9474;
&#9474; DRF average can be checked with DRF Analyzer &#60;It is recommended to &#9474;
&#9474; check the full avi file and not just the sample>. &#9474;
&#9474; - Quant. Matrix always has to be H.263/MPEG due to lack of hardware &#9474;
&#9474; support for Custom matrixes. &#9474;
&#9474; - Quarterpel/GMC forbidden due to lack of hardware support. &#9474;
&#9474; - Packed Bitstream is not supported on some of the major gen chipsets, &#9474;
&#9474; therefore using it, is not recommended. &#9474;
&#9474; - The use of ITU-R is not recommended since it gives an AR error of &#9474;
&#9474; around 2% from the original DVD&#39;s Aspect Ratio. &#9474;
&#9474; - Multi-language audio tracks are allowed only for INTERNALS. &#9474;
&#9474; Multiple languages should be interleaved into the AVI, with a &#9474;
&#9474; graphedit filter for each appropriate audio stream. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie will be tolerated. &#9474;
&#9474; &#9474;
&#9474; REBUTTAL: &#9474;
&#9474; - Our friend DRF again. DRF (Detail Removal Factor) is actually a DIVX &#9474;
&#9474; 3.11/SBC ATTRIBUTE. XViD&#39;s equivalent attribute is the Quantizer. &#9474;
&#9474; Obviously I&#39;m quite amused to see DRF mentioned in this new ruleset &#9474;
&#9474; which abolishes SBC. &#9474;
&#9474; - For those that really understand how quantizers work, especially with &#9474;
&#9474; regards to their relationship with the Quantization type, they&#39;d know &#9474;
&#9474; that the raw quant avg doesn&#39;t mean anything without the exact quant &#9474;
&#9474; matrix being used. As such, using the average quant as a statistic to &#9474;
&#9474; to determine the rip quality without considering the exact method of &#9474;
&#9474; quantization would be erroneous. Of course since this ruleset bans all &#9474;
&#9474; Custom Matrices (more on that later), that simplifies things...but MPEG &#9474;
&#9474; and h263 are two completely different animals and look very different &#9474;
&#9474; at comparable quants. As a result, blind avg quant comparison is &#9474;
&#9474; dangerous and not a good benchmark at all. &#9474;
&#9474; - While the argument about compatibility on standalones is a valid one, &#9474;
&#9474; many CQMs do in fact work on standalones and as long as rippers choose &#9474;
&#9474; well, the problems should be minor. On the flipside, the power of the &#9474;
&#9474; wide range of CQMs is unmatched. The choice of matrix gives control of &#9474;
&#9474; how XViD prioritizes the compression of the source material. The &#9474;
&#9474; quality of a high bitrate encode made with h263 or basic MPEG &#9474;
&#9474; quantization pales in comparison to one created with one of several &#9474;
&#9474; high bitrate matrices. &#9474;
&#9474; - The packed bitstream (PB) issue is one that is already solved and thus &#9474;
&#9474; I don&#39;t even know why it has to be brought up again. There are some &#9474;
&#9474; standalones that do not work with 2 consecutive B-Frames with PB and &#9474;
&#9474; there are some (fewer) that don&#39;t work without it. Luckily, a tool was &#9474;
&#9474; developed that allowed for PB to be removed from a video file without &#9474;
&#9474; the need to reencode. Unfortunately it doesn&#39;t work in reverse (It &#9474;
&#9474; can&#39;t add PB to a non PB file). So really, if there were a rule, it &#9474;
&#9474; should be that all B-Frames must be packed, as it would be simple &#9474;
&#9474; enough to remove them if necessary. Alternatively, rips with 2+ &#9474;
&#9474; consecutive B-Frames should be banned entirely. &#9474;
&#9474; - Finally, this whole ITU-R thing...Specifically, the referral is to the &#9474;
&#9474; ITU-R BT.601 Standard for Aspect Ratios. The ITU-R itself is a body &#9474;
&#9474; that establishes standards, so the phrase &#34;the use of ITU-R&#34; doesn&#39;t &#9474;
&#9474; make a whole lot of sense. It still doesn&#39;t make sense if you &#9474;
&#9474; substitute in &#34;ITU-R BT.601 Standard&#34; since you abide or obey standards,&#9474;
&#9474; you don&#39;t &#34;use&#34; them. The ruleset is probably just talking about the &#9474;
&#9474; Gknot checkbox. It is true that the difference between following the &#9474;
&#9474; standard and not doing so is about 2% on the AR. However, the jury is &#9474;
&#9474; still out on which is the correct way to proceed. For now, it really &#9474;
&#9474; seems to come down to the output device being used and what is &#9474;
&#9474; considered to be the &#34;correct&#34; viewing experience. Links below: &#9474;
&#9474; http://www.uwasa.fi/~f76998/video/conversion/ &#9474;
&#9474; http://forum.doom9.org/showthread.php?t=42708 &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; The Tradition Continues: TXD RULES 2K5 (2005-09-25) &#9474;
&#9474; TDX2K2 &#60;2002-07-12) 2K1 (2001-04-22) Original (2000-04-26) &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;--------[ GROUPS ]--------&#9496; &#9474;
&#9474; TXD2K5 Rebuttal signed by the following XviD Groups: &#9474;
&#9474; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9474;
&#9474; &#9474;
&#9474; ME &#9474;
&#9474; &#9474;
&#9474; MYSELF &#9474;
&#9474; &#9474;
&#9474; AND I &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9496;
&#9492;----[ Created by Me 2005. Respect goes to all TDX teams 2000-2002 ]----&#9496;
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The federation of releasing groups presents &#9474;
&#9474; &#9474;
&#9474; The XviD Releasing Standards 2005 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or any other ascii viewer. &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; After a long wait and hours of work, I am proud to present, the new XviD &#9474;
&#9474; scene standards. In this celebration note, I must condemn the leaking of &#9474;
&#9474; the 2004 draft edition, which was written only for the purpose of helping &#9474;
&#9474; us all in building this new set of guidelines. I wanna thank everyone who &#9474;
&#9474; took time to express their ideas and experience into bringing this document &#9474;
&#9474; to life. Also, we shall not forget, all the past teams from 2000 to 2002 &#9474;
&#9474; that made the DivX and XviD scene guidelines available, for TXD2K5 to be &#9474;
&#9474; built upon. So without further ado, Enjoy! &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Movie Length: &#9474;
&#9474; - PAL (25 fps) = MINIMUM runtime is 100 minutes/CD. &#9474;
&#9474; - FILM (23.976 fps) = MINIMUM runtime is 105 minutes/CD. &#9474;
&#9474; - NTSC (29.97 fps) = MINIMUM runtime is 87 minutes/CD. &#9474;
&#9474; - These runtimes are scalable via the following equation: &#9474;
&#9474; N CD time minimum = (N-1) * allowed time where N is number of CDs and &#9474;
&#9474; allowable time applies to fps as outlined above: &#9474;
&#9474; i.e. 3 CD FILM rip minimum = 105 x (3-1) = 210 minutes. &#9474;
&#9474; - MINIMUM time length rule is as implied - that is the MINIMUM time per &#9474;
&#9474; CD -- NOT MAXIMUM!!! (i.e. no such thing as &#34;must be more than 1 CD&#34;) &#9474;
&#9474; - Release runtime must be at least 50 minutes for using the full burnable &#9474;
&#9474; media capacity. In such cases, releases MUST utilize a MINIMUM of &#9474;
&#9474; 680mb of the 700mb standard burnable media (Multi-CD releases MUST &#9474;
&#9474; conform to the 680mb minimum, for each CD used). Any other use of the &#9474;
&#9474; media shall not be over 350mb (Sizes between 350mb to 680mb are not &#9474;
&#9474; allowed). &#9474;
&#9474; - Media usage is at ripper&#39;s discretion, please use it. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - MUST be MP3 or Studio AC3 (AC3 transcoding forbidden). &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; (MONO audio as STEREO on source is considered a MONO source). &#9474;
&#9474; - MUST BE VBR! NO CBR MP3! &#9474;
&#9474; - MP3 tracks must have the original frequency as it was on the DVD&#39;s &#9474;
&#9474; audio: i.e. 48khz for 48khz and 44.1khz for 44.1khz. &#9474;
&#9474; - MP3 files must be normalized. &#9474;
&#9474; - ABR is considered a VBR technique. &#9474;
&#9474; - AC3 MUST be used wisely and correctly. Ripper&#39;s discretion on when to &#9474;
&#9474; use it. Using or not using AC3 IS NOT a technical flaw. &#9474;
&#9474; - MONO AC3 is not allowed, in that case must encode to mono MP3. &#9474;
&#9474; - Multi-language audio tracks are FORBIDDEN! (Use INTERNAL!) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; - Keyframe: &#9474;
&#9474; MUST be &#60;=20 seconds and MUST be inserted according to scene changes &#9474;
&#9474; and framesizes as determined by the codec or encoding application. &#9474;
&#9474; - Group watermarks of any kind on the video will not be tolerated! &#9474;
&#9474; - Intermission messages must be removed from the avi! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; - MUST be as close to original source framerate as possible. &#9474;
&#9474; - In some cases PAL movies should be ivtc&#39;d (i.e. to 24fps). Therefore &#9474;
&#9474; using a PAL source is not an excuse for lack of ivtc. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; - MUST BE XviD (all DivX codecs are banned). &#9474;
&#9474; - MUST use 2 pass technique during encoding. &#9474;
&#9474; - NO DUPES BASED ON CODEC TYPE, USE INTERNAL! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Resolution and Aspect Ratio: &#9474;
&#9474; - Width: 512 - 672 pixels for WS movies (Letterboxed is considered WS). &#9474;
&#9474; 448 - 576 pixels for FS movies (Only 4:3 images). &#9474;
&#9474; - Height and Width: Must be a multiple of 16. &#9474;
&#9474; - Cropping is required to be the MAXIMUM possible (black borders must &#9474;
&#9474; be cropped to their maximum). Over cropped releases are considered &#9474;
&#9474; a technical flaw. Some movies present changing ARs, in that case the &#9474;
&#9474; cropping applies only to the image that presents more pixels (Means &#9474;
&#9474; that part of the movie will have bad cropping). &#9474;
&#9474; - Movie encodes must be within 5% of the original aspect ratio. &#9474;
&#9474; Calculating AR % error: (Release AR - Original AR)/Original AR x 100 &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Subs, Interactive Menus, Trailers: &#9474;
&#9474; - OPTIONAL (ONLY if all other requirements have been met). &#9474;
&#9474; - VOBSUB is the preferred format due to the fact it does not use OCR. &#9474;
&#9474; However, any format that displays with DVobSub is acceptable. &#9474;
&#9474; - Subtitles may be MUXED with video stream, but MAY NOT be BURNED into &#9474;
&#9474; video stream. MUXED subs will proper BURNED subs. &#9474;
&#9474; - Subtitles not muxed into video stream MUST be encapsulated in a .rar &#9474;
&#9474; file with the MOST compression available and shall be contained in &#9474;
&#9474; the directory named &#39;Subs&#39; and will NOT be packaged with main movie &#9474;
&#9474; rars. &#9474;
&#9474; - Burned subtitles shall only be permissible when the source exhibits &#9474;
&#9474; aforementioned subtitles in the picture itself (i.e. Subs in the &#9474;
&#9474; matte portion of the picture MUST be typed in a separate file and the &#9474;
&#9474; frame shall be cropped). If there is a part of the burned subtitles &#9474;
&#9474; on the picture itself, and another part on the matte portion of the &#9474;
&#9474; picture, the frame must be cropped to 2 pixels from the start of the &#9474;
&#9474; subtitles on the matte portion. Upside cropping of the picture has &#9474;
&#9474; nothing to do with the downside, therefore the cropping on the upside &#9474;
&#9474; MUST BE to it&#39;s maximum. &#9474;
&#9474; - English subs on non English movies MUST fit on CD with main movie, &#9474;
&#9474; all other optional subs SHOULD fit on the CD. &#9474;
&#9474; - Foreign movies (Non English Spoken) with no English subs, must have &#9474;
&#9474; the language name taggings (applies to the various non English &#9474;
&#9474; scenes). Movies with English subs present, WILL NOT HAVE any language &#9474;
&#9474; tag on them! &#9474;
&#9474; - Using of hand made subs on non English releases (i.e. fansubs) MUST &#9474;
&#9474; be mentioned in the nfo, and at nuker&#39;s discretion if to nuke the &#9474;
&#9474; release for Bad.Subs, depends on how bad the subtitles are. Please &#9474;
&#9474; use common judgement! Releases that were nuked for bad subtitles, may &#9474;
&#9474; be propered only by subtitles that came from the retail DVD (Ripper&#39;s &#9474;
&#9474; choice if to release the full movie again or just the subtitles). &#9474;
&#9474; - Multi-language subtitles cannot be used as a basis for a dupe. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Packaging: &#9474;
&#9474; - All releases must be AVI, not BIN/CUE. &#9474;
&#9474; - Must be packed with RAR and broken into 15 or 20 MB volumes. &#9474;
&#9474; Releases that are more then 1 CD must have the RAR files broken into &#9474;
&#9474; 2 or more CD volumes. &#9474;
&#9474; - Compression is not allowed. &#9474;
&#9474; - Recovery and MD5 record are recommended. &#9474;
&#9474; - Must have SFV included for each CD. &#9474;
&#9474; - Must have NFO. &#9474;
&#9474; - NFO SHOULD INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; Actual XviD release date &#9474;
&#9474; DVD release date &#9474;
&#9474; Theatrical release date (US preferably) &#9474;
&#9474; Video size &#9474;
&#9474; Framesize/Aspect Ratio &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Video bitrate &#9474;
&#9474; Movie runtime/Length &#9474;
&#9474; IMDB/Amazon/Any other DVD site info link &#9474;
&#9474; Number of rars per CD (i.e. 50x15MB) &#9474;
&#9474; Ripping method &#9474;
&#9474; DRF average &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - Movie credits can be encoded separately at a lower bitrate only if the &#9474;
&#9474; time length exceeds the no. of CDs used (i.e. 106 min on 1CD for FILM &#9474;
&#9474; source, or 201 min on 2CDs for PAL source, etc). &#9474;
&#9474; - Any movies with scenes in the credits (i.e. bloopers or continuation &#9474;
&#9474; of story) MAY NOT be downsampled! &#9474;
&#9474; - Cutting Credits is not allowed. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Samples: &#9474;
&#9474; - REQUIRED! &#9474;
&#9474; - 1 full minute in length and in a separate folder marked as &#39;Sample&#39;. &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; - Vob samples are recommended for any rip that is deemed questionable: &#9474;
&#9474; i.e. no ivtc possible on source, ivtc to 24.975fps etc. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; - Propers are ONLY permitted in the case of a technical flaw in the &#9474;
&#9474; original release (i.e. Bad IVTC, Interlacing, bad number of CDs). &#9474;
&#9474; - Releases not nuked on release lists and/or sites MUST include &#9474;
&#9474; original sample of the technical flaw. &#9474;
&#9474; - Qualitative propers are not allowed, nor are propers based on &#9474;
&#9474; decisions made by a ripper (i.e. No. of CDs, AC3 or MP3, etc). &#9474;
&#9474; - Propers based upon the compliance with new instances of TXD2K5 &#9474;
&#9474; guidelines are also forbidden. &#9474;
&#9474; Only propers acceptable when propering old tdx rips are propers based &#9474;
&#9474; on picture damage: Aspect Ratio, IVTC, Over-Cropping. Other propers &#9474;
&#9474; acceptable are propers based on releases that did not follow previous &#9474;
&#9474; tdx guidelines, at the time they were released. &#9474;
&#9474; - Subbed (in original movie language) propers dubbed (in any language). &#9474;
&#9474; - Hardcored Subs may be propered by releases containing Vobsub/Srt. &#9474;
&#9474; &#60;This rule will not apply to movies ripped before TXD2K5> &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; WS vs. FS: &#9474;
&#9474; - FS movies after WS was out, are FORBIDDEN unless proven it contains &#9474;
&#9474; more picture (use of sample or .jpg as proof). &#9474;
&#9474; - WS movies after FS was out, MUST HAVE original sample from the &#9474;
&#9474; previous release, unless proven no WS DVD was out at the time the FS &#9474;
&#9474; was released. A WS not following the above is considered a DUPE! &#9474;
&#9474; - WS or FS name tags on the release name, if the other wasn&#39;t released &#9474;
&#9474; in the past, WILL NOT BE TOLERATED! &#60;use nfo to mention the AR>. &#9474;
&#9474; - WS cannot proper another WS: for example 2.35:1 after 1.85:1 is out. &#9474;
&#9474; Use the tag WS in the dirname instead. However WS after a wider WS &#9474;
&#9474; was released, will be considered a DUPE unless proven it contains &#9474;
&#9474; more picture! Sample rule applies here also. &#9474;
&#9474; - Letterboxed DVDs are not considered FS even if it&#39;s FS on the source! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Special Movie Editions: &#9474;
&#9474; - Allowed: SE, DC, EXTENDED, UNCUT, REMASTERED, UNRATED, THEATRICAL, &#9474;
&#9474; CHRONO. &#9474;
&#9474; - Special Edition releases without any different features in the film &#9474;
&#9474; itself will be considered dupes of previous releases of the same &#9474;
&#9474; movie. &#9474;
&#9474; - Shorter cut version of a movie after a longer version was released is &#9474;
&#9474; allowed (i.e. THEATRICAL), and MUST be mentioned in the dirname. &#9474;
&#9474; - Remastered movies after the original have been released are allowed &#9474;
&#9474; only if the original release was in BLACK AND WHITE and the &#9474;
&#9474; remastered edition is colour. Everything else use INTERNAL! &#9474;
&#9474; (Remastered DVD releases that were nuked in the past and were colour &#9474;
&#9474; after black and white, shall not be unnuked and shall not be duped!) &#9474;
&#9474; - Remastered audio will be considered a dupe if it&#39;s the only reason &#9474;
&#9474; movie was re-released. &#9474;
&#9474; - Extras released in a special movie edition, cannot be used as a basis &#9474;
&#9474; for a dupe, unless released separately &#60;and are not dupes of previous &#9474;
&#9474; releases>. &#9474;
&#9474; - Homemade Rips are not allowed (Use INTERNAL!). For example adding of &#9474;
&#9474; deleted scenes, alternate endings, chrono editions. Only retail DVD &#9474;
&#9474; rips of this versions are allowed. &#9474;
&#9474; - NOTE: PAL - NTSC length difference comes from the no. of frames, not &#9474;
&#9474; extra footage. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Directory Naming: &#9474;
&#9474; - All releases are to include production year (applies to the pre scene &#9474;
&#9474; as well). &#9474;
&#9474; - DO NOT indicate Ripping method, DVD/XviD release date, Genre, Audio &#9474;
&#9474; which was used (no AC3) or anything else! (ONLY WITHIN THE NFO) &#9474;
&#9474; - Movie distribution tags i.e. FESTIVAL, STV, LIMITED or TV (TV tag &#9474;
&#9474; is used for TV movies only) are allowed and shall be used wisely and &#9474;
&#9474; correctly. &#9474;
&#9474; - READ.NFO is strictly forbidden. &#9474;
&#9474; - Other permitted tags are: WS/FS &#60;rules above>, PROPER, REPACK, RERIP, &#9474;
&#9474; REAL, RETAIL, EXTENDED, REMASTERED, UNRATED, CHRONO, THEATRICAL, DC, &#9474;
&#9474; SE, UNCUT, INTERNAL, DUBBED, SUBBED. &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 .-_ &#9474;
&#9474; &#9474;
&#9474; - Releases that are more than 1 CD MUST be named CD1, CD2, CD3 and so &#9474;
&#9474; on (&#39;disc1&#39; and others are NOT allowed). &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; TV Series Notes: &#9474;
&#9474; - All Episodes &#60;DVD rips> are obligated to follow the above rules. &#9474;
&#9474; - Media usage capacity: &#9474;
&#9474; * 4x 20-23min = 1CD, Releases shall not be over 175mb. &#9474;
&#9474; * 3x 23-35min = 1CD, Releases shall not be over 233mb. &#9474;
&#9474; * 2x 35-50min = 1CD, Releases shall not be over 350mb. &#9474;
&#9474; * Episodes further then 50 minutes, will follow the length rules &#9474;
&#9474; of TXD2K5. &#9474;
&#9474; NOTE: Runtimes not mentioned above should fit on 1 CD i.e. 5x120mb, &#9474;
&#9474; 6x116mb, 7x100mb etc. &#9474;
&#9474; - Sizes mentioned above may be used only when minimum runtime is applied, &#9474;
&#9474; i.e. 23 minutes on 233mb or 35 minutes on 350mb. Media usage is at &#9474;
&#9474; ripper&#39;s discretion (i.e. 25 minutes may also be on 175mb). &#9474;
&#9474; - Recommendation: 26x22min = 1 DVD-R Disc, 13x45min = 1 DVD-R Disc &#9474;
&#9474; i.e. 172mb x 26eps or 344mb x 13eps fits on 1 burnable DVD-R Disc. &#9474;
&#9474; - Exception: 20-23min NTSC episodes (29.97 fps) may use 233mb. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Source related notes: &#9474;
&#9474; - DVD source shall be RETAIL/DVD Screener only. Non DVD sources like &#9474;
&#9474; CAM, TS, TC, VHS, SCREENER, PDVD, LDVD etc, MUST be tagged with source &#9474;
&#9474; in dirname and MUST adhere to ALL TXD2K5 rules! &#9474;
&#9474; - DVD Screeners shall be clearly marked in the directory name and the &#9474;
&#9474; nfo shall contain presence of studio watermarking and counters or &#9474;
&#9474; lack thereof. &#9474;
&#9474; - Use of downsampled DVD-Rs as source is FORBIDDEN! &#60;only untouched> &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Internals: &#9474;
&#9474; - All INTERNALS must follow TXD2K5 rules, apart from the time length &#9474;
&#9474; rules and multi-language audio tracks rule (and will not be considered &#9474;
&#9474; as dupes). Other codecs and containers are allowed for experimental &#9474;
&#9474; purposes. &#9474;
&#9474; - NOTE: INTERNAL dirfix is not allowed as a basis of avoiding a nuke. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Ripping related notes: &#9474;
&#9474; - Maximum VIDEO bitrates are covered by length rules. &#9474;
&#9474; - If DRF average would be over 4.0, the resolution should be lowered if &#9474;
&#9474; possible, until the minimal res is reached. See Resolution rules. &#9474;
&#9474; DRF average can be checked with DRF Analyzer &#60;It is recommended to &#9474;
&#9474; check the full avi file and not just the sample>. &#9474;
&#9474; - Quant. Matrix always has to be H.263/MPEG due to lack of hardware &#9474;
&#9474; support for Custom matrixes. &#9474;
&#9474; - Quarterpel/GMC forbidden due to lack of hardware support. &#9474;
&#9474; - Packed Bitstream is not supported on some of the major gen chipsets, &#9474;
&#9474; therefore using it, is not recommended. &#9474;
&#9474; - The use of ITU-R is not recommended since it gives an AR error of &#9474;
&#9474; around 2% from the original DVD&#39;s Aspect Ratio. &#9474;
&#9474; - Multi-language audio tracks are allowed only for INTERNALS. &#9474;
&#9474; Multiple languages should be interleaved into the AVI, with a &#9474;
&#9474; graphedit filter for each appropriate audio stream. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie will be tolerated. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; The Tradition Continues: TXD RULES 2K5 (2005-09-25) &#9474;
&#9474; TDX2K2 &#60;2002-07-12) 2K1 (2001-04-22) Original (2000-04-26) &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;--------[ GROUPS ]--------&#9496; &#9474;
&#9474; TXD2K5 Rules signed by the following XviD Groups: &#9474;
&#9474; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9474;
&#9474; ALLiANCE HLS DMT DoNE XPD DEiTY DVL LRC &#9474;
&#9474; &#9474;
&#9474; FRAGMENT EPiC FiNaLe LiGHTNiNG iNCiTE PROMiSE &#9474;
&#9474; &#9474;
&#9474; VALiOMEDiA iMBT DDX VoMiT iNFiNiTE TWiST EXiLE LiNE &#9474;
&#9474; &#9474;
&#9474; TheWretched GoDSMaCK aAF iMMORTALs FiCO aNBc MEDiAMANiACS &#9474;
&#9474; &#9474;
&#9474; SAPHiRE TML iLLUSiON NEPTUNE MDX KiNOBOX SiNK RETRO &#9474;
&#9474; &#9474;
&#9474; EPiSODE TURKiSO SSB TDL CRDS WRD FEZ SAVANNAH &#9474;
&#9474; &#9474;
&#9474; AEROHOLiCS DnB BETAMAX CG MiNT DvF BiEN &#9474;
&#9474; &#9474;
&#9474; FFNDVD SAiNTS GOTHiC SFM FQM MEDiEVAL FoV &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9496;
&#9492;----[ Edited By tcj 2005. Respect goes to all TDX teams 2000-2002 ]----&#9496;</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2006_AUDIOBOOK.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo"> &#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;[ AUDIOBOOKS 101 ]&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; : : &#9474;
&#9474; &#9474;
&#9474; Let&#39;s make the difference between DAISY and none DAISY audiobooks clear &#9474;
&#9474; once and for all... &#9474;
&#9474; &#9474;
&#9474; 1st, DAISY books are produced for people with reading disabilities and &#9474;
&#9474; are none comercial (i.e. you can not buy them in the shops, you have to &#9474;
&#9474; get them through your local library). &#9474;
&#9474; &#9474;
&#9474; 2nd, DAISY books when read include things such as the reader letting &#9474;
&#9474; us know he/she&#39;s reading a blank page, quotation mark and so forth. &#9474;
&#9474; &#9474;
&#9474; 3rd, DAISY books are read by professional narrators and audiobooks are &#9474;
&#9474; read by hired actors. &#9474;
&#9474; &#9474;
&#9474; Finally a quotation from &#34;talboks- och punktskriftsbiblioteket&#34; the &#9474;
&#9474; producers of DAISY audiobooks in swedish: &#9474;
&#9474; &#9474;
&#9474; &#9472;r det n&#963;gon skillnad p&#963; ljudb&#247;cker och talb&#247;cker? &#9474;
&#9474; &#9474;
&#9474; Ja. Ljudb&#247;cker &#931;r kommersiellt utgivna och kan k&#247;pas i handeln. &#9474;
&#9474; Talb&#247;cker kan endast g&#247;ras med st&#247;d av 17 &#186; i Upphovsr&#931;ttslagen av &#9474;
&#9474; dem som har regeringens tillst&#963;nd och l&#963;nas p&#963; bibliotek av personer &#9474;
&#9474; med l&#931;shandikapp. &#9474;
&#9474; &#9474;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;[ SCENE RULES ]&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; : : &#9474;
&#9474; &#9474;
&#9474; Apart from the below stated rules just follow the normal mp3 releasing &#9474;
&#9474; standards and apply some common sense. &#9474;
&#9474; &#9474;
&#9474; Remember it&#39;s supposed to be fun... &#9474;
&#9474; &#9474;
&#9474; 1, GENERAL &#9474;
&#9474; &#9474;
&#9474; 1.1 Always populate both ID3v1 and ID3v2, this is important for &#9474;
&#9474; proper playback. &#9474;
&#9474; &#9474;
&#9474; 1.2 Always include author and title in the tracknames to avoid dupes, &#9474;
&#9474; the title may be an abbreviation. &#9474;
&#9474; &#9474;
&#9474; 1.3 All releases must be labeled so they include: &#9474;
&#9474; &#9474;
&#9474; Author &#9474;
&#9474; Title &#9474;
&#9474; PublicationYear (see 1.4) &#9474;
&#9474; Format (see 2.1 and 3.1) &#9474;
&#9474; Language &#9474;
&#9474; ReleaseYear &#9474;
&#9474; Group &#9474;
&#9474; &#9474;
&#9474; for example: Author-Title-PubYear-Format-Language-RelYear-Grp &#9474;
&#9474; &#9474;
&#9474; 1.4 If publication year of the recording and if the publication date &#9474;
&#9474; of the book doesn&#39;t differ the publication year should be excluded &#9474;
&#9474; &#9474;
&#9474; 2, AUDIOBOOKS &#9474;
&#9474; &#9474;
&#9474; 2.1 The format type is always AUDIOBOOK. &#9474;
&#9474; &#9474;
&#9474; 2.2 Must be encoded using VBR. &#9474;
&#9474; &#9474;
&#9474; 3, DAISYBOOKS &#9474;
&#9474; &#9474;
&#9474; 3.1 The format type is always DAISY-AUDIOBOOK. &#9474;
&#9474; &#9474;
&#9474; 3.2 Original encoding must remain untouched (no reencoding allowed). &#9474;
&#9474; &#9474;
&#9474; 3.3 Must include working smil files in an archive, working smil files &#9474;
&#9474; can be done in one of the following ways: &#9474;
&#9474; &#9474;
&#9474; [Option1] Include batch files for tracknames, must be able to &#9474;
&#9474; rename daisy->release and release->daisy. &#9474;
&#9474; &#9474;
&#9474; [Option2] Patch the smil files to work with the release names. &#9474;
&#9474; &#9474;
&#9474; Signed, &#9474;
&#9474; AB,ALL4,iLiGHT,LzY and x3m &#9474;
&#9474; &#9474;
</pre>
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2006_COVERS.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
}
.nfo {
padding: 12px;
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font-size: 11px;
line-height: 1em;
}
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<pre class="nfo">
_______ ___________________
\ \ \_ ___ \______ \
/ | \/ \ \/| _/
/ | \ \___| | \
\____|__ /\______ /____|_ /
\/ \/ \/
.................................................................
/ \
| |
| NCR STANDARD RULES |
| |
>--RELEASE.NAME---------------------------------------------------&#60;
| |
| #GAMES RETAIL: |
| Name.PS2.DVD.COVER-RELGROUP |
| Name.XBOX.DVD.COVER-RELGROUP |
| |
| #GAMES CUSTOM: |
| Name.CUSTOM.PS2.DVD.COVER-RELGROUP |
| Name.CUSTOM.XBOX.DVD.COVER-RELGROUP |
| |
| #TVBOX RETAIL: |
| Name.SEASON.?.COVERBOX-RELGROUP |
| |
| #TVBOX CUSTOM: |
| Name.SEASON.?.CUSTOM.COVERBOX-RELGROUP |
| |
| #DVD RETAIL: |
| Name.SWEDISH.DVD.COVER-RELGROUP |
| Name.DVD.COVER-RELGROUP |
| Name.NORWEGIAN.DVD.COVER-RELGROUP |
| |
| #DVD CUSTOM: |
| Name.CUSTOM.SWEDISH.DVD.COVER-RELGROUP |
| Name.CUSTOM.DVD.COVER-RELGROUP |
| Name.CUSTOM.NORWEGIAN.DVD.COVER-RELGROUP |
| |
| #DVDBOX RETAIL: |
| Name.DVD.COVER.BOXSET-RELGROUP |
| |
| #COVER PACK: |
| Name.COVER.PACK-RELGROUP |
| |
>--iNFO-----------------------------------------------------------&#60;
| |
| .TVBOX - THE NUMBER OF THE SEASON MUST BE IN LETTERS.. |
| |
| .DVD REGION IS NOT NECESSARY WHEN ITS COME FROM UNITED STATES. |
| |
| ,APPZ COVERS IS NOT NEEDED. |
| |
| .COVERPACK SHOULD BE FOR EX. 007 JAMES BOND COVER SETS. |
| |
| .NO CUSTOM IF RETAIL EXISTS. |
| |
| .ALL VERISION OF COVERS COULD BE AT SAME RELASE, IF NOT YOU |
| SHOULD HAVE VERISION AFTER THE NAME... |
| - Name.V1.RETAIL.DVD.COVER-RELGROUP |
| - Name.V2.RETAIL.DVD.COVER-RELGROUP |
| |
| .ALWAYS JPG or PNG. |
| .NFO, RARs AND SFV IS REQUIER. |
| .SAMPLE IS USE FULL. |
| |
>--SiZE-----------------------------------------------------------&#60;
| |
| .MINIMUM 300 DPI. |
| |
>--NFOS-----------------------------------------------------------&#60;
| |
| THE NFO&#39;S MUST HAVE THIS INFORMATION: |
| |
| .RELEASE GROUP NAME. |
| .IF IT IS Inlay, Dvd cover, Disk label. |
| .ALL DPI INFORMATION, MINIMUM 300 DPI. |
| .RELEASE GROUP NAME. |
| |
>--RARS-----------------------------------------------------------&#60;
| |
| GAME COVER RELEASE: |
| xRAR 3.00MB |
| |
| TVBOX COVER RELEASE: |
| xRAR 15.0MB |
| |
| DVD SINGEL COVER RELEASE: |
| xRAR 3.00MB |
| |
| DVD BOX COVER RELEASE: |
| xRAR 15.0MB |
| |
| .ALL RELEASE&#39;S MUST HAVE OLD STYLE ON THE RAR VOLYM NAME |
| (.r00 .r01 .r02 .r03 .r04 etc. etc.) |
| |
|-------------------------------------------------------------------|
| NEMESIS COVER RELEASING STANDARD RULES 2006 |
\................................................................./</pre>
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<title>2006_DE_PSP.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
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.nfo {
padding: 12px;
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font-size: 11px;
line-height: 1em;
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The German PSP Movie Releasing Standards 2006 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or other ascii viewer &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ GERMAN PSP RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; SOURCE: &#9474;
&#9474; &#9474;
&#9474; - DVDR and XviD source allowed and source grp should be mentioned in nfo. &#9474;
&#9474; - Source Quality (DVD/DVDSCR/TS/TC) should be mentioned in dirname. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; &#9474;
&#9474; - Only 2Pass VBR allowed. &#9474;
&#9474; - Minimum bitrate of 384kbps. Maximum of 768kbps. &#9474;
&#9474; - Releases must be maximum 458mb per disc to fit in a 512mb CARD. &#9474;
&#9474; - Movies over 110 mins can go to 2 Cards. &#9474;
&#9474; - .THM must be included. &#9474;
&#9474; - Cropping is required to the maximum possible. &#9474;
&#9474; - Movie encode must be within 5% of original aspect ratio. &#9474;
&#9474; - Burned subtitles are ONLY needed for foreign releases. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; FRAMERATE: &#9474;
&#9474; &#9474;
&#9474; - MUST be closest possible to the original source framerate &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; &#9474;
&#9474; - CBR technique must be used. &#9474;
&#9474; - Minimum 128kbit @ 24khz &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; SAMPLE: &#9474;
&#9474; &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - Minimum 1 minute in length or about 5mb. &#9474;
&#9474; - Must be in folder marked sample rarred with .sfv &#9474;
&#9474; - MUST be taken from the movie - NOT encoded separately. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PACKAGING: &#9474;
&#9474; &#9474;
&#9474; - All releases must be MP4/THM. &#9474;
&#9474; - Must be packed with RAR into 15mb volumes ,compression is NOT ALLOWED &#9474;
&#9474; - Recovery record recommended. &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; - Group name &#9474;
&#9474; - Title &#9474;
&#9474; - Actual PSP release date &#9474;
&#9474; - DVD release date &#9474;
&#9474; - Audio bitrate &#9474;
&#9474; - Video bitrate &#9474;
&#9474; - Source used (Xvid/DVDR) and (TC/TS/DVD/DVDSCR) &#9474;
&#9474; - Movie runtime/length &#9474;
&#9474; - IMDB/adultdvdempire link &#9474;
&#9474; - Number of rars per CARD (eg. 31x15MB) &#9474;
&#9474; - Releases that are more than 1 CARD will follow these specs: &#9474;
&#9474; - MUST be named CARD1, CARD2 and so on. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; DIRECTORY NAMING: &#9474;
&#9474; &#9474;
&#9474; - Directory names shall NOT exceed 64 characters. &#9474;
&#9474; - Including production year is at groups discretion, but encouraged. &#9474;
&#9474; - Indicate source quality in dirname (TS/TC/DVDRiP/DVDSCR) &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - All Release directories, shall be named according to : &#9474;
&#9474; Movie.Name.Year.Source.Codec.PSP-Group, &#9474;
&#9474; (i.e. Matrix.1997.DVDRiP.MP4.PSP-Homo) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PROPERS: &#9474;
&#9474; &#9474;
&#9474; - No previous releases may be propered based on quality. That means no &#9474;
&#9474; propers based on audio or video bitrate, and/or, divx/dvdr source used &#9474;
&#9474; For quality reasons you can use INTERNAL. &#9474;
&#9474; - Propers will be allowed in the case of technical problems, bad aspect &#9474;
&#9474; ratio, sync problems, skipping/freezing, interlaced, bad ivtc, etc &#9474;
&#9474; - Sample of the propered release should be included for proof. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie is accepted. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;-------&#9472;[ GROUPS ]--------&#9496; &#9474;
&#9474; &#9474;
&#9474; The German PSP Releasing Standards 2006 decided and signed by the &#9474;
&#9474; following groups 15.03.2006 &#9474;
&#9474; &#9474;
&#9474; &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472; &#9474;
&#9474; &#9474;
&#9474; TNG - OPIUM - DX - MoDu - SmokerZ &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;</pre>
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<pre class="nfo">Charte.DiVX.CLASSiC.2006
M&#8486;me si les rulez XVI standard sont suffisantes, bien faites,
et plut&#8992;t claires pour qui sait les lire, un petit rappel en fran&#964;ais s&#39;impose.
Afin de souligner ou pr&#952;ciser les points concernant de plus pr&#934;s les teams de Classico,
Voici donc une charte de qualit&#952; ou de bonne conduite ;)
Titre (dirname) :
Le Titre de la release doit &#8486;tre en US de pr&#952;f&#952;rence pour les films US.
Dans la langue originale ou en US pour les autres origines.
Le Titre fran&#964;ais est toutefois possible pour les films US si le Titre QC est identique.
(M&#8486;me si ce dernier point n&#39;est pas le plus recommand&#952;)
Source :
DVD9 original pour les DVD9
DVD5 original pour les DVD5
DVDR autoris&#952; uniquement si source non downsampled.
(C&#198;est &#945; dire Vid&#952;o et Audio UNTOUCHED, aucune source encod&#952;e CCE ou autre n&#39;est autoris&#952;e)
Indiquer les accords entre team(s) DVDR-Classico et team(s) de XVI-Classico dans le NFO.
Pour les releases pre en DVDR moins de 10 jours avant le xvid veuillez indiquer une preuve
De votre source quelle qu&#39;elle soit (scan du DVD, covers, sample d&#39;un vob du DVD constituant
Une preuve tangible (sample des bonus/extras non pr&#952;sents sur le DVDR ou contenant 1
Ou plusieurs langues ayant &#952;t&#952; stripped sur le DVDR correspondant)
Sans preuve de votre bonne foi incluse avec la rlz, il est indispensable de pr&#952;ciser
iNTERNAL dans le dirname de la rlz.
Nuke: Charte.divx.classik.2006 sera juste un moyen de montrer la diff&#952;rence entre
Une productivit&#952; de faible qualit&#952; et des gens qui veulent faire avancer les choses
Afin d&#39;avoir un partage s&#952;rieux et honnete.
Utilisez les ratios corrects et pensez &#945; croper vos releases correctement...
Ci joint les points importants des rules standards TDK
AUDIO:
- MUST be MP3 or Studio AC3 (AC3 transcoding forbidden).
- MUST BE VBR! NO CBR MP3!
- MP3 tracks must have the original frequency as it was on the DVD&#39;s
audio: i.e. 48khz for 48khz and 44.1khz for 44.1khz.
- MP3 files must be normalized.
- ABR is considered a VBR technique.
- AC3 MUST be used wisely and correctly. Ripper&#39;s discretion on when to
use it. Using or not using AC3 IS NOT a technical flaw.
VIDEO:
- Keyframe:
MUST be &#60;=20 seconds and MUST be inserted according to scene changes
and framesizes as determined by the codec or encoding application.
- Group watermarks of any kind on the video will not be tolerated!
- Intermission messages must be removed from the avi!
Codec:
- MUST BE XviD (all DivX codecs are banned).
- MUST use 2 pass technique during encoding.
Resolution and Aspect Ratio:
- Width: 512 - 672 pixels for WS movies (Letterboxed is considered WS).
448 - 576 pixels for FS movies (Only 4:3 images).
- Height and Width: Must be a multiple of 16.
- Cropping is required to be the MAXIMUM possible (black borders must
be cropped to their maximum). Over cropped releases are considered
a technical flaw. Some movies present changing ARs, in that case the
cropping applies only to the image that presents more pixels (Means
that part of the movie will have bad cropping).
- Movie encodes must be within 5% of the original aspect ratio.
Calculating AR % error: (Release AR - Original AR)/Original AR x 100
Subs, Interactive Menus, Trailers:
- OPTIONAL (ONLY if all other requirements have been met).
Packaging:
- All releases must be AVI, not BIN/CUE.
- Must be packed with RAR and broken into 15 or 20 MB volumes.
Releases that are more then 1 CD must have the RAR files broken into
2 or more CD volumes.
- Compression is not allowed.
- Recovery and MD5 record are recommended.
- Must have SFV included for each CD.
- Must have NFO.
- NFO SHOULD INCLUDE:
Group name
Title
Actual XviD release date
DVD release date
Theatrical release date (US preferably)
Video size
Framesize/Aspect Ratio
Audio bitrate
Video bitrate
Movie runtime/Length
IMDB/Amazon/Any other DVD site info link
Number of rars per CD (i.e. 50x15MB)
Samples:
- REQUIRED!
- 1 full minute in length and in a separate folder marked as &#39;Sample&#39;.
- MUST be taken from the movie - NOT encoded separately.
Ci joint les team ayants participer &#945; cette charte :
CiNEMA
LOWIMDB
TeuB
VFC
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<pre class="nfo">&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;
010000011100000110001111010000000010ssh0111001010 &#9604;&#9604;&#160;&#160;100110100
0 0000000010100001100000000000100011100000101110100100&#160;&#9604;&#9608;&#9600;&#9600;&#9608;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9612;
00100101000000000000000 0000000001100010100001000 &#9616;&#9612; &#9616;&#9612;&#9608;&#9608;&#9608;&#9608;&#9608;&#9617; &#9617; &#9608;&#9608;
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000111001 &#9608;&#9608;&#9619;&#9619;&#9619;&#9619;&#9619;&#9608; &#9618;&#9619; &#9608;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9608; &#9619;&#9618;&#9617; &#9608;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9600;&#9608;&#9619;&#9619;&#9619;&#9618;&#9618;&#9618;&#9618;&#9618;&#9617;&#9618; &#9617; &#9604;&#9608; 00011
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000000 &#9608;&#9618;&#9618;&#9618;&#9619;&#9618;&#9618;&#9608; &#9618;&#9618; &#9608;&#9618;&#9618;&#9618;&#9618;&#9619;&#9619;&#9608; &#9617;&#9617; &#9604;&#9608;&#9619;&#9618;&#9618;&#9618;&#9619;&#9618;&#9612; &#9608;&#9608;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9619;&#9604;&#9608;&#9600; 0000100
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&#9608; &#9617; &#9617; &#9608; &#9608;&#9608;&#9617; &#9617;&#9617;&#9617; &#9608;&#9600; &#9604;&#9608;&#9600;&#9608; &#9617;&#9617;&#9617;&#9617;&#9617; &#9608;&#9604;
&#9608;&#9608;&#9604;&#9604; &#9604;&#9608; &#9617; &#9608; &#9617; &#9617; &#9617; &#9600;&#9608;&#9604; &#9604;&#9608;&#9600; &#9600;&#9608;&#9617;&#9617;&#9617; &#9617; &#9608;&#9604;
&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608; &#9608;&#9604;&#9604; &#9604;&#9608;&#9612; &#9600;&#9608;&#9604; &#9604;&#9608;&#9600; &#9600;&#9608; &#9604;&#9608;
&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600; &#9600;&#9608;&#9600; &#9600;&#9608; &#9604;&#9604;&#9608;&#9608;&#9600;&#9600;
&#9600;&#9608;&#9608;&#9600;&#9600;&#9600;
The Italian Screener XviD Releasing Standards 2006
&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; Requirements: Notepad with terminal font or any other ascii viewer. &#9474;
&#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508;
&#9474; &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; Queste che vi presentiamo sono le regole riguardante la parte Screener, &#9474;
&#9474; discusse e pianificate di comune accordo tra le crew della scena iTA &#9474;
&#9474; che si occupano delle rls in questione. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ SCREENERS RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Salvo i casi qui trattati valgono SEMPRE e comunque le regole &#9474;
&#9474; riguardanti la lunghezza dei film, audio, video, framerate ecc.. &#9474;
&#9474; stabilite nelle tdx2k5,tdx2k5it e superiori. &#9474;
&#9474; - E&#39; consenstito reencodare un dvdrip. &#9474;
&#9474; - Undersize ammesso causa possibilita&#39; di utilizzo sources gia&#39; rippate &#9474;
&#9474; - Non sono ammessi tagli video per far combaciare l&#39;audio ita, &#9474;
&#9474; ad eccezione delle rls internal. &#9474;
&#9474; - Una sorce video con nuke riguardante il video non e&#39;ammessa. &#9474;
&#9474; - Non e&#39;possibile reencodare un video DVDSCR o DVDRip per correggere &#9474;
&#9474; un errore video che ha causato un NUKE. &#9474;
&#9474; - Le rls internal non sono soggette alle regole di massima &#9474;
&#9474; ma hanno comunque l&#39;obbligo di mettere la source. &#9474;
&#9474; - Gli audio LD e DD devono avere samplerate di 48000Hz &#9474;
&#9474; - Audio CAM ammessi solo a 44100Hz o 48000HZ |
&#9474; - Audio che non siano MP3, non sono permessi, &#9474;
&#9474; eccezzione fatta per gli internal. &#9474;
&#9474; - Usando audio LD e audio DD non e&#39; necessario cambiare &#9474;
&#9474; il frame rate originale della source video. &#9474;
&#9474; - Sono ammessi tutti i tipi di sources video, &#9474;
&#9474; ad eccezione dei pdvd italiani provenienti dal commercio illecito. &#9474;
&#9474; I CAM italiani di produzione propria sono ammessi. &#9474;
&#9474; &#9474;
&#9474; - L&#39;ordine di dupe e&#39; il seguente: &#9474;
&#9474; &#9474;
&#9474; WP -> CAM -> TS -> SCREENER -> TC -> DVDSCR -> FS DVDRIP -> DVDRIP &#9474;
&#9474; &#9474;
&#9474; - Sono ammesse release su stessa source video solo se si rende &#9474;
&#9474; disponibile una source audio superiore. Es.: LD.TC dopo MD.TC &#9474;
&#9474; - Non sono ammesse release su stessa source video o superiore se &#9474;
&#9474; si rende disponibile una source audio inferiore a quella di una &#9474;
&#9474; release gia&#39; presente (non sono ammesse ad es.: MD.TC dopo LD.TC &#9474;
&#9474; oppure MD.DVDSCR dopo LD.TC). &#9474;
&#9474; - Sono ammessi massimo 5 secondi consecutivi di audio parlato straniero &#9474;
&#9474; per una sola volta all&#39;interno della stessa release &#9474;
&#9474; - Non e&#39; possibile utilizzare sources UNRATED ad eccezione di internal, &#9474;
&#9474; stesso discorso vale anche per video che subiscono dei tagli &#9474;
&#9474; dovranno essere lasciate con l&#39;audio originale e rilasciate &#9474;
&#9474; eventualmente come internal. &#9474;
&#9474; - Non e&#39; obbligatorio usare il tag UNRATED per una release internal &#9474;
&#9474; - Le release 4:3 Full Screen andranno taggate FS. &#9474;
&#9474; (Discorso valevole esclusivamente per i 4/3 DVDRip) &#9474;
&#9474; &#9474;
&#9474; Es: King.Kong.2005.iTALiAN.MD.FS.DVDRip.XviD-GRP &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Sono ammesse release WS dopo relese FS ma non viceversa. In questo &#9474;
&#9474; caso bastera&#39; taggare la relese senza il tag FS. &#9474;
&#9474; &#9474;
&#9474; - TS o TC con AR che varia durante il film sono ammessi solo come &#9474;
&#9474; INTERNAL. Mentre l&#39;errore ar per queste source non e&#39; valido &#9474;
&#9474; in quanto affette da deformazione nella compressione in SVCD/VCD &#9474;
&#9474; - Nuke su release internazionali riguardanti audio non sono validi &#9474;
&#9474; inquanto l&#39;audio verra&#39; sostituito con quello italiano. Eccezzione &#9474;
&#9474; fatta se il nuke riguarda un desync e questo non viene corretto &#9474;
&#9474; nella release italiana. Sono quindi ad esempio utilizzabili &#9474;
&#9474; sources video TS nukkate per AUDIO CAM &#9474;
&#9474; - E&#39; obbligatorio indicare nell&#39;nfo la source video madre utilizzata. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Tagging: &#9474;
&#9474; &#9474;
&#9474; - Il nome della directory deve includere l&#39;anno di produzione &#9474;
&#9474; come indicato da IMDB (www.imdb.com) &#9474;
&#9474; deve contenere tipo di audio e ti po di video &#9474;
&#9474; - Ecco i caratteri accettati nei nomi della directory: &#9474;
&#9474; (no spazi o doppi punti, soltano il punto &#34;.&#34;): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . - &#9474;
&#9474; &#9474;
&#9474; - Non sono accettati spazi, doppi punti e tutti gli accenti vengono &#9474;
&#9474; ignorati. L&#39;apostrofo si trasforma in punto TRANNE nel caso del &#9474;
&#9474; genitivo sassone. &#9474;
&#9474; - Tutte le directory devono essere nominate seguendo il seguente esempio:&#9474;
&#9474; &#9474;
&#9474; Nome.Film.Anno.Lingua.Options.Source.Codec-GRP &#9474;
&#9474; &#9474;
&#9474; - Le &#34;Options&#34; possibili sono: &#9474;
&#9474; &#9474;
&#9474; iNTERNAL -> Il gruppo decide di rilasciare il proprio film con questa &#9474;
&#9474; opzione in caso di una release imperfetta o se un altro gruppo ha gia&#39; &#9474;
&#9474; rilasciato la stessa. &#9474;
&#9474; &#9474;
&#9474; PROPER -> Il gruppo ritiene che una release esistente contiene errori &#9474;
&#9474; e ne fa uscire una propria migliore. DEVE essere presente nel nfo la &#9474;
&#9474; motivazione VALIDA e le prove quando possibile. &#9474;
&#9474; &#9474;
&#9474; REPACK -> Il gruppo nota un errore, di packing o nella release in se &#9474;
&#9474; e ne produce un altra identica senza l&#39;errore. &#9474;
&#9474; &#9474;
&#9474; REAL.PROPER -> PROPER di una PROPER gia&#39; esistente. &#9474;
&#9474; &#9474;
&#9474; MD -> Mic Dubbed, tag utilizzato per i film screener per definire &#9474;
&#9474; che la traccia audio proviene da un registratore nascosto in sala. &#9474;
&#9474; A discrezione del gruppo definire la qualita&#39; dell&#39;audio e rilasciare &#9474;
&#9474; come iNTERNAL un audio non troppo buono. &#9474;
&#9474; &#9474;
&#9474; LD -> Line Dubbed, tag utilizzato per i film screener per definire &#9474;
&#9474; che la traccia audio proviene da un dispositivo a presa diretta. Viene &#9474;
&#9474; utilizzato anche in caso di serie tv o film ridoppiati con audio &#9474;
&#9474; preso da satellite. &#9474;
&#9474; &#9474;
&#9474; DD -> Digital Dubbed, tag utilizzato per sorgenti audio DTS. Gli audio &#9474;
&#9474; AC3 possono essere a 384KBps o a 448KBps ma DEVONO essere a 48KHz, &#9474;
&#9474; come anche gli MP3. &#9474;
&#9474; &#9474;
&#9474; DiRFiX -> Tag utilizzato per correggere un errore nel testo della &#9474;
&#9474; directory di una data release. &#9474;
&#9474; &#9474;
&#9474; NFOFiX -> Tag utilizzato per correggere un errore nel testo del NFO. &#9474;
&#9474; &#9474;
&#9474; SAMPLEFiX -> Tag utilizzato per correggere errori relativi al sample &#9474;
&#9474; mancante o corrotto. &#9474;
&#9474; &#9474;
&#9474; - READNFO E&#39; STRETTAMENTE PROIBITO! &#9474;
&#9474; &#9474;
&#9474; Es: King.Kpng.2005.iTALiAN.MD.DVDRip.XviD-GRP &#9474;
&#9474; King.Kong.2005.iTALiAN.iNTERNAL.LD.TC.XviD-GRP &#9474;
&#9474; King.Kong.2005.iTALiAN.PROPER.DD.DVDSCR.XviD-GRP &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; &#9474;
&#9474; L&#39;nfo DEVE contenere: &#9474;
&#9474; - Il nome del gruppo (preferibilmente con header e footer grafici); &#9474;
&#9474; - Nome della release &#9474;
&#9474; (consiglio lo stile &#34;Nome Release *OPTION1* *OPTION2* *SOURCE*&#34; &#9474;
&#9474; - Release date; &#9474;
&#9474; - Store date (Data di uscita nelle sale cinematografiche); &#9474;
&#9474; - SOURCE VIDEO OBBLIGATORIA &#9474;
&#9474; (per source si intende esclusivamente la source madre &#9474;
&#9474; e non sources che abbiano nel tag, audio MD, LD, o DD); &#9474;
&#9474; NB:Tale inosservanza sar&#945; valida ragione di NUKE &#9474;
&#9474; e valido motivo di PROPER! &#9474;
&#9474; La SOURCE pu&#8805; essere tranquillamente indicata nelle NOTE. &#9474;
&#9474; Le source audio possibili, da indicare nel NFO sono: &#9474;
&#9474; CAM -> Tutti gli MD sono con questa dicitura, registrati con Mic. &#9474;
&#9474; LINE o TS -> Audio preso direttamente dal proiettore. &#9474;
&#9474; DIGITAL -> DTS Dolby Digital, deve apparire sempre e solo come DIGITAL &#9474;
&#9474; per motivi di sicurezza. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Durata; &#9474;
&#9474; - Info sul video (codec , bitrate ed encoding (es. VBR)); &#9474;
&#9474; - L&#39;AR esatta del video encodato; &#9474;
&#9474; - Info sull&#39;audio (codec, bitrate ed encoding); &#9474;
&#9474; - Lingua; &#9474;
&#9474; - Descrizione dei dischi (packs); &#9474;
&#9474; - Link IMDB; &#9474;
&#9474; - Titolo del film &#9474;
&#9474; - Plot (in caso di serie un plot generico della serie e&#39; accettato); &#9474;
&#9474; &#9474;
&#9474; Ogni crew e&#39;libera di aggiungere altri campi, &#9474;
&#9474; ad esempio un link a 35mm o a filmup. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; translated and edited from the TXD RULES 2K5 (2006-01-14) &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;
Regole scritte e firmate da:
- All Grp iTALiAN SCR -
&#9604;&#9604;&#9604;
&#9604;&#9604;&#9604;&#9604;&#9608;&#9600;&#9608; &#9608; &#9600;
&#9600; &#9600;&#9600; &#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600; &#9608;&#9608; &#9608;&#9604;&#9608;&#9600;&#9608;&#9600;&#9600;&#9608;&#9608; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600; &#9600;
1 11 01101100 1101111000101001010001010001001 &#9608;&#9608;&#9600;&#9600;&#9608; &#9604;&#9608;&#9608; &#9608;&#9608;&#9604;&#9604;&#9608; 10 1000 1
&#9604;&#9604; &#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9608;&#9604;&#9604;&#9608;&#9600;&#9600;&#9600;&#9600;&#9608; &#9604;&#9608; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604; &#9604;&#9604;
&#9600;&#9600;&#9600;&#9600;
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<pre class="nfo">The Dutch TV Releasing Standards 2006
Revision 1.1 20 feb 2007
Audio:
- Must be VBR MP3 or AC3 (no transcoding on AC3)
- Must be stereo when it&#39;s available
- ABR is not VBR
- 44.1 kHz or 48 kHz allowed
- MP3 files must be normalized
- No multi-language
Video:
- Must be 25 FPS
- Keyframes must be inserted &#60;= 20 seconds and must be inserted
according to scene changes and framesizes as determined by the
codec or encoding application
Codec:
- Only XviD 1.0 final+ and x264 allowed
- 2 or more passes must be used
- No dupes based on codec, use internal instead
- Quartel Pixel not allowed due to incompatibility issues
Resolution:
- Width: 512 - 672 for WS/letterboxed, 448 - 640 for FS
- Height and width must be a multiple of 16
- Cropping is required. Over cropped releases are a technical flaw.
- Changing ARs, in that case the cropping must be applied to the image that
presents more pixels
- Subtitles must not be cropped
- Aspect ratio must be within 5% of the original aspect ratio.
Size:
- Episodes shall not overlap on CDs
- 20-23 min: 175 MB
- 23-35 min: 233 MB
- 35-50 min: 350 MB
- 50+ min: 700 MB
- 100+ min: 1400 MB (2 x 700MB)
- 2% under the maximum size is allowed
Packaging:
- All releases must be AVI, MP4 or MKV.
- Must be packed with RAR, no compression
- 15.000.000 bytes or 20.000.000 bytes archives
- Recovery record allowed
- Must have SFV
- Must have NFO
- NFO must include:
* Group name
* Title
* Episode title (if any)
* Release date
* Air date
* Video resolution
* Video bitrate
* Video length
* Audio bitrate
* Number of RARs
* Source
Credits:
- Cutting not allowed
- Downsampling not allowed
Sample:
- Required +/- 1 min
- In a seperate &#39;Sample&#39; folder
- Must be taken from the released material, not encoded separately
- .ts on DSR/PDTV/HDTV sources with questionable quality
Propers:
- Only based on technical flaws, not on ripper&#39;s choice (like codec)
- Proper reason must be mentioned in the .nfo
Directory naming:
- No indication of ripping methods
- No genres or channel
- Allowed characters are a-zA-Z0-9.-_
- Session tags should be like SxxEyy, where xx is the season and yy is the episode number
- Miniseries should be tagged without seasontag, only Eyy
- Releases with more than 1 CD must be named CD1, CD2, etc.
* Each directory should contain an SFV file
* Only 1 sample
- Dutch spoken series should be tagged accordingly with the tag &#39;DUTCH&#39;
- Flemish spoken series should be tagged &#39;FLEMISH&#39;
- Other languages and dutch subbed should be tagged &#39;NLSUBBED&#39;
- Must be tagged WS, if its letterboxed or widescreen. FS tag is not allowed.
- READ.NFO tag is allowed if an important note is included in the .nfo
Sources:
- HDTV: Digital recording from a source stream at either 1080i or 720p at a bitrate from 19,39mbps or higher
- PDTV: Other resolution digital recordings from source streams at a bitrate of 10+mbps or higher.
- DSR: Other resolution digital recordings with a bitrate lower than 10 mbps
- TVRip: Analog recordings or digital recordings that were converted from digital -> analog -> digital
( This includes DVD-recorders, boxes that have analog output, etc )
Dupes:
- FLEMISH doesn&#39;t dupe DUTCH, DUTCH doesn&#39;t dupe FLEMISH
- HDTV dupes PDTV/DSR if resolution is not HR (760+ width) or full HDTV resolution
- PDTV dupes DSR, DSR dupes PDTV
- TVRip dupes PDTV/DSR/HDTV
- FS dupes WS, WS doesn&#39;t dupe FS
- FS doesn&#39;t dupe WS if it contains more picture (use proof .jpg sample)
- Letterboxed is WS
Quality control:
- If a group releases PDTV/HDTV or DSR releases, and there are doubts if this is actually true, a
Transport Stream file (.ts) must be given by the group to prove it
Signed by:
MiSTAKE, DiFFERENT, STELLA, JUPiLER, TDF, RENTALTV
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<pre class="nfo">As most of you are aware, the PDA scene as a whole has been working with a new set of rules but have nothing written down except the good old rules written by some of the older PDA groups (respects to you) but as we all know times change and so must the rules, The new set of rules you will see below havent changed that much from the old (old used as template).There are however &#34;some&#34; changes that have been made for various reasons (some will be explained through-out the new set). As new improvements are made in the PDA world im sure there will be more changes made to this but as it stands today this is the new set of rules, Please pass it on to new groups that need a copy as we all hate seeing the scene flooded with incorrectly packed/released programs just wasting nukers time.
Release Name Creation :
***********************
PalmOS:
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.PalmOS.&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.PalmOS5.&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.PalmOS5.4.&#60;cracktype>-&#60;groupname>
etc
Phone:
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.Platform.JAVA.&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.Platform.J2Mev1.&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.Platform.J2Mev2.&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.Platform.SymbianOS.&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.Platform.SymbianOS6.1&#60;cracktype>-&#60;groupname>
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.Platform.SymbianOS7.&#60;cracktype>-&#60;groupname>
etc
Platform can be: S60, S60v1, S60v2, S60v3, UIQ, UIQ3 OR specific phone: e.g. N9210 or N70
S60 is used when the app runs on all Series 60 editions: 1.0, 1.2, 2.0, 3.0
be aware that if this platform is used the SymbianOS tag should be without a version number since S60 editions run on different versions of Symbian OS
S60v3 apps which run on S60v3 will have to use SymbianOS9.1 or later
UIQ is used for apps which run on UIQ versions 2.0, 2.1
UIQ3 should be used for UIQ v3, be aware that UIQ3 is only used in SymbianOS9.1 or later
PHONE: if the app is for a specific phone model please use: SE.P9x0 for SonyEricsson P900/P910 or NN70 for Nokia NN70, e.g.
PPC:
&#60;developers name>.&#60;program name>.vX.xx.&#60;optional Language>.CPU.OP-SYS.&#60;cracktype>-&#60;groupname>
OP-SYS can be:
CE......that is CE 2.0
PPC.... that is for WinCE 3.0 but its not called CE, 99% runs also on new ARM machines with PPC2002
HPC2000 that is a HandheldPC with keyboard (no pen) only ONE from HP existing
PPC2002 that is successor of PPC now most common and runs only on ARM machines
WM2003..that is for XScale machines running Windows Mobile 2003
WM2005..that is for XScale machines running Windows Mobile 2005
CPU types can be:
SH3 is SH3 CPU
MIPS is MIPS CPU
ARM is STRONG ARM CPU
IPAQ is NOT a cpu but runs ARM , there are progs that run only on IPAQ so IPAQ has to be named as CPU
XSCALE is XSCALE CPU
........For future extensions :
........If there is a program version for a special machine then name the machine type instead of the cpu ( see the IPAQ example above ! )
&#60;groupname> has to be &#60;name>pda..to part the pda section !!!
Examples:
DevelopersName.ProgramName.v1.2.JAPANESE.PalmOS.Regged-GROUPpda
DevelopersName.ProgramName.v1.2.JAPANESE.ARM.PPC2002.Regged-GROUPpda
DevelopersName.ProgramName.v1.2.JAPANESE.SymbianOS.Regged-GROUPpda
* Optional language tag should only be used on NON english releases...
PDA EBooks :
*************
&#60;ebook name>.&#60;Edition>.&#60;optional Language>.OP-SYS.-&#60;groupname>
Edition : Bookversion or Edition..
OP-SYS..: OperatingSystems eg. PalmOS, PPC
CrackTypes :
*************
Can Be :
- Regged................serial data is included in nfo
- Cracked.............. the program file has been altered to register the proggy. The program is then &#34;Preregistered&#34;, &#34;any name and/or serial can be entered&#34; or &#34;nags/trials removed&#34;
- Incl.Keymaker........ if keymaker is included in package
- Incl.Keymaker.Patch.. if program is patched and shows correct serial relating to the hotsyncname(palmos,ppc) after program start or after entering any serial
- Incl.PalmOS.Keymaker..if keymaker for PalmOS is in the package (if you want use some kind of plugin system for your keygen you HAVE to incl. the plugin program also (not only the plugin))
- Incl.WinCE.Keymaker.. if keymaker for WinCE is in the package (if you wanna use some kind of plugin system for your keygen you HAVE to incl. the plugin program also (not only the plugin))
- Incl.Java.Keymaker....if keymaker comes via java applet, the java applet has to be delivered with a name.html file that loads the java app.
* If a Keymaker is only in the package then a url to get the prg has to be included in nfo !
* If a Serial (HOTSYNC independent!) is only in the package then a url to get the program has to be included in nfo !
Allowed are :
- Keymaker.Only
- JAVA.Keymaker.Only
- PalmOS.Keymaker.Only
- OPL.Keymaker.Only (Epoc16)
- OP32.Keymaker.Only (Epoc32)
- CPU.OP-SYS.Keymaker.Only
Keymakers can be written in :
Dos, Win32, PalmOS, WinCE, Java ( with start.html )
Keymaker / Keygen same difference.. replace as you see fit in the above examples.
Release Rules :
****************
Release format/size :
If a release is bigger than 5mb then it has to be parted in 5mb packages
Keygens:.... A keymaker is allowed to be only (re-)released
1) when a major version hop of the application occurs i.e. 1.xx -> 2.xx
2) when the key algo changes. An algo-change has to be announced by including READ.NFO in dirname AND a short description in the nfo (for example: &#34;Keygen algo changed&#34;)
3) when there has not been a re-release within a 1/2 year.
Example(1) : Keymaker released first time for v1.11 .
The first time it can be replaced for not being a dupe is when the version changes to v2.xx or if the key algo changes. So also in v1.12 ;)
Example(2): Prog.v1.1.incl.Keymaker-GRP released 01/01/2006 the next allowed release date for Prog.v1.11.incl.Keymaker-GRP would be 07/01/2006. Its (of course) NOT allowed to release the SAME version again ever.
Keymaker.Only releases are allowed, but then include the url where where to download the program in the nfo.
Keygenpatch: A Keygenpatch is a patch that alters the program that it shows the right serial for the actual hotsync (and which regs it of course).
Keygenpatches are like Keygens (same rules here) with one difference:
Its allowed to release a Keygen after a Keygenpatch (even for the same version)
Cracks:......Cracks in form of patched programs can be released for every version UNTIL they got keygened or a serial is released.
If a keygen or serial gets invalid for some reason a new crack can be released.
Regged:......Can be a serial or name + serial. (hotsync id independent)
(Serial).... Same rules as for keygens apply here (major version hops, serial change, 1 year rule)
Retail:......A retail is treated like a crack with these exceptions:
- You are allowed to release a retail after a regged/crack/keygen/keygenpatch IF (!) there&#39;s something special added (some kind of extra stuff that you dont have in the shareware/demo version). If thats the case you have to add a READ.NFO to the dirname and list whats the additional stuff
Normally retails should be released when its not possible to download an uncrippled version which can be regged/keygenned.
Additional Notes:
******************
If possible (we all know it is) PLEASE TRY and include the developers name at the begining of your release. This will help prevent unnecessary nukes for mistaken duplicates and help...If the developers name is too long it is OK to abbreviate it or leave it out but PLEASE TRY to make sure it gets in there.
All releases must be (zip-)packed with the necessary files for the release and a .nfo and .diz from the group.
Minor Updates (for KEYGEN(incl.patch) &#38; REGGED):..As explained above this is set at every 6mths , It USED to be 1 year in the old set of rules
....but we have all agreed upon the notion that every 6months is sufficient as programs can change
....ALOT within 6months and without flooding the scene with mu&#39;s that are 14days etc like 0day.
Internals: As internals may save you from a dupe nuke, they should NEVER be raceable, hence you should only pre them on your WHQ or a site &#34;you&#34; own...Internals are meant to be just that.. INTERNAL .. please keep it that way.
READ NFO:..IF you label a release READ.NFO please have a clearly stated section in your nfo on what the READ.NFO is all about, dont make people guess...If you want people to read it for a certain reason make sure they can :)
EXTRA INFO IN DIRS:..If you have extra information in dirs, such as READ.NFO, DIRFIX, NFOFIX.. It MUST go as follows...
...... DevelopersName.ProgramName.v1.2.PalmOS.Regged.READ.NFO-GROUPpda
...... DevelopersName.ProgramName.v1.2.ALL.PPC.Regged.DIRFIX-GROUPpda
...... etc
...... Other information such as HAPPY.NEW.YEAR, MERRY.CHRISTMAS,HAPPY.NEW.YEAR.OF.THE.DOG.DIE.OLD.CHICKEN etc ...... PLEASE ONLY tag ONE of your releases as such, you dont need to tell people happy new year 5 or 50 times in one pre.
PDA Trainer rules:
*******************
Naming:
Folder names:
........For Trainers naming should be:
........DevelopersName.Game.Version.Plus.X.Trainer.OS-Group
example:
........ExampleSoft.Mario.v1.0.Plus3.Trainer.PalmOS-FooBarPDA
For cheats/guides naming should be:
........DevelopersName.Game.Version.Type.OS-Group
example:
........ExampleSoft.Mario.v1.0.Cheats.PalmOS-FooBarPDA
Allowed types are:
........- Cheats
........- Walkthrough
........- Guide
Allowed OS: same as above PDA rules, if PDA rules change, so does this.
All file names MUST follow 8.3 rule.
If a trainer is already released, a trainer with more cheats is allowed. A group is only allowed to release ONE trainer for each game
(if group X releases +3 and group Y release +4, group X can NOT release +5).
If a game is released with more than one version (lowres and highres), the trainer-release must include trainers with equal functionality for all these versions.
Trainers/Cheats for games that have not been release on the scene is NOT allowed. The scene release can not be more than 4 months old.
When releasing a Trainer/Cheat you MUST include a public URL in the nfo directing people where to go to download the ORIGINAL program.
Trainers MUST:
... Work on both cracked/uncracked versions
Trainers MUST NOT:
... Be bigger than 100k bytes
... Bundle the game
... Cracks the game.
... Require better PDA than the game
Cheats MUST NOT:
... Be stolen from anywere (you have to hack them out yourself)
Important Info To Siteops/Nukers :
**********************************
As we have seen in the past, there are some rules which prevent groups releases being nuked on an affiliate site...We think that if a valid nuke reason applies to any release, it should be nuked on all sites - affil or not.
................ ->>> AFFIL PREVENTS NOT FROM BEING NUKED !!! &#60;&#60;
.....................................RULES SIGNED BY
.................... -+-+-+-+-+-+-+-+-
.. FEB 2006.. --..XXXXXX
.. FEB 2006.. --..XXXXXX
.. FEB 2006.. --..XXXXXX
.. FEB 2006.. --..XXXXX
.. FEB 2006.. --..XXXXX
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<pre class="nfo">(pers_v_1_0.nfo)
0. Polish eBooks Releasing Standards v. 1.0
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ponizsze zasady okreslaja standardy wydawania polskich eBookow
i powstaly w wyniku dyskusji pomiedzy przedstawicielami naste-
pujacych grup: BiL, iMN, KiOSK oraz PiSToNS.
Zasady obowiazuja od dnia 22 wrzesnia 2006 i nie dotycza
releasow wydanych wczesniej.
I. KOMIKSY, MAGAZYNY I CZASOPISMA - ZASADY OGOLNE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Zrodlo:
a) Releasy powinny byc skanowane z wydania papierowego w znaj-
dujacego sie w bardzo dobrym stanie, to jest bez widocznych
defektow mechanicznych, chyba ze taki defekt jest wina dru-
karni lub wydawnictwa. Skaner, na ktorym release jest skano-
wany nie moze miec zadnych uszkodzen, ktore wplywaja na ja-
kosc koncowego wydania.
2. Skanowanie:
a) Skany musza byc wykonywane w rozdzielczosci minimum 300 dpi.
b) W przypadku stronic czarno-bialych skany musza byc wykonane
w odcieniach szarosci.
c) Mozna nie skanowac stronic zawierajacych pelnoformatowe re-
klamy, ogloszenia drobne, plakaty.
d) Mozna nie skanowac dodatkow.
e) Wydanie zawsze powinno posiadac okladke.
3. Obrobka:
a) Dozwolone sa jedynie dwie szerokosci stronicy 1280 i 1600
pikseli.
b) Skany nie powinny posiadac tzw. mory, ponadto powinny byc
ostre.
c) Kazda ze stron musi byc ustawiona prosto optycznie (maksy-
malne odchylenie wynosi 1,5 stopni od pionu wzgledem linii
tekstu, badz ilustracji).
d) Obszary znajdujace sie poza obrebem skanowania powinny zo-
stac usuniete.
e) Strony nie powinny przebijac (nalezy np. podlozyc pod skano-
wana strone kartke czarnego papieru)
f) Dozwolone jest laczenie stron - jesli zawartosc to uzasad-
nia.
g) Dozwolona kompresja plikow JPG to 80%-100%.
h) Maksymalna waga pojedynczej strony nie moze przekraczac 2MB,
odpowiednio dla stron laczonych - ilosc stron * 2MB.
i) Zabroniona jest konwersja skanowanych gazet i komiksow z
JPG do PDF.
j) Zabroniona jest konwersja z PDF do JPG. Jezeli komiks lub
magazyn zostal wydany w formacie PDF, to jesli jest to mo-
zliwe to w takim tez powinien zostac wydany na scenie (cho-
dzi tutaj o poskladane PDFy - zabronione jest na przyklad
konwertowanie do JPG w celu zdjecia zabezpieczenia, a po-
zniej, z JPG znowu do PDF), przy czym jesli zabezpieczenie
nie pozwala na wydanie poskladanego PDF&#39;a, to mozna go prze-
robic na JPG i wypuscic.
4. Pakowanie:
a) Pliki nalezy spakowac najpierw w pliki rar (maksymalnie po
5 000 000 bajtow kazdy), a nastepnie w zip dodajac do kazdej
paczki wlasny plik file.diz i .nfo. Archiwa ZIP powinny miec
nazwy skladajace sie maksymalnie z 8 znakow.
5. Nazewnictwo:
a) Releasy powinny byc nazywane wedlug schematu:
Nazwa.(Numer).(Rok).(Nr).(TRANSL).(PDF).(WEB).(iNTERNAL).POLISH.(Magazine/Comic/Walkthrough).(PROPER)(READ.NFO).-grp
Jezeli release to wydanie specjalne, numer specjalny itp.
to ta informacja powinna znalezc sie po nazwie, a przed nu-
meracja.
Numer, Rok - dotyczy gazet i czasopism lub komiksow, jezeli
taka numeracje posiadaja.
Nr - numer kolejny w danym roku.
TRANSL - stosowany gdy release tlumaczony jest przez
grupe
WEB - stosowany do releasow pochodzacych z sieci i
nie dostepnych w wersji papierowej
(poradniki, platne ziny internetowe)
PDF - stosowany gdy release wydawany w formacie
PDF
Magazine - stosowany podczas wydawania gazet, czaso-
pism, magazynow.
Comic - stosowany podczas wydawania komiksow.
Walkthrough - stosowany podczas wydawania poradnikow.
6. Nuki i propery
Release kwalifikuje sie do znukowania jesli:
a) Brak w nim stron, jest w niewlasciwej rozdzielczosci lub la-
mie zasady - nalezy jednak unikac properow z blahych powodow.
b) Jesli komiks lub gazeta dostepna jest do kupienia w formacie
PDF, a grupa wyda ja w formacie JPG, to w momencie kiedy
zostanie wydany na scenie poskladany PDF kupiony u wydawcy i
odbezpieczony, to kwalifikowane to jest jako PROPER (i tak
powinno byc nazwane).
c) w PROPERZE powinno byc jasno wyszczegolnione co bylo nie tak
w poprzednim releasie - z numerami stron w nfo oraz z przyk-
ladami wadliwych stron w samym releasie.
II. MAGAZYNY, CZASOPISMA I PODRECZNIKI RPG - ZASADY SZCZEGOLOWE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Zrodlo
a) Material nie moze byc darmowy, badz posiadac nakladu mniej-
szego niz 150 egzemplarzy
b) Mozna wydac najwyzej 10 ostatnich numerow w odniesieniu
do aktualnego numeru, lecz nie moga byc one starsze niz rok
(nie dotyczy prasy zawierajacej literature).
c) Dzienniki nie moga byc wydawane pozniej niz dzien po ukaza-
niu sie.
2. Obrobka
a) Stronice powinny byc nazywane w najprostszy sposob tj.
01.jpg, 02.jpg itd...(dla materialow posiadajacych maksy-
malnie 99 stronic) lub 001.jpg 002.jpg itd... (dla gazet za-
wierajacych wiecej niz 99 stronic). Pliki JPG powinny byc
ponumerowane zgodnie z kolejnoscia wystepowania w danej ga-
zecie (jezeli okladka nie jest uwzgledniona numerujemy jako
00.jpg, a w przypadku wiekszej ich ilosci 00a.jpg, 00b.jpg
itd.). Numeracja powinna uwzgledniac pomijane strony (jezeli
reklama znajduje sie na stronie 69, numeracja powinna wygla-
dac nastepujaco: 68, 70). Informacja o pominietych stronach
powinna byc w nfo.
IV. KOMIKSY - ZASADY SZCZEGOLOWE
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. Obrobka
a) Stronice powinny byc nazywane w najprostszy sposob tj.
01.jpg, 02.jpg itd...(dla materialow posiadajacych maksy-
malnie 99 stronic) lub 001.jpg 002.jpg itd... (dla komiksow
zawierajacych wiecej niz 99 stronic).
VI. KSIAZKI
~~~~~~~~~~~
1. Postanowienia ogolne
a) Podstawowym formatem jest RTF (DOC - gdy ksiazka zawiera
spora ilosc ilustracji), chyba ze material zrodlowy zostal
wydany tylko w wersji elektronicznej np. w PDFIE i nie ma
mozliwsci konwersji.
b) Inne formaty moga byc dolaczone do releasu jako dodatek,
jednakze nalezy unikac bezsensownego dodawania mnostwa for-
matow - np. po co dolaczac PDF&#39;a wygenerowanego z Worda,
skoro zrobienie takiego pliku to kwestia paru sekund (czym
innym juz jest PDF poskladany w programie DTP).
c) Obowiazuje zasada jeden release na jedna ksiazke - jesli
grupa chce pozniej wydac dana ksiazke w innym formacie
musi byc to internal, przy czym po wydaniu releasu nie-
finalnego mozna wydac jeszcze release finalny.
d) Do releasu trzeba dolaczyc wszelkie mapki oraz ilustracje do
ktorych znajduja sie odnosniki w tekscie. Inne ilustracje i
okladka nie sa obowiazkowe.
Mapki i okladka - w osobnym pliku graficznym (jpg, png itp)
Ilustracje - wstawione w tekst, najblizej jak sie da
miejsca, w ktorym byly w wydaniu papie-
rowym.
Jesli ebook zawiera ilustracje mozna dolaczyc do wydania
druga wersje - bez ilustracji.
e) Wprowadza sie rozgraniczenie na releasy niefinalne i final-
ne.
Release niefinalny - ksiazka zdatna do czytania, z drobnymi
bledami i prostym formatem
Release finalny - wydanie ostateczne ksiazki, z doskona-
la korekta i formatowaniem
2. Release niefinalny musi spelniac nastepujace warunki:
a) Usuniete wszelkie smieci Fr&#39;a, poprawione akapity rozwalone
w srodku zdania, usunieta numeracja stron, a takze podzialy
stron (w sensie - po kazdej stronie, nie chodzi tutaj o
podzialy wstawione na przyklad przed nowym rozdzialem) lini
i wyrazow.
b) Co prawda ksiazka powinna byc przeczytana, ale dopuszcza sie
mozliwosc wydania releasu bez czytania - jednakze nalezy o
tym napisac w nfo, a sam tekst powinien byc bardzo dokladnie
sprawdzony w FineReaderze i Wordzie.
c) Rozdzialy, czesci, podrozdzialiki - tak jak w wydaniu pa-
pierowym.
d) Release niefinalny moze byc sformatowany w prosty, jedno-
lity sposob.
2. Release finalny musi spelniac nastepujace warunki:
a) To, co w relasie niefinalnym, dodatkowo tekt MUSI byc prze-
czytany i bardzo dokladnie sprawdzony oraz sformatowany po-
dobnie do wydania papierowego (tzn. odpowiednie style na
rozdzialach i czesciach ksiazki, wieksze wciecia przy wier-
szach i listach itp).
b) Akapity powinny byc ustawione tak jak w ksiazce lub popra-
wione na akapity logiczne (jesli laczenie akapitow nie bylo
zamierzeniem autora, a w wydaniu papierowym byly bledy).
c) Jesli dana grupa chce wydac korekte finalna na bazie wczes-
niejszego releasu niefinalnego innej grupy, to musi uzyskac
zgode i napisac w nfo ze taka zgoda byla (chyba ze ksiazka
zostala zeskanowana po raz drugi - co jest latwe do spra-
wdzenia).
3. Nuki i propery
Release kwalifikuje sie do znukowania jesli:
a) Brak w nim stron, lub posiada znaczna ilosc bledow - rozwa-
lonych akapitow, literowek i smieci FR&#39;a. Nalezy jednak
unikac PROPEROW z blahych powodow, a w interesie grupy,
ktora decyduje sie wydac PROPERA lezy, zeby udowodnic,
ze poprzedni release byl wadliwy.
b) w PROPERZE powinno byc jasno wyszczegolnione co bylo nie tak
w poprzednim releasie a do archiwum nalezy dolaczyc porowna-
nie dokumentow oraz liste bledow.
4. Nazewnictwo i pakowanie
a) Releasy powinny byc nazywane wedlug schematu:
Nazwisko.Imie.Tytul.(TRANSL).(iNTERNAL).(Final).POLISH.eBook.(PROPER).(READ.NFO).-grp
Final - w przypadku wydania finalnego
TRANSL - stosowany gdy release tlumaczony jest przez grupe
b) Pliki nalezy spakowac najpierw w pliki rar (maksymalnie po
5 000 000 bajtow kazdy), a nastepnie w zip dodajac do kazdej
paczki wlasny plik file.diz i .nfo. Archiwa ZIP powinny miec
nazwy skladajace sie maksymalnie z 8 znakow.
c) Ksiazka w archiwum powinna byc nazwana w nastepujacy sposob:
Nazwisko_Imie_-_Tytul.(format) - ksiazka
Nazwisko_Imie_-_Tytul_-_okladka.(format) - okladka
Nazwisko_Imie_-_Tytul_-_nazwa_mapy.(format) - mapy
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<pre class="nfo">&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; The of PSP Movie Releasing Groups Presents &#9474;
&#9474; &#9474;
&#9474; The PSP Movie Releasing Standards 2006 &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; SOURCE: &#9474;
&#9474; &#9474;
&#9474; - DVDR SVCD VCD and XviD source allowed. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; &#9474;
&#9474; - Averaged Variable Bitrate (A-VBR) technique must be used. &#9474;
&#9474; - At least 2pass rips are required. &#9474;
&#9474; - 97-110 Min/CARD Minimum bitrate of 438kb &#9474;
&#9474; - 00-97 Min/CARD Minimum bitrate of 512kb &#9474;
&#9474; - Releases must be maximum 458mb per disc to fit in a 512mb CARD. &#9474;
&#9474; - Minimum 110 min/card. &#9474;
&#9474; i.e. 2 Card movie minimum 110 x (2-1) = 110 minutes &#9474;
&#9474; i.e. 3 Card movie minimum 110 x (3-1) = 220 minutes &#9474;
&#9474; - .THM must be included. &#9474;
&#9474; - Cropping is required to the maximum possible. &#9474;
&#9474; - Movie encode must be within 5% of original aspect ratio. &#9474;
&#9474; - Burned subtitles are ONLY allowed for non english releases. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; 112 Min movie On two Cards &#9474;
&#9474; 112/2 = 56 Min on each card = Minimum bitrate of 512kb &#9474;
&#9474; &#9474;
&#9474; 196 Min movie on two cards &#9474;
&#9474; 196/2 = 98 min on each card = Minimum bitrate of 438kb &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; TV RULES: &#9474;
&#9474; &#9474;
&#9474; - 1 Card = 458mb &#9474;
&#9474; - Episodes shall not overlap on Cards (i.e. 2eps/Card, 4eps/Card &#9474;
&#9474; is allowed, 1.5eps/Card is NOT). &#9474;
&#9474; - Episodes are not subject to the same scaling rules as cinematic &#9474;
&#9474; features and must obey forementioned rule. &#9474;
&#9474; - 5x 15-20min = 1Card, Releases shall not be over 91mb. &#9474;
&#9474; - 4x 20-23min = 1Card, Releases shall not be over 114mb. &#9474;
&#9474; - 3x 23-35min = 1Card, Releases shall not be over 152mb. &#9474;
&#9474; - 2x 35-50min = 1Card, Releases shall not be over 229mb. &#9474;
&#9474; - Episodes longer than 50 minutes, will follow the length rules &#9474;
&#9474; of cinematic. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; NOTE: Runtimes not mentioned above should fit on 1 Card i.e. 6x76mb, &#9474;
&#9474; 7x65mb etc. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; FRAMERATE: &#9474;
&#9474; &#9474;
&#9474; - MUST be closest possible to the original source framerate &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; &#9474;
&#9474; - CBR technique must be used. &#9474;
&#9474; - Minimum 128kbit @ 24.0khz &#9474;
&#9474; - MUST be STEREO for STEREO sources, MONO for MONO sources &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; SAMPLE: &#9474;
&#9474; &#9474;
&#9474; - REQUIRED &#9474;
&#9474; - 1 minute in length &#9474;
&#9474; - Must have .THM. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PACKAGING: &#9474;
&#9474; &#9474;
&#9474; - All releases must be MP4/THM. &#9474;
&#9474; - Must be packed with RAR into 15mb volumes ,compression is NOT ALLOWED &#9474;
&#9474; - Recovery record recommended. &#9474;
&#9474; - Must have SFV &#9474;
&#9474; - Must have NFO &#9474;
&#9474; - NFO MUST INCLUDE: &#9474;
&#9474; Group name &#9474;
&#9474; Title &#9474;
&#9474; DVD release date &#9474;
&#9474; Source release &#9474;
&#9474; Audio bitrate &#9474;
&#9474; Framesize/aspect ratio &#9474;
&#9474; Video bitrate &#9474;
&#9474; Source used (Xvid/DVDR) and (TC/TS/DVD/DVDSCR/HDTV/PDTV) &#9474;
&#9474; Movie runtime/length &#9474;
&#9474; IMDB/adultdvdempire link &#9474;
&#9474; Number of rars per CARD (eg. 31x15MB) &#9474;
&#9474; - Releases that are more than 1 CARD will follow these specs: &#9474;
&#9474; - MUST be named CARD1, CARD2 and so on. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; DIRECTORY NAMING: &#9474;
&#9474; &#9474;
&#9474; - Directory names shall NOT exceed 64 characters. &#9474;
&#9474; - Including production year is at groups discretion, but encouraged. &#9474;
&#9474; - Indicate source quality in dirname (TS/TC/DVDRiP/DVDSCR) &#9474;
&#9474; - Acceptable characters in naming a directory include (NO spaces or &#9474;
&#9474; double dots - single dots or underscores ONLY): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . -_ &#9474;
&#9474; &#9474;
&#9474; - All Release directories, shall be named according to : &#9474;
&#9474; Movie.Name.Year.Source.Codec.PSP-Group, &#9474;
&#9474; (i.e. Seven.1995.DVDRiP.MP4.PSP-General) &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PROPERS: &#9474;
&#9474; &#9474;
&#9474; - No previous releases may be propered based on quality. That means no &#9474;
&#9474; propers based on what source used, xvid/dvdr &#9474;
&#9474; For quality reasons you can use INTERNAL. &#9474;
&#9474; - Propers will be allowed in the case of technical problems, bad aspect &#9474;
&#9474; ratio, sync problems, skipping/freezing, interlaced, bad ivtc, etc &#9474;
&#9474; - Sample of the propered release should be included for proof. &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ NOTES TO THE RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Group Watermarks WILL NOT BE ALLOWED IN ANY CASE. &#9474;
&#9474; - NO intros, outros, betweenos, or any other form of defacement of the &#9474;
&#9474; movie is accepted. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;[ GROUPS ]&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; PSP 2006 revision was organized by: &#9474;
&#9474; &#9474;
&#9474; KMS - OMG - CI - CcR - EwDp - UKPsP - PSPTV - FUCT &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Respects to the original PSP council organizers: &#9474;
&#9474; &#9474;
&#9474; MTG - MmM - SbN - iRGUN - PmG &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;</pre>
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<pre class="nfo"> &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;
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_ __ ___ ___&#9474;__ &#9608;&#9604; &#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9619;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608;&#9608;&#9600;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9604;&#9608; __&#9474;___ ___ __ _
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&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9508; &#9608;nrn&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604; &#9604; &#9608;&#9608;&#9604;&#9600;&#9604;&#9608;&#9604;&#9600;&#9604;&#9608;&#9604;&#9600;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600; &#9500;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9484;&#9472;&#9474; &#9488;&#9474; &#9474; &#9600; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9608;&#9608;&#9604;&#9608;&#9604;&#9608;&#9604;&#9608;&#9604;&#9608;&#9604;&#9608;&#9604;&#9608;&#9608;&#9600; &#9608; &#9474; &#9474;&#9484; &#9474;&#9472;&#9488;
&#9484;&#9472;&#9474; &#9474;&#9492; &#9474; &#9600; &#9608; &#9608; &#9608; &#9604; &#9474; &#9496;&#9474; &#9500;&#9472;&#9488;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496; &#9496; &#9604; &#9600; &#9604; &#9492; &#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9600; &#9474;
&#9474; Official Pay Web Sites (PAYSiTES): XXX Videos Council Rules &#9474;
&#9474; Public Release Version 1.0 &#9474;
&#9474; &#9474;
&#9474; Requirements: Notepad with Terminal font support or DAMN NFO Viewer &#9474;
&#9474; &#9474;
&#9474; Index &#9474;
&#9474; 0. Introduction &#9474;
&#9474; 1. Video Formats &#9474;
&#9474; 2. Release Standards &#9474;
&#9474; 2a) Directory &#9474;
&#9474; 2b) Files &#9474;
&#9474; 2c) NFO File &#9474;
&#9474; 2d) Sample &#9474;
&#9474; 2e) RAR Files &#9474;
&#9474; 3. Propers and dupes &#9474;
&#9474; 4. Legal nuke reasons &#9474;
&#9474; 5. Additional restrictions and guidelines &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; 0. Introduction: &#9474;
&#9474; Pay-web-sites XXX section, which is also know as PAYSiTE-XXX became &#9474;
&#9474; popular in the scene. &#9474;
&#9474; Groups who used to release PAYSiTE-XXX videos for a while noticed &#9474;
&#9474; that more and more new groups are starting to support this section &#9474;
&#9474; and felt the need to make proper rules for this section. &#9474;
&#9474; Read carefully and understand the rules: &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; 1. Video Formats: &#9474;
&#9474; - You may rip sites with the video formats: MPEG, XviD, DivX and WMV. &#9474;
&#9474; - Re-encode is strictly forbidden. &#9474;
&#9474; Exception: You may re-encode the video WITHOUT CHANGING FORMAT to &#9474;
&#9474; prevent a nuke or to fix the video. &#9474;
&#9474; - You are allowed to provide stream videos (WMV in most cases). &#9474;
&#9474; - No DRM protected movies! &#9474;
&#9474; &#9474;
&#9474; 2. Release Standards: &#9474;
&#9474; 2a) Directory: &#9474;
&#9474; The directory may be tagged in one of these ways: &#9474;
&#9474; 1. (Web.site).(EP#)[.EP.or.model.Name].(Video.Format).XXX-(GRP) &#9474;
&#9474; Example: Bangbus.E100.Ariana.MPEG.XXX-SOMEGROUP &#9474;
&#9474; In this case, the first Episode is the first (by post date) &#9474;
&#9474; on paysite and so-on. &#9474;
&#9474; 2. (Web.site).(EP.Name.or.Model&#39;s.Name).(Video.Format).XXX-(GRP) &#9474;
&#9474; Example: Pix.And.Video.Lena.vaudeville.vixen.DivX.XXX-SOMEGRP &#9474;
&#9474; * For stream rips add a STREAMRiP tag before the format. &#9474;
&#9474; Example: Club.Jenna.Throne.STREAMRiP.WMV.XXX-NiCEGRP &#9474;
&#9474; 2b) Files: &#9474;
&#9474; These files must come within the release: &#9474;
&#9474; 1. SFV File. &#9474;
&#9474; 2. NFO File. &#9474;
&#9474; 3. You can pack more than one video if you are releasing &#9474;
&#9474; a daily issue or a volume. &#9474;
&#9474; 4. All the small video parts must be joined into one big &#9474;
&#9474; file WITHOUT changing the format as said above. &#9474;
&#9474; Note1: If there is an intro/outro on each part then it &#9474;
&#9474; must be removed from all parts, except if: &#9474;
&#9474; The intro on the 1st part must stay. &#9474;
&#9474; The outro on the last part must stay. &#9474;
&#9474; Note2: Merging parts of &#34;high quality&#34; to &#34;med quality&#34; &#9474;
&#9474; or to &#34;low quality&#34; (and vice versa) will get &#9474;
&#9474; you into troubles. If the source is fucked in &#9474;
&#9474; any way use READ.NFO to declare about it &#9474;
&#9474; (scroll to section 5). &#9474;
&#9474; 2c) NFO File: &#9474;
&#9474; NFO must contain the following: &#9474;
&#9474; 1. Full URL to the paysite (http://). &#9474;
&#9474; 2. Genre/Category. &#9474;
&#9474; Allowed categories are: &#9474;
&#9474; http://www.thebestporn.com/categories_niches.html &#9474;
&#9474; Use &#34;other&#34; if not shown above. &#9474;
&#9474; 3. Video format (see above). &#9474;
&#9474; Additional info: &#9474;
&#9474; You can provide score and/or information of a paysite from&#9474;
&#9474; http://www.TheBestPorn.com (if there is one available) and&#9474;
&#9474; link to TheBestPorn review. &#9474;
&#9474; 2d) Sample: &#9474;
&#9474; - Sample must be a part of the original video file. &#9474;
&#9474; - Length: A minimum of 1:00 minute (1500 frames). &#9474;
&#9474; A maximum of 1:30 minutes (2250 frames). &#9474;
&#9474; - Sample file must be a video file (not a RAR) as some sites use &#9474;
&#9474; scripts to analyze samples! &#9474;
&#9474; - No SFV in the sample dir. &#9474;
&#9474; 2e) RAR files: &#9474;
&#9474; - Each volume should be 15000000b long. &#9474;
&#9474; - You may use 1 or 2 recovery volumes; or not use them at all. &#9474;
&#9474; - Compression is strictly forbidden. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; 3. Propers and dupes: &#9474;
&#9474; 3a) Proper can be made only if the group released incompleted/corrupted &#9474;
&#9474; (by their fault) video. &#9474;
&#9474; 3b) Different video formats dupe each other; the first format wins. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; 4. Legal nuke reasons: &#9474;
&#9474; - dupe.GROUP.YYYY-MM-DD &#9474;
&#9474; Description: When the video was released already. &#9474;
&#9474; Additional dupe reasons: &#9474;
&#9474; selfdupe.YYYY-MM-DD - The video released already by the same group. &#9474;
&#9474; dupe.GROUP.sameday - The video was released in the same day by a &#9474;
&#9474; different group. &#9474;
&#9474; - grp.req &#9474;
&#9474; Description: Only when the releasing group requests for a nuke. &#9474;
&#9474; - bad.pack(reason) &#9474;
&#9474; Description: When the release made without following the Release &#9474;
&#9474; Standards (see sections 2b-2e). &#9474;
&#9474; - reencoded &#9474;
&#9474; Description: Release was re-encoded (example: from WMV to DivX). &#9474;
&#9474; - unwanted.intro &#9474;
&#9474; unwanted.outro &#9474;
&#9474; Description: The release has unoriginal content in the start or &#9474;
&#9474; in the end of the movie. &#9474;
&#9474; - bad.tagging &#9474;
&#9474; Description: See section 2a. &#9474;
&#9474; - watermarked &#9474;
&#9474; Description: The video contains unoriginal watermarks. &#9474;
&#9474; * No nukes caused by audio because PAYSITE-XXX groups provide the &#9474;
&#9474; videos as-are on website. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; 5. Additional restrictions and guidelines: &#9474;
&#9474; - No homemade watermarks on video. &#9474;
&#9474; - No homemade intros/outros. &#9474;
&#9474; - You may use common scene tags (PROPER, READ.NFO, INTERNAL, etc). &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9488;
&#9474; The rules were accepted by the following groups: &#9474;
&#9474; &#9474;
&#9474; THM XaRT ESEXXX LuBEXXX oRo RACiM koCZka &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9474; - Enterprise of THM - &#9474;
&#9484;&#9472; &#9472; &#9472; &#9472;&#9472; &#9472;&#9472;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9472;&#9472; &#9472;&#9472; &#9472; &#9472; &#9472;&#9488;
&#9484;&#9472;&#9472;&#9474;&#9472;&#9488;&#9484;&#9472;&#9488;&#9484;&#9488; _ __ ________ ___ ________ __ _ &#9484;&#9488;&#9484;&#9472;&#9488;&#9484;&#9472;&#9474;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9496;&#9474; &#9474;&#9474;&#9474; __ _ // \\ _ __ &#9474;&#9474;&#9474; &#9474;&#9492;&#9472;&#9496; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496; &#9492;&#9496;&#9492;&#9472;&#9472;&#9472;&#9472; &#9472;&#9472; &#9472;/_/// /_____\ \\\_\&#9472; &#9472;&#9472; &#9472;&#9472;&#9472;&#9472;&#9496;&#9492;&#9496; &#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
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DEUTSCHE SERiEN UND TV RULES 2007
(DSTVR.07.FiNAL)
- Exclusive HDTV Filme -
Inhaltsverzeichniss:
--------------------
A: Allgemeines/Kategorien
B: Encoding (Bild - AR - Ton - Sample)
C: Subbed/Custom Subbed
D: Dubbing Release
E: TV-Race
F: Fortfuehrung (TV &#38; Retail)
G: Rar Files
H: Dirnamen
I: Info Datei
K: Proper
L: Kommentar
&#9658; A - Allgemeines/Kategorien: &#9668;
-------------------------------
A1. Xvid/x264 Serien &#38; TV Release sind in 3 Kategorien bzw. Sparten unterteilt.
&#9658;INFO: Das Release einer Kategorie kann nie ein Release einer anderen
Kategorie dupen/propern.
KATEGORIE (1) (Standard) (16:9/4:3) (Xvid)
-------------------------------------------
Zulaessige Release: Quelle:
Satrip/DVB/dTV (SDTV) Deutschsprachiges Satelliten TV
HDTVRip (HDTV) Deutschsprachiges HDTV
HDTVRip Dubbed Auslaendische HDTV Release 720p+
HDDVDRip Dubbed Auslaendische Retail HDDVDs
DVDRip Dubbed Auslaendische Retail DVDs
DVDRip Retail Deutschsprachige Retail DVDs
KATEGORIE (2) (HR) (16:9) (Xvid)
-------------------------------------------
Zulaessige Release: Quelle:
HR.HDTVRip (HDTV) Deutschsprachiges HDTV
HR.HDTVRip Dubbed Auslaendische HDTV Release 720p+
HR.DVDRip Dubbed Auslaendische Retail DVDs
HR.HDDVDRip Dubbed Auslaendische Retail HDDVDs
KATEGORIE (3) (720p) (16:9) (Xvid/x264)
----------------------------------------------
Zulaessige Release: Quelle:
720p.HDTV (HDTV) Deutschsprachiges HDTV
720p.HDTV Dubbed Auslaendische HDTV Release 720p+
720p.HD Dubbed Auslaendische Retail HDDVDs
720p.HD Retail Deutschsprachige Retail HDDVDs
Laufzeit/Groesse: Kategorie (1): Kategorie (2): Kategorie (3):
bis maximal 21 Minuten: 175 MB 350 MB 700 MB
bis maximal 30 Minuten: 233 MB 500 MB 1.100 MB
bis maximal 50 Minuten: 350 MB 700 MB 1.400 MB
bis maximal 95 Minuten: 700 MB 1.400 MB 2.200 MB
bis maximal 140 Minuten: 1.100 MB 2.200 MB 3.300 MB
bis maximal 185 Minuten: 1.400 MB 2.800 MB 4.400 MB
Bei HDDVD dubbed 720p XviD/x264 Releasen ist eine Groesse von 1.100 Mb
zulaessig bei einer Laufzeit von 31-50 Minuten.
Alle Release sind in einem File zu erstellen, bis zur vollen DVD5!
Blu-Ray/HD Source DVDs sind als gleichwertig anzusehen!
&#9658;INFO: Kategorie (3) HDDVD dupt Blu-Ray und umgekehrt.
&#9658;INFO: Kategorie (3) XviD dupt x264 und umgekehrt.
A3. Serien &#38; TV Release sind im DVD5 Format zugelassen:
DVD.Dubbed, Retail DVDR (Codec Mpeg).
A4. Alle Formate die nicht in Rule A1-A3 genannt wurden sind mit der Bezeichnung
Internal im Dir zu labeln. Die Bezeichnung INT ist NICHT ausreichend.
&#9658;INFO: Streamrips von Movie/Fernsehportalen sind NICHT erlaubt!
A5. Bei digitalen TV Quellen sind Sender-Logos zu ueberblenden und die Werbung
zu entfernen. Extraeinblendungen (zb. Einblendung des Serientitels,
Hinweise auf Folgesendungen...) muessen NICHT ueberblendet werden.
&#9658;INFO: Dies gilt bei allen SDTV und allen HDTV Releasen.
&#9658;INFO: Logos z.B. von der BBC muessen bei Retail Releasen NICHT
entfernt werden.
A6. Bei allen HD/HDTV Releasen ist als Basis mindestens eine 720p Source
erforderlich.
&#9658;INFO: Release/Encodes aus minderer Quelle berechtigen zum Proper (Rule F3).
A7. Sollte der DVD/HDDVD Retail Erscheinungstermin weniger als 30 Tage nach
TV Ausstrahlung der E01 sein, so ist auf die Retail DVD zu warten.
A8. Retail Serien sollten mit Folge E01 begonnen werden.
&#9658;INFO: Kein Proper Grund.
A9. Nach Erscheinen der deutschen Retails ist ein weiteres Pren der
anderen Release in der entsprechenden Kategorie nicht mehr
erwuenscht. (zb. Satrip, DVDDubbed etc.)
&#9658; B - Encoding Bild/Ton: &#9668;
--------------------------
&#9658; Bild: &#9668;
B1. XviD/x264 Serien &#38; TV Release sind mit mindestens 2pass zu codieren. Alle
Release sind zu croppen (Ohne schwarze Balken zu erstellen). Auf
kompatibilitaet zu DVD/HD Playern bzw. Game Konsolen ist zu achten.
&#9658;INFO:Custom Matrixen sind in Kategorie (1) &#38; (2) verboten (Proper Grund!)
B2. Erlaubte Codecs in Kategorie (1) und (2): XviD
Erlaubte Codecs in Kategorie (3) : XviD oder wahlweise x264
&#9658;INFO: XviD dupt x264 und umgekehrt.
B3. DVDR Release sind mit mind 4 pass cce zu encoden, wenn moeglich zweisprachig
deutsch/englisch, wenn die durchschnittliche Bitrate des Bildes unter 3000
geht, kann auf engl. Ton verzichtet werden.
B4. XviD/x264 Retail Release der Kategorie (3) muessen in der gleichen
Framerate erstellt werden, wie die Original Blu-Ray/HDDVD.
&#9658;INFO: Wenn die Source PAL ist, muss das Release auch PAL sein.
Wenn die Source NTSC ist, muss das Release auch NTSC sein.
(IVTC beachten).
B5. Als Container fuer x264 Release ist Matroska (.mkv) zu verwenden.
&#9658; Aspect Ratio: &#9668;
B6. Release der Kategorie (1) muessen folgende Aufloesung aufweisen:
16:9 (WS) 640 x 352
4:3 (FS) 512 x 384 / 576 x 432
Release der Kategorie (2) muessen folgende Aufloesung aufweisen:
16:9 (WS) 960 x 528(544)
Release der Kategorie (3) muessen folgende Aufloesung aufweisen:
16:9 (WS) 1280 x 720
Ausnahmen fuer Rule B6 sind dubbed DVD/HDDVD Release, die als Grundlage
auslaendische Retail XviD/x264 Rips haben.
&#9658;INFO: Abweichende Sonderformate (zb. 2,35:1 ~ 640 x 272) muessen mit
einer maximalen Abweichung von 3% des gecropten Releases
encodet werden.
&#9658; Ton: &#9668;
B7. Erlaubte Tonformate fuer Release der Kategorie (1):
48.000 Herz MP3 bei circa 128 Kbit VBR (115-145 Kbit durchschnitt)
&#9658;INFO: Bei TV Filmen ist eine Bitrate von 192 KBit AC3 erwuenscht.
&#9658;INFO: Bei Retail Releasen der Kategorie (1) kann wahlweise der Orignal
AC3 Ton genommen werden, wenn mindestens die Haelfte der Episoden
dieser Staffel ueber 50 Min Laufzeit haben (700 MB).
B8. Erlaubte Tonformate fuer Release Kategorie (2/3):
48.000 Herz AC3 mit 2.0 Channel (Dolby Sourround!) 192-384 Kbit
48.000 Herz AC3 mit 5.1 Channel (Dolby Digital!) 384-640 Kbit
&#9658;INFO: Bei HD/Blu-Ray Retails hat eine Konvertierung in DD 5.1
zu erfolgen, ueber zukuenftige Moeglichkeiten laesst sich
jetzt noch nicht viel sagen.
B9. Bei Releasen in Kategorie(3) ist Duallanguage erwuenscht (Deutsch/Englisch).
&#9658; Sample: &#9668;
B10.Jedem Release ist ein mindestens 30 Sekunden langes Sample beizuliegen.
Das Sample sollte aus dem Release herauskopiert sein und nicht seperat
encodet werden.
B11.Liegt einer E01 kein Sample bei, so hat die Release Group 3 Stunden
Zeit ein SampleFix nachreichen.
&#9658;INFO: Proper Grund!
&#9658; C - Subbed / Custom Subbed Release: &#9668;
---------------------------------------
C1. Auf Grund der Vielzahl an moeglicher Custom Subbed Releasen und der
Moeglichkeit auch ohne eigene Source Release zu erstellen, sind alle
Custom Subbed Release internal zu releasen.
&#9658;INFO: Deutsche Retail Release mit Untertiteln sind erlaubt!
&#9658; D - Dubbed Release DVD/HD/HDTV: &#9668;
-----------------------------------
D1. Bei dubbed Xvid/x264 Releasen muss das Bild in der Laufgeschwindigkeit
dem deutschen Ton angepasst werden. Das Bild muss durch einen Encode
oder einer Frameratenaenderung auf die entsprechende Laufgeschwindigkeit
gebracht werden.(Propergrund)!
&#9658;INFO: Deutscher TV/Retail DVD Standard ist 25 FPS.
&#9658;INFO: Da in anderen Sprachen mit &#34;packed bitstream&#34; encoded wird, sollte
dieser aus dem Release entfernt werden Kategorie (1).
&#9658;INFO: Kein encoden notwendig bei DVD/HDDVD Source.
&#9658;INFO: Encoden notwendig bei HDTV Source.
D2. Dubbed DVDRips und dubbed HDDVDRip in Kategorie (1) sind gleichwertig.
&#9658;INFO: Ausnahme Rule E2
D3. Dubbed HR.HDTV/HR.DVDrip/HR.HDDVDrip in Kategorie (2) sind gleichwertig.
D4. Grundsaetzlich gilt: Ton von einer Deutschen Retail DVD ist bei dubbed
HDDVD/HDTV Releasen gleichwertig mit einer Tonspur aus einer
TV Ausstrahlung.
&#9658;INFO: Ausnahme hier (Kategorie 3, HDDVD dubbed):
Sollte auf der deutschen Retail DVD Dolby Digital 5.1 Ton
vorhanden sein, ist jederzeit ein Releasen dieser Staffel
mit dem Dolby Digital 5.1 Ton erlaubt (neues Race)!
&#9658; E - TV Race: &#9668;
----------------
E1. Bei einem TV Race gibt es nicht nur Proper bei technischen Maengeln,
sondern auch Wertigkeits Proper. Es bleiben 24 Stunden Zeit nach einem
Episode 1 Pre ein Proper aus Wertigkeitsgruenden zu bringen - siehe
nachfolgende Rules. Wie bei jedem Proper ist dieses auch im Dir
zu kennzeichnen.
E2. Bei einem TV Race gilt: Ein 16:9 Widescreen (WS) Release ist IMMER einem
4:3 Fullscreen (FS) Release vorzuziehen. Ein 16:9 Release kann nie von
einem 4:3 Release gepropert werden, nur umgekehrt!
E3. Kategorie 1: Wenn Episode 1 ZUERST auf PREMIERE ausgestrahlt
wird, dann ist kein dubbed HDTVRip oder dubbed DVDRip erlaubt.
&#9658;INFO:Ausnahme Rule E2
&#9658;INFO:Sollte innerhalb von 24 Stunden nach Start der Episode kein
Satrip/DVB/dTV gepred sein, hebt sich diese Rule auf.
CHECK: Startet die Serie zuerst auf Premiere? Wird sie in 16:9 ausgestrahlt?
EE1.TV Race E01 / Kategorie (1) (Standard) (16:9/4:3)
-----------------------------------------------------
-> Erste Pre = HDTVRip/dubbed HDTVRip - Erlaubtes Proper: dubbed DVD/HDDVDRip
-> Erste Pre = SATRip/DVB/dTV - Erlaubtes Proper: dubbed DVD/HDDVDRip
&#9658;INFO: DVD/HDDVD dubbed sind gleichwertig
&#9658;INFO: Ausnahmen Rule E2 und E3.
EE2.TV Race E01 / Kategorie (2) (HR) (16:9)
--------------------------------------------
-> Das erste Regelkonforme HR Pre gewinnt.
&#9658;INFO: HR.HDTVRip, Dubbed HR.HDTVRip/HR.DVDRip/HR.HDDVDRip sind als
gleichwertig anzusehen.
EE3.TV Race E01 / Kategorie (3) (720p) (16:9)
---------------------------------------------
-> Erste Pre = 720p.HDTV/720p.HDTV dubbed - Erlaubtes Proper: 720p.HD dubbed
E4. Sollte fuer eine Staffel in der Kategorie (1) ein dubbed DVDRip/dubbed
HDDVDRip erlaubt sein, bzw. in der Kategorie (3) ein dubbed 720p HD,
die dafuer benoetige Source steht aber nicht zu Beginn der
Staffel zur Verfuegung, so ist es erlaubt bis zur Ausstrahlung der
(einschliesslich) 6. Episode der Staffel dieses nachzuholen. Diese Release
muessen bei Episode 1 beginnen und sind keine Proper Release!
&#9658;INFO: In diesem Fall gibt es parallel 2 Release dieser Staffel in dieser
Kategorie.(NUR in diesem Fall!)
&#9658;INFO: Sollte die gleiche Group die das erste Race gewonnen hat dann
das dubbed DVD/HDDVD Release pren, ist natuerlich nur noch das dubbed
Release zulaessig!!!
&#9658; F - Fortfuehrung TV/Retail: &#9668;
-------------------------------
F1. Durch z.B. eine Sommerpause,geteilte Boxen (Retail) oder aehnliches verliert
eine Group nicht das Recht diese Staffel weiterzumachen. Nach dem Ende der
Pause wirkt Rule F2 bzw. bei Retail Rule F4.
F2. Faengt eine Group eine Serie an, sollte Sie diese auch konsequent zu Ende
machen. Sollte 48 Std. nach Ausstrahlungsende einer TV Episode kein Release
gepred sein, kann eine andere Group diese Episode innerhalb von 24 Std.
pren (Ersatzepisode). Danach hebt sich diese Rule auf.
F3. Weist ein Release (E02-Ende) Maengel auf, die ein Propergrund darstellen und
es wird innerhalb von 24 Std. kein Repack gebracht, so kann von einer
anderen Group ein Proper dieser Episode in den darauffolgenden 24 Std.
gebracht werden. (25-48 zigste Stunde nach Pre des Maengel behafteten
Releases.) Dies bedeutet aber (noch) nicht die Uebernahme einer Serie.
&#9658;INFO F2/F3: Sollte das Ersatz ODER das Proper Release 2 mal in Folge von
der gleichen Group kommen, dann verliert die erste Group die
Rechte an dieser Staffel an die zweite Group.
Release 1 nach Rule F2/F3 von Group BBB = kein Staffelverlust!
Release 2 nach Rule F2/F3 von Group BBB = Verlust der Staffel!
Release 2 nach Rule F2/F3 von Group CCC = kein Staffelverlust!
F4. Wenn es 7 Tage (7 x 24h) bei einer Retail Serie (DVDR, XviD, x264)
lang kein Release von der Serie gibt, verliert die Group das Recht an der
Serie und das Race ist wiedereroeffnet.
&#9658; G - Rar Files: &#9668;
------------------
G1. Die Rar Files sollten im &#34;Old Style Volume Names&#34; erstellt werden
und eine Groesse von 15.000.000/20.000.000 bytes in Kategorie
(1) &#38; (2) haben, bzw. eine Groesse von 50.000.000/100.000.000 bytes in
Kategorie (3) haben.
&#9658;INFO: Kein Propergrund
&#9658; H - Dirnamen: &#9668;
-----------------
H1. Um eine einheitliche Nummerierung zu gewaehrleisten, muss eine Episoden-
nummerierung immer zweistellig formatiert sein, auch wenn die Serie
weniger als 10 Episoden enthaelt. Dies schliesst auch Anime Serien mit ein.
H2. Jede Serie ist mit Staffel und Episodennummerierung zu versehen, auch wenn
nur eine Staffel vorgesehen ist. Diese ist auch zweistellig zu formatieren.
z.B: S01E01
H3. Der Dirname fuer ein Serien &#38; TV Release im XviD/x264 Format muss folgendes
in angegebener Reihenfolge beinhalten:
1) Serienname
2) Staffel/Episode
3) Episodentitel
4) Sprache (German) (bei Dubbed Releasen: German.Dubbed)
5) Seitenverhaeltnis (WS/FS)
6) Bildformat/quelle
7) Release Format (XviD/x264)
8) Groupname
Dead.Zone.S01E01.Der.Bauer.Erwin.German.FS.Satrip.XviD-AAA
Dead.Zone.S01E01.Der.Bauer.Erwin.German.Dubbed.WS.HR.HDTVRip.XviD-AAA
Dead.Zone.S01E01.Der.Bauer.Erwin.German.Dubbed.DL.WS.720p.HD.x264-AAA
Dead.Zone.S01E01E02.Der.Bauer.Erwin.Muellers.Toechter.German.FS.dTV.XviD-AAA
&#9658;INFO: In Releasen der Kategorie (3) wird in der Bildquellenbezeichnung
auf den Zusatz &#34;Rip&#34; verzichtet, da 720p ebenso das Quellformat
sein koennte. Blu-Ray Release sind auch als HD zu betiteln!!!
H4. Die Rule H3 gilt auch fuer Dokumentationen. Hier muss IMMER
der Zusatz DOKU eingefuegt werden. Die Staffelbezeichnung
faellt hier jedoch ganz weg, die Episoden/Episodentitel muessen eingefuegt
werden, sobald es mehr als 1 Teil gibt.
Die.gruenen.Waelder.E01.Waelder.in.Holland.German.Doku.WS.Satrip.XviD-AAA
Der.Wilde.Gogotschi.German.ANIME.FS.DVDRiP.XviD-AAA
&#9658;INFO: Bei Anime Serien muss die Bezeichnung &#34;Anime&#34; mit ins Dir.
H5. Der Dirname fuer ein Serien &#38; TV Release im DVDR5 Format muss folgendes in
angegebener Reihenfolge beinhalten:
1) Serienname
2) Staffel Nummer
3) DVD Nummer
4) Sprache (German/German.DL oder ML oder Complete)
(Dubbed Release: German.Dubbed oder German.Dubbed.DL)
5) Jahresangabe (entfaellt bei Dubbed)
6) Seitenverhaeltnis (WS/FS)
7) Release Format (DVDR)
8) Groupname
Dead.Zone.Staffel1.DVD1.German.Dubbed.DL.FS.DVDR-AAA
Dead.Zone.Staffel1.DVD1.German.2005.WS.DVDR-AAA
&#9658;INFO: Die Bezeichnung PAL ist nicht notwendig, da alle deutschsprachigen
DVD5 Release 25 FPS haben/haben muessen.
H6. Als bevorzugte Dirbezeichnung fuer deutsche digitale Satelliten TV Rips
ist die Bezeichnung Satrip zu waehlen, die Bezeichnungen DVB oder dTV
ist ebenso zulaessig.
H7. Sonderzeichen sind nicht erlaubt (- ; ? etc), der Gedankenstrich ist nur vor
der Groupbezeichnung zu verwenden (-AAA).
&#9658; I - NFO Datei: &#9668;
------------------
I1. In der NFO muessen mindestens folgende Informationen enthalten sein:
* Releasedatum
* Bildsource mit exacter Bezeichnung
&#9658;INFO: z.B. Satstream, PAL DVD5, NTSC DVD9, 720p HDTV
* Videoaufloesung (z.B. 640x352)
* Audioformat/Anzahl Channel (z.B. AC3 5.1 384 Kbit)
* mindestens ein Link fuer Informationen zur Serie, vorzugsweise IMDB.de
&#9658;INFO: Plot ist erwuenscht, aber nicht zwingend notwendig
TV Datum/Retail Datum ist erwuenscht, aber nicht zwingend notwendig
&#9658; K - Proper: &#9668;
---------------
&#9658;INFO:Ein Proper ist bis maximal 24 Stunden nach dem Pre des
zu Propernden Releases moeglich!
&#9658;INFO:Eine Ersatzepisode ist bis maximal 24 Stunden NACH Ablauf der
Repack Frist erlaubt!
Proper Gruende:
---------------
K1. Fehler in der Aspect Ratio (Rule B6).
K2. Ist die Groesse eines Releases der Kategorie (1) und (2) mit 5.000 KB zu
klein oder 2.500 KB zu gross bzw. ein Release der Kategorie (3) 60.000 KB
zu klein oder 15.000 zu gross ist, so ist ein Proper erlaubt .
K3. Nicht gecroppte Release (Schwarze Balken) duerfen gepropert werden.
K4. Bei merklicher/messbarer Asyncronitaet von 100-200ms ueber einen Zeitraum
von 5Min+ ist ein Proper erlaubt.
K5. Bei merklicher/messbarer Asyncronitaet von 300ms+ ueber einen Zeitraum von
30Sek+, bzw. bei starker Asyncronitaet von 500ms+ ueber einen Zeitraum von
10Sek+ ist ein Proper erlaubt.
K6. Mindere Tonqualitaet &#34;Micky Maus Ton&#34; oder dauerhaft leieriger Ton
berechtigt zu einem Proper.
K7. Ein Proper wegen Wertigkeit ist zulaessig (siehe Rule E. TV Race).
K8. Ein Proper einer ersten Folge ist zulaessig bei HDTVRips, HR.HDTVRips, 720p
HDTV Releasen, wenn als Basis fuer den Encode keine ausreichende Source
genommen wurde. (Siehe Rule A6.). Ein Proper einer Folge E02-Ende ist auch
moeglich - hier greift Rule F3!
K9. Die Benutzung von Custom Matrixen beim Encoden (Kategorie 1 &#38; 2)
sind ein Propergrund.
K10.Dubbed Release der Kategorien (1-3), die nicht in der Frame Rate an den
deutschen Ton angepasst wurden, koennen gepropert werden. (Rule D1).
K11.Release der Kategorie (1) mit einer Audiobitrate von mehr als 145kbit
oder weniger als 115kbit koennen gepropert werden. Ebenso Release mit
44100 Herz Audio.
K12.Bei Releasen wo das Logo bzw. die Werbung nicht, bzw. nicht ausreichend
entfernt wurde und dadurch eine nachhaltige Minderung der Qualitaet
ensteht ist ein Proper Release erlaubt, ebenso das hinzufuegen von
ueberfluessigen bzw. extrem zu grossen Ueberblendugen.
(SDTV + HDTV) siehe Rule A5!
Der Proper Grund muss aussagekraeftig in der NFO Datei beschrieben werden.
Ein aus den aufgefuehrten Gruenden entstandenes Proper Release fuehrt nur
bei einer E01 zu einem Verlust der Staffel fuer diese Group.
&#9658;INFO: Ausnahmen Rule F2. und F3.!
&#9658;INFO: Ein Proper aus nicht Release relevaten Gruenden ist nicht gestattet,
falsche NFO Daten/falsche Nummerierung etc.
&#9658; L - Kommentar: &#9668;
------------------
Fuer alle nicht beantworteten Fragen gelten die aktuellen XviD/DVDR Rules.
Alle hier nicht aufgefuehrten Release sind internal zu labeln (Rule A4.):
DSRRips, PDTV.dubbed, SVCD, dTVDVDR, HDDVDR, HDTV Release mit Logo,
1080p, custom subbed, dupes, ebenso Streamrips von Movieportalen...
Proper Release, die nicht die Uebernahme der Serie zur Folge haben, sind
gedacht um nicht bemerkte Qualitaetsmaengel der Groups zu beheben bzw.
dafuer Sorge zu tragen, dass die Release zeitnahe kommen.
Die Rules fuer HD Release sind sicher noch nicht ausgereift. Das liegt vor
allem an den mangelden Erfahrungswerten. Es sollte daher im Jahre 2008
ein Update in dieser Richtung erfolgen.
Diese Rules sind gueltig ab dem 01.05.2007 und finden nur Anwendung auf
Serien und TV Sendungen, die nach dem 01.05.2007 beginnen.
signed by ITG - SOF &#9604;&#9604;&#9600;&#9600;&#9604;
&#9604;&#9604;&#9600;&#9600;&#9604;&#9604;&#9608;&#9600;&#9604;&#9600;&#9604;
&#9604;&#9604;&#9600;&#9600;&#9604;&#9604;&#9608;&#9600;&#9600;&#9608;&#9604;&#9617;&#9617;&#9600;&#9604;&#9600;&#9604;
PSH - NVA &#9604;&#9604;&#9600;&#9600;&#9604;&#9604;&#9608;&#9600;&#9617;&#9600;&#9608;&#9604;&#9617;&#9604;&#9608;&#9608;&#9604;&#9604;&#9600;&#9608;&#9604;&#9600;&#9604;
&#9604;&#9604;&#9600;&#9600;&#9604;&#9604;&#9600;&#9608;&#9600;&#9617; &#9608;&#9604;&#9604;&#9608;&#9600;&#9608;&#9608;&#9600;&#9617;&#9600;&#9608;&#9604;&#9604;&#9608;&#9612;&#9616;&#9608;
&#9604;&#9604;&#9600;&#9600;&#9604;&#9604;&#9600;&#9600;&#9608;&#9604;&#9617; &#9608;&#9604;&#9608;&#9600;&#9600;&#9608;&#9604;&#9617; &#9608;&#9604;&#9604;&#9608;&#9608;&#9600;&#9600; &#9617;&#9604;&#9612;
iNSPiRED &#9604;&#9604;&#9600;&#9600;&#9604;&#9604;&#9600;&#9600;&#9600;&#9608;&#9608;&#9604; &#9600;&#9608;&#9608;&#9600;&#9617;&#9600;&#9604;&#9617;&#9604;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600; &#9604;&#9604;&#9600;&#9600;
&#9604;&#9600;&#9600;&#9604;&#9604;&#9608;&#9608;&#9600; &#9604; &#9600;&#9608;&#9608;&#9600;&#9608;&#9608;&#9604;&#9604;&#9608;&#9608;&#9608;&#9600;&#9600; &#9604;&#9604;&#9600;&#9600;
&#9616;&#9612;&#9616;&#9608;&#9619;&#9619;&#9608;&#9612; &#9604;&#9619;&#9619;&#9612; &#9616;&#9608;&#9604; &#9608;&#9608;&#9600;&#9600; &#9604;&#9604;&#9600;&#9600; co-signed:
&#9600;&#9608; &#9600;&#9608;&#9619;&#9619;&#9608;&#9604; &#9600;&#9600; &#9604;&#9608;&#9608;&#9600;&#9600; &#9604;&#9604;&#9600;&#9600;
&#9600;&#9604; &#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9604;&#9600;&#9600; euHD - CDDHD
&#9600;&#9604; &#9600;&#9619;&#9619;&#9600;&#9600; &#9604;&#9604;&#9600;&#9600; GSF - CDD - DAW
&#9600;&#9604;&#9618;&#9612;&#9604;&#9604;&#9600;&#9600;
&#9617;&#9600;
E.o.F------------------------------------------------------------------------</pre>
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<pre class="nfo"> &#9619;&#9608;&#9604; &#9604;&#9604;&#9600;&#9600;&#9600;&#9604;&#9604;
&#9608;&#9608;&#9608; &#9619;&#9608;&#9612;&#9604;&#9619;&#9604; &#9600;&#9619;&#9604;&#9604; &#9604; &#9604;&#9619; &#9604;&#9604;&#9604;
&#9600;&#9608;&#9619;&#9619;&#9608;&#9608;&#9617;&#9618;&#9619;&#9608;&#9604;&#9608;&#9604;&#9604;&#9604;&#9608;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9608;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9618;&#9619;&#9608;&#9619;&#9608;
&#9619;&#9619;&#9608; &#9604;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600;&#9619;&#9600;&#9616;&#9608;&#9619; &#9600;&#9600;&#9600;
&#9617;&#9617; &#9600;&#9600;&#9604;&#9604;&#9604;&#9600;&#9600;
&#9617; High.Def.x264.German.Movie.Standards.v1.nfo
&#9617; [ Intro ]
Das Ziel dieser Rules ist vor allem eins: Kompatibilitaet
Ausser einem Mittelklasse PC sollte nichts weiter
erforderlich sein, um Releases abspielen zu koennen. Rips der
qualitativ hochwertigen BluRays, respektive HDDVDs sollten
somit ohne Probleme auf DVDs gebrannt werden koennen, um
sie dann auf einem HTPC abspielen zu koennen. Eine
Weiterverarbeitung auf BluRay bzw HDDVD Medien ist nicht das
Ziel dieser Rules.
Das Thema Filesize war ein weiterer Schwerpunkt bei der
Ausarbeitung dieser Rules. DVD9 verursacht fuer viele Filme
jenseits der 2-Stunden-Marke eine zu unnoetig hohe Bitrate,
was erstens zu laengeren Downloadzeiten fuehrt und zweitens
mehr Space auf der Festplatte erfordert. Des Weiteren
steigen mit hohen Bitraten auch die
Hardwareanforderungen. Ziel dieser Rules ist jedoch
Kompatibilitaet und ein Kompromiss aus angemessener Size
sowie Qualitaet.
Diese Rules beziehen sich ausschliesslich auf 720p Releases.
[ Vorherige Releases ]
Diese Rules gelten nicht fuer fruehere Releases, und somit
ist es nicht erlaubt aeltere Releases unter Anwendung der
neuen Rules zu propern.
[ General ]
1.1) RAR/SFV/NFO/SAMPLE notwendig.
1.2) RAR Groessen von 50MB, 100MB oder 150MB sind zu verwenden.
1.3) Releases muessen im mkv container vorliegen, alternativ
im TS container.
1.4) NFO muss Informationen zu Video- und Audiobitrate, sowie
zur Aufloesung enthalten.
1.5) BluRay und HDDVD Sourcen dupen sich gegenseitig.
1.6) Verzeichnisnamen sind folgendermassen zu waehlen:
Movie.Name.{YEAR}.German.&#60;AC3|DTS>.DUBBED.{DL}.720p.
&#60;HDDVD|BluRay>.x264.{PROPER|READ.NFO|REPACK}-GROUP
Syntax: {optional} &#60;entweder|oder>
1.7) KEINE Intros, Outros, Betweenos (alles was nicht zum Film
gehoert).
1.8) Ein Sample von etwa 60sec muss beiliegen.
1.9.1) Es muss vom finalen Release herausgeschnitten werden
und darf nicht separat encoded werden.
1.9.2) Es muss in einem Unterordner des eigentlichen Releases
liegen > &#34;Sample&#34;.
[ Groessen ]
2.1) Erlaubte Groessen: DVD5(4479MB), [1.5xDVD5(6718MB)], oder DVD9(8138MB).
2.2) Bei animierten Filmen kann auch folgende Groesse verwendet werden:
[0.5xDVD5(2240MB)].
2.3) Diese Groessen duerfen maximal um 40MB unterschritten werden.
2.4) Aufsplittung auf 2xDVD5 oder sonstige Groessen sind nicht erlaubt.
2.5) Fuer extrem lange Filme kann sich die Groesse nach oben verschieben;
hier bitte ein vielfaches von 0.5xDVD5 (2240MB) verwenden.
[ Audio ]
3.1) Erlaubte Audiospuren:
3.1.1) AC3(DD5.1|DD2.0|DD1.0) untouched (bevorzugt) oder erzeugt aus
EAC3(DD+), LPCM.
3.2.1) DTS untouched (bevorzugt) oder erzeugt aus DTS-HD, LPCM.
3.2) Nicht erlaubte Audiospuren:
3.2.1) EAC3(DD+), DTS-HD, TRUEHD, LPCM, FLAC.
3.2.2) Bei Konzerten MHDDVD/MBLURAY ist FLAC erlaubt.
3.4) Alle AC3 Spuren sollten 640kbps(6ch) aufweisen, ausser die Source kommt
mit geringerer Bitrate oder weniger Channels (stereo|mono) daher.
3.5) Releases mit mehr als einer Audiospur sind erlaubt (DL/ML).
3.5.1) Es sei denn die Bitrate faellt deswegen unter 4mbps.
3.5.2) Versuche ein Release mit einer Tonspur mit einem DL oder ML
Release zu propern sind ungueltig.
[ Video ]
4.1) Minimum Bitrate darf 4000kbps nicht unterschreiten.
4.1.1) Werden die 4000kbps unterschritten ist jeweils die naechst-
hoehere 0.5xDVD5 Groesse zu waehlen.
Beispiel: Bitrate ist &#60; 4000kbps bei DVD5 ist 1.5xDVD5
zu waehlen und erneut die Bitrate zu pruefen.
Bitrate ist &#60; 4000kbps bei 1.5xDVD5 ist DVD9
zu waehlen und erneut die Bitrate zu pruefen.
4.1.2) Animierte Filme koennen 4000kbps unterschreiten;
eine Groesse von 0.5xDVD5 ist allerdings einzuhalten.
4.2) Alle Filme muessen in ihrer urspruenglichen Framerate bleiben
(fast immer 23.976fps).
4.3) Es sind Minimum 2 bframes zu verwenden.
4.4) 2-pass Encode ist Minimum.
4.5) Schwarze Balken sind wegzucroppen.
4.6) Hoehe und Breite muessen mod 16 konform sein.
4.7) 720p steht bedeutend fuer eine maximale Aufloesung von 1280x720.
4.7.1) Folgende Aufloesungen sind zulaessig:
- 1280 x 528 = 2.40 AR
- 1280 x 544 = 2.35 AR
- 1280 x 688 = 1.85 AR
- 1280 x 720 = 1.78 AR
- 960 x 720 = 1.33 AR
4.7.2) Es gibt hier natuerlich Ausnahmen. Dort ist entprechend
eine andere Aufloesung zu waehlen (mod 16).
4.8) Was zaehlt, ist die AR der Source, und nicht was beispielsweise auf
zu IMDB lesen ist.
4.9) --deblock kann/muss/sollte je nach Source variiert werden.
[ Subtitles ]
5.1) Fehlende Subs koennen nicht als Propergrund dienen.
Hier ist wenn ueberhaupt ein Subpack einem neuen Release zu bevorzugen.
5.2) Multi-language subtitles koennen nicht als Basis fuer einen Dupe
dienen.
5.3) Subtitles muessen in den mkv container gemuxt werden.
5.4) Es sind keine &#34;forced&#34; Subtitles ins Bild zu encoden.
5.5) &#34;Subs&#34; Ordner sind verboten.
5.6) Subs sollten lesbar sein! (Bitte Einstellungen ueberpruefen, falls
notwendig)
5.7) Subs muessen in einem text-basierten Format vorliegen,
das in den mkv container gemuxt wird.
[ Encoding ]
6.0) Zu verwendende x264 cmd-line Parameter (mindestens):
Pass 1:
x264.exe --pass 1 --bitrate x --threads auto --thread-input --bframes 3
--me dia --ref 1 --subme 1 --no-dct-decimate --partitions none --progress
--no-psnr --no-ssim --output NUL
Pass 2:
x264.exe --pass 2 --bitrate x --threads auto --bframes 3 --b-pyramid --bime
--weightb --b-rdo --me umh --ref 5 --mixed-refs --subme 7 --trellis 1
--8x8dct --no-fast-pskip --progress --no-psnr --no-ssim --output x.mkv
6.1) Grobe Abweichungen von Regel 6.0 sind durchaus Grund fuer einen Proper
(z.b. Qualitaetsminderung um an Geschwindigkeit zu gewinnen, usw).
[ Dubbed ]
Fuer Dubbed Releases gelten dieselben Rules wie fuer Retails,
mit folgenden Ausnahmen:
7.0) Ein dubbed Release ist nur zulaessig, sofern keine Retail Source
mit deuschem Ton existiert. Sollte innerhalb der naechsten 30 Tage eine
Retail erscheinen ist ebenfalls kein Release zulaessig.
7.1) Verzeichnisnamen sind folgendermassen zu waehlen:
Movie.Name.YEAR.German.&#60;AC3|DTS>.DUBBED.&#60;DL>.720p.
&#60;HDDVD/BluRay>.x264.&#60;PROPER|READ.NFO|REPACK>-GROUP
7.2) Als Audiospuren sind AC3 und DTS zulaessig (von der retail DVD),
aber keine Lines (Cinema).
[ Signed By ]
CDDHD EMPiRE FATE
&#9617;
[ Diese Rules gelten ab 19.11.2007 00:00:01 GMT+1 ]
&#9617;
&#9617;
&#9604;&#9604;&#9600;&#9600;&#9600;&#9604;&#9604; &#9618;&#9617;
&#9604;&#9604;&#9604; &#9619;&#9608;&#9612;&#9604;&#9619;&#9604; &#9600;&#9619;&#9604;&#9604;&#9604;&#9600; &#9608;&#9619;&#9619;
&#9608;&#9619;&#9608;&#9619;&#9618;&#9619;&#9619;&#9608;&#9608;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9608;&#9600;&#9600;&#9600;&#9608;&#9600;&#9608;&#9619;&#9618;&#9617;&#9608;&#9608;&#9619;&#9619;&#9608;&#9604;
&#9600;&#9600;&#9600; &#9619;&#9600; &#9600; &#9600;&#9600;&#9619;&#9604; &#9600;&#9619;&#9600;&#9616;&#9608;&#9619; &#9608;&#9608;&#9608;cpN
&#9600;&#9600;&#9604;&#9604;&#9604;&#9600;&#9600; &#9600;&#9608;&#9619;
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<pre class="nfo">
&#9619;&#9608;&#9604; &#9604;&#9604;&#9600;&#9600;&#9600;&#9604;&#9604;
&#9608;&#9608;&#9608; &#9619;&#9608;&#9612;&#9604;&#9619;&#9604; &#9600;&#9619;&#9604;&#9604; &#9604; &#9604;&#9619; &#9604;&#9604;&#9604;
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&#9619;&#9619;&#9608; &#9604;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600;&#9619;&#9600;&#9616;&#9608;&#9619; &#9600;&#9600;&#9600;
&#9617;&#9617; GERMAN.RETAiL.XviD.RELEASiNG.GUiDELiNES &#9600;&#9600;&#9604;&#9604;&#9604;&#9600;&#9600;
&#9617;
November 2007
Requirements: Notepad with terminal font or any other ascii viewer.
GENERAL:
Jedes als deutscher Retail-DVDRiP getaggtes Release muss von einer
originalen, sich im Besitz der jeweiligen Group befindlichen DVD stammen.
Dies impliziert, dass sowohl Video/Audio als auch alle anderen fuer das
Release verwendeten Materialen (AC3-Addons, Subtitles) aus dem selben
Vobset stammen und direkt von diesem encodiert oder extrahiert werden
muessen. Das Benutzen von DVDR-Releases bzw. das Klauen einer fremden
Source ist untersagt.
CODEC:
Als Compressor/Decompressor ist nur der XviD-Codec mit der Verwendung
der 2-pass-Encodingmethode und variabler Bitrate erlaubt. Die Verwendung
aktueller XviD-Binaries ist erlaubt.
VIDEO:
Aufloesung und Seitenverhaeltnis:
- Breite: 512 bis 576 Pixel bei FullScreen (1.33:1)
576 bis 672 Pixel bei WideScreen und LB (1.85:1 und 2,35:1)
- Breite und Hoehe: Muessen ein Vielfaches von 16 sein (mod16)
Cropping:
- Das Croppen und Resizen erfolgt nach dem ITU-R BT.601-Standard*
- Das Bild muss komplett freigestellt sein, es duerfen keine schwarzen
Balken im XviD verbleiben
- Das Seitenverhaeltnis darf maximal 3% von dem des Input-ARs**
abweichen
- Das Input-AR sollte moeglichst exakt dem AR des freigestellten Videos
entsprechen; es sind maximal 4 weitere Pixelzeilen (jeweils oben+unten
oder links+rechts) als zusaetzlicher Overcrop erlaubt, um einen
niedrigeren AR-Error zu erhalten
- Grundsaetzlich gilt aber: Soviel Bild wie moeglich erhalten, wie es
innerhalb des AR-Error-Bereichs von 3% moeglich ist. Overcropping
gilt als technischer Mangel
*ITU-R BT.601-Standard:
Der ITU-R BT.601-Standard wird als beste Resize-Methode fuer DVDs
empfohlen, um dem Originalseitenverhaeltnis des Films moeglichst nahe
zu kommen.
**Input-AR:
Beim Berechnen des AR-Errors wird stets vom Input-AR ausgegangen.
Das heisst, dass die endgueltige XviD-Aufloesung nicht mit dem
theoretischen, perfekten Seitenverhaeltnis, welches u.a. auf der
DVD-Huelle angegeben ist (z.B. exakt 1.85:1), verglichen wird,
sondern dem tatsaechlichen, also dem des freigestellten Bildes,
das man nach dem Croppen erhaelt und erfahrungsgemaess in 95%
der Faelle von den theoretischen Werten leicht abweicht.
Size / Filmlaenge:
- Eine CD darf 695MB nicht unterschreiten und 735.600.000 Bytes nicht
ueberschreiten
- Die Entscheidung fuer die CD-Anzahl liegt im Ermessen des Rippers.
Orientierungswerte fuer einen Wechsel auf 2CDs:
bei 1.33:1-AR ab ~095 Minuten
bei 1.85:1-AR ab ~100 Minuten
bei 2.35:1-AR ab ~105 Minuten
- Diese Werte sind ORIENTIERUNGSWERTE, koennen jedoch sowohl unter- als
auch ueberschritten werden
- Beispiel #1: Ein 90-minuetiger Film kann unter Umstaenden auf 2CDs
released werden (falls sehr, sehr schlecht komprimierbar)
- Beispiel #2: Ein 120-minuetiger Film kann unter Umstaenden auf 1CD
released werden (falls (sehr) gut komprimierbar)
- BITRATE != QUALITAET
- Zum Testen der Komprimierbarkeit ist ein Kompressionstest
durchzufuehren, mit dessen Hilfe man anschliessend die Aufloesung
und Size waehlt -> Rule Of Thumb: gut komprimierbar = hohe Aufloesung;
schlecht komprimierbar = niedrige Aufloesung
- Groessere Abweichungen von den Orientierungswerten sollten in der NFO
kurz erwaehnt und begruendet werden, die Entscheidung sollte je nach
Film und dessen Komprimierbarkeit sorgfaeltig ueberdacht werden
Deinterlacing:
- Interlaced Sources muessen entsprechend deinterlaced werden
- NTSC -> PAL Normwandlungen muessen auf ihre urspruengliche Framerate
restored werden (hierfuer eignet sich besonders der &#34;restore24&#34; Filter)
- Progressives Encoden von interlaced Sources ist ein technischer Mangel
Credits/Abspann:
- Ein Encoding des Abspanns mit niedrigerer Bitrate als der Hauptfilm
ist gestattet und erwuenscht, solange im Abspann keine nennenswerten
Bildinformationen enthalten sind. Bei einem 1 CD Release kann der
Abspann entfallen
Codec-Paramter:
- Die Anwendung von QuarterPixel und GlobalMotionCompensation sind
aufgrund von diversen StandAlone-Inkompatibilitaeten ausdruecklich
verboten
- Als Matrix muss MPEG oder H.263 verwendet werden; Custom Matrizen
sind verboten
- Packed Bitstream ist in Verbindung mit 1-BVOP erlaubt, da diese
Kombination DivX5 am naechsten kommt und so auf StandAlonePlayern
fuer die bestmoegliche Kompatibilitaet sorgt
AUDIO:
- Als Audioformate sind MP3 und AC3 erlaubt
- Dupes auf Basis von Audioformat sind iNTERNAL zu halten
- Die Verwendung von AC3 liegt in der Entscheidung des Rippers und
sollte je nach Komprimierbarkeit (siehe oben) eingesetzt werden.
- Transcoding/Downsampling von AC3-Spuren ist verboten
- MP3-Audiospuren muessen mit V- oder A-Bitrates encoded werden, wobei
die minimale durchschnittliche Bitrate bei 128kbps liegt. CBR ist
verboten
- MP3-Audiospuren muessen normalisiert werden
- MP3-Audiospuren muessen der Frequenz ihrer Source-AC3 entsprechen
- AC3-Addons sind keine Pflicht, aber erwuenscht. Die in einem Unterordner
als RAR-Archiv beigefuegten AC3-Streams sollten auf die AVI-Dateien des
Hauptreleases zugeschnitten sein (Split bei 2CDs, bereits integrierter
Delay)
UNTERTITEL:
- Deutsche und fremdsprachige Subtitles fuer den kompletten Film duerfen
im VobSub-Format beigelegt werden (Unterverzeichnis /Subs), sind aber
keine Pflicht. Komplette Untertitelungen duerfen nicht hardcoded werden
(Ausnahmen sind Filme, in denen komplette Untertitelungen als
Forced.Subs* gezaehlt werden wie z.B. &#34;Apocalypto&#34;)
- Forced.Subs* muessen im XviD-Release hardcoded enthalten sein, um Pro-
blemen mit den meisten DVD-Playern entgegenzuwirken (In manchen Filmen
wie z.B. &#34;Apocalypto&#34; gilt die komplette Untertitelung des Films als
Forced.Subtitle und muss somit ebenfalls hardcoded und als
German.Subbed getagged werden). Dies gilt auch fuer deutsch unter-
titelte Dokumentationen
- Das Fehlen von Forced Subs gilt als technischer Mangel
*Forced.Subs:
Jene deutsche Subs, die auf der DVD fuer das Untertiteln fremd-
sprachiger, nicht deutsch synchronisierter Dialoge oder Aufschriften auf
Schildern/Papieren eingeblendet werden.
PACKEN/WINRAR UND CO:
- Die fertigen AVI-Container muessen in RAR-Archive (Kompressionsstufe
store/speichern) gepackt werden und auf 15.000.000 oder 20.000.000
Byte grosse Files gesplittet werden
- Erwuenscht ist die Verwendung der Benennung von Teilarchiven im alten
Stil (*.rar und *.rxx). Das Einbetten von Wiederherstellungs-
informationen in die RAR-Archive wird ausdruecklich empfohlen
- Eine SFV muss fuer jede CD beigelegt werden und Checksummen fuer
alle RAR-Archive der jeweiligen CD enthalten
- Bei 2CD- oder 3CD-Releases muessen die einzelnen CDs in
Unterverzeichnisse gepackt werden (/CD1;/CD2;/...)
- Eine NFO-Datei muss sich im Hauptverzeichnis des Releases befinden
- Zu jedem Release muss ein Sample im AVI-Format beiliegen (/Sample),
welches zwischen 30 und 60 Sekunden lang sein kann und direkt aus der
Release-AVI extrahiert sein muss; seperates Encoden des Samples ist
verboten, da die Aussagekraft dadurch hinfaellig wird
TAGGING:
- Das Benennen der Dateien im Release bleibt den Groups selbst ueber-
lassen, sie sollte aber sinnvoll und ausreichend ausfuehrlich gewaehlt
werden, um Dupefiles vorzubeugen
- Die Verzeichnisse sollten diesem Beispiel-Tag folgen, wobei
&#60;*>-Ausdruecke editiert oder entfernt werden muessen, [*]-Ausdruecke
sind optional und releaseabhaengig:
&#60;Film.Titel>.German.[SUBBED].[ANiME].[DOKU].[YEAR].[AC3].[PROPER].
DVDRiP.XviD.[iNTERNAL].[REPACK].[READ.NFO]-&#60;GROUP>
- Das Einfuegen des YEAR-Tags nach der IMDB ist bei CineRetail/Major-
Releases optional, bei STV allerdings Pflicht
- Weitere optionale Tags sind: CHRONO, DC, EXTENDED, REAL, REMASTERED,
RERIP, RETAIL, SE, SUBBED, THEATRICAL, UNCUT, UNRATED
PROPER:
Ein Proper-Release ist notwendig und valid, wenn:
- Ein anderer Codec als XviD verwendet wurde (bad.Codec)
- Aufloesungen ausserhalb der gegebenen Grenzen verwendet wurden
(bad.resolution)
- X- und/oder Y-Aufloesung kein Vielfaches von 16 sind (!=mod16)
(bad.resolution)
- Ein groesserer AR-Error als 3% vorliegt (bad.ar)
- Unnoetig viel Bild an den Raendern gecropped wurde (overcropped)
- Nicht alle schwarzen Balken gecropped wurden (bad.crop)
- Interlaced Frames vorliegen (interlaced.frames)
- QPel, GMC oder PB in Kombination mit mehr als 1 B-VOP verwendet
wurden (bad.Codec.parameters)
- Ein anderes Audioformat als MP3 oder AC3 verwendet wurde
(bad.audio.Codec)
- Die AC3-Audiospur downsampled/transcoded wurde (touched.AC3)
- Die durchschnittliche MP3-Bitrate unter 128kbps liegt
(low.audio.bitrate)
- Eine konstante MP3-Bitrate (CBR) statt einer variablen verwendet
wurde (cbr.audio)
- Anstatt der Forced.Subs die kompletten Untertitel hardcoded wurden
(hardcoded.subs.throughout.whole.movie)
- Die Forced.Subs fehlen, nicht hardcoded oder out of sync sind
(missing.forced.subs bzw subs.out.of.sync)
- Ein Proper ist max. bis 7 Tage nach offiziellem Store-Date moeglich
NFO:
Fuer die NFO, die jedem Release pflichtmaessig beizulegen ist, gelten
folgende Minimalanforderungen:
- Releasedatum
- Kinostart oder STV
- IMDB-Rating + Votes und IMDB-URL zum Film
- Laufzeit
- Anzahl CDs/RARs
- Videoaufloesung
- Average Videobitrate
- Average Audiobitrate
- Proper/Repack-Notes bei Proper/Repack-Release
[ Signed By ] &#9617;
CRiTiCAL EMPiRE JAM &#9617;
&#9617;
&#9604;&#9604;&#9600;&#9600;&#9600;&#9604;&#9604; &#9618;&#9617;
&#9604;&#9604;&#9604; &#9619;&#9608;&#9612;&#9604;&#9619;&#9604; &#9600;&#9619;&#9604;&#9604;&#9604;&#9600; &#9608;&#9619;&#9619;
&#9608;&#9619;&#9608;&#9619;&#9618;&#9619;&#9619;&#9608;&#9608;&#9608;&#9604;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9608;&#9619;&#9619;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9619;&#9619;&#9608;&#9600;&#9600;&#9600;&#9608;&#9600;&#9608;&#9619;&#9618;&#9617;&#9608;&#9608;&#9619;&#9619;&#9608;&#9604;
&#9600;&#9600;&#9600; &#9619;&#9600; &#9600; &#9600;&#9600;&#9619;&#9604; &#9600;&#9619;&#9600;&#9616;&#9608;&#9619; &#9608;&#9608;&#9608;cpN
&#9600;&#9600;&#9604;&#9604;&#9604;&#9600;&#9600; &#9600;&#9608;&#9619;
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<title>2007_FR_COVERS.nfo</title>
<style type="text/css">
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font-family: nfo;
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<pre class="nfo">RULES FRENCH COVERS
Mise &#945; jour du 01/03/2007
****************************************************************************************************************************
Voici les rules pour la section covers
1 - Type d&#39;image : JPEG obligatoirement
2 - Format image -> le minimum est de 300dpi, les autres alternatives sont 400dpi et 600dpi,
au dessus de ca, et en dessous la release sera nuke.
3 - Tag -> Le tag de la release doit obligatoirement etre Titre.TYPE.HiGH.QUALiTY.DVDCOVER.FRENCH.SCAN-Team
ce tag decvra etre pr&#952;c&#952;d&#952; d&#39;un descriptif en 3 lettre de la provenance(TYPE) de la jaquette :
Version Vente France : VFR
Version Vente Belge : VBE
Version Loc France : LFR
Version Loc Belge : LBE
Il faudra ensuite mettre obligatoirement dans le nfo si celle jaquette est une version location, retail ou promo.
Tag Console : Le tag pour un scan de jeux video sera le suivant Titre.SOURCE.HiGH.QUALiTY.DVDCOVER.CONSOLE.FRENCH.SCAN-Team
La SOURCE &#952;tant soit PAL soit NTSC
CONSOLE : Nom de la console Wii, PS2, XBOX...
Les releases Custom ne sont pas accept&#952;e en covers jeux video.
4 - Les Customs -> Le customs doit etre r&#952;alis&#952; en 300 dpi.
Il peut etre r&#952;alis&#952; &#945; partir d&#39;une jaquette US ou partir de rien. Le but des customs est de propos&#952;e
une belle jaquette pouvant servir avant la sortie du dvd en location ou vente. Une seule release custom
par film sera autoris&#952;e par Team. La deuxieme release custom d&#39;une meme team pour le meme film sera nuke.
Un custom ne peut etre sorti apr&#934;s la parution d&#39;une jaquette Z1 multi ou Z2.
****************************************************************************************************************************
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<head>
<title>2007_FR_COVERSv2.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
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font-family: nfo, courier new;
font-size: 11px;
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<pre class="nfo"> .-~))>>
.~)))))>> .-~))>>)>
.~)))>>))))>> .-~)>>)>
) .~))>>))))>> .-~)))))>>)>
( )@@*) //)>)))))) .-~))))>>)>
).@(@@ //))>>))) .-~))>>)))))>>)>
(( @.@). //))))) .-~)>>)))))>>)>
)) )@@*.@@ ) //)>))) //))))))>>))))>>)>
(( ((@@@.@@ |/))))) //)))))>>)))>>)>
)) @@*. )@@ ) (\_(\-\b |))>)) //)))>>)))))))>>)>
(( @@@(.@(@ . _/`-` ~|b |>))) //)>>)))))))>>)>
)* @@@ )@* (@) (@) /\b|))) //))))))>>))))>>
(( @. )@( @ . _/ / / \b)) //))>>)))))>>>_._
)@@ (@@*)@@. (6///6)- / ^ \b)//))))))>>)))>> ~~-.
( @jgs@@. @@@.*@_ VvvvvV// ^ \b/)>>))))>> _. `bb
((@@ @@@*.(@@ . - | o |&#39; \ ( ^ \b)))>> .&#39; b`,
((@@).*@@ )@ ) \^^^/ (( ^ ~)_ \ / b `,
@@@ (@@. (@@ ). `-&#39; ((( ^ `\ \ \ \ \| b `.
@@@ (*.@* / (((( \| | | \ . b `.
@@@ / / ((((( \ \ / _.-~\ Y, b ;
@@@ / / / (((((( \ \.-~ _.`&#34; _.-~`, b ;
@@@ / / `(((((() ) (((((~ `, b ;
@@@ _/ _/ `&#34;&#34;&#34;/ /&#39; ; b ;
@@@ _.-~_.-~ / /&#39; _.&#39;~bb _.&#39;
@@@ ((((~~ / /&#39; _.&#39;~bb.--~ @@@
@@@ (((( __.-~bb.-~ @@@
@@@ .&#39; b .~~ @@@
@@@ :bb ,&#39; @@@
@@@ ~~~~ @@@
@@@ @@@
@@@ Conseil Inter Team de Covers @@@
@@@ @@@
@@@ 13 mars 2007 - Official_COVERS_Release_Rules_1.0-COVERSCOUNCIL @@@
@@@ @@@
@@@ Groups: SkY, GRI, MDT, WiiCover, XPS @@@
@@@ @@@
@@@ Contact: COVERSCOUNCIL@dupe.fr @@@
@@@ @@@
@@@ @@@
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
@@@ @@@
@@@ @@@
@@@ L&#39;ordre de priorit&#952; des releases : @@@
@@@ @@@
@@@ 1 - custom @@@
@@@ 2 - z1 Canada @@@
@@@ 3 - z2 Belgique location @@@
@@@ 4 - z2 Belgique vente @@@
@@@ 5 - z2 France location @@@
@@@ 6 - z2 France vente @@@
@@@ @@@
@@@ * les titres des jaquettes z1 Canada devront &#8486;tre en anglais @@@
@@@ @@@
@@@ Les hors priorit&#952; : @@@
@@@ @@@
@@@ - Toute zone non comprise entre les points 1 et 6 : @@@
@@@ Par exemple : Les DVDs musicaux,asiatique, mangas,et autres. @@@
@@@ @@@
@@@ Customs et Scans : @@@
@@@ @@@
@@@ 300 DPI &#952;tant le r&#952;solution minimale et 600 DPI la maximale pour @@@
@@@ toutes les jaquettes &#38; stickers @@@
@@@ Les seuls formats autoris&#952;s sont : JPG et JPEG @@@
@@@ @@@
@@@ La liste des caract&#934;res autoris&#952;s dans le nom du r&#952;pertoire: @@@
@@@ @@@
@@@ ABCDEFGHIJKLMNOPQRSTUVWXYZ @@@
@@@ abcdefghijklmnopqrstuvwxyz @@@
@@@ 0123456789. -_ @@@
@@@ @@@
@@@ Exemples de nom de r&#952;pertoire : @@@
@@@ @@@
@@@ - LBE = Location Belge @@@
@@@ - VFR = Vente France @@@
@@@ - VQC = Vente Canada @@@
@@@ - Dans le cas de plusieurs films avec le m&#8486;me titre, @@@
@@@ la date de production sera ajout&#952;e @@@
@@@ Jaquette : @@@
@@@ @@@
@@@ 1 - Titre.HIGH.QUALITY.DVDCOVER.FRENCH.CUSTOM-TeaM @@@
@@@ 2 - Titre.HIGH.QUALITY.DVDCOVER.VQC.FRENCH.SCAN-TeaM @@@
@@@ 3 - Titre.HIGH.QUALITY.DVDCOVER.VQC.MULTI.SCAN-TeaM @@@
@@@ 4 - Titre.HIGH.QUALITY.DVDCOVER.LBE.FRENCH.SCAN-TeaM @@@
@@@ 5 - Titre.HIGH.QUALITY.DVDCOVER.LBE.MULTI.SCAN-TeaM @@@
@@@ 6 - Titre.HIGH.QUALITY.DVDCOVER.VBE.FRENCH.SCAN-TeaM @@@
@@@ 7 - Titre.HIGH.QUALITY.DVDCOVER.VBE.MULTI.SCAN-TeaM @@@
@@@ 8 - Titre.HIGH.QUALITY.DVDCOVER.LFR.FRENCH.SCAN-TeaM @@@
@@@ 9 - Titre.HIGH.QUALITY.DVDCOVER.LFR.MULTI.SCAN-TeaM @@@
@@@ 10 - Titre.HIGH.QUALITY.DVDCOVER.VFR.FRENCH.SCAN-TeaM @@@
@@@ 11 - Titre.HIGH.QUALITY.DVDCOVER.VFR.MULTI.SCAN-TeaM @@@
@@@ @@@
@@@ Jaquette et sticker : @@@
@@@ @@@
@@@ Titre.HIGH.QUALITY.DVDDUO.VBE.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.DVDDUO.VBE.MULTI.SCAN-TeaM @@@
@@@ @@@
@@@ S&#952;rie : @@@
@@@ @@@
@@@ Titre.integrale.HIGH.QUALITY.DVDCOVER.VBE.FRENCH.SCAN-TeaM @@@
@@@ Titre.integrale.HIGH.QUALITY.DVDCOVER.VBE.MULTI.SCAN-TeaM @@@
@@@ Titre.SxxExx.HIGH.QUALITY.DVDCOVER.LFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.SxxExx.HIGH.QUALITY.DVDCOVER.LFR.MULTI.SCAN-TeaM @@@
@@@ @@@
@@@ Jeux : @@@
@@@ @@@
@@@ Est autoris&#952; uniquement le format DVD @@@
@@@ @@@
@@@ Titre.HIGH.QUALITY.PCCOVER.VFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.PCCOVER.VFR.MULTI.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.PS2COVER.VFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.PS2COVER.VFR.MULTI.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.XBOXCOVER.VFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.XBOXCOVER.VFR.MULTI.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.XBOX360COVER.VFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.XBOX360COVER.VFR.MULTI.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.WiiCOVER.VFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.WiiCOVER.VFR.MULTI.SCAN-TeaM @@@
@@@ @@@
@@@ Avec sticker : @@@
@@@ @@@
@@@ Titre.HIGH.QUALITY.XBOXCOVER.CD.VFR.FRENCH.SCAN-TeaM @@@
@@@ Titre.HIGH.QUALITY.XBOXCOVER.CD.VFR.MULTI.SCAN-TeaM @@@
@@@ @@@
@@@ Audio : @@@
@@@ @@@
@@@ La release doit comporter obligatoirement le front et @@@
@@@ le back, le sticker &#952;tant optionnel. @@@
@@@ @@@
@@@ Sans sticker : @@@
@@@ Auteur-Titre.HIGH.QUALITY.AUDIOCOVER.SCAN-TeaM @@@
@@@ Avec sticker : @@@
@@@ Auteur-Titre.HIGH.QUALITY.AUDIOCOVER.CD.SCAN-TeaM @@@
@@@ @@@
@@@ Le NFO doit comporter : @@@
@@@ @@@
@@@ - Le nom de la release @@@
@@@ - Les DPI du custom/scan @@@
@@@ - La date de la release @@@
@@@ @@@
@@@ Si custom : @@@
@@@ @@@
@@@ - Les r&#952;alisations des customs devront imp&#952;rativement &#8486;tre @@@
@@@ r&#952;alis&#952;s avecdes images d&#39;une r&#952;solution minimale de 300 dpi @@@
@@@ ( a exclure affiches allocine et autres affiches similaires ) @@@
@@@ - Le pseudonyme du customiseur/cr&#952;ateur/team @@@
@@@ @@@
@@@ @@@
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@</pre>
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<pre class="nfo"> &#9604;&#9619;&#9600;&#9600;&#9604;
&#9619;&#9608;&#9612;
TiME &#9618;&#9604;&#9604; &#9604;&#9604;&#9608; &#9604;&#9608;&#9608;&#9608;&#9612;
&#9604;&#9604;&#9604;&#9617; &#9619;&#9619;&#9619;&#9604;&#9604; &#9617;&#9604;&#9604;&#9604;&#9604;&#9604;&#9619;&#9608;&#9608;&#9608; &#9632;&#9604;&#9604;&#9608;&#9608;&#9608;&#9608; &#9604;&#9619;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9604;
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&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619;
&#9619;&#9608; HIGH COUNCIL for FRENCH TV/SERIE RULES &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Date: HCRV1SERIE-FRENCH-2004-TiME........................28/09/04 &#9608;&#9608;
&#9608;&#9608; Date: HCRV2SERIE-FRENCH-2004-TiME........................18/10/04 &#9608;&#9608;
&#9608;&#9608; Date: HCRV3SERIE-FRENCH-2005-TiME........................02/03/05 &#9608;&#9608;
&#9608;&#9608; Date: HCRV4SERIE-FRENCH-2005-TiME........................15/06/05 &#9608;&#9608;
&#9608;&#9608; Date: HCRV5.TV.SERIE-FRENCH-2005-TiME....................08/10/05 &#9608;&#9608;
&#9608;&#9608; Date: HCRV6.TV.SERIE-FRENCH-2006-TiME....................15/02/06 &#9608;&#9608;
&#9608;&#9608; Date: HCRV7.TV.SERIE-FRENCH-2006-TiME....................22/05/06 &#9608;&#9608;
&#9608;&#9608; Date: HCRV8.TV.SERIE-FRENCH-2006-TiME....................22/08/06 &#9608;&#9608;
&#9608;&#9608; Date: HCRV9.TV.SERIE-FRENCH-2007-TiME....................22/01/07 &#9608;&#9608;
&#9608;&#9608; Date: HCRV9.1.TV.SERIE-FRENCH-2007-TiME..................03/02/07 &#9608;&#9608;
&#9608;&#9608; &#9608;&#9608;
&#9617; &#9619;&#9608; Team: .PEPiTO.TLW.FoReVer.HYBRIS.BAWLS.Ex&#39;s Team.VXZ.TVrIders. &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608; .1TV.PROUT.SLY.AWARE.KLiT.EVIDENCE.AVN. &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9618; &#9619;&#9608; &#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; RELEASE NOTES &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
Chers membres de la sc&#934;ne fran&#964;aise,
Voici la version 9.1 du HCR TV/s&#952;rie.Suite a quelque petite erreur
glisser dans la version 9.0 nous avons convenu de sortir ce que
nous appellerons une mise a jours du HCR, nous r&#952;int&#952;grons dans cette
version le ABR et nous introduisons les rules HD, nous tenons a
remercier KLiT et CiNEFOX pour leur aide et support dans la r&#952;daction
de c&#39;est rules et leur expertise en la mati&#934;re.Le CBR est bani comme
il l&#39;est dans bien d&#39;autre section.Le CBR est d&#952;suet et il est le
synonyme d&#39;une ere et d&#39;un passer r&#952;volue car nous nous tournons vers
le futur, un futur de qualit&#952; in&#952;galer.Nous condamnons le comportement
des teams qui ne supporte pas le HCR car ceci est un manque flagrant
de respect envers les teams qui le r&#952;dige et agisse comme fondation
de celui-ci le HCR est un projet comme il y en a peu dans la scene
de collaboration et d&#39;entraide car m&#8486;me si les teams demeure en
comp&#952;titions rien n&#39;interdit que ce soi une saine et une comp&#952;tions
ou tous apporte sont petit quelque chose alors nous demandons au team
n&#39;ayant pas signer le hcr de le respecter car la plupart de vos
r&#952;tisence face a celui-ci ne sont plus et celle qui reste c&#39;est &#945;
vous de les faire avancer et &#952;voluer dans un d&#952;bat lors des r&#952;unions
du HCR ou vous &#8486;tes tous les bienvenus.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; TVRiP RULES v9.1 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
1) G&#952;n&#952;rales:
101... Les &#952;pisodes d&#39;une s&#952;rie/saison doivent &#8486;tre PRE dans l&#39;ordre de diffusion.
102... La race est autoriser pour les HD-DVTV --> 1080p/1080i --> 720p --> HR-HDTV/HR-PDTV --> DVTV --> HDTV --> HVTV --> PDTV --> DSRIP/DSR --> SDTV/SATRIP
103... Les sp&#952;cificit&#952;s audio/vid&#952;o/codec/r&#952;solution doivent &#8486;tre les m&#8486;mes entre les &#952;pisodes d&#39;une s&#952;rie/saisons, ce sont
celle introduite lors du PRE de l&#39;E01 qui sont celle de r&#952;f&#952;rence.
2) Source/broadcast:
201... Ordre de qualit&#952;: HD-DVTV --> 1080p/1080i --> 720p --> HR-HDTV/HR-PDTV --> DVTV --> HDTV --> HVTV --> PDTV --> DSRIP/DSR --> SDTV/SATRIP:
HD-DVTV: Source vid&#952;o provenant exclusivement d&#39;un HD-DVD RETAiL/BLUE RAY RETAiL ou HD-DVDRiP Z1/Z2 RETAIL
propre ou &#952;tranger au team la source audio propre au team provient d&#39;une capture de source num&#952;rique.
1080p/1080i: Source vid&#952;o/audio provenant d&#39;une capture num&#952;rique via une carte HDTV d&#39;une
chaine diffusant dans une r&#952;solution full hd propre au team.
720p: Source vid&#952;o/audio provenant d&#39;une capture num&#952;rique via une carte HDTV d&#39;une
chaine diffusant dans une r&#952;solution 720p ou plus propre au team.
HR-HDTV/HR-PDTV: Source vid&#952;o/audio provenant d&#39;une capture num&#952;rique via une carte HDTV d&#39;une
chaine diffusant dans une r&#952;solution sup&#952;rieure a 720x576 propre au team.
DVTV: Source vid&#952;o provenant exclusivement d&#39;un DVD RETAiL ou DVDRiP Z1/Z2 RETAIL propre ou &#952;tranger au team
la source audio propre au team provient d&#39;une capture de source num&#952;rique.
HDTV: Source vid&#952;o/audio provenant d&#39;une capture num&#952;rique via une carte HDTV d&#39;une
chaine diffusant dans une r&#952;solution sup&#952;rieure a 720x576 propre au team.
HVTV: Source vid&#952;o provenant d&#39;une capture num&#952;rique via une carte HDTV d&#39;une
chaine diffusant dans une r&#952;solution sup&#952;rieure a 720x576 propre ou &#952;tranger au team,
la source audio propre au team provient d&#39;une capture de source num&#952;rique.
202... Un team peut nommer une release HVTV sous l&#39;appelation HDTV dans le dirname de la release.
PDTV: Source vid&#952;o/audio provenant d&#39;une capture num&#952;rique via une carte DVB (C ou S ou bien T) d&#39;une
chaine diffusant en 720x576 propre au team.
DSRIP/DSR: Source vid&#952;o/audio provenant d&#39;une capture num&#952;rique via une carte DVB (C ou S ou bien T)
d&#39;une chaine diffusant dans une r&#952;solution inf&#952;rieure a 720x576 propre au team.
203... Un team peut nommer une release DSRIP sous l&#39;appelation DSR dans le dirname de la release.
SDTV/SATRIP: Source vid&#952;o/audio provenant d&#39;une capture d&#39;une source num&#952;rique satellite ou c&#915;ble
avec une carte d&#39;acquisition analogique ou graveur DVD avec branchement analogique propre au team.
TVRIP: Cette Source/broadcast est d&#952;finitivement bani.
204... Les releases d&#39;une m&#8486;me s&#952;rie/saison mais ayant de diff&#952;rent broadcasts sont autoris&#952; sans &#8486;tre consid&#934;rer comme &#952;tant dupe.
3) Format:
Vid&#952;o:
301... Seul le XViD (1.x)/X264/DiVX (6.x) sont autoris&#952;.
302... Une Team doit toujours releaser en 2 pass le XViD (1.x)/X264/DiVX (6.x).
303... Une release X264 doit toujours &#8486;tre releaser sous forme d&#39;internal.
304... Le SBC/VCD sont interdits.
305... Une s&#952;rie sans action doit comporter un bitrate minimal de 700 kbps.
306... Une s&#952;rie avec action doit comporter un bitrate minimal de 900 kbps.
307... Le fichier doit toujours &#8486;tre sous forme de .avi pour du XViD (1.x)/X264/DiVX (6.x).
308... Le fichier peu aussi &#8486;tre sous forme de .mkv pour du X264.
309... Aucune release de 3 CD et + n&#39;est autoris&#952;e.
310... L&#39;utilisation des options avancer dans un codec (QPEL/GMC...) sont interdite.
Audio:
311... Dois &#8486;tre du MP3 ABR/VBR 128kbps minimum, 44.1khz/48khz ou de type AC3.
312... Dois &#8486;tre ST&#9556;R&#9556;O sauf si la cha&#949;ne diffuse en MONO.
313... Doit &#8486;tre obligatoirement un AC3 2.0/AC3 5.1 lorsqu&#39;il s&#39;agit d&#39;un HD-DVTV, 1080p/1080i, 720p, HR-HDTV/HR-PDTV
Subfrench/Fansub:
314... Les FANSUB sont interdit.
315... Les SUBFRENCH sont autoris&#952;s.
R&#952;solution pour les s&#952;ries en DVTV, HDTV, PDTV, DSRIP/DSR et SDTV/SATRIP:
401... Les releases diffuser en 16/9 (WS) doivent poss&#952;der une r&#952;solution minimal de 576 et maximal de 720 en largeur.
402... Les releases diffuser en 4/3 (FS) doivent poss&#952;der une r&#952;solution minimal de 576 et maximal de 704 en largeur.
R&#952;solution pour les s&#952;ries en HD-DVTV --> 1080p/1080i --> 720p --> HR-HDTV/HR-PDTV:
403... Les releases HD-DVTV en 16/9 (WS) doivent poss&#952;der une r&#952;solution minimal de 1280x720.
404... Les releases HD-DVTV en 4/3 (FS) doivent poss&#952;der une r&#952;solution minimal de 960x720.
405... Les releases 1080p/1080i en 16/9 (WS) doivent poss&#952;der une r&#952;solution de 1920x1080.
406... Les releases 1080p/1080i en 4/3 (FS) doivent poss&#952;der une r&#952;solution de 1440x1080.
407... Les releases 720p en 16/9 (WS) doivent poss&#952;der une r&#952;solution de 1280x720.
408... Les releases 720p en 4/3 (FS) doivent poss&#952;der une r&#952;solution de 960x720.
409... Les releases HR-HDTV doivent poss&#952;der une r&#952;solution de 960x528.
410... Les releases HR-PDTV doivent poss&#952;der une r&#952;solution de 704x528.
411... Toutes les r&#952;solutions 16/9 ou 4/3 doivent &#8486;tre en multiple de 16.
412... Une d&#952;formation de 5% maximal sur l&#39;AR est autoris&#952; sauf pour les releases en 4/3.
413... Le cropping d&#39;une release est obligatoire.
414... L&#39;ivtc d&#39;une release est obligatoire.
415... Le d&#952;sentrelacement d&#39;une release est obligatoire (sauf pour les rlz en 1080i bien &#952;videment).
416... L&#39;utilisation d&#39;un filtre de d&#952;sentrelacement ayant un effet de blend et/ou de ghost est interdite.
417... L&#39;intro et le g&#952;n&#952;rique de fin sont pr&#952;f&#952;rable mais non obligatoire.
Taille:
HD-DVTV, 1080p/1080i, 720p:
501.... &#9556;pisode de 20-29mn = 700 &#945; 1480 Mo
502.... &#9556;pisode de 30-49mn = 1110 &#945; 2220 Mo
503.... &#9556;pisode de + de 50mn = 2220 &#945; 4440 Mo
HR HDTV/HR PDTV:
504.... &#9556;pisode de 20-29mn = 350 &#945; 490 Mo
505.... &#9556;pisode de 30-49mn = 490 &#945; 700 Mo
506.... &#9556;pisode de + de 50mn = 700 &#945; 1480 Mo
DVTV --> HDTV --> HVTV --> PDTV --> DSRIP/DSR --> SDTV/SATRIP:
507.... &#9556;pisode de 20-29mn = 175 &#945; 275 Mo
508.... &#9556;pisode de 30-49mn = 275 &#945; 490 Mo
509.... &#9556;pisode de + de 50mn = 400 &#945; 700 Mo
Logo:
601... Le logo doit &#8486;tre de pr&#952;f&#952;rence flout&#952;, si possible, selon la chaine.
4) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
701... Codec video.
702... Codec audio.
703... Resolution.
704... Bitrate video.
705... Bitrate audio.
706... Aspect ratio.
707... Nombre de rar.
5) Package:
801... Dirname: TITRE.DE.LA.ETV/s&#952;rie.US.S01E01.FRENCH.BROADCAST.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1E01.FRENCH.BROADCAST.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.00.00.0000.FRENCH.BROADCAST.CODEC-TEAM
Titre_De_La_ETv/s&#952;rie.Us.s&#952;rie/saisonxEPISODE.FRENCH_BROADCAST_CODEC-TEAM
Titre_De_La_ETv/s&#952;rie.Us.00.00.0000.FRENCH_BROADCAST_CODEC-TEAM
Ex: Early.Edition.S01E01.FRENCH.HDTV.XVID-TEAM
Early.Edition.S1E01.FRENCH.HDTV.XVID-TEAM
Early.Edition.00.00.000.FRENCH.HDTV.XVID-TEAM
Early_Edition.1x01.FRENCH_HDTV_XVID-TEAM
Early_Edition.00.00.0000.FRENCH_HDTV_XVID-TEAM
802... Le titre de la etv/serie dois &#8486;tre soit francais ou anglais.
803... Une release doit comporter la mention .TRUEFRENCH. si il y a diff&#952;rence de traduction entre la version Z1/Z2.
804... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
805... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789. -_
806... Pour les &#952;pisodes final un team doit toujours inscrire .FINAL. dans le dirname avant le .FRENCH.
807... Les sous-dossiers doivent &#8486;tre nomm&#952;s CD1/DISK1/DVD1 : aucun autre nom n&#39;est autoris&#952;.
808... Les fichiers RAR doivent &#8486;tre en taile de 15mb ou 20mb ou 50mb et nomm&#952; en OLD Format (.rxx).
6) Proper:
901... Un REPACK est toujours autoris&#952; avant un PROPER mais jamais apr&#934;s.
902... Un PROPER est valide si la rls est d&#952;faillante au niveau audio/vid&#952;o/r&#952;solution.
903... Un PROPER est valide si la rls n&#39;a pas les m&#8486;mes sp&#952;cificit&#952;s audio/vid&#952;o/r&#952;solution que l&#39;E01.
904... Un PROPER est valide si la rls n&#39;est pas conforme avec les rules HCR.
7) Autres:
Qualit&#952;:
Une release de Qualit&#952; est chose primordiale, mais cette release se doit de respecter les rules HCR dans sont ensemble.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDRiP RULES v9.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
1) G&#952;n&#952;rales:
101... Pour commencer une s&#952;rie/saison, un team doit release l&#39;E01/CD1/VOL1.
102... Les &#952;pisodes suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique.
103... Toutefois, si le team tarde (plus de 48h, entre chaque pre) &#945; releaser les &#952;pisodes suivants, un autre team est alors autoris&#952;
&#945; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
104... Deplus si une team tarde (plus de 7 jours) a sortir la moiti&#952; des &#952;pisodes d&#39;une s&#952;rie/saisons, un autre team est alors autoris&#952;
&#945; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
105... Si une team tarde (plus de 14 jours) a sortir la totalit&#952; des &#952;pisodes d&#39;une s&#952;rie/saisons, un autre team est alors autoris&#952;
&#934; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
106... Les sp&#952;cificit&#952;s audio/vid&#952;o/r&#952;solution doivent &#8486;tre les m&#8486;mes entre les &#952;pisodes d&#39;une s&#952;rie/saisons, ce sont celle introduite
lors du PRE de l&#39;E01/CD1/VOL1 qui sont celle de r&#952;f&#952;rence.
107... Lors d&#39;un nouveau VOLUME/BOX celui-ci est consid&#952;rer comme une nouvelle s&#952;rie/saisons au niveau de la priorit&#952; mais non au niveau
des sp&#952;cificit&#952; audio/vid&#952;o/r&#952;solution.
108... Pour sortir la s&#952;rie/saison suivante, un team n&#39;est pas oblig&#952; d&#39;attendre la fin de la pr&#952;c&#952;dente.
2) Format:
Vid&#952;o:
201... Seul le XViD (1.x)/X264/DiVX (6.x) sont autoris&#952;.
202... Une Team doit toujours releaser en 2 pass le XViD (1.x)/X264/DiVX (6.x).
203... Le SBC/VCD sont interdits.
204... Une s&#952;rie sans action doit comporter un bitrate minimal de 700 kbps.
205... Une s&#952;rie avec action doit comporter un bitrate minimal de 800 &#945; 1000 kbps.
206... Le fichier doit toujours &#8486;tre sous forme de .avi pour du XViD (1.x)/X264/DiVX (6.x).
207... Le fichier peu aussi &#8486;tre sous forme de .mkv pour du X264.
208... Aucune release de 3 CD n&#39;est autoris&#952;e.
209... L&#39;utilisation des options avancer dans un codec(QPEL/GMC...) sont interdite.
Audio:
210... Dois &#8486;tre du MP3 ABR/VBR 128kbps minimum, 44.1khz/48khz ou de type AC3.
211... Audio vbr: minimum de 96kbps et une moyenne de 128kbps minimum.
Subfrench/Fansub:
212... Les FANSUB sont interdit.
213... Les SUBFRENCH sont autoris&#952;s.
R&#952;solution:
301... Les releases 16/9 (WS) doivent poss&#952;der une r&#952;solution minimal de 576 et maximal de 720 en largeur.
302... Les releases 4/3 (FS) doivent poss&#952;der une r&#952;solution minimal de 576 et maximal de 704 en largeur.
303... Toute les r&#952;solutions 16/9 ou 4/3 doivent &#8486;tre en multiple de 16.
304... Une d&#952;formation de 5% maximal sur l&#39;AR est autoris&#952; sauf pour les releases en 4/3.
305... Le cropping d&#39;une release est obligatoire.
306... L&#39;ivtc d&#39;une release est obligatoire.
307... Le d&#952;sentrelacement d&#39;une release est obligatoire.
308... L&#39;utilisation d&#39;un filtre de d&#952;sentrelacement ayant un effet de blend et/ou de ghost est interdite.
309... L&#39;intro et le g&#952;n&#952;rique de fin sont pr&#952;f&#952;rable mais non obligatoire.
Taille:
401... &#9556;pisode de 20-29mn = 175 &#945; 275 Mo
402... &#9556;pisode de 30-49mn = 275 &#945; 490 Mo
403... &#9556;pisode de + de 50mn = 350 &#945; 700 Mo
3) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
501... Codec video.
502... Codec audio.
503... Resolution.
504... Bitrate video.
505... Bitrate audio.
506... Aspect ratio.
507... Nombre de rar.
4) Package:
601... Dirname: TITRE.DE.LA.ETV/s&#952;rie.US.S01E01.FRENCH.SOURCE.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1E01.FRENCH.SOURCE.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S01CD1.FRENCH.SOURCE.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1CD1.FRENCH.SOURCE.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.VOL01E01.FRENCH.SOURCE.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.VOL1E01.FRENCH.SOURCE.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.00.00.0000.FRENCH.SOURCE.CODEC-TEAM
Titre_De_La_ETv/s&#952;rie.Us.s&#952;rie/saisonxEPISODE.FRENCH_SOURCE_CODEC-TEAM
Titre_De_La_ETv/s&#952;rie.Us.00.00.0000.FRENCH_SOURCE_CODEC-TEAM
Ex: Early.Edition.S01E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S1E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S01CD1.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.S1CD1.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.VOL01E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.VOL1E01.FRENCH.DVDRiP.XVID-TEAM
Early.Edition.00.00.000.FRENCH.DVDRiP.XVID-TEAM
Early_Edition.1x01.FRENCH_DVDRiP_XVID-TEAM
Early_Edition.00.00.0000.FRENCH_DVDRiP_XVID-TEAM
602... Le titre de la etv/serie dois &#8486;tre soit francais ou anglais.
603... Une release doit comporter la mention .TRUEFRENCH. si il y a diff&#952;rence de traduction/voie entre la version Z1/Z2.
604... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
605... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789. -_
606... Pour les &#952;pisodes final un team doit toujours inscrire .FINAL. dans le dirname avant le .FRENCH.
607... Les sous-dossiers doivent &#8486;tre nomm&#952;s CD1/DISK1/DVD1 : aucun autre nom n&#39;est autoris&#952;.
608... Les fichiers RAR doivent &#8486;tre en taile de 15mb ou 20mb ou 50mb et nomm&#952; en OLD Format (.rxx).
5) Proper:
701... Un REPACK est toujours autoris&#952; avant un PROPER mais jamais apr&#934;s.
702... Un PROPER est valide si la rls est d&#38;faillante au niveau audio/vid&#952;o/r&#952;solution.
703... Un PROPER est valide si la rls n&#39;a pas les m&#8486;mes sp&#952;cificit&#952;s audio/vid&#952;o/codec/r&#952;solution que l&#39;E01/CD1/VOL1.
704... Un PROPER sur l&#39;E01/CD1/VOL1 entraine la perte de la priorit&#952; si le PROPER est valide.
705... Un PROPER sur l&#39;E01/CD1/VOL1 alors que l&#39;E02/CD2 serait d&#952;j&#945; sortie est jug&#952; valide, mais il n&#39;entra&#949;nera pas la perte de priorit&#952;.
706... Un PROPER est valide si la rls n&#39;est pas conforme avec les rules HCR.
6) Autres:
Qualit&#952;:
801... Une release de Qualit&#952; est chose primordiale, mais cette release se doit de respecter les rules HCR dans sont ensemble.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; HD-DVDRiP RULES v1.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
1) G&#952;n&#952;rales:
101... Pour commencer une s&#952;rie/saison, un team doit release l&#39;E01/CD1/VOL1.
102... Les &#952;pisodes suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique.
103... Toutefois, si le team tarde (plus de 72h, entre chaque pre) &#945; releaser les &#952;pisodes suivants, un autre team
est alors autoris&#952; &#945; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
104... Deplus si une team tarde (plus de 14 jours) a sortir la moiti&#952; des &#952;pisodes d&#39;une s&#952;rie/saisons, un autre team
est alors autoris&#952; &#945; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
105... Si une team tarde (plus de 28 jours) a sortir la totalit&#952; des &#952;pisodes d&#39;une s&#952;rie/saisons, un autre team
est alors autoris&#952; &#945; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
106... Les sp&#952;cificit&#952;s audio/vid&#952;o/r&#952;solution doivent &#8486;tre les m&#8486;mes entre les &#952;pisodes d&#39;une s&#952;rie/saisons,
ce sont celle introduite lors du PRE de l&#39;E01/CD1/DVD1/VOL1 qui sont celle de r&#952;f&#952;rence.
107... Lors d&#39;un nouveau VOLUME/BOX celui-ci est consid&#952;rer comme une nouvelle s&#952;rie/saisons au niveau de la priorit&#952;
mais non au niveau des sp&#952;cificit&#952; audio/vid&#952;o/r&#952;solution.
108... Pour sortir la s&#952;rie/saison suivante, un team n&#39;est pas oblig&#952; d&#39;attendre la fin de la pr&#952;c&#952;dente.
2) Format:
Vid&#952;o:
201... Seul le XViD (1.x)/X264/DiVX (6.x) sont autoris&#952;.
202... Une Team doit toujours releaser en 2 pass le XViD (1.x)/X264/DiVX (6.x).
203... Le SBC/VCD sont interdits.
204... Une s&#952;rie sans action doit comporter un bitrate minimal de 3000 kbps.
205... Une s&#952;rie avec action doit comporter un bitrate minimal de 4000 kbps.
206... Le fichier doit toujours &#8486;tre sous forme de .avi pour du XViD (1.x)/X264/DiVX (6.x).
207... Le fichier peu aussi &#8486;tre sous forme de .mkv pour du X264.
208... L&#39;utilisation des options avancer dans un codec(QPEL/GMC...) sont interdite.
209... La source video/audio doit provenir exclusivement de HD-DVD RETAiL/BLU RAY RETAiL.
Audio:
210... Doit &#8486;tre obligatoirement du AC3 2.0/AC3 5.1
Subfrench/Fansub:
211... Les FANSUB sont interdit.
212... Les SUBFRENCH sont autoris&#952;s.
R&#952;solution:
301... Les releases 16/9 (WS) doivent poss&#952;der une r&#952;solution minimal de 1280x720.
302... Les releases 4/3 (FS) doivent poss&#952;der une r&#952;solution minimal de 960x720.
303... Toute les r&#952;solutions 16/9 ou 4/3 doivent &#8486;tre en multiple de 16.
304... Une d&#952;formation de 5% maximal sur l&#39;AR est autoris&#952; sauf pour les releases en 4/3.
305... Le cropping d&#39;une release est obligatoire.
306... L&#39;ivtc d&#39;une release est obligatoire.
307... Le d&#952;sentrelacement d&#39;une release est obligatoire.
308... L&#39;utilisation d&#39;un filtre de d&#952;sentrelacement ayant un effet de blend et/ou de ghost est interdite.
309... L&#39;intro et le g&#952;n&#952;rique de fin sont pr&#952;f&#952;rable mais non obligatoire.
Taille:
401.... &#9556;pisode de 20-29mn = 700 &#945; 1480 Mo
402.... &#9556;pisode de 30-49mn = 1110 &#945; 2220 Mo
403.... &#9556;pisode de + de 50mn = 2220 &#945; 4440 Mo
3) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
501... Codec video.
502... Codec audio.
503... Resolution.
504... Bitrate video.
505... Bitrate audio.
506... Aspect ratio.
507... Nombre de rar.
4) Package:
601... Dirname: TITRE.DE.LA.ETV/s&#952;rie.US.S01E01.FRENCH.SOURCE.RESOLUTION.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1E01.FRENCH.SOURCE.RESOLUTION.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.VOL01E01.FRENCH.SOURCE.RESOLUTION.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.VOL1E01.FRENCH.SOURCE.RESOLUTION.CODEC-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.00.00.0000.FRENCH.SOURCE.RESOLUTION.CODEC-TEAM
Titre_De_La_ETv/s&#952;rie.Us.s&#952;rie/saisonxEPISODE.FRENCH_SOURCE_RESOLUTION_CODEC-TEAM
Titre_De_La_ETv/s&#952;rie.Us.00.00.0000.FRENCH_SOURCE_RESOLUTION_CODEC-TEAM
Ex: Early.Edition.S01E01.FRENCH.HD-DVDRiP.720p.XViD-TEAM
Early.Edition.S1E01.FRENCH.HD-DVDRiP.720p.XViD-TEAM
Early.Edition.VOL01E01.FRENCH.HD-DVDRiP.720p.XViD-TEAM
Early.Edition.VOL1E01.FRENCH.HD-DVDRiP.720p.XViD-TEAM
Early.Edition.00.00.000.FRENCH.HD-DVDRiP.720p.XViD-TEAM
Early_Edition.1x01.FRENCH_HD-DVDRiP_720p_XViD-TEAM
Early_Edition.00.00.0000.FRENCH_HD-DVDRiP_720p_XViD-TEAM
602... Le titre de la etv/serie dois &#8486;tre soit francais ou anglais.
603... Une release doit comporter la mention .TRUEFRENCH. si il y a diff&#952;rence de traduction/voie entre la version Z1/Z2.
604... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
605... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789. -_
606... Pour les &#952;pisodes final un team doit toujours inscrire .FINAL. dans le dirname avant le .FRENCH.
607... Les sous-dossiers doivent &#8486;tre nomm&#952;s DISK1/DVD1 : aucun autre nom n&#39;est autoris&#952;.
608... Les fichiers RAR doivent &#8486;tre en taille de 50mb et nomm&#952; en OLD Format (.rxx).
5) Proper:
701... Un REPACK est toujours autoris&#952; avant un PROPER mais jamais apr&#934;s.
702... Un PROPER est valide si la rls est d&#952;faillante au niveau audio/vid&#952;o/r&#952;solution.
703... Un PROPER est valide si la rls n&#39;a pas les m&#8486;mes sp&#952;cificit&#952;s audio/vid&#952;o/codec/r&#952;solution que l&#39;E01/VOL01.
704... Un PROPER sur l&#39;E01/VOL01 entraine la perte de la priorit&#952; si le PROPER est valide.
705... Un PROPER sur l&#39;E01/VOL01 alors que l&#39;E02 serait d&#952;j&#945; sortie est jug&#952; valide, mais il n&#39;entra&#949;nera pas la perte de priorit&#952;.
706... Un PROPER est valide si la rls n&#39;est pas conforme avec les rules HCR.
6) Autres:
Qualit&#952;:
801... Une release de Qualit&#952; est chose primordiale, mais cette release se doit de respecter les rules HCR dans sont ensemble.
&#9617; &#9617;
&#9618; &#9618;
&#9618; &#9618;
&#9619; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; DVDR RULES v9.0 &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
1) G&#952;n&#952;rales:
101... Pour commencer une s&#952;rie/saison, le team doit releaser le VOL01/DVD1.
102... Les DVD suivants doivent &#8486;tre PRE dans l&#39;ordre chronologique
103... Toutefois, si le team tarde (plus de 5 jours, entre chaque pre) &#945; releaser les VOLs/DVDs suivants, un autre team est alors autoris&#952;
&#945; continuer cette s&#952;rie/saison et en obtenir la priorit&#952;.
103... Les sp&#952;cificit&#952;s audio/vid&#952;o doivent &#8486;tre les m&#8486;mes entre les VOLs/DVD d&#39;une s&#952;rie/saisons, ce sont celle introduite
lors du PRE du VOL01/DVD1 qui sont celle de r&#952;f&#952;rence.
104... Lors d&#39;un nouveau VOLUME/BOX celui-ci est consid&#952;rer comme une nouvelle s&#952;rie/saisons au niveau de la priorit&#952; mais non au niveau
des sp&#952;cificit&#952; audio/vid&#952;o.
105... Pour sortir la s&#952;rie/saison suivante, un team n&#39;est pas oblig&#952; d&#39;attendre la fin de la pr&#952;c&#952;dente.
106... Les dupes entre les s&#952;rie/saison de la ZONE NTSC/PAL sont autoris&#952;.
2) Format:
Vid&#952;o:
201... Vid&#952;o en CCE 23.976/29.970fps (NTSC) OU 25fps (PAL).
202... Un minimum de 5 pass sont obligatoire et de 9 pass au maximum pour un DVD
203... Le bitrate minimum d&#39;un DVDR-s&#952;rie doit &#8486;tre de 2600 kbit.
204... Si le bitrate minimum de 2600 kbit n&#39;est pas atteint une team peux alors retirer les autres pistes audio afin de ne laisser que le FRENCH.
205... DVDSHRINK ou tout autres programmes all-in-one ne sont pas accept&#952;s
206... Les Macros vision doivent &#8486;tre retir&#952;es.
207... Toute limitation pour un utilisateur doit &#8486;tre retir&#952;e.
208... Une release DVDR-s&#952;rie doit toujours &#8486;tre free r&#952;gion.
209... Le reauthoring COMPLET (menu, structure etc...) d&#39;un DVDR-s&#952;rie est obligatoire.
210... Les AVERTISSEMENT( warning et etc... ) doivent &#8486;tre obligatoirement retirer.
Audio:
211... Doit &#8486;tre au minimum AC3 ou Dolby 5.1/2.0/1.0
212... Doit &#8486;tre FRENCH 5.1 si possible, inclure ENGLISH 2.0.
Subfrench/Fansub:
213... Les FANSUB sont interdit.
214... Les SUBFRENCH sont autoris&#952;s.
R&#952;solution:
215... Dois respecter l&#39;aspect ratio (AR) original de la source du DVD ainsi que sa r&#952;solution.
Bonus:
216... Les bonus sont autoris&#952;s uniquement sur le DVDR-SERIE FINAL d&#39;une s&#952;rie/saisons ou dans le cas d&#39;un DVDR-SERIE FULL/COMPLET
ou DVDR-SERIE BONUS, mais il ne sont toutefois pas obligatoires.
217... L&#39;intro et le g&#952;n&#952;rique doivent &#8486;tre pr&#952;sents.
3) Nfo:
Voici ce qui doit &#8486;tre pr&#952;sent dans le Nfo.
301... Codec video.
302... Codec audio.
303... Resolution.
304... Bitrate video.
305... Bitrate audio.
306... Aspect ratio.
307... Nombre de rar.
4) Package:
401... Dirname: TITRE.DE.LA.ETV/s&#952;rie.US.S01DVD1.ZONE.FRENCH/MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S01VOL1.ZONE.FRENCH/MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1DVD1.ZONE.FRENCH/MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1D1.ZONE.FRENCH/MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1VOL1.ZONE.FRENCH/MULTI.SOURCE.FORMAT-TEAM
TITRE.DE.LA.ETV/s&#952;rie.US.S1DVD1.ZONE.FRENCH/MULTI.SOURCE.FORMAT-TEAM
Ex: Early.Edition.S01DVD1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01DVD1.PAL.FRENCH.DVDR-TEAM
Early.Edition.S01VOL1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S01VOL1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1D1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1D1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1VOL1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1VOL1.PAL.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.NTSC.FRENCH/MULTI.DVDR-TEAM
Early.Edition.S1DVD1.PAL.FRENCH/MULTI.DVDR-TEAM
402... Le titre de la etv/serie dois &#8486;tre soit francais ou anglais.
403... La zone (NTSC/PAL) d&#39;une s&#952;rie/saison doit toujours se retrouver dans le DIRNAME.
404... Un dirname ne doit pas exc&#952;der 64 caract&#934;res.
405... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789. -_
406... Pour les VOLs/DVDs final un team doit toujours inscrire .FINAL. dans le dirname avant le .ZONE.
407... Les sous-dossiers doivent &#8486;tre nomm&#952;s DISK1/DVD1/VOL1 : aucun autre nom n&#39;est autoris&#952;.
408... Les fichiers RAR doivent &#8486;tre en taile de 50mb et nomm&#952; en OLD Format (.rxx).
5) Proper:
501... Un REPACK est toujours autoris&#952; avant un PROPER mais jamais apr&#934;s.
502... Un PROPER est valide uniquement si la rls est d&#38;faillante ou si elle n&#39;a pas &#952;t&#952; reauthored compl&#934;tement.
503... Un PROPER est valide si la rls n&#39;a pas les m&#8486;mes sp&#952;cificit&#952;s audio/vid&#952;o que le VOL01/DVD1.
502... Un PROPER sur l&#39;VOL1/DVD1 entraine la perte de la priorit&#952; si le PROPER est valide.
503... Un PROPER sur l&#39;VOL1/DVD1 alors que l&#39;VOL2/DVD2 serait d&#952;j&#945; sortie est jug&#952; valide, mais il n&#39;entra&#949;nera pas la perte de priorit&#952;.
505... Un PROPER est valide si la release d&#39;une s&#952;rie/saison n&#39;est pas conforme avec les rules HCR.
6) Autres:
Qualit&#952;:
601... Une release de Qualit&#952; est chose primordiale, mais cette release se doit de respecter les rules HCR dans sont ensemble.
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9608;&#9608; &#9600;&#9617; &#9632; &#9608;&#9608;
&#9619;&#9608; &#9608;&#9619; &#9617;
&#9608;&#9608; &#9608;&#9608;
&#9608;&#9608; Voici les rules tv/s&#952;rie: TVRiP, DVDRIP, HD-DVDRiP et DVDR. &#9608;&#9608;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; Lu et approuv&#952; dans leur majorit&#952; par les teams s&#952;ries. &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9608;&#9608; CONTACT &#9608;&#9608;
&#9617; &#9608;&#9608; &#9608;&#9608; &#9617;
&#9617; &#9608;&#9608; EMAIL : hcr@i-nfo.ws &#9608;&#9608; &#9617;
&#9608;&#9608; IRC : #private @linknet &#9608;&#9608;
&#9617; &#9619;&#9608; WWW : www.hcrprivate.com &#9608;&#9619; &#9617;
&#9618; &#9619;&#9608;&#9612; &#9616;&#9608;&#9619; &#9618;
&#9619; &#9608;&#9608;&#9612; &#9616;&#9608;&#9608; &#9619;
&#9617;&#9600;&#9600;&#9600;&#9619;&#9604; &#9604;&#9632;&#9600;&#9618;&#9604; &#9604;&#9618;&#9600;&#9632;&#9604; &#9604;&#9619;&#9600;&#9600;&#9600;&#9617;
&#9618;&#9600;&#9600;&#9619;&#9604;&#9604;&#9618; &#9617;&#9604;&#9619;&#9600; &#9604; &#9619;&#9612; &#9616;&#9619; &#9604; &#9600;&#9619;&#9604;&#9617; &#9618;&#9604;&#9604;&#9619;&#9600;&#9600;&#9618;
&#9604;&#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600; &#9600;&#9608;&#9612; &#9616;&#9608;&#9600; &#9600;&#9619;&#9608;&#9608;&#9608;&#9619;&#9600;&#9600;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604;&#9604;
&#9619;&#9600; &#9600;&#9619; &#9619;&#9600; &#9600;&#9619;
&#9616;&#9612; &#9616;&#9612; &#9616;&#9612; &#9616;&#9612;
&#9600;&#9604;&#9617; &#9604; &#9604; &#9617;&#9604;&#9600;
&#9632; Merci &#9632;
&#9618; &#9618;
&#9617; &#9604;&#9604;&#9604;&#9617; &#9618;&#9604;&#9619;&#9600;&#9600;&#9600;&#9600;&#9619;&#9600; &#9617; &#9617; &#9618;&#9604;&#9632;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604; &#9617;&#9604;&#9604;&#9604; &#9617;
&#9618; &#9604;&#9619;&#9600; &#9600;&#9604;&#9608;&#9600; &#9617; &#9618; &#9600;&#9618;&#9600; &#9600; &#9617;&#9608;&#9604;&#9600; &#9600;&#9619;&#9604; &#9618;
&#9604; &#9619;&#9612; &#9616;&#9608;&#9612; &#9604;&#9619;&#9600;&#9600;&#9618;&#9604;&#9619; &#9604;&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604;&#9604; &#9604;&#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;&#9604; &#9619;&#9604;&#9618;&#9600;&#9600;&#9619;&#9604; &#9616;&#9608;&#9612; &#9616;&#9619; &#9604;
&#9600;&#9619;&#9600; &#9600;&#9619;&#9604;&#9604;&#9604;&#9619;&#9608;&#9619; &#9616;&#9612; &#9619;&#9619;&#9608;&#9600; &#9619;&#9608;&#9619;&#9604;&#9618;&#9604;&#9619;&#9608;&#9619; &#9600;&#9608;&#9619;&#9619; &#9616;&#9612; &#9619;&#9608;&#9619;&#9604;&#9604;&#9604;&#9619;&#9600; &#9600;&#9619;&#9600;
&#9604;&#9619;&#9619;&#9600;&#9600;&#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600; asphyx &#9616;&#9608;&#9608;&#9600; &#9600;&#9608;&#9608;&#9612; &#9600;&#9619;&#9604; &#9600; &#9604;&#9619;&#9600;&#9600;&#9600;&#9619;&#9619;&#9604;
&#9632;&#9619;&#9604;&#9619;&#9608;&#9600; &#9600;&#9600;&#9619;&#9604;&#9604;&#9604;&#9600;&#9600; &#9604;&#9619;&#9600; &#9600;&#9619;&#9604; &#9604; &#9600;&#9600;&#9604;&#9604;&#9604;&#9619;&#9600;&#9600; &#9600;&#9608;&#9619;&#9604;&#9619;&#9632;
&#9600;&#9617; &#9632;
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@font-face {
font-family: nfo;
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<pre class="nfo"> &#9608; &#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;
&#9608; &#9608; &#9608; &#9608; &#9608; &#9608; &#9608; &#9608;
&#9608;&#9608;&#9608;&#9608;&#9608; &#9608; &#9608; &#9608;&#9608;&#9608;&#9608; &#9608;&#9608;&#9608;&#9608;
&#9608; &#9608; &#9608; &#9608; &#9608; &#9608; &#9608; &#9608;
&#9608; &#9608; &#9608;&#9608;&#9608;&#9608; &#9608; &#9608;&#9608; &#9608; &#9608;&#9608; v.2.0
&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;
&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608; High Definition Rip RULES &#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
1) Video:
[1.1]... Seul le XViD (1.x)/x264/ (container MKV pour le x264) sont accept&#952;s.
[1.2]... Une team se doit de toujours releaser le XViD (1.x) en 2 pass.
[1.2]... Une team se doit de toujours releaser le x264 en 2 pass au minimum.
[1.3]... Seul les tailles 720p ou 1080p sont autoris&#952;s.
[1.4]... Un bitrate minimal de 4000 Kbps est exig&#952;.
[1.5]... Une team est autoris&#952;e &#945; faire une release sous forme de DVD5.
[1.5]... Une team est autoris&#952;e &#945; faire une release sous forme de DVD9 toutefois
cette team dois fournir script et logiciel dans le but de diviser
cette release en 2 DVD5.
[1.6]... Les framerates &#945; respecter sont:
23.976 Fps pour les rips HD-DVD et Blu-Ray.
23.976 Fps pour les rips de chaines HD am&#952;ricaine.
25 Fps pour les rips de chaines HD europ&#952;enne.
[1.7]... L&#39;aspect ratio original doit &#8486;tre respecter.
[1.8]... Le cropping d&#39;une release est obligatoire.
[1.8]... Le chapitrage n&#39;est pas obligatoire.
2) Audio:
[2.1]... Seul l&#39;AC3 ou DTS est autoris&#952;.
[2.2]... Une release XViD (1.x) .avi dois &#8486;tre FR uniquement.
[2.2]... Une release XViD (1.x) multi est autoris&#952;e en container .mkv.
[2.3]... Une release x264 multi est autoris&#952;e en container .mkv.
[2.4]... Les sous-titres FR sont obligatoire et doivent &#8486;tre mux&#952; dans le .mkv lorsqu&#39;il
s&#39;agit d&#39;une release multi XViD (1.x)/x264 en container .mkv.
2) Package:
[3.1]... TITRE.TAiLLE.LANGUE.SOURCE.FORMAT.AUDIO-TEAM.
[3.2]... Le titre de la release dois &#8486;tre soit francais ou anglais.
[3.2]... La taille (720p/1080p) d&#39;une release doit toujours se retrouver dans le DIRNAME.
[3.2]... La langue (FRENCH/MULTI) d&#39;une release doit toujours se retrouver dans le DIRNAME.
[3.2]... La source (HDRip/HDDVDRip/BRDRip) d&#39;une release doit toujours se retrouver dans le DIRNAME.
[3.2]... Le format video (XViD/x264) d&#39;une release doit toujours se retrouver dans le DIRNAME.
[3.2]... Le format audio (AC3/DTS) d&#39;une release doit toujours se retrouver dans le DIRNAME.
[3.2]... Le nom de la team doit toujours se retrouver dans le DIRNAME.
[3.2]... La mention .TRUEFRENCH. peut &#8486;tre inscrite dans le DIRNAME lorsqu&#39;une version VQC &#945;
&#952;t&#952; releaser ant&#952;rieurement.
[3.3]... Un dirname ne doit pas exc&#952;der 128 caract&#934;res.
[3.3]... Voici la liste des caract&#934;res autoris&#952;s pour un dirname:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789.-_
[3.4]... Les sous-dossiers doivent &#8486;tre nomm&#952;s DISK1/DVD1 : aucun autre nom n&#39;est autoris&#952;.
[3.5]... Les fichiers RAR doivent &#8486;tre en taile de 50/100mb et nomm&#952; en OLD Format (.rxx).
&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;&#9608;
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
<title>2007_IT_XVID.nfo</title>
<style type="text/css">
@font-face {
font-family: nfo;
font-style: normal;
font-weight: normal;
src: url(nfo.eot);
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.nfo {
padding: 12px;
font-family: nfo, courier new;
font-size: 11px;
line-height: 1em;
}
</style>
</head>
<body>
<pre class="nfo">&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;
010000011100000110001111010000000010ssh0111001010 &#9604;&#9604;&#160;&#160;100110100
0 0000000010100001100000000000100011100000101110100100&#160;&#9604;&#9608;&#9600;&#9600;&#9608;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9612;
00100101000000000000000 0000000001100010100001000 &#9616;&#9612; &#9616;&#9612;&#9608;&#9608;&#9608;&#9608;&#9608;? ? &#9608;&#9608;
0100110000011000 &#9604;&#9604;&#9608;&#9608;&#9604; 0 0001101101101100 &#9616;&#9612; ?&#160;&#9616;&#9612; ? ???? ? ?&#9612;
01110000000 &#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9600;&#9600;&#9600;&#9600; &#9600; &#9604;&#9604;&#9608;&#9608;&#9608;&#9604;&#9604; 000000010000 ? &#9608;&#9604;? &#9604;&#9608;&#9616;&#9604; ?????? ?&#9608;&#9612;
0 &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9608;&#9608;&#9608;&#9600; ? &#9604;&#9604;&#9608;&#9608;&#9600;&#9600; ?&#9600;&#9608;&#9608;&#9604; 00 &#9604;&#9604; 00 ? &#9600;&#9608;&#9608;&#9608;&#9604; &#9600;&#9600;&#9608;???&#9608;&#9608;&#9600;&#9600;&#9600;&#9600;
&#9604;&#9608;&#9608;&#9600;&#9600;&#9600;&#9600; ? &#9612;&#9608;&#9608;&#9600; ? ? ??&#9600;&#9608; &#9604;&#9604;&#9608;&#9600;&#9600;&#9608; ?? &#9604;&#9608;&#9600; ?&#9608;&#9612; &#9608;???&#9608;&#9612; 1000
&#9608; ? ? ?? ???? &#9612;&#9608; ? ????? ????&#9612;&#9604;&#9608;&#9600;&#9600; ? &#9600;&#9608; ??? &#9608; ???&#9616;&#9612; &#9608;????&#9608; 001
&#9608;&#9608; ???? ???????&#9604;&#9604;&#9612;&#9608;??????&#9608;&#9608;&#9604;&#9604;??????&#9600;&#9608; ??? &#9600;&#9608; ?? &#9616;&#9608;???&#9616;&#9608; &#9616;&#9608;???&#9608; 00
&#9608;&#9604; &#9604;&#9604;&#9608;&#9608;&#9608;&#9604;??????&#9608;&#9608;&#9600; &#9608;&#9608;?&#9608;???&#9608; &#9600;&#9600;&#9608;&#9604;?????&#9600;&#9608;??????&#9600;&#9608; &#9608;&#9604; &#9608;????&#9608; &#9616;&#9608;???&#9608;&#9612; 11
0 &#9600;&#9608;&#9608;&#9608;&#9600;&#9600; &#9600;&#9608;??????&#9608; &#9608;&#9604; &#9608;?????&#9608;&#9608; &#9604; &#9600;&#9608;?????&#9600;&#9608;??????&#9600;&#9608;&#9604; &#9608; &#9616;&#9608;???&#9608; &#9608;????&#9608; 00
10 0010 &#9608;??????&#9608; ??&#9608; &#9608;??????&#9608; &#9608;? &#9600;&#9608;?????&#9600;&#9608;???????&#9608;&#9604; &#9604;&#9616;&#9608;??&#9608;&#9600;&#9616;&#9604; &#9600;&#9600;&#9600;&#9608;&#9608;&#9608; 0
00100000 0 &#9608;??????&#9608; ??&#9608; &#9608;??????&#9608; &#9608;?? &#9600;&#9608;?????&#9600;&#9608;???????&#9608;&#9608;&#9612; &#9600;&#9608;&#9608;&#9600; ?&#9600;&#9608;&#9604; 10
000111001 &#9608;&#9608;?????&#9608; ?? &#9608;??????&#9608; ??? &#9608;??????&#9600;&#9608;?????????? ? &#9604;&#9608; 00011
0001100 &#9608;&#9608;?????&#9608;&#9608; ?? &#9608;&#9608;?????&#9608;&#9608; ??? &#9608;??????&#9612;&#9600;&#9608;??????????????&#9604;&#9608;&#9600; 010001 0
000000 &#9608;??????&#9608; ?? &#9608;??????&#9608; ?? &#9604;&#9608;??????&#9612; &#9608;&#9608;???????????&#9604;&#9608;&#9600; 0000100
&#9600;&#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9608;??????&#9608; ??? &#9608;??????&#9608; ? &#9604;&#9608;???????&#9604;&#9608;&#9600;??????????&#9604;&#9608;&#9600; &#9600;&#9600;&#9600;&#9600; &#9600; &#9600;&#9600;&#9600; &#9600;
&#9608;??????&#9608; ?? &#9608;??????&#9608;&#9604; &#9604;&#9608;??????&#9604;&#9608;&#9600;????????????&#9600;&#9608;&#9604;
&#9608;?? ??&#9608; ?? &#9608;???????&#9608;&#9608;&#9600;?? ??&#9604;&#9608;&#9600; ???????????????&#9608;&#9604;
&#9608;? ? &#9608;&#9608; ? &#9608;??? ??????? &#9604;&#9608;&#9600; ? ? ??&#9604; ?????????&#9608;&#9604;
&#9608; ? ? &#9608; &#9608;&#9608;? ??? &#9608;&#9600; &#9604;&#9608;&#9600;&#9608; ????? &#9608;&#9604;
&#9608;&#9608;&#9604;&#9604; &#9604;&#9608; ? &#9608; ? ? ? &#9600;&#9608;&#9604; &#9604;&#9608;&#9600; &#9600;&#9608;??? ? &#9608;&#9604;
&#9600;&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608; &#9608;&#9604;&#9604; &#9604;&#9608;&#9612; &#9600;&#9608;&#9604; &#9604;&#9608;&#9600; &#9600;&#9608; &#9604;&#9608;
&#9600;&#9600;&#9600;&#9608;&#9608;&#9608;&#9608;&#9608;&#9600;&#9600; &#9600;&#9608;&#9600; &#9600;&#9608; &#9604;&#9604;&#9608;&#9608;&#9600;&#9600;
&#9600;&#9608;&#9608;&#9600;&#9600;&#9600;
The Italian XviD Releasing Standards 2007
&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;
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? Requirements: Notepad with terminal font or any other ascii viewer. ?
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? &#9492;&#9472;&#9472;&#9472;[ INTRO ]&#9472;&#9472;&#9472;&#9496; ?
? ?
? Queste che vi presentiamo sono il risultato di una traduzione completa ?
? in italiano delle &#34;The XviD Releasing Standards 2005&#34;. Sono state ?
? solo modificate alcune diciture riguardanti subs e tagging sostituendo ?
? english con iTALiAN. E&#39; stata aggiunta la sezione HDTV non ancora prensente ?
? nel 2005 come standard video. Seguendo queste regole la scena italiana ?
? potra&#39;dire di seguire lo standard internazionale al 100%. Vi invitiamo a ?
? leggere bene questo testo e farne buon uso. ?
? ?
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? &#9492;&#9472;&#9472;&#9472;[ RELEASE RULES ]&#9472;&#9472;&#9472;&#9496; ?
? ?
? Lunghezza del Film: ?
? - PAL (25 fps) = la durata minima e&#39; 95 minuti/CD ?
? - FILM (23.976 fps) = la durata minima e&#39; 110 minuti/CD ?
? - NTSC (29.97 fps) = la durata minima e&#39; 87 minuti/CD ?
? ?
? Le durata del film deve essere di almeno 50 minuti e le release devono ?
? essere almeno da 690mb fino a 702mb di capacita&#39; del supporto. ?
? Ogni altro uso del supporto non deve essere sopra i 350mb (dimensioni tra ?
? 350mb e 690mb non saranno accettate). &#9474;
&#9474; &#9474;
&#9474; Serie TV: &#9474;
&#9474; - La dimensione degli episodi deve essere calcolata a seconda della durata.&#9474;
&#9474; da 20 a 23 min -> 4x175MB. &#9474;
&#9474; da 23 a 35 min -> 3x233MB. &#9474;
&#9474; da 35 a 50 min -> 2x350MB. &#9474;
&#9474; da 50 min in poi seguono le regole normali. &#9474;
&#9474; - NOTE: lunghezze non specificate sopra dovrebbero stare comunque in 1CD &#9474;
&#9474; (es: 5x120mb, 6x116mb, 7x100mb, etc.). &#9474;
&#9474; - Le dimensioni sopra possono essere usate solamente quando stanno nella &#9474;
&#9474; dimensione minima (es: 23 min in 233mb o 35 min in 350mb). &#9474;
&#9474; L&#39;uso del CD comunque e&#39; a discrezione del ripper (es: 25 min possono &#9474;
&#9474; anche stare in 175mb) &#9474;
&#9474; - Raccomandazioni: 26x22min = 1 DVD-R, 13x45min = 1 DVD-R &#9474;
&#9474; es: 172mb x 26ep o 344mb x 13ep stanno su un DVDR solo. &#9474;
&#9474; - Eccezioni: Episodi in NTSC (29.97 fps) da 20-23min si dovrebbero fare &#9474;
&#9474; 233 mb. &#9474;
&#9474; &#9474;
&#9474; AUDIO: &#9474;
&#9474; - DEVE essere MP3 o Studio AC3 (Transcoding AC3 non permesso). &#9474;
&#9474; - DEVE essere STEREO per le sorgenti STEREO, MONO per le sorgenti MONO &#9474;
&#9474; (un audio MONO come STEREO e&#39; considerato una sorgente MONO). &#9474;
&#9474; - DEVE ESSERE VBR! NON MP3 CBR! &#9474;
&#9474; - Le tracce MP3 devono avere la frequenza originale come era sul dvd &#9474;
&#9474; (48khz per 48khz e 44.1khz per 44.1khz) &#9474;
&#9474; - I file MP3 vanno normalizzati. &#9474;
&#9474; - ABR e&#39; considerata una tecnica VBR. &#9474;
&#9474; - AC3 DEVE essere usato con saggezza e correttamente (a discrezione del &#9474;
&#9474; ripper usarlo o meno. Usare o meno l&#39;AC3 non e&#39; un errore tecnico) &#9474;
&#9474; - MONO AC3 non e&#39; permesso, in quel caso usare MP3. &#9474;
&#9474; - Multi-language non e&#39; permesso. (usare iNTERNAL!) &#9474;
&#9474; &#9474;
&#9474; VIDEO: &#9474;
&#9474; Keyframe: &#9474;
&#9474; - DEVE essere &#60;=20 secondi e DEVE essere inserito in accordo con i cambi &#9474;
&#9474; di scena e dimensioni dei frame come determinato dal codec o dalle &#9474;
&#9474; applicazioni di encoding. &#9474;
&#9474; - Watermarks dei gruppi NON SONO PERMESSI IN ALCUN CASO. &#9474;
&#9474; &#9474;
&#9474; Framerate: &#9474;
&#9474; - DEVE essere il piu&#39; vicino possibile al framerate della fonte. &#9474;
&#9474; - In alcuni casi i film PAL devono essere &#34;ivtc-ati&#34; (i.e. to 24fps). &#9474;
&#9474; Comunque usare una sorgente PAL non e&#39; una scusa per una mancanza &#9474;
&#9474; dell&#39;uso dell&#39;ivtc &#9474;
&#9474; &#9474;
&#9474; Codec: &#9474;
&#9474; - DEVE essere XviD (tutti i codec Divx sono bannati). &#9474;
&#9474; - BISOGNA usare la tecnica 2 pass in fase di encoding! &#9474;
&#9474; - NESSUN DUPE BASATO SUL TIPO DI CODEC, FARE INTERNAL. &#9474;
&#9474; - QPEL NON AMMESSO. &#9474;
&#9474; - GMC NON AMMESSO. &#9474;
&#9474; - PACKET BITSTREAM da NON usare. &#9474;
&#9474; - Se la media di DRF va oltre i 4.0, la risoluzione andrebbe abbassata se &#9474;
&#9474; possibile, fino al raggiungimento della risoluzione minima. &#9474;
&#9474; Vedere le sezione risoluzione. &#9474; &#9474;
&#9474; La media DRF puo&#39; essere trovata con il DRF Analyzer. Si raccomanda di &#9474;
&#9474; analizzare l&#39;intero avi del film e non il solo sample. &#9474;
&#9474; - Quant. Matrix deve essere sempre H.263/MPEG. Matrici Custom non ammesse &#9474;
&#9474; - L&#39;utilizzo dello standard ITU-R non e&#39; consigliato in quanto genera &#9474;
&#9474; un errore AR di circa il 2% rispetto all&#39;AR originale del dvd. &#9474;
&#9474; &#9474;
&#9474; Risoluzione: &#9474;
&#9474; - Larghezza: 512 - 672 pixels per i film WS (letterbox e&#39; cosiderato WS) &#9474;
&#9474; 448 - 576 pixels per i film FS (solo 4:3) &#9474;
&#9474; - lunghezza e larghezza DEVONO essere multipli di 16. &#9474;
&#9474; - Il cropping e&#39; necessario al MASSIMO possibile anche nei rip da TV/SAT, &#9474;
&#9474; nonostante venga tagliato il logo dell&#39;emittente a meta&#39;. &#9474;
&#9474; - Alcuni film presentano cambi di AR. In quel caso il crop si applica solo &#9474;
&#9474; all&#39;immagine che presenta piu&#39; pixel (quindi una parte di film sara&#39; bad &#9474;
&#9474; crop) &#9474;
&#9474; - La risoluzione del film deve essere entro il 3% del AR originale. &#9474;
&#9474; ((Release AR - Original AR)/Original AR x 100) &#9474;
&#9474; &#9474;
&#9474; Sottotitoli, menu interattivi, trailers: &#9474;
&#9474; - OPZIONALI (SOLO se tutti gli altri requisiti sono rispettati) &#9474;
&#9474; - VOBSUB e&#39; il formato preferito perche&#39; non usa OCR, comunque qualunque &#9474;
&#9474; formato che venga visualizzato con DVobSub e&#39; accettabile. &#9474;
&#9474; - I sottotitoli possono essere MUXATI con lo stream video, ma NON essere &#9474;
&#9474; IMPRESSI sullo stream video. (nuke ammesso per questo errore!) &#9474;
&#9474; - I sottotitoli non muxati nello stream video DEVONO essere messi in un &#9474;
&#9474; file .rar con la compressione maggiore possibile e deve essere in una &#9474;
&#9474; dir chiamata &#39;Subs&#39; col proprio .sfv e NON devono essere in alcun modo &#9474;
&#9474; pacchettizzati con il film. &#9474;
&#9474; - Sottotitoli multilingua non possono essere usati per rilasciare un dupe. &#9474;
&#9474; - I sottotitoli in italiano devono essere SEMPRE presenti se ci sono delle &#9474;
&#9474; parti del film non doppiate in italiano. &#9474;
&#9474; - L&#39;utilizzo di sottotitoli fatti a mano DEVE essere menzionato nell&#39;nfo &#9474;
&#9474; ed e&#39; a discreione del nuker decidere se accettarli o nukarli per &#9474;
&#9474; &#34;bad.subs&#34;. Release che sono state nukate per questo motivo possono &#9474;
&#9474; essere properate SOLO da sottotitoli che provengono dal DVD. Il ripper &#9474;
&#9474; puo&#39; decidere se rilasciare l&#39;intero film oppure solo i sottotitoli. &#9474;
&#9474; &#9474;
&#9474; Propers: &#9474;
&#9474; - Propers sono permesse SOLTANTO nel caso di problemi tecnici nella &#9474;
&#9474; release originale (i.e. Bad IVTC, Interlacing). &#9474;
&#9474; - Releases non nukate nel dupecheck o sui siti DEVONO includere &#9474;
&#9474; il sample originale del problema tecnico (jpg, avi). &#9474;
&#9474; Il nomefile consigliato &#934; &#34;proof&#34; o a discrezione del gruppo che &#9474;
&#9474; effettua la proper. I files cmq vanno messi nella directory &#9474;
&#9474; &#39;Sample&#39; insieme al sample della nuova release. &#9474;
&#9474; - Propers sulla qualita&#39; non sono permesse, nemmeno propers basate &#9474;
&#9474; sulle decisioni prese dal ripper (es. # di CDs, AC3 o MP3, etc). &#9474;
&#9474; &#9474;
&#9474; Credits: &#9474;
&#9474; - I Credits possono essere encodati separatamente ad un bitrate piu&#39; &#9474;
&#9474; basso solo se la lunghezza eccede dal numero di cd usati. &#9474;
&#9474; (es. 116 min su 1cd) &#9474;
&#9474; - Un film con delle scene nei credits NON deve essere encodato &#9474;
&#9474; ad un bitrate minore. &#9474;
&#9474; - Tagliare i credits NON e&#39; permesso, PDTV e LD.HDTV sono esenti. &#9474;
&#9474; &#9474;
&#9474; Sample: &#9474;
&#9474; - NECESSARIO! &#9474;
&#9474; - 1 minuto di lunghezza e in una cartella separata chiamata &#34;sample&#34;. &#9474;
&#9474; - Deve essere preso dal film e non encodato a parte. &#9474;
&#9474; - Il sample deve essere nomenclato come l&#39;avi con la parte .sample. &#9474;
&#9474; tra nome ed estensione. &#9474;
&#9474; Es: The Chronicles Of Riddick -> grp-tcor.sample.avi &#9474;
&#9474; &#9474;
&#9474; WS vs. FS: &#9474;
&#9474; - Release FS dopo che il WS e&#39; stato rilasciato NON sono permesse. &#9474;
&#9474; - Release WS dopo che il FS e&#39; stato rilasciato sono permesse allegando &#9474;
&#9474; il sample della FS. &#9474;
&#9474; &#9474;
&#9474; Special Movie Editions: &#9474;
&#9474; - Permesse: SE, DC, EXTENDED, CUT, UNCUT, REMASTERED, UNRATED, CHRONO, &#9474;
&#9474; THEATRICAL, &#9474;
&#9474; - Special Edition senza cambiamenti nel film stesso saranno considerati &#9474;
&#9474; dupe della release precedente! &#9474;
&#9474; - Un film con tagli, quindi piu&#39; corto, DOPO una versione piu&#39; lunga e&#39; &#9474;
&#9474; permesso, ma DEVE essere menzionato nel tag della dir. &#9474;
&#9474; - Film rimasterizzati sono ammessi solo se &#934; stato rimasterizzato il &#9474;
&#9474; video &#9474;
&#9474; - L&#39;audio rimasterizzato non e&#39; abbastanza per rilasciare un film &#9474;
&#9474; REMASTERED! &#9474;
&#9474; - HOMEMADE non sono accettati! &#9474;
&#9474; &#9474;
&#9474; Note alle regole: &#9474;
&#9474; - Usare DVDR downsampled come source per rippare e&#39; PROIBITO! &#9474;
&#9474; - Usare iNTERNAL.DiRFiX non e&#39; permesso ne&#39; per evitare un nuke incombente &#9474;
&#9474; ne&#39; per rimediare ad un nuke ricevuto &#9474;
&#9474; &#9474;
&#9474; Tagging: &#9474;
&#9474; - Il nome della directory deve includere l&#39;anno di produzione &#9474;
&#9474; come indicato da IMDB (www.imdb.com). &#9474;
&#9474; - Ecco i caratteri accettati nei nomi della directory: &#9474;
&#9474; (no spazi o doppi punti, soltano il punto &#34;.&#34;): &#9474;
&#9474; &#9474;
&#9474; ABCDEFGHIJKLMNOPQRSTUVWXYZ &#9474;
&#9474; abcdefghijklmnopqrstuvwxyz &#9474;
&#9474; 0123456789 . - &#9474;
&#9474; &#9474;
&#9474; - Non sono accettati spazi, doppi punti e tutti gli accenti vengono &#9474;
&#9474; ignorati. L&#39;apostrofo si trasforma in punto TRANNE nel caso del &#9474;
&#9474; genitivo sassone. &#9474;
&#9474; - Il titolo deve essere SEMPRE quello pubblicato in italiano, nel caso non &#9474;
&#9474; fosse presente si usa il titolo originale. &#9474;
&#9474; - Tutte le directory devono essere nominate seguendo il seguente esempio: &#9474;
&#9474; &#9474;
&#9474; Nome.Film.Anno.Lingua.Options.Source.Codec-GRP &#9474;
&#9474; &#9474;
&#9474; - Le &#34;Options&#34; possibili sono: &#9474;
&#9474; &#9474;
&#9474; iNTERNAL -> Il gruppo decide di rilasciare il proprio film con questa &#9474;
&#9474; opzione in caso di una release imperfetta o se un altro gruppo ha gia&#39; &#9474;
&#9474; rilasciato la stessa. &#9474;
&#9474; &#9474;
&#9474; PROPER -> Il gruppo ritiene che una release esistente contiene errori e &#9474;
&#9474; ne fa uscire una propria migliore. DEVE essere presente nel nfo la &#9474;
&#9474; motivazione VALIDA e le prove quando possibile. &#9474;
&#9474; &#9474;
&#9474; REPACK -> Il gruppo nota un errore, di packing o nella release in se &#9474;
&#9474; e ne produce un altra identica senza l&#39;errore. &#9474;
&#9474; &#9474;
&#9474; REAL.PROPER -> PROPER di una PROPER gia&#39; esistente. &#9474;
&#9474; &#9474;
&#9474; LD -> Line Dubbed, viene utilizzato in caso di serie tv o film &#9474;
&#9474; ridoppiati con audio preso da satellite. Su sorgente video DVDRip portare&#9474;
&#9474; il video a 25fps. &#9474;
&#9474; &#9474;
&#9474; STV -> Tag utilizzato per indicare un film solo per la TV, mai andato al &#9474;
&#9474; cinema. &#9474;
&#9474; &#9474;
&#9474; LiMiTED -> Tag utilizzato per indicare un film con meno di 250 screen &#9474;
&#9474; nel weekend di lancio. &#9474;
&#9474; &#9474;
&#9474; DiRFiX -> Tag utilizzato per correggere un errore nel testo della &#9474;
&#9474; directory di una data release. &#9474;
&#9474; &#9474;
&#9474; NFOFiX -> Tag utilizzato per correggere un errore nel testo del NFO. &#9474;
&#9474; &#9474;
&#9474; SAMPLEFiX -> Tag utilizzato per correggere errori relativi al sample &#9474;
&#9474; mancante o corrotto. &#9474;
&#9474; &#9474;
&#9474; - Altre &#34;Options&#34; possibili sono: &#9474;
&#9474; &#9474;
&#9474; WS/FS, RERIP, RETAIL, EXTENDED, REMASTERED, UNRATED, CHRONO, THEATRICAL, &#9474;
&#9474; DC, SE, UNCUT, SUBBED &#9474;
&#9474; &#9474;
&#9474; FESTIVAL, STV, LIMITED vanno usati con saggezza e correttamente. &#9474;
&#9474; &#9474;
&#9474; - READNFO E&#39; STRETTAMENTE PROIBITO! &#9474;
&#9474; &#9474;
&#9474; Es: The.Chronicles.Of.Riddick.iTALiAN.DVDRip.XviD-GRP &#9474;
&#9474; L.Altra.Meta.Dell.Amore.2002.iTALiAN.DVDRip.XviD-GRP &#9474;
&#9474; Red.Dragon.2002.iTALiAN.iNTERNAL.DVDRip.XviD-GRP &#9474;
&#9474; Red.Dragon.2002.iTALiAN.PROPER.DVDRip.XviD-GRP &#9474;
&#9474; &#9474;
&#9474; - Le &#34;Source&#34; possibili sono: &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; PDTV -> Satellite o Digitale Terrestre. &#9474;
&#9474; &#9474;
&#9474; HDTV -> High Definition, valido solo per sorgenti DVB. &#9474;
&#9474; &#9474;
&#9474; DVDRip -> Rippato da un DVD. &#9474;
&#9474; &#9474;
&#9474; - LA LINGUA VA SEMPRE PRIMA DELLE OPTIONS! &#9474;
&#9474; &#9474;
&#9474; - NON USARE ALCUN TAG NON ELENCATO QUI SOPRA! &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; - Per quanto riguarda il nome del file avi, i rars, il nfo e il sfv: &#9474;
&#9474; si utilizzano le iniziali delle parole che compongono il titolo, in caso &#9474;
&#9474; di film con una singola parola, si utilizzano tutte le consonanti &#9474;
&#9474; contenute nella parola stessa. &#9474;
&#9474; Nel caso di CD multipli, utilizzare una lettera progressiva alla fine &#9474;
&#9474; dell&#39;avi. I file DEVONO iniziare col tag del gruppo. &#9474;
&#9474; Lunghezza massima consigliata: TAG + TRATTINO + 8 CARATTERI + ESTENSIONE &#9474;
&#9474; &#9474;
&#9474; Es: Il Gladiatore -> grp-lgldtr.avi &#9474;
&#9474; The Chronicles Of Riddick -> grp-tcor.avi &#9474;
&#9474; &#9474;
&#9474; - Per quanto riguarda le serie TV va indicato il numero della stagione &#9474;
&#9474; (dove possibile) e il numero dell&#39;episodio. &#9474;
&#9474; Nome.Serie.S##E##.Lingua.Sorgente.Codec-GRP &#9474;
&#9474; &#9474;
&#9474; Es: Streghe.S01E19.iTALiAN.PDTV.XviD-GRP -> grp-streghe.s01e19.avi &#9474;
&#9474; Angel.S01E01.iTALiAN.PDTV.XviD-GRP -> grp-angel.s01e01.avi &#9474;
&#9474; Dark.Angel.S03E21.iTALiAN.PDTV.XviD-GRP -> grp-darkangel.s03e21.avi &#9474;
&#9474; &#9474;
&#9474; Nota: Per le serie il nome va bene per esteso senza spazi ne punti, &#9474;
&#9474; come si vede nell&#39;esempio. &#9474;
&#9474; &#9474;
&#9474; - Nel caso di release particolari tipo LD consiglio di specificarlo &#9474;
&#9474; nei packs, sfv, avi e nfo con ld o md alla fine. &#9474;
&#9474; &#9474;
&#9474; Es: Oceans.Tweleve.2004.iTALiAN.LD.DVDRip.XviD-GRP -> gtp-otld.avi &#9474;
&#9474; &#9474;
&#9474; - Le release su piu&#39; di un CD devono contenere delle sotto-directory &#9474;
&#9474; chiamate CD1, CD2, etc. &#9474;
&#9474; Deve esserci un SFV per ogni CD (non un SFV unico per 2 o + CD). &#9474;
&#9474; Ogni CD dev&#39;esser pacchettizzato in RAR (non rarrare 2 o + CD assieme). &#9474;
&#9474; I file RAR DEVONO essere creati utilizzando il &#34;vecchio stile di winrar&#34; &#9474;
&#9474; (r00, r01, ecc) selezionabile dalle opzioni avanzate una volta inserita &#9474;
&#9474; la dimensione dei pacchetti. &#9474;
&#9474; I file .rar NON DEVONO ESSERE COMPRESSI (scegliere &#34;Memorizzazione&#34; o &#9474;
&#9474; &#34;Store&#34; in inglese dal menu a tendina che specifica la compressione) &#9474;
&#9474; oppure se lo si usa da console specificare -m0. &#9474;
&#9474; Inoltre i pacchetti devono essere di 15000000. &#9474;
&#9474; Il file .sfv deve contenere il checksum di tutti i pacchetti rar (non &#9474;
&#9474; deve contenere nfo e sample). &#9474;
&#9474; - MOLTO IMPORTANTE! GLI ANIME VENGONO TRATTATI COME SERIE TV NEL CASO DI &#9474;
&#9474; EPISODI, O COME DIVX NEL CASO DI OAV! &#9474;
&#9474; - RIP DI DVD NEL SUO COMPLESSIVO ANZICHE&#39; TAGLIATI IN EPISODI E&#39; MOTIVO DI &#9474;
&#9474; NUKE! &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9492;&#9472;&#9472;&#9472;[ HDTV RULES ]&#9472;&#9472;&#9472;&#9496; &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9474; Valgono le regole generali tranne per i seguenti punti: &#9474;
&#9474; &#9474;
&#9474; - PACKET SIZE: 100Mb =&#60; 10GB - 200Mb=> 10GB &#9474;
&#9474; - Il Sample deve essere di 1-2 minuti. &#9474;
&#9474; - La lingua deve essere solamente Italiano. &#9474;
&#9474; - Le source video possibili sono: &#9474;
&#9474; HDTV - HDDVD - BluRay &#9474;
&#9474; - Il codec ammesso &#934; x264. &#9474;
&#9474; - Le risoluzioni video ammesse sono: &#9474;
&#9474; 720p - 1080i - 1080p &#9474;
&#9474; &#9474;
&#9474; Titolo.Anno.Lingua.SorgenteAudio.RisoluzioneVideo.SorgenteVideo.Codec-GRP &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; &#9474;
&#9474; &#9474;
&#9474; L&#39;nfo DEVE contenere: &#9474;
&#9474; - Il nome del gruppo (preferibilmente con header e footer grafici); &#9474;
&#9474; - Nome della release &#9474;
&#9474; (consiglio lo stile &#34;Nome Release *OPTION1* *OPTION2* *SOURCE*&#34; &#9474;
&#9474; - Release date; &#9474;
&#9474; - Store date (Air Date in caso di TV); &#9474;
&#9474; - Source &#9474;
&#9474; &#9474;
&#9474; DVD RETAIL -> per i normali DVDR. &#9474;
&#9474; SATELLITE -> per i rip PDTV da satellite. &#9474;
&#9474; DIGITALE TERRESTRE -> per i rip PDTV da DTT. &#9474;
&#9474; &#9474;
&#9474; - Durata; &#9474;
&#9474; - Info sul video (codec , bitrate ed encoding (es. VBR)); &#9474;
&#9474; - L&#39;AR esatta del video encodato; &#9474;
&#9474; - Info sull&#39;audio (codec, bitrate ed encoding (es. ABR, CBR se AC3)); &#9474;
&#9474; - Lingua; &#9474;
&#9474; - Subs; &#9474;
&#9474; - Descrizione dei dischi (packs); &#9474;
&#9474; - Link IMDB; &#9474;
&#9474; - Titolo del film o dell&#39;episodio; &#9474;
&#9474; - Plot (in caso di serie un plot generico della serie e&#39; accettato); &#9474;
&#9474; &#9474;
&#9474; Ogni crew &#934; libera di aggiungere altri campi, ad esempio un link a &#9474;
&#9474; 35mm o a filmup. &#9474;
&#9474; &#9474;
&#9474; &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9516;&#9516;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9484;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9524;&#9524;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9488;
&#9474; The Tradition Continues: TXD RULES 2K7it (2007-04-20) &#9474;
&#9474; &#9474;
&#9474; translated from the TXD RULES 2K5 (2005-09-25) &#9474;
&#9474; &#9474;
&#9474; TDX2K2 &#60;2002-07-12) 2K1 (2001-04-22) Original (2000-04-26) &#9474;
&#9492;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9496;
&#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604;&#9604;
&#9604;&#9604;&#9604;
&#9604;&#9604;&#9604;&#9604;&#9608;&#9600;&#9608; &#9608; &#9600;
&#9600; &#9600;&#9600; &#9600; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600; &#9608;&#9608; &#9608;&#9604;&#9608;&#9600;&#9608;&#9600;&#9600;&#9608;&#9608; &#9600;&#9600;&#9600;&#9600;&#9600;&#9600; &#9600; &#9600;
1 11 01101100 1101111000101001010001010001001 &#9608;&#9608;&#9600;&#9600;&#9608; &#9604;&#9608;&#9608; &#9608;&#9608;&#9604;&#9604;&#9608; 10 1000 1
&#9604;&#9604; &#9604; &#9604;&#9604; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9608;&#9604;&#9604;&#9608;&#9600;&#9600;&#9600;&#9600;&#9608; &#9604;&#9608; &#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604;&#9604; &#9604; &#9604;&#9604;
&#9600;&#9600;&#9600;&#9600;
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<pre class="nfo">Music DVDR Rules - Draft 1.0 rev.c
General:
. Release size must be at 4.3-4.37 Gb unless source is DVD5.
. PAL after NTSC and NTSC after PAL is allowed.
. DVD9 after DVD5 and DVD5 after DVD9 is allowed.
If DVD5 is pred by another group AFTER the DVD9 then
is suggested to include proofs of the source (scans or
wathever).
. Boxset = More than one disc. ALL discs in one release. &#9558;separated by subdirectories
Separated disc release forbidden
Video:
. Re-encoding:
. CCE version 2.50+ MUST be used in all circumstances
where transcoding (re-encoding) of the video stream
is required. REmpeg and TMPGenc are NOT allowed.
New unknown or unreleased encoders are not strictly
forbidden, however use at your own risk.
. Automated Programs that perform DVD9>DVD5 rips are
FORBIDDEN, e.g. InstanCopy, DVDXCopy, DVDShrink etc.
. Minimum average bitrate allowed is 3000 kbit/s
If minimum average bitrate cannot be achieved,
a valid explanation is required in the NFO.
. If a release is reauthored then video MUST be
deinterlaced if needed.
. Quality Settings:
. CCE:
. No CBR. Multipass is to be enforced.
. The initial 1st pass that encodes the .vaf file
in CCE is NOT considered within the multipass set.
. The number of passes required for main movie is to
be determined by the final avg bitrate. Under
4,000k/s 6+ passes required, over 4,000k/s
5 passes are required.
. VTS Sectors must always be gotten.
. Extras:
. Extras are an added value but are not needed. Extras are
allowed to be transcoded/stripped/left-untouched
@ ripper&#39;s discretion.
. A minimum of 5 passes for extras is required if transcoded
. Menus:
. Menus MUST be included. In extreme cases where the retail does
not contain a menu, it must be mentioned in the NFO.
. Removing useless links within the menu is required. If you
remove something, disable or remove the button.
. If all else is stripped and still can&#39;t get a 3000k/s avg
bitrate, then the menu may be reencoded at a minimum of
3000k/s avg.
. Splitting:
. In extreme cases where even if minum bitrate is reached but
video quality remains low (like live concerts with lots of
flash and moving) the decision to split release in more discs
is left @ ripper&#39;s discrection. (DON&#39;T ABUSE)
Splitting releases aint cause for PROPER without tech failure
Audio:
. Audio Priority is: DD 5.1 > LPCM 2.0 > DTS
. First thing to strip off is DTS, then, if more space is needed
to reach the minimum bitrate, LPCM must be stripped.
. In extreme cases, where source has ONLY LPCM audio stream
(most PROMOs), and video avg bitrate is too low for being re-encoded,
ripper can re-encode audio to fit into DVD5. AC3 MUST be used.
DVD Limitations:
. Macro vision MUST be removed.
. All user limitations and restrictions MUST be removed.
. Releases MUST be made region free.
. Any new unmentioned copy protection that comes out MUST be stripped.
Packaging:
. All releases MUST either use .IMG or .ISO. Other formats
are NOT allowed.
. Releases must be broken up into rars of 50,000,000 bytes.
. Recovery Record MUST be used.
. Compression method must be store.
. SFVs and NFOs MUST be included.
. NFO MUST include the following:
. Artist name.
. Title.
. Region, NTSC or PAL.
. Number of Passes and Bitrate used when re-encoding
main movie.
. Number of Passes and Bitrate used when re-encoding
extras.
. Audio streams, and subtitles included.
. What has been stripped, extras, menu, etc.
. Number of archive files.
. Url to a website with retail infos.
. Tracklist.
For multi-discs releases technical infos like audio streams,
video bitrate, extras, etc., from ALL DISCS MUST be present.
For live shows is really appreceated the show&#39;s year at least
in rel notes.
Samples:
. Samples are required. Minimum size shall be 30mb, but must be
no more than 50mb.
. Samples must be put in a separate sub directory, labeled
&#39;Sample&#39;.
. Samples MUST be from actual packed vob. Separate encodes are
not allowed.
. Multi-discs / Boxsets:
. 1 sample per disc no matter how many discs the release is.
. That goes for splitted discs also.
Sources:
. Bonuses:
. A release MUST be pred as BONUS when the dvd disc isn&#39;t sold
alone (for example cd+dvd).
. Bootlegs:
. A bootleg recording is a dvd that was not officially released
by the person/company owning the rights to do that
(for example streetmixes, pirate live dvds, etc).
. Customs:
. A custom is an homemade dvd made from not-dvd sources
(DVB VHS and so on) in that case source MUST be specified.
Directory Naming:
. ALL releases are to include production year.
. Directory name MUST include REGION (NTSC or PAL).
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . -_
. Non-Complete DVD-9 releases are to be named as:
MOVIE.TITLE.YEAR.OTHERS.SOURCES.REGION.MDVDR-GROUP
. OTHERS are:
BONUS BOOTLEG PROMO PROPER DiRFiX
REPACK COMPLETE #DiSC
(COMPLETE tag isn&#39;t mandatory)
. SOURCES are to be used if different from DVD so:
VHS DVB etc
those sources MUST be specified either in tag and nfo.
. Sub directories are to be labeled as DISC1, DISC2, etc.
. EXTRA and CD1, CD2 dirs are NOT allowed.
Propers:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc.
. Just because a previous release was not COMPLETE does not
provide a legitimate reason to PROPER/DUPE.
. Propers based on previous releases having improper dir names
will not be tolerated.
. PPF patches should be used for fixing releases with simple
problems such as RCE/Region coding, VTS sectors, P-Ups and
so forth. REPACKS/PROPERS should be avoided if a PPF patch is
possible.
Written and organized by (in alphabetical order):
777 AMRCMPG gFViD HURRiCANE kHzViD KiSS MTDDVD mVm Oi
Signed by:
BERCViD BVD FKKDVDR FWYH H0T JRP JUSTDVD MUSiX nnDVD SDRDVD YARDViD
Rules starts on April 1st 2007 00:00:00 CET</pre>
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<pre class="nfo"> THE 2007 MDVDR RELEASING STANDARDS
_______________________________________________________________________________
GENERAL:
. Downsampled DVD-9 release size must be at 4.3-4.37GB,
unless source is DVD5.
. PAL after NTSC and NTSC after PAL is always allowed,
and DVD9 after DVD5 and DVD5 after DVD9 is allowed.
. If DVD5 is pred by another group AFTER the DVD9,
then proof MUST be included of the source.
. Boxset = More than one disc. ALL discs in one release
separated by subdirectories (DISC1, DISC2, etc.)
_______________________________________________________________________________
VIDEO:
. Re-encoding:
. CCE version 2.50+ or newer must be used in all
circumstances where transcoding (re-encoding) of the
video stream is required. REmpeg and TMPGenc are NOT
allowed period.
New unknown or unreleased encoders are not strictly
forbidden, however use at your own risk.
. Automated Programs that perform DVD9>DVD5 rips are
FORBIDDEN, i.e. DVDShrink, DVDXCopy, InstantCopy, etc.
. Minimum average bitrate allowed is 3000kbps. If the
minimum average bitrate cannot be achieved, a valid
explanation is required in the NFO.
. Quality Settings:
. No CBR. A variable bitrate MUST be used.
. The initial first pass that encodes the .vaf file
in CCE is NOT considered within the multipass set.
. The number of passes required for a movie is to be
determined by the final average bitrate. Under
4000kbps 6+ passes required, over 4000kbps
5+ passes are required.
. Extras:
. Extras are an added value but are not needed. Extras are
allowed to be downsampled/stripped/left-untouched at the
rippers discretion.
. A minimum of 5+ passes and 1900kbps average bitrate for
extras is required if downsampled.
. Splitting:
. In extreme cases where even if minimum bitrate is reached but
video quality remains low (such as live concerts with lots of
flash and moving) the decision to split release into 2 or more
discs is left to the ripper&#39;s discrection. Also acceptable if
the bitrate is way below the minimum. (DON&#39;T ABUSE)
AUDIO:
. Audio Priority is: DD5.1 > LPCM > DD2.0 > DTS
. If space is needed to reach the minimum bitrate, it&#39;s a rippers
choice on what streams should be stripped. DD5.1 should always
be favored over DD2.0.
. In extreme cases, where source has ONLY LPCM audio stream
(most Promo&#39;s), and video average bitrate is too low for being
re-encoded, ripper can re-encode audio to fit into DVD5. AC3
MUST be used in this case.
. In cases where audio streams are stripped, IFOEdit is suggested
to strip the streams and VOB ID&#39;s.
. DTS is an issue that cannot be ignored. However, it is not
up to us to decide whether they should be allowed or not.
Rather, it&#39;s up to the SITES that will determine their own
appropriate rules. However, those groups that wish to release
should name their directory clearly with the appropriate tag
of DTS or DTS-ONLY.
MENUS:
. Menus MUST be included. In extreme cases where the retail does
not contain a menu, it must be mentioned in the NFO.
. Removing useless links within the menu is required. If you
remove something, disable or remove the button.
. If all else is stripped and still can&#39;t get a 3000kbps average
bitrate, then the menu may be re-encoded at a minimum of 3000kbps
average.
_______________________________________________________________________________
DVD LIMITATIONS:
. All user limitations and restrictions must be removed.
. Antipiracy warnings and dummies are preferred to be removed.
. Any new unmentioned copy protection that comes out
(i.e. ARcoSS) must be stripped.
. Macro vision must be removed.
. Releases must be made region free.
. RipIt4Me along with DVD Decrypter is a good suggestion
to remove all above.
PACKAGING:
. All releases must either use .IMG or .ISO. Other formats
are NOT allowed.
. An SFV and NFO MUST be included.
. Compression method must be store.
. DVD5 Releases must be broken up into rars of 50,000,000 bytes.
. DVD9 Releases must be broken up into rars of 100,000,000 bytes.
. Recovery Record MUST be used (1-5%).
. NFO must include the following:
. Audio streams and subtitles included.
. Number of Passes and Bitrate used when re-encoding
main movie (if needed).
. Number of Passes and Bitrate used when re-encoding
extras (if needed).
. IMDB, or any link to the DVD itself will suffice.
. Number of archive files.
. Region, NTSC or PAL (Also R0-R8 is suggested).
. Title of the DVD.
. What has been stripped, audio, extras, menu, etc.
. All other information such as track lists, or any other
info is at rippers discretion.
SAMPLES:
. Samples are required. Minimum size shall be 30mb, but must be
no more than 100mb.
. Samples must be from the actual packed DVD. Seperate encodes or
using original source (if re-encoded) are not allowed.
. Samples must be put in a separate sub directory, labeled
&#34;Sample&#34;.
. VOBSplitter or ChopperXP are recommended for making samples.
DIRECTORY NAMING:
. Acceptable characters are as follows:
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 . - _
. ALL releases are to include production year. Since Music DVD&#39;s
are considered STV, this would be the DVD release year.
. Directory name MUST include REGION (NTSC or PAL).
. Complete DVD-5 releases should be named as:
MOVIE.TITLE.YEAR.REGION.FULL.MDVDR-GROUP or
MOVIE.TITLE.YEAR.REGION.COMPLETE.MDVDR-GROUP
. Non-complete DVD-5 releases should be named as:
MOVIE.TITLE.YEAR.REGION.MDVDR-GROUP
. Untouched DVD-9 releases should be named either:
MOVIE.TITLE.YEAR.REGION.MDVD9-GROUP or
MOVIE.TITLE.YEAR.REGION.DVD9.MDVDR-GROUP
. Bonuses:
. A release MUST be pred as BONUS when the dvd disc isn&#39;t sold
alone (i.e. CD+DVD combo).
. Customs:
. A custom is a homemade dvd made from non-dvd sources
(DVB, VHS and so on) in that case the source MUST be specified.
. Tags that can and should be used when needed:
# of DISCS BONUS BOOTLEG DIRFIX DVB PROMO PROPER REPACK
. Sub directories are to be labeled as DISC1, DISC2,
etc. CD1, CD2, EXTRA directories are NOT allowed.
_______________________________________________________________________________
PROPERS:
. Propers will ONLY be released if previous had technical flaws
such as menu errors, bad quality, etc.
PPF patch cant fix such things.
. Just because a previous release was not COMPLETE does not
provide a legitimate reason to PROPER/DUPE.
. Propers based on previous releases having improper dir names
or missing information in the .nfo will not be tolerated.
. PPF patches should be used for fixing releases with simple
problems such as RCE/Region coding, VTS sectors, P-Ups and
so forth. REPACKS/PROPERS should be avoided if a PPF patch is
a possible fix.
_______________________________________________________________________________
The DVDR Releasing Standards Originally Written and Organized By:
AUK . SOUL . JR . MAH . PURP . CONE
The 2007 Music DVDR Releasing Standards Organized, Revised and Signed By:
C4DVD . CMS . DHI . FKKDVDR . GT4DVD . OSCDVD
RAGEDVD . SDRDVD . T3RR0R1STS
The Music DVDR Releasing Standards are revised from the original DVDR
Releasing Standards to include standards for the Music DVDR Releases.
_______________________________________________________________________________</pre>
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