new css
This commit is contained in:
parent
a7c260b2a8
commit
80bd818498
@ -1,3 +1,178 @@
|
|||||||
|
// FROM read.css
|
||||||
|
:root {
|
||||||
|
--bg-color: #ffffff;
|
||||||
|
--font-color: #000000;
|
||||||
|
/* highest contrast colors
|
||||||
|
for light and dark themes */
|
||||||
|
--red: #ec0000;
|
||||||
|
--green: #008900;
|
||||||
|
--blue: #5f5fff;
|
||||||
|
--gray: #757575;
|
||||||
|
}
|
||||||
|
|
||||||
|
@media (prefers-color-scheme: dark) {
|
||||||
|
:root {
|
||||||
|
/* change to dark theme */
|
||||||
|
--bg-color: #000000;
|
||||||
|
--font-color: #ffffff;
|
||||||
|
}
|
||||||
|
}
|
||||||
|
|
||||||
|
*:not(li, progress, span) {
|
||||||
|
border-radius: 5px;
|
||||||
|
/* no overflowing body */
|
||||||
|
max-width: 100%;
|
||||||
|
overflow: auto;
|
||||||
|
}
|
||||||
|
|
||||||
|
*:disabled {
|
||||||
|
cursor: not-allowed !important;
|
||||||
|
}
|
||||||
|
|
||||||
|
[href],
|
||||||
|
dfn {
|
||||||
|
/* no visited color */
|
||||||
|
color: var(--blue);
|
||||||
|
}
|
||||||
|
|
||||||
|
[href]:hover {
|
||||||
|
text-decoration: none;
|
||||||
|
}
|
||||||
|
|
||||||
|
[href^="mailto:"]::before {
|
||||||
|
content: "📧 ";
|
||||||
|
}
|
||||||
|
|
||||||
|
abbr {
|
||||||
|
cursor: help;
|
||||||
|
}
|
||||||
|
|
||||||
|
abbr,
|
||||||
|
var {
|
||||||
|
color: var(--red);
|
||||||
|
}
|
||||||
|
|
||||||
|
blockquote {
|
||||||
|
/* add bar before quote */
|
||||||
|
border-left: 0.3em solid var(--gray);
|
||||||
|
padding-left: 1em;
|
||||||
|
}
|
||||||
|
|
||||||
|
body {
|
||||||
|
/* high contrast */
|
||||||
|
background: var(--bg-color);
|
||||||
|
color: var(--font-color);
|
||||||
|
/* /\* most readable wed-safe font *\/ */
|
||||||
|
/* font-family: Helvetica; */
|
||||||
|
/* /\* 12pt is minimum *\/ */
|
||||||
|
font-size: 14pt;
|
||||||
|
/* required with justified text */
|
||||||
|
hyphens: auto;
|
||||||
|
/* experimental:
|
||||||
|
highest quality images */
|
||||||
|
image-rendering: high-quality;
|
||||||
|
/* 1.5 is minimum */
|
||||||
|
line-height: 1.6;
|
||||||
|
/* center body in page */
|
||||||
|
margin: auto;
|
||||||
|
/* space inside body */
|
||||||
|
padding: 0 1em;
|
||||||
|
/* each line is similar length */
|
||||||
|
text-align: justify;
|
||||||
|
/* browser focuses on readability */
|
||||||
|
text-rendering: optimizeLegibility;
|
||||||
|
/* line length of 60 characters
|
||||||
|
(between recommended 45-80)
|
||||||
|
& subtract the padding */
|
||||||
|
width: min(95ch, calc(100% - 2em));
|
||||||
|
}
|
||||||
|
|
||||||
|
button,
|
||||||
|
input[type="button"],
|
||||||
|
input[type="reset"],
|
||||||
|
input[type="submit"] {
|
||||||
|
border: 1px solid var(--gray);
|
||||||
|
/* appear clickable */
|
||||||
|
cursor: pointer;
|
||||||
|
}
|
||||||
|
|
||||||
|
button:hover,
|
||||||
|
input[type="button"]:hover,
|
||||||
|
input[type="reset"]:hover,
|
||||||
|
input[type="submit"]:hover {
|
||||||
|
/* make border blend into background */
|
||||||
|
border: 1px solid var(--bg-color);
|
||||||
|
}
|
||||||
|
|
||||||
|
code {
|
||||||
|
/* classic green code */
|
||||||
|
color: var(--green);
|
||||||
|
}
|
||||||
|
|
||||||
|
figure {
|
||||||
|
/* center caption under image */
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
|
||||||
|
footer,
|
||||||
|
header {
|
||||||
|
margin-top: 1em;
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
|
||||||
|
html {
|
||||||
|
/* better for jump scrolling */
|
||||||
|
scroll-behavior: smooth;
|
||||||
|
}
|
||||||
|
|
||||||
|
iframe {
|
||||||
|
/* common screen ratio */
|
||||||
|
aspect-ratio: 3/2;
|
||||||
|
/* keep from overflowing */
|
||||||
|
width: 99%;
|
||||||
|
}
|
||||||
|
|
||||||
|
kbd {
|
||||||
|
/* appear like a key */
|
||||||
|
box-shadow: 1px 1px 2px 1px;
|
||||||
|
}
|
||||||
|
|
||||||
|
nav {
|
||||||
|
display: flex;
|
||||||
|
/* space links apart */
|
||||||
|
justify-content: space-around;
|
||||||
|
}
|
||||||
|
|
||||||
|
small {
|
||||||
|
/* decrease visibility */
|
||||||
|
color: var(--gray);
|
||||||
|
}
|
||||||
|
|
||||||
|
summary {
|
||||||
|
/* indicate interaction */
|
||||||
|
cursor: pointer;
|
||||||
|
font-weight: bold;
|
||||||
|
}
|
||||||
|
|
||||||
|
table {
|
||||||
|
/* multiple borders merge */
|
||||||
|
border-collapse: collapse;
|
||||||
|
display: block;
|
||||||
|
}
|
||||||
|
|
||||||
|
tbody>tr:nth-child(odd) {
|
||||||
|
/* set background of odd cells */
|
||||||
|
background: var(--gray);
|
||||||
|
}
|
||||||
|
|
||||||
|
td,
|
||||||
|
th {
|
||||||
|
border: 1px solid;
|
||||||
|
border-collapse: collapse;
|
||||||
|
}
|
||||||
|
|
||||||
|
// end read.css
|
||||||
|
//
|
||||||
.title { text-align: center;
|
.title { text-align: center;
|
||||||
margin-bottom: .2em; }
|
margin-bottom: .2em; }
|
||||||
.subtitle { text-align: center;
|
.subtitle { text-align: center;
|
||||||
|
306
blog/bsg.html
306
blog/bsg.html
@ -3,7 +3,7 @@
|
|||||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||||
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
|
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
|
||||||
<head>
|
<head>
|
||||||
<!-- 2021-09-25 Sat 18:15 -->
|
<!-- 2022-05-23 Mon 17:42 -->
|
||||||
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
|
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
|
||||||
<meta name="viewport" content="width=device-width, initial-scale=1" />
|
<meta name="viewport" content="width=device-width, initial-scale=1" />
|
||||||
<title>Battlestar Galactica: a guide for watching the show</title>
|
<title>Battlestar Galactica: a guide for watching the show</title>
|
||||||
@ -18,65 +18,65 @@
|
|||||||
<h2>Table of Contents</h2>
|
<h2>Table of Contents</h2>
|
||||||
<div id="text-table-of-contents">
|
<div id="text-table-of-contents">
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org8237847">1. Battlestar Galactica Viewing Order</a>
|
<li><a href="#orge1331bf">1. Battlestar Galactica Viewing Order</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org886439c">1.1. Blood and Chrome</a></li>
|
<li><a href="#org3b3479f">1.1. Blood and Chrome</a></li>
|
||||||
<li><a href="#org568d905">1.2. The Miniseries</a></li>
|
<li><a href="#orgfefede0">1.2. The Miniseries</a></li>
|
||||||
<li><a href="#orgf28028c">1.3. Season 1</a></li>
|
<li><a href="#org8f91995">1.3. Season 1</a></li>
|
||||||
<li><a href="#org62b0aa0">1.4. Season 2</a>
|
<li><a href="#org91bc38b">1.4. Season 2</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#orgfb7f8de">1.4.1. Razor</a></li>
|
<li><a href="#orgd3b9152">1.4.1. Razor</a></li>
|
||||||
<li><a href="#org7a77cd2">1.4.2. Optional: Razor Flashbacks</a></li>
|
<li><a href="#org7df541a">1.4.2. Optional: Razor Flashbacks</a></li>
|
||||||
<li><a href="#orgfeaad8e">1.4.3. Rest of season 2</a></li>
|
<li><a href="#org48dc236">1.4.3. Rest of season 2</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org58f761e">1.5. The Resistance</a></li>
|
<li><a href="#orgca6c9b2">1.5. The Resistance</a></li>
|
||||||
<li><a href="#orga7e7bfb">1.6. Season 3</a>
|
<li><a href="#org5df3f8b">1.6. Season 3</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#orgdc01a77">1.6.1. Caprica</a></li>
|
<li><a href="#org39aceed">1.6.1. Caprica</a></li>
|
||||||
<li><a href="#orgf201ccb">1.6.2. Rest of season 3</a></li>
|
<li><a href="#org2fc5fee">1.6.2. Rest of season 3</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orgfbfc6f1">1.7. Razor</a></li>
|
<li><a href="#orga845148">1.7. Razor</a></li>
|
||||||
<li><a href="#org4d19048">1.8. Season 4</a>
|
<li><a href="#orgc90fdfd">1.8. Season 4</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org9c1db17">1.8.1. The Face of the Enemy</a></li>
|
<li><a href="#orge7fba35">1.8.1. The Face of the Enemy</a></li>
|
||||||
<li><a href="#org5447a52">1.8.2. Rest of season 4</a></li>
|
<li><a href="#orgc357b52">1.8.2. Rest of season 4</a></li>
|
||||||
<li><a href="#org4c23eb8">1.8.3. The Plan (DVD/Bluray movie)</a></li>
|
<li><a href="#org5afeebe">1.8.3. The Plan (DVD/Bluray movie)</a></li>
|
||||||
<li><a href="#org0f5eb33">1.8.4. Finale</a></li>
|
<li><a href="#org3ed61ac">1.8.4. Finale</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orgda4e7af">2. Further reading</a></li>
|
<li><a href="#org4d77b2a">2. Further reading</a></li>
|
||||||
<li><a href="#orgd59dfc9">3. The story so far</a></li>
|
<li><a href="#orgbd31609">3. The story so far</a></li>
|
||||||
<li><a href="#org9e17488">4. Episode reviews</a>
|
<li><a href="#orgef91fb7">4. Episode reviews</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org7fc780f">4.1. Season 02 Episode 14: Black Market</a></li>
|
<li><a href="#org00cd01e">4.1. Season 02 Episode 14: Black Market</a></li>
|
||||||
<li><a href="#orgcf208dc">4.2. Season 03 Episode 07: A Measure of Salvation</a></li>
|
<li><a href="#org2e4a14a">4.2. Season 03 Episode 07: A Measure of Salvation</a></li>
|
||||||
<li><a href="#org1f0b9a2">4.3. Season 03 Episode 08: Hero</a></li>
|
<li><a href="#org7ae85c2">4.3. Season 03 Episode 08: Hero</a></li>
|
||||||
<li><a href="#org36b5415">4.4. Season 03 Episode 09: Unfinished Business</a></li>
|
<li><a href="#org80fe9ac">4.4. Season 03 Episode 09: Unfinished Business</a></li>
|
||||||
<li><a href="#orgf44ef2e">4.5. Season 03 Episode 10: The Passage</a></li>
|
<li><a href="#orgb9e2e64">4.5. Season 03 Episode 10: The Passage</a></li>
|
||||||
<li><a href="#orgc2cc20e">4.6. Season 03 Episode 14: The Woman King</a></li>
|
<li><a href="#orga820cbe">4.6. Season 03 Episode 14: The Woman King</a></li>
|
||||||
<li><a href="#org55c9fe6">4.7. Season 03 Episode 18: The Son Also Rises</a></li>
|
<li><a href="#org19e4457">4.7. Season 03 Episode 18: The Son Also Rises</a></li>
|
||||||
<li><a href="#org6673893">4.8. Caprica Episode 18</a></li>
|
<li><a href="#org2baea36">4.8. Caprica Episode 18</a></li>
|
||||||
<li><a href="#orgb74abf5">4.9. Season 03 Episode 20: Crossroads</a></li>
|
<li><a href="#org9fb3fa0">4.9. Season 03 Episode 20: Crossroads</a></li>
|
||||||
<li><a href="#org8d48790">4.10. Season 04 Episode 03: The Ties That Bind</a></li>
|
<li><a href="#org178c851">4.10. Season 04 Episode 03: The Ties That Bind</a></li>
|
||||||
<li><a href="#org93adc16">4.11. Season 04 Episode 04: Escape Velocity</a></li>
|
<li><a href="#org14f20e2">4.11. Season 04 Episode 04: Escape Velocity</a></li>
|
||||||
<li><a href="#org56345f5">4.12. Season 04 Episode 07: Guess What's Coming To Dinner</a></li>
|
<li><a href="#orge9fe932">4.12. Season 04 Episode 07: Guess What's Coming To Dinner</a></li>
|
||||||
<li><a href="#orgd032f73">4.13. Season 04 Episode 04: Sine Qua Non</a></li>
|
<li><a href="#org9a9daf9">4.13. Season 04 Episode 04: Sine Qua Non</a></li>
|
||||||
<li><a href="#orga87ae1e">4.14. Season 04 Episode 14: Blood On The Scales</a></li>
|
<li><a href="#org04fc379">4.14. Season 04 Episode 14: Blood On The Scales</a></li>
|
||||||
<li><a href="#orga731da5">4.15. The Plan</a></li>
|
<li><a href="#orgf93771f">4.15. The Plan</a></li>
|
||||||
<li><a href="#org7191990">4.16. Season 04 Episode 16: Deadlock</a></li>
|
<li><a href="#org7dd6437">4.16. Season 04 Episode 16: Deadlock</a></li>
|
||||||
<li><a href="#org406b07b">4.17. Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</a>
|
<li><a href="#orga058f46">4.17. Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org5d80d49">4.17.1. Other reviews</a></li>
|
<li><a href="#org6b20b45">4.17.1. Other reviews</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orgea286fd">4.18. Bloopers</a></li>
|
<li><a href="#orgdee9f20">4.18. Bloopers</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orgf5836eb">5. Timeline</a></li>
|
<li><a href="#org45270b1">5. Timeline</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
@ -91,8 +91,8 @@ to give future viewers a sense of what it means when culture is not
|
|||||||
constrained into the cage of user hostile technologies such as
|
constrained into the cage of user hostile technologies such as
|
||||||
streaming servicies and walled social media.
|
streaming servicies and walled social media.
|
||||||
</p>
|
</p>
|
||||||
<div id="outline-container-org8237847" class="outline-2">
|
<div id="outline-container-orge1331bf" class="outline-2">
|
||||||
<h2 id="org8237847"><span class="section-number-2">1</span> Battlestar Galactica Viewing Order</h2>
|
<h2 id="orge1331bf"><span class="section-number-2">1</span> Battlestar Galactica Viewing Order</h2>
|
||||||
<div class="outline-text-2" id="text-1">
|
<div class="outline-text-2" id="text-1">
|
||||||
<blockquote>
|
<blockquote>
|
||||||
<p>
|
<p>
|
||||||
@ -124,8 +124,8 @@ guide but also most of this post
|
|||||||
(<a href="http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html">http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html</a>).
|
(<a href="http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html">http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html</a>).
|
||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org886439c" class="outline-3">
|
<div id="outline-container-org3b3479f" class="outline-3">
|
||||||
<h3 id="org886439c"><span class="section-number-3">1.1</span> Blood and Chrome</h3>
|
<h3 id="org3b3479f"><span class="section-number-3">1.1</span> Blood and Chrome</h3>
|
||||||
<div class="outline-text-3" id="text-1-1">
|
<div class="outline-text-3" id="text-1-1">
|
||||||
<p>
|
<p>
|
||||||
This was potentially a whole new show at one stage,
|
This was potentially a whole new show at one stage,
|
||||||
@ -154,8 +154,8 @@ whole journey.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org568d905" class="outline-3">
|
<div id="outline-container-orgfefede0" class="outline-3">
|
||||||
<h3 id="org568d905"><span class="section-number-3">1.2</span> The Miniseries</h3>
|
<h3 id="orgfefede0"><span class="section-number-3">1.2</span> The Miniseries</h3>
|
||||||
<div class="outline-text-3" id="text-1-2">
|
<div class="outline-text-3" id="text-1-2">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>Night 1</li>
|
<li>Night 1</li>
|
||||||
@ -164,8 +164,8 @@ whole journey.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgf28028c" class="outline-3">
|
<div id="outline-container-org8f91995" class="outline-3">
|
||||||
<h3 id="orgf28028c"><span class="section-number-3">1.3</span> Season 1</h3>
|
<h3 id="org8f91995"><span class="section-number-3">1.3</span> Season 1</h3>
|
||||||
<div class="outline-text-3" id="text-1-3">
|
<div class="outline-text-3" id="text-1-3">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>1.01 33</li>
|
<li>1.01 33</li>
|
||||||
@ -184,8 +184,8 @@ whole journey.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org62b0aa0" class="outline-3">
|
<div id="outline-container-org91bc38b" class="outline-3">
|
||||||
<h3 id="org62b0aa0"><span class="section-number-3">1.4</span> Season 2</h3>
|
<h3 id="org91bc38b"><span class="section-number-3">1.4</span> Season 2</h3>
|
||||||
<div class="outline-text-3" id="text-1-4">
|
<div class="outline-text-3" id="text-1-4">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>2.01 Scattered</li>
|
<li>2.01 Scattered</li>
|
||||||
@ -207,8 +207,8 @@ whole journey.
|
|||||||
<li>2.17 The Captain's Hand</li>
|
<li>2.17 The Captain's Hand</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgfb7f8de" class="outline-4">
|
<div id="outline-container-orgd3b9152" class="outline-4">
|
||||||
<h4 id="orgfb7f8de"><span class="section-number-4">1.4.1</span> Razor</h4>
|
<h4 id="orgd3b9152"><span class="section-number-4">1.4.1</span> Razor</h4>
|
||||||
<div class="outline-text-4" id="text-1-4-1">
|
<div class="outline-text-4" id="text-1-4-1">
|
||||||
<p>
|
<p>
|
||||||
The 101 minute extended version - not the 81 minute broadcast
|
The 101 minute extended version - not the 81 minute broadcast
|
||||||
@ -300,8 +300,8 @@ try your best to follow my instructions.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org7a77cd2" class="outline-4">
|
<div id="outline-container-org7df541a" class="outline-4">
|
||||||
<h4 id="org7a77cd2"><span class="section-number-4">1.4.2</span> Optional: Razor Flashbacks</h4>
|
<h4 id="org7df541a"><span class="section-number-4">1.4.2</span> Optional: Razor Flashbacks</h4>
|
||||||
<div class="outline-text-4" id="text-1-4-2">
|
<div class="outline-text-4" id="text-1-4-2">
|
||||||
<p>
|
<p>
|
||||||
Note: This was billed as a "seven episode web series", but really
|
Note: This was billed as a "seven episode web series", but really
|
||||||
@ -327,8 +327,8 @@ story, though.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgfeaad8e" class="outline-4">
|
<div id="outline-container-org48dc236" class="outline-4">
|
||||||
<h4 id="orgfeaad8e"><span class="section-number-4">1.4.3</span> Rest of season 2</h4>
|
<h4 id="org48dc236"><span class="section-number-4">1.4.3</span> Rest of season 2</h4>
|
||||||
<div class="outline-text-4" id="text-1-4-3">
|
<div class="outline-text-4" id="text-1-4-3">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>2.18 Downloaded</li>
|
<li>2.18 Downloaded</li>
|
||||||
@ -339,8 +339,8 @@ story, though.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org58f761e" class="outline-3">
|
<div id="outline-container-orgca6c9b2" class="outline-3">
|
||||||
<h3 id="org58f761e"><span class="section-number-3">1.5</span> The Resistance</h3>
|
<h3 id="orgca6c9b2"><span class="section-number-3">1.5</span> The Resistance</h3>
|
||||||
<div class="outline-text-3" id="text-1-5">
|
<div class="outline-text-3" id="text-1-5">
|
||||||
<p>
|
<p>
|
||||||
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
|
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
|
||||||
@ -349,8 +349,8 @@ This should be included on your DVDs/Blurays.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orga7e7bfb" class="outline-3">
|
<div id="outline-container-org5df3f8b" class="outline-3">
|
||||||
<h3 id="orga7e7bfb"><span class="section-number-3">1.6</span> Season 3</h3>
|
<h3 id="org5df3f8b"><span class="section-number-3">1.6</span> Season 3</h3>
|
||||||
<div class="outline-text-3" id="text-1-6">
|
<div class="outline-text-3" id="text-1-6">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>3.01 Occupation</li>
|
<li>3.01 Occupation</li>
|
||||||
@ -372,8 +372,8 @@ This should be included on your DVDs/Blurays.
|
|||||||
<li>3.17 Maelstrom</li>
|
<li>3.17 Maelstrom</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgdc01a77" class="outline-4">
|
<div id="outline-container-org39aceed" class="outline-4">
|
||||||
<h4 id="orgdc01a77"><span class="section-number-4">1.6.1</span> Caprica</h4>
|
<h4 id="org39aceed"><span class="section-number-4">1.6.1</span> Caprica</h4>
|
||||||
<div class="outline-text-4" id="text-1-6-1">
|
<div class="outline-text-4" id="text-1-6-1">
|
||||||
<p>
|
<p>
|
||||||
An entire TV series set 58 years before the events of Battlestar
|
An entire TV series set 58 years before the events of Battlestar
|
||||||
@ -430,8 +430,8 @@ the show have been lingering for a while.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgf201ccb" class="outline-4">
|
<div id="outline-container-org2fc5fee" class="outline-4">
|
||||||
<h4 id="orgf201ccb"><span class="section-number-4">1.6.2</span> Rest of season 3</h4>
|
<h4 id="org2fc5fee"><span class="section-number-4">1.6.2</span> Rest of season 3</h4>
|
||||||
<div class="outline-text-4" id="text-1-6-2">
|
<div class="outline-text-4" id="text-1-6-2">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>3.18 The Son Also Rises</li>
|
<li>3.18 The Son Also Rises</li>
|
||||||
@ -441,8 +441,8 @@ the show have been lingering for a while.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgfbfc6f1" class="outline-3">
|
<div id="outline-container-orga845148" class="outline-3">
|
||||||
<h3 id="orgfbfc6f1"><span class="section-number-3">1.7</span> Razor</h3>
|
<h3 id="orga845148"><span class="section-number-3">1.7</span> Razor</h3>
|
||||||
<div class="outline-text-3" id="text-1-7">
|
<div class="outline-text-3" id="text-1-7">
|
||||||
<p>
|
<p>
|
||||||
This is where Razor was originally broadcast. Remember the last 07
|
This is where Razor was originally broadcast. Remember the last 07
|
||||||
@ -452,8 +452,8 @@ now is when you get to go back and hear what was said. Watch the last
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org4d19048" class="outline-3">
|
<div id="outline-container-orgc90fdfd" class="outline-3">
|
||||||
<h3 id="org4d19048"><span class="section-number-3">1.8</span> Season 4</h3>
|
<h3 id="orgc90fdfd"><span class="section-number-3">1.8</span> Season 4</h3>
|
||||||
<div class="outline-text-3" id="text-1-8">
|
<div class="outline-text-3" id="text-1-8">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>4.01 He That Believeth In Me</li>
|
<li>4.01 He That Believeth In Me</li>
|
||||||
@ -469,8 +469,8 @@ now is when you get to go back and hear what was said. Watch the last
|
|||||||
<li>4.11 Sometimes a Great Notion</li>
|
<li>4.11 Sometimes a Great Notion</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org9c1db17" class="outline-4">
|
<div id="outline-container-orge7fba35" class="outline-4">
|
||||||
<h4 id="org9c1db17"><span class="section-number-4">1.8.1</span> The Face of the Enemy</h4>
|
<h4 id="orge7fba35"><span class="section-number-4">1.8.1</span> The Face of the Enemy</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-1">
|
<div class="outline-text-4" id="text-1-8-1">
|
||||||
<p>
|
<p>
|
||||||
A 10 episode web-based series (although it plays together like an
|
A 10 episode web-based series (although it plays together like an
|
||||||
@ -490,8 +490,8 @@ things that set up the next episode.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org5447a52" class="outline-4">
|
<div id="outline-container-orgc357b52" class="outline-4">
|
||||||
<h4 id="org5447a52"><span class="section-number-4">1.8.2</span> Rest of season 4</h4>
|
<h4 id="orgc357b52"><span class="section-number-4">1.8.2</span> Rest of season 4</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-2">
|
<div class="outline-text-4" id="text-1-8-2">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>4.12 A Disquiet Follows My Soul (53 minute extended version)</li>
|
<li>4.12 A Disquiet Follows My Soul (53 minute extended version)</li>
|
||||||
@ -501,8 +501,8 @@ things that set up the next episode.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org4c23eb8" class="outline-4">
|
<div id="outline-container-org5afeebe" class="outline-4">
|
||||||
<h4 id="org4c23eb8"><span class="section-number-4">1.8.3</span> The Plan (DVD/Bluray movie)</h4>
|
<h4 id="org5afeebe"><span class="section-number-4">1.8.3</span> The Plan (DVD/Bluray movie)</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-3">
|
<div class="outline-text-4" id="text-1-8-3">
|
||||||
<p>
|
<p>
|
||||||
A stand-alone movie that shows (approximately) the first two seasons
|
A stand-alone movie that shows (approximately) the first two seasons
|
||||||
@ -514,8 +514,8 @@ up when you do reach the end.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org0f5eb33" class="outline-4">
|
<div id="outline-container-org3ed61ac" class="outline-4">
|
||||||
<h4 id="org0f5eb33"><span class="section-number-4">1.8.4</span> Finale</h4>
|
<h4 id="org3ed61ac"><span class="section-number-4">1.8.4</span> Finale</h4>
|
||||||
<div class="outline-text-4" id="text-1-8-4">
|
<div class="outline-text-4" id="text-1-8-4">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>4.16 Deadlock</li>
|
<li>4.16 Deadlock</li>
|
||||||
@ -527,8 +527,8 @@ up when you do reach the end.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgda4e7af" class="outline-2">
|
<div id="outline-container-org4d77b2a" class="outline-2">
|
||||||
<h2 id="orgda4e7af"><span class="section-number-2">2</span> Further reading</h2>
|
<h2 id="org4d77b2a"><span class="section-number-2">2</span> Further reading</h2>
|
||||||
<div class="outline-text-2" id="text-2">
|
<div class="outline-text-2" id="text-2">
|
||||||
<p>
|
<p>
|
||||||
Well not quite "reading", but if you're a fan you may
|
Well not quite "reading", but if you're a fan you may
|
||||||
@ -548,8 +548,8 @@ original "Bible", contains of course major spoilers.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgd59dfc9" class="outline-2">
|
<div id="outline-container-orgbd31609" class="outline-2">
|
||||||
<h2 id="orgd59dfc9"><span class="section-number-2">3</span> The story so far</h2>
|
<h2 id="orgbd31609"><span class="section-number-2">3</span> The story so far</h2>
|
||||||
<div class="outline-text-2" id="text-3">
|
<div class="outline-text-2" id="text-3">
|
||||||
<p>
|
<p>
|
||||||
Battlestar Galactica: The Story So Far is a special program aired on
|
Battlestar Galactica: The Story So Far is a special program aired on
|
||||||
@ -610,16 +610,16 @@ I haven't see this movie and honestly I don't look forward to it.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org9e17488" class="outline-2">
|
<div id="outline-container-orgef91fb7" class="outline-2">
|
||||||
<h2 id="org9e17488"><span class="section-number-2">4</span> Episode reviews</h2>
|
<h2 id="orgef91fb7"><span class="section-number-2">4</span> Episode reviews</h2>
|
||||||
<div class="outline-text-2" id="text-4">
|
<div class="outline-text-2" id="text-4">
|
||||||
<p>
|
<p>
|
||||||
Here I gathered some reviews on the most significant episodes of
|
Here I gathered some reviews on the most significant episodes of
|
||||||
Battlestar Galactica. Some of the reviews were written by me.
|
Battlestar Galactica. Some of the reviews were written by me.
|
||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org7fc780f" class="outline-3">
|
<div id="outline-container-org00cd01e" class="outline-3">
|
||||||
<h3 id="org7fc780f"><span class="section-number-3">4.1</span> Season 02 Episode 14: Black Market</h3>
|
<h3 id="org00cd01e"><span class="section-number-3">4.1</span> Season 02 Episode 14: Black Market</h3>
|
||||||
<div class="outline-text-3" id="text-4-1">
|
<div class="outline-text-3" id="text-4-1">
|
||||||
<p>
|
<p>
|
||||||
It's very out of character for Lee. I mean, even if we were to infer
|
It's very out of character for Lee. I mean, even if we were to infer
|
||||||
@ -735,8 +735,8 @@ you and goodnight.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgcf208dc" class="outline-3">
|
<div id="outline-container-org2e4a14a" class="outline-3">
|
||||||
<h3 id="orgcf208dc"><span class="section-number-3">4.2</span> Season 03 Episode 07: A Measure of Salvation</h3>
|
<h3 id="org2e4a14a"><span class="section-number-3">4.2</span> Season 03 Episode 07: A Measure of Salvation</h3>
|
||||||
<div class="outline-text-3" id="text-4-2">
|
<div class="outline-text-3" id="text-4-2">
|
||||||
<p>
|
<p>
|
||||||
I also want to address this from another angle: that sparing the
|
I also want to address this from another angle: that sparing the
|
||||||
@ -777,8 +777,8 @@ short term. But…
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org1f0b9a2" class="outline-3">
|
<div id="outline-container-org7ae85c2" class="outline-3">
|
||||||
<h3 id="org1f0b9a2"><span class="section-number-3">4.3</span> Season 03 Episode 08: Hero</h3>
|
<h3 id="org7ae85c2"><span class="section-number-3">4.3</span> Season 03 Episode 08: Hero</h3>
|
||||||
<div class="outline-text-3" id="text-4-3">
|
<div class="outline-text-3" id="text-4-3">
|
||||||
<p>
|
<p>
|
||||||
This is regarded as one of the worst episode of BSG along with "Black
|
This is regarded as one of the worst episode of BSG along with "Black
|
||||||
@ -795,8 +795,8 @@ episode" (not a literal quote).
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org36b5415" class="outline-3">
|
<div id="outline-container-org80fe9ac" class="outline-3">
|
||||||
<h3 id="org36b5415"><span class="section-number-3">4.4</span> Season 03 Episode 09: Unfinished Business</h3>
|
<h3 id="org80fe9ac"><span class="section-number-3">4.4</span> Season 03 Episode 09: Unfinished Business</h3>
|
||||||
<div class="outline-text-3" id="text-4-4">
|
<div class="outline-text-3" id="text-4-4">
|
||||||
<p>
|
<p>
|
||||||
During Starbuck's fight with Lee Adama, once it becomes obvious that
|
During Starbuck's fight with Lee Adama, once it becomes obvious that
|
||||||
@ -879,8 +879,8 @@ described it in the commentary as The Passion of the Adama.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgf44ef2e" class="outline-3">
|
<div id="outline-container-orgb9e2e64" class="outline-3">
|
||||||
<h3 id="orgf44ef2e"><span class="section-number-3">4.5</span> Season 03 Episode 10: The Passage</h3>
|
<h3 id="orgb9e2e64"><span class="section-number-3">4.5</span> Season 03 Episode 10: The Passage</h3>
|
||||||
<div class="outline-text-3" id="text-4-5">
|
<div class="outline-text-3" id="text-4-5">
|
||||||
<p>
|
<p>
|
||||||
Have you ever wondered what it was like to fly through baby stars?
|
Have you ever wondered what it was like to fly through baby stars?
|
||||||
@ -967,8 +967,8 @@ while in the hospital bed.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgc2cc20e" class="outline-3">
|
<div id="outline-container-orga820cbe" class="outline-3">
|
||||||
<h3 id="orgc2cc20e"><span class="section-number-3">4.6</span> Season 03 Episode 14: The Woman King</h3>
|
<h3 id="orga820cbe"><span class="section-number-3">4.6</span> Season 03 Episode 14: The Woman King</h3>
|
||||||
<div class="outline-text-3" id="text-4-6">
|
<div class="outline-text-3" id="text-4-6">
|
||||||
<p>
|
<p>
|
||||||
In the commentary, RDM says that this episode was supposed to be a
|
In the commentary, RDM says that this episode was supposed to be a
|
||||||
@ -1052,8 +1052,8 @@ down on Helo for suspecting that doctor, that's a bad move.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org55c9fe6" class="outline-3">
|
<div id="outline-container-org19e4457" class="outline-3">
|
||||||
<h3 id="org55c9fe6"><span class="section-number-3">4.7</span> Season 03 Episode 18: The Son Also Rises</h3>
|
<h3 id="org19e4457"><span class="section-number-3">4.7</span> Season 03 Episode 18: The Son Also Rises</h3>
|
||||||
<div class="outline-text-3" id="text-4-7">
|
<div class="outline-text-3" id="text-4-7">
|
||||||
<p>
|
<p>
|
||||||
Sam Anders' flipping a coin and continually coming up with heads is
|
Sam Anders' flipping a coin and continually coming up with heads is
|
||||||
@ -1102,8 +1102,8 @@ the company of someone who loved Kara as much as he did.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org6673893" class="outline-3">
|
<div id="outline-container-org2baea36" class="outline-3">
|
||||||
<h3 id="org6673893"><span class="section-number-3">4.8</span> Caprica Episode 18</h3>
|
<h3 id="org2baea36"><span class="section-number-3">4.8</span> Caprica Episode 18</h3>
|
||||||
<div class="outline-text-3" id="text-4-8">
|
<div class="outline-text-3" id="text-4-8">
|
||||||
<p>
|
<p>
|
||||||
If you watched this in the order proposed you are going to feel
|
If you watched this in the order proposed you are going to feel
|
||||||
@ -1169,8 +1169,8 @@ On a minor important note, V World helps explain Cylon's phenomenon of "projecti
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgb74abf5" class="outline-3">
|
<div id="outline-container-org9fb3fa0" class="outline-3">
|
||||||
<h3 id="orgb74abf5"><span class="section-number-3">4.9</span> Season 03 Episode 20: Crossroads</h3>
|
<h3 id="org9fb3fa0"><span class="section-number-3">4.9</span> Season 03 Episode 20: Crossroads</h3>
|
||||||
<div class="outline-text-3" id="text-4-9">
|
<div class="outline-text-3" id="text-4-9">
|
||||||
<p>
|
<p>
|
||||||
All I am going to say is that I needed a chair with a deeper edge.
|
All I am going to say is that I needed a chair with a deeper edge.
|
||||||
@ -1227,8 +1227,8 @@ On a personal note at this point of the show I hate Kara.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org8d48790" class="outline-3">
|
<div id="outline-container-org178c851" class="outline-3">
|
||||||
<h3 id="org8d48790"><span class="section-number-3">4.10</span> Season 04 Episode 03: The Ties That Bind</h3>
|
<h3 id="org178c851"><span class="section-number-3">4.10</span> Season 04 Episode 03: The Ties That Bind</h3>
|
||||||
<div class="outline-text-3" id="text-4-10">
|
<div class="outline-text-3" id="text-4-10">
|
||||||
<p>
|
<p>
|
||||||
When Six's fleet is ambushed by Cavil's, the Orion constellation (as
|
When Six's fleet is ambushed by Cavil's, the Orion constellation (as
|
||||||
@ -1241,8 +1241,8 @@ seen more frequently in the episodes that follow.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org93adc16" class="outline-3">
|
<div id="outline-container-org14f20e2" class="outline-3">
|
||||||
<h3 id="org93adc16"><span class="section-number-3">4.11</span> Season 04 Episode 04: Escape Velocity</h3>
|
<h3 id="org14f20e2"><span class="section-number-3">4.11</span> Season 04 Episode 04: Escape Velocity</h3>
|
||||||
<div class="outline-text-3" id="text-4-11">
|
<div class="outline-text-3" id="text-4-11">
|
||||||
<p>
|
<p>
|
||||||
Distraught over the incident, Tyrol sits alone in Joe's Bar. Adama
|
Distraught over the incident, Tyrol sits alone in Joe's Bar. Adama
|
||||||
@ -1315,8 +1315,8 @@ confronts her impending death.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org56345f5" class="outline-3">
|
<div id="outline-container-orge9fe932" class="outline-3">
|
||||||
<h3 id="org56345f5"><span class="section-number-3">4.12</span> Season 04 Episode 07: Guess What's Coming To Dinner</h3>
|
<h3 id="orge9fe932"><span class="section-number-3">4.12</span> Season 04 Episode 07: Guess What's Coming To Dinner</h3>
|
||||||
<div class="outline-text-3" id="text-4-12">
|
<div class="outline-text-3" id="text-4-12">
|
||||||
<p>
|
<p>
|
||||||
The Hybrid's prophecy that Kara Thrace is the "harbinger of death"
|
The Hybrid's prophecy that Kara Thrace is the "harbinger of death"
|
||||||
@ -1356,8 +1356,8 @@ when destroying the latter's apotheosis heaven decades earlier in
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-orgd032f73" class="outline-3">
|
<div id="outline-container-org9a9daf9" class="outline-3">
|
||||||
<h3 id="orgd032f73"><span class="section-number-3">4.13</span> Season 04 Episode 04: Sine Qua Non</h3>
|
<h3 id="org9a9daf9"><span class="section-number-3">4.13</span> Season 04 Episode 04: Sine Qua Non</h3>
|
||||||
<div class="outline-text-3" id="text-4-13">
|
<div class="outline-text-3" id="text-4-13">
|
||||||
<p>
|
<p>
|
||||||
Ron Moore and the episodes writer, Michael Taylor, talk about Romo's
|
Ron Moore and the episodes writer, Michael Taylor, talk about Romo's
|
||||||
@ -1375,8 +1375,8 @@ cat, a "bad idea" for which he chooses to take the blame.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orga87ae1e" class="outline-3">
|
<div id="outline-container-org04fc379" class="outline-3">
|
||||||
<h3 id="orga87ae1e"><span class="section-number-3">4.14</span> Season 04 Episode 14: Blood On The Scales</h3>
|
<h3 id="org04fc379"><span class="section-number-3">4.14</span> Season 04 Episode 14: Blood On The Scales</h3>
|
||||||
<div class="outline-text-3" id="text-4-14">
|
<div class="outline-text-3" id="text-4-14">
|
||||||
<p>
|
<p>
|
||||||
Gaeta and Thigh are my favourite characters. Romantically Gaeta
|
Gaeta and Thigh are my favourite characters. Romantically Gaeta
|
||||||
@ -1447,8 +1447,8 @@ it might be understandable that he harbors a profound hate for them.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orga731da5" class="outline-3">
|
<div id="outline-container-orgf93771f" class="outline-3">
|
||||||
<h3 id="orga731da5"><span class="section-number-3">4.15</span> The Plan</h3>
|
<h3 id="orgf93771f"><span class="section-number-3">4.15</span> The Plan</h3>
|
||||||
<div class="outline-text-3" id="text-4-15">
|
<div class="outline-text-3" id="text-4-15">
|
||||||
<p>
|
<p>
|
||||||
The Plan is not a particularly compelling piece of work on its own. In
|
The Plan is not a particularly compelling piece of work on its own. In
|
||||||
@ -1738,8 +1738,8 @@ Stockwell from The Boy With Green Hair.</li>
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org7191990" class="outline-3">
|
<div id="outline-container-org7dd6437" class="outline-3">
|
||||||
<h3 id="org7191990"><span class="section-number-3">4.16</span> Season 04 Episode 16: Deadlock</h3>
|
<h3 id="org7dd6437"><span class="section-number-3">4.16</span> Season 04 Episode 16: Deadlock</h3>
|
||||||
<div class="outline-text-3" id="text-4-16">
|
<div class="outline-text-3" id="text-4-16">
|
||||||
<p>
|
<p>
|
||||||
Not much to say except to make two clarifications:
|
Not much to say except to make two clarifications:
|
||||||
@ -1762,8 +1762,8 @@ because he is accepted again.</li>
|
|||||||
</ol>
|
</ol>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org406b07b" class="outline-3">
|
<div id="outline-container-orga058f46" class="outline-3">
|
||||||
<h3 id="org406b07b"><span class="section-number-3">4.17</span> Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</h3>
|
<h3 id="orga058f46"><span class="section-number-3">4.17</span> Season 04: Battlestar Galactica Finale (S04E17-18-19-20)</h3>
|
||||||
<div class="outline-text-3" id="text-4-17">
|
<div class="outline-text-3" id="text-4-17">
|
||||||
<p>
|
<p>
|
||||||
I wont play pretend to be a critico cinematografico. I'll just try to
|
I wont play pretend to be a critico cinematografico. I'll just try to
|
||||||
@ -2048,12 +2048,12 @@ even kind of a let down (Athena putting a cable in her arm, really?)
|
|||||||
but this is why it will withstand the test of time.
|
but this is why it will withstand the test of time.
|
||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org5d80d49" class="outline-4">
|
<div id="outline-container-org6b20b45" class="outline-4">
|
||||||
<h4 id="org5d80d49"><span class="section-number-4">4.17.1</span> Other reviews</h4>
|
<h4 id="org6b20b45"><span class="section-number-4">4.17.1</span> Other reviews</h4>
|
||||||
<div class="outline-text-4" id="text-4-17-1">
|
<div class="outline-text-4" id="text-4-17-1">
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="org509c3f8"></a>Battlestar's "Daybreak:" The worst ending in the history of on-screen science fiction - Brad Templeton<br />
|
<li><a id="org55a6618"></a>Battlestar's "Daybreak:" The worst ending in the history of on-screen science fiction - Brad Templeton<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-1">
|
<div class="outline-text-5" id="text-4-17-1-1">
|
||||||
<p>
|
<p>
|
||||||
Battlestar Galactica attracted a lot of fans and a lot of kudos during
|
Battlestar Galactica attracted a lot of fans and a lot of kudos during
|
||||||
@ -2108,7 +2108,7 @@ began, might well have made the grade.)
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orgb509c6f"></a>Ron Moore's goals<br />
|
<li><a id="orge920981"></a>Ron Moore's goals<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-1">
|
<div class="outline-text-6" id="text-4-17-1-1-1">
|
||||||
<p>
|
<p>
|
||||||
To understand the fall of BSG, one must examine it both in terms of
|
To understand the fall of BSG, one must examine it both in terms of
|
||||||
@ -2138,7 +2138,7 @@ the characters, stupid."
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orgabddfea"></a>The link to reality<br />
|
<li><a id="orgb33a723"></a>The link to reality<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-1-1">
|
<div class="outline-text-7" id="text-4-17-1-1-1-1">
|
||||||
<p>
|
<p>
|
||||||
In addition, his other goal for the end was to make a connection to
|
In addition, his other goal for the end was to make a connection to
|
||||||
@ -2154,7 +2154,7 @@ Moore felt an alternative universe was not sufficient.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org6d811ec"></a>THe successes, and then failures<br />
|
<li><a id="org4cfaa0f"></a>THe successes, and then failures<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-2">
|
<div class="outline-text-6" id="text-4-17-1-1-2">
|
||||||
<p>
|
<p>
|
||||||
During its run, BSG offered much that was great, in several cases groundbreaking elements never seen before in TV SF:
|
During its run, BSG offered much that was great, in several cases groundbreaking elements never seen before in TV SF:
|
||||||
@ -2200,7 +2200,7 @@ to understand the metrics of greatness that I am using.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgba76888"></a>A defence of hard (and soft) science fiction<br />
|
<li><a id="orgdc13d18"></a>A defence of hard (and soft) science fiction<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-3">
|
<div class="outline-text-6" id="text-4-17-1-1-3">
|
||||||
<p>
|
<p>
|
||||||
The term "hard" science fiction has two meanings. The first is SF that
|
The term "hard" science fiction has two meanings. The first is SF that
|
||||||
@ -2358,7 +2358,7 @@ is still a goal to strive for and be measured against.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orge5b6fd1"></a>Values of great mistery<br />
|
<li><a id="org7f3e255"></a>Values of great mistery<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-3-1">
|
<div class="outline-text-7" id="text-4-17-1-1-3-1">
|
||||||
<p>
|
<p>
|
||||||
BSG was not just an SF show. It was a mystery. The story held many
|
BSG was not just an SF show. It was a mystery. The story held many
|
||||||
@ -2387,7 +2387,7 @@ Now on to where BSG fell down.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org4812cf5"></a>Failure 1 - God did it<br />
|
<li><a id="org873389e"></a>Failure 1 - God did it<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-4">
|
<div class="outline-text-6" id="text-4-17-1-1-4">
|
||||||
<p>
|
<p>
|
||||||
(And no, in spiteWhen gods become active characters in fiction, the rules change again. The earliest dramas, written by the ancient Greeks, regularly had the gods meddling in the affairs of mortals. In many of these plays, the mortals were just pawns, doomed to meet a divinely willed destiny. Plots would be resolved and characters' fates settled through the sudden intervention of gods.
|
(And no, in spiteWhen gods become active characters in fiction, the rules change again. The earliest dramas, written by the ancient Greeks, regularly had the gods meddling in the affairs of mortals. In many of these plays, the mortals were just pawns, doomed to meet a divinely willed destiny. Plots would be resolved and characters' fates settled through the sudden intervention of gods.
|
||||||
@ -2516,7 +2516,7 @@ sense.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orga25e1a8"></a>The Ghostbusters law<br />
|
<li><a id="org7cc8b53"></a>The Ghostbusters law<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-4-1">
|
<div class="outline-text-7" id="text-4-17-1-1-4-1">
|
||||||
<p>
|
<p>
|
||||||
Many argue that the appearance of the divine is hardly a surprise in
|
Many argue that the appearance of the divine is hardly a surprise in
|
||||||
@ -2626,7 +2626,7 @@ entirely different rules.)
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgaf7bfaa"></a>Failure 2 – Science errors on plot-turning elements<br />
|
<li><a id="org6bde2a4"></a>Failure 2 – Science errors on plot-turning elements<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-5">
|
<div class="outline-text-6" id="text-4-17-1-1-5">
|
||||||
<p>
|
<p>
|
||||||
No work of SF is likely to be perfect in its science, no matter how
|
No work of SF is likely to be perfect in its science, no matter how
|
||||||
@ -2671,7 +2671,7 @@ everybody.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="org4017bca"></a>Mitochondrial Eve<br />
|
<li><a id="org7016ab9"></a>Mitochondrial Eve<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-1">
|
<div class="outline-text-7" id="text-4-17-1-1-5-1">
|
||||||
<p>
|
<p>
|
||||||
The key error I am going to speak about may seem rather obscure to
|
The key error I am going to speak about may seem rather obscure to
|
||||||
@ -2815,7 +2815,7 @@ some DNA.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org8afed87"></a>Hera's Mitochondria, interbreeding, and Arks<br />
|
<li><a id="orge92846c"></a>Hera's Mitochondria, interbreeding, and Arks<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-2">
|
<div class="outline-text-7" id="text-4-17-1-1-5-2">
|
||||||
<p>
|
<p>
|
||||||
Or did they do even that? Adama is correctly shocked to hear that the
|
Or did they do even that? Adama is correctly shocked to hear that the
|
||||||
@ -2919,7 +2919,7 @@ powerful. Some might like that better, but it's not our world.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org698119b"></a>Failure 2a – Broken connection to our reality<br />
|
<li><a id="orge8d295d"></a>Failure 2a – Broken connection to our reality<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-3">
|
<div class="outline-text-7" id="text-4-17-1-1-5-3">
|
||||||
<p>
|
<p>
|
||||||
Making mistakes like this is one of the big dangers of the "secret
|
Making mistakes like this is one of the big dangers of the "secret
|
||||||
@ -2939,7 +2939,7 @@ reality is.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgf46948d"></a>Is this too nitpicky?<br />
|
<li><a id="org5f92dba"></a>Is this too nitpicky?<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-5-4">
|
<div class="outline-text-7" id="text-4-17-1-1-5-4">
|
||||||
<p>
|
<p>
|
||||||
Many viewers were not aware (just as Moore wasn't) of who MTE was. In
|
Many viewers were not aware (just as Moore wasn't) of who MTE was. In
|
||||||
@ -2976,7 +2976,7 @@ that gives it meaning, if you want to rise to the top.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org3046266"></a>Failure 3 – Collective Unconscious<br />
|
<li><a id="orgd8f3c86"></a>Failure 3 – Collective Unconscious<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-6">
|
<div class="outline-text-6" id="text-4-17-1-1-6">
|
||||||
<p>
|
<p>
|
||||||
The show was full of elements from our culture. They dressed like us, their technology looked like ours. They used our idioms, and even quoted lines of Shakespeare from time to time. Their gods were the same as the Greeks had, their military rules were similar. On the surface, this might be treated as a translation for the audience. After all, often we see shows where the characters would obviously not be speaking English, but of course the actors do – what we see is translated to be familiar with us.
|
The show was full of elements from our culture. They dressed like us, their technology looked like ours. They used our idioms, and even quoted lines of Shakespeare from time to time. Their gods were the same as the Greeks had, their military rules were similar. On the surface, this might be treated as a translation for the audience. After all, often we see shows where the characters would obviously not be speaking English, but of course the actors do – what we see is translated to be familiar with us.
|
||||||
@ -3014,7 +3014,7 @@ experimental success.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org221c0b5"></a>Failure 4 – The Future vs. a secret history<br />
|
<li><a id="org0768001"></a>Failure 4 – The Future vs. a secret history<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-7">
|
<div class="outline-text-6" id="text-4-17-1-1-7">
|
||||||
<p>
|
<p>
|
||||||
In the 1970s, Chariots of the Gods, which talked about ancient
|
In the 1970s, Chariots of the Gods, which talked about ancient
|
||||||
@ -3206,7 +3206,7 @@ was the clue we should have noticed.)
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org611825c"></a>Failure 5 – It's the characters, stupid<br />
|
<li><a id="org476f25f"></a>Failure 5 – It's the characters, stupid<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-8">
|
<div class="outline-text-6" id="text-4-17-1-1-8">
|
||||||
<p>
|
<p>
|
||||||
Moore often defends the ending by saying that, while writing it, he
|
Moore often defends the ending by saying that, while writing it, he
|
||||||
@ -3284,7 +3284,7 @@ the tweakings of an interventionist diety.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orge07a7fe"></a>Failure 6 – no a great ending<br />
|
<li><a id="orgcdae7bb"></a>Failure 6 – no a great ending<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-9">
|
<div class="outline-text-6" id="text-4-17-1-1-9">
|
||||||
<p>
|
<p>
|
||||||
Many others have written about other failures of the ending, failures
|
Many others have written about other failures of the ending, failures
|
||||||
@ -3396,7 +3396,7 @@ World SF Convention in August was surprisingly vitriolic.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgaf28baf"></a>How it could have been great<br />
|
<li><a id="org4c6ac77"></a>How it could have been great<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-10">
|
<div class="outline-text-6" id="text-4-17-1-1-10">
|
||||||
<p>
|
<p>
|
||||||
I've noted that one of the great disappointments of the ending was how
|
I've noted that one of the great disappointments of the ending was how
|
||||||
@ -3419,7 +3419,7 @@ such as these.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ol class="org-ol">
|
<ol class="org-ol">
|
||||||
<li><a id="orgd61c849"></a>In the future<br />
|
<li><a id="org3c6aba5"></a>In the future<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-1">
|
<div class="outline-text-7" id="text-4-17-1-1-10-1">
|
||||||
<p>
|
<p>
|
||||||
The show could have been set in the future with just a few minor
|
The show could have been set in the future with just a few minor
|
||||||
@ -3508,7 +3508,7 @@ topics at anywhere near the depth found in the written literature.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org7f6fdc0"></a>In the past<br />
|
<li><a id="org5a224dc"></a>In the past<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-2">
|
<div class="outline-text-7" id="text-4-17-1-1-10-2">
|
||||||
<p>
|
<p>
|
||||||
It is still just barely possible to have set a great ending in the
|
It is still just barely possible to have set a great ending in the
|
||||||
@ -3532,7 +3532,7 @@ you want to retain his religious mood.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgb9d5834"></a>Could this be what Moore intended?<br />
|
<li><a id="org924fc59"></a>Could this be what Moore intended?<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-3">
|
<div class="outline-text-7" id="text-4-17-1-1-10-3">
|
||||||
<p>
|
<p>
|
||||||
There is the slightest hint that Moore was considering this. He has the demon-Baltar declare at the end, "You know it doesn't like that name" when Angel-Six refers to "God's plan" as she has so often in the course of the show. This leaves a trace hint that the god isn't supernatural. Moore says in his podcast that he liked leaving that ambiguity in. However, he never answers it. And had he wanted to do it this way, had he wanted to lay it out as a story of alien or divine abduction, he could have easily done so, at great benefit and no harm to his story. It's hard to imagine him liking the interpretation that realism-oriented fans have of the "god did it" ending that was delivered.
|
There is the slightest hint that Moore was considering this. He has the demon-Baltar declare at the end, "You know it doesn't like that name" when Angel-Six refers to "God's plan" as she has so often in the course of the show. This leaves a trace hint that the god isn't supernatural. Moore says in his podcast that he liked leaving that ambiguity in. However, he never answers it. And had he wanted to do it this way, had he wanted to lay it out as a story of alien or divine abduction, he could have easily done so, at great benefit and no harm to his story. It's hard to imagine him liking the interpretation that realism-oriented fans have of the "god did it" ending that was delivered.
|
||||||
@ -3552,7 +3552,7 @@ throwing science out the window.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orga953916"></a>The writers' strike ending<br />
|
<li><a id="org2f686bd"></a>The writers' strike ending<br />
|
||||||
<div class="outline-text-7" id="text-4-17-1-1-10-4">
|
<div class="outline-text-7" id="text-4-17-1-1-10-4">
|
||||||
<p>
|
<p>
|
||||||
As some viewers know, the episode "Revelations" which ended the first half of season four with the crew discovering a ruined Earth was an emergency backup finale for the show. At the time, the writers' guild was on strike and there was no end in sight. Had it gone on longer, they would have had to shut down the show, close leases on the studio lots and tear down the sets. They might not have been able to finish the show. So they tweaked Revelations as a possible final ending.
|
As some viewers know, the episode "Revelations" which ended the first half of season four with the crew discovering a ruined Earth was an emergency backup finale for the show. At the time, the writers' guild was on strike and there was no end in sight. Had it gone on longer, they would have had to shut down the show, close leases on the studio lots and tear down the sets. They might not have been able to finish the show. So they tweaked Revelations as a possible final ending.
|
||||||
@ -3575,7 +3575,7 @@ episodes covered exactly those matters.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org992242d"></a>The worst ending ever?<br />
|
<li><a id="org375898f"></a>The worst ending ever?<br />
|
||||||
<div class="outline-text-6" id="text-4-17-1-1-11">
|
<div class="outline-text-6" id="text-4-17-1-1-11">
|
||||||
<p>
|
<p>
|
||||||
As I wrote at the start, I deem this the worst (most disappointing)
|
As I wrote at the start, I deem this the worst (most disappointing)
|
||||||
@ -3629,7 +3629,7 @@ ever, and that's a pity.
|
|||||||
</li>
|
</li>
|
||||||
</ol>
|
</ol>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org8607642"></a>"You know he doesn't like that name" - Josh bids farewell to Battlestar Galactica!<br />
|
<li><a id="orgc24da27"></a>"You know he doesn't like that name" - Josh bids farewell to Battlestar Galactica!<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-2">
|
<div class="outline-text-5" id="text-4-17-1-2">
|
||||||
<p>
|
<p>
|
||||||
March 23rd, 2009 Battlestar Galactica, TV Show Reviews
|
March 23rd, 2009 Battlestar Galactica, TV Show Reviews
|
||||||
@ -3879,7 +3879,7 @@ Say it with me now, folks: So say we all!
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org9c50652"></a>On Hera's blood<br />
|
<li><a id="org0f93268"></a>On Hera's blood<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-3">
|
<div class="outline-text-5" id="text-4-17-1-3">
|
||||||
<p>
|
<p>
|
||||||
After the show concluded, many viewers complained about how all the
|
After the show concluded, many viewers complained about how all the
|
||||||
@ -3921,7 +3921,7 @@ show is set in the past.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org55adc3e"></a>Not In Our Stars: the Betrayals of the Battlestar Galactica Finale - Sam J. Miller<br />
|
<li><a id="org8863a96"></a>Not In Our Stars: the Betrayals of the Battlestar Galactica Finale - Sam J. Miller<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-4">
|
<div class="outline-text-5" id="text-4-17-1-4">
|
||||||
<pre class="example">
|
<pre class="example">
|
||||||
“The fault, dear Brutus, is not in our stars, but in ourselves...”
|
“The fault, dear Brutus, is not in our stars, but in ourselves...”
|
||||||
@ -4220,7 +4220,7 @@ betrayals of Daybreak have ceased to annoy us.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="org1d5df81"></a>As Battlestar Ends, God Is In the Details - Annalee Newitz<br />
|
<li><a id="org4a02152"></a>As Battlestar Ends, God Is In the Details - Annalee Newitz<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-5">
|
<div class="outline-text-5" id="text-4-17-1-5">
|
||||||
<p>
|
<p>
|
||||||
Battlestar Galactica concluded with a moving, pyrotechnic two-hour
|
Battlestar Galactica concluded with a moving, pyrotechnic two-hour
|
||||||
@ -4475,7 +4475,7 @@ series. It offers no pat answers. We must decide.
|
|||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
|
|
||||||
<li><a id="org8df0a54"></a>Reddit comments on the finale<br />
|
<li><a id="org63f65ff"></a>Reddit comments on the finale<br />
|
||||||
<div class="outline-text-5" id="text-4-17-1-6">
|
<div class="outline-text-5" id="text-4-17-1-6">
|
||||||
<p>
|
<p>
|
||||||
I enjoyed both the connections to our modern world (on-the-nose though
|
I enjoyed both the connections to our modern world (on-the-nose though
|
||||||
@ -4591,8 +4591,8 @@ not intercede at a key moment.
|
|||||||
</ol>
|
</ol>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgea286fd" class="outline-3">
|
<div id="outline-container-orgdee9f20" class="outline-3">
|
||||||
<h3 id="orgea286fd"><span class="section-number-3">4.18</span> Bloopers</h3>
|
<h3 id="orgdee9f20"><span class="section-number-3">4.18</span> Bloopers</h3>
|
||||||
<div class="outline-text-3" id="text-4-18">
|
<div class="outline-text-3" id="text-4-18">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>Season 03 Episode 09: Dr Cottle says "Christ" (47:42)</li>
|
<li>Season 03 Episode 09: Dr Cottle says "Christ" (47:42)</li>
|
||||||
@ -4604,14 +4604,14 @@ mark</li>
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgf5836eb" class="outline-2">
|
<div id="outline-container-org45270b1" class="outline-2">
|
||||||
<h2 id="orgf5836eb"><span class="section-number-2">5</span> Timeline</h2>
|
<h2 id="org45270b1"><span class="section-number-2">5</span> Timeline</h2>
|
||||||
<div class="outline-text-2" id="text-5">
|
<div class="outline-text-2" id="text-5">
|
||||||
<p>
|
<p>
|
||||||
<a href="https://www.flickr.com/photos/billyray_jr/5593262639">https://www.flickr.com/photos/billyray_jr/5593262639</a>
|
<a href="https://www.flickr.com/photos/billyray_jr/5593262639">https://www.flickr.com/photos/billyray_jr/5593262639</a>
|
||||||
</p>
|
</p>
|
||||||
|
|
||||||
<div class="figure">
|
<div id="org505d2f1" class="figure">
|
||||||
<p><img src="./bsg_timeline.jpg" alt="bsg_timeline.jpg" />
|
<p><img src="./bsg_timeline.jpg" alt="bsg_timeline.jpg" />
|
||||||
</p>
|
</p>
|
||||||
<p><span class="figure-number">Figure 1: </span>This is the timeline of the show</p>
|
<p><span class="figure-number">Figure 1: </span>This is the timeline of the show</p>
|
||||||
|
@ -3,7 +3,7 @@
|
|||||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||||
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
|
<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
|
||||||
<head>
|
<head>
|
||||||
<!-- 2022-05-23 Mon 17:32 -->
|
<!-- 2022-05-23 Mon 17:46 -->
|
||||||
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
|
<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
|
||||||
<meta name="viewport" content="width=device-width, initial-scale=1" />
|
<meta name="viewport" content="width=device-width, initial-scale=1" />
|
||||||
<title>Guida alle pirateria</title>
|
<title>Guida alle pirateria</title>
|
||||||
@ -18,60 +18,60 @@
|
|||||||
<h2>Table of Contents</h2>
|
<h2>Table of Contents</h2>
|
||||||
<div id="text-table-of-contents">
|
<div id="text-table-of-contents">
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#orgc322fc9">Scaletta</a>
|
<li><a href="#org9c3e046">Scaletta</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#orgeb93585">Articoli</a></li>
|
<li><a href="#org7146b5e">Articoli</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orgfebb6b5">Introduzione</a></li>
|
<li><a href="#org14d9015">Introduzione</a></li>
|
||||||
<li><a href="#org5fbde30">Dove nasce una copia pirata: THE SCENE contro P2P</a>
|
<li><a href="#orge0ac066">Dove nasce una copia pirata: THE SCENE contro P2P</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org4f60922">The SCENE</a></li>
|
<li><a href="#org47e143b">The SCENE</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org98efab4">Come nasce una copia pirata</a></li>
|
<li><a href="#orgaa27838">Come nasce una copia pirata</a></li>
|
||||||
<li><a href="#org79c710e">Le reti di distribuzione</a>
|
<li><a href="#org2a03c1e">Le reti di distribuzione</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#orgca1daee">Direct Download</a></li>
|
<li><a href="#org7f80768">Direct Download</a></li>
|
||||||
<li><a href="#org224ed2c">Bittorrent</a>
|
<li><a href="#org28dea13">Bittorrent</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org6c56970">Tracker privati</a></li>
|
<li><a href="#org23eef69">Tracker privati</a></li>
|
||||||
<li><a href="#org8f684ef">How to get into private trackers (and survive)</a></li>
|
<li><a href="#orga189ddd">How to get into private trackers (and survive)</a></li>
|
||||||
<li><a href="#org4174a31">TODO</a></li>
|
<li><a href="#orgdc9cebe">TODO</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#org2bf2798">EDonkey</a></li>
|
<li><a href="#org3f1690d">EDonkey</a></li>
|
||||||
<li><a href="#orgf03b886">Fopnu</a></li>
|
<li><a href="#orgc336080">Fopnu</a></li>
|
||||||
<li><a href="#orgcd25cbb">IRC</a></li>
|
<li><a href="#org1a801e7">IRC</a></li>
|
||||||
<li><a href="#org1e2da66"><span class="todo TODO">TODO</span> USENET</a></li>
|
<li><a href="#org9615ee1"><span class="todo TODO">TODO</span> USENET</a></li>
|
||||||
<li><a href="#org6bb18b9">Soulseek</a></li>
|
<li><a href="#org450af1f">Soulseek</a></li>
|
||||||
<li><a href="#orgfb34b2f"><span class="todo TODO">TODO</span> Disruption delle reti di distribuzione</a>
|
<li><a href="#orgf9be03a"><span class="todo TODO">TODO</span> Disruption delle reti di distribuzione</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org92defd9">Poisoning</a></li>
|
<li><a href="#org5b32b80">Poisoning</a></li>
|
||||||
<li><a href="#orgf879eef">Ghost leeching</a></li>
|
<li><a href="#org1b55ee4">Ghost leeching</a></li>
|
||||||
<li><a href="#org1137e9e">Love letters</a></li>
|
<li><a href="#orgbc0f158">Love letters</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orgece7376">Quando la pirateria incontra il capitalismo</a>
|
<li><a href="#orga18c1af">Quando la pirateria incontra il capitalismo</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org2f47fa0">Cineblog?</a></li>
|
<li><a href="#org541e79f">Cineblog?</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
<li><a href="#orga4e37bd">Comunità autogestite: tntvillage</a></li>
|
<li><a href="#org0425b53">Comunità autogestite: tntvillage</a></li>
|
||||||
<li><a href="#orge152e8e">Piccolo bugiardino per la pirateria</a>
|
<li><a href="#org0e7f18d">Piccolo bugiardino per la pirateria</a>
|
||||||
<ul>
|
<ul>
|
||||||
<li><a href="#org6b40971">Formati ed acronimi</a></li>
|
<li><a href="#org2db02b9">Formati ed acronimi</a></li>
|
||||||
<li><a href="#org4a07956">Le parti del nome di una release Warez</a></li>
|
<li><a href="#orga3d41eb">Le parti del nome di una release Warez</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</li>
|
</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgc322fc9" class="outline-2">
|
<div id="outline-container-org9c3e046" class="outline-2">
|
||||||
<h2 id="orgc322fc9">Scaletta</h2>
|
<h2 id="org9c3e046">Scaletta</h2>
|
||||||
<div class="outline-text-2" id="text-orgc322fc9">
|
<div class="outline-text-2" id="text-org9c3e046">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>spiegazione dei siti</li>
|
<li>spiegazione dei siti</li>
|
||||||
<li>spiegazione delle persone</li>
|
<li>spiegazione delle persone</li>
|
||||||
@ -87,9 +87,9 @@ like hush mail or secure-mail), and you hope for the best :)</li>
|
|||||||
<li>trova esempio del precedente</li>
|
<li>trova esempio del precedente</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgeb93585" class="outline-3">
|
<div id="outline-container-org7146b5e" class="outline-3">
|
||||||
<h3 id="orgeb93585">Articoli</h3>
|
<h3 id="org7146b5e">Articoli</h3>
|
||||||
<div class="outline-text-3" id="text-orgeb93585">
|
<div class="outline-text-3" id="text-org7146b5e">
|
||||||
<p>
|
<p>
|
||||||
faq - Piracy
|
faq - Piracy
|
||||||
<a href="https://old.reddit.com/r/piracy/wiki/faq">https://old.reddit.com/r/piracy/wiki/faq</a>
|
<a href="https://old.reddit.com/r/piracy/wiki/faq">https://old.reddit.com/r/piracy/wiki/faq</a>
|
||||||
@ -129,9 +129,9 @@ Who is "Scene" on Rarbg ? : Piracy
|
|||||||
</div>
|
</div>
|
||||||
|
|
||||||
|
|
||||||
<div id="outline-container-orgfebb6b5" class="outline-2">
|
<div id="outline-container-org14d9015" class="outline-2">
|
||||||
<h2 id="orgfebb6b5">Introduzione</h2>
|
<h2 id="org14d9015">Introduzione</h2>
|
||||||
<div class="outline-text-2" id="text-orgfebb6b5">
|
<div class="outline-text-2" id="text-org14d9015">
|
||||||
<blockquote>
|
<blockquote>
|
||||||
<p>
|
<p>
|
||||||
Un pirata deve avere la vista acuta. Altrimenti non navigherà a lungo.
|
Un pirata deve avere la vista acuta. Altrimenti non navigherà a lungo.
|
||||||
@ -191,9 +191,9 @@ online: <a href="https://cyber.harvard.edu/people/tfisher/PTKChapter6.pdf">https
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org5fbde30" class="outline-2">
|
<div id="outline-container-orge0ac066" class="outline-2">
|
||||||
<h2 id="org5fbde30">Dove nasce una copia pirata: THE SCENE contro P2P</h2>
|
<h2 id="orge0ac066">Dove nasce una copia pirata: THE SCENE contro P2P</h2>
|
||||||
<div class="outline-text-2" id="text-org5fbde30">
|
<div class="outline-text-2" id="text-orge0ac066">
|
||||||
<p>
|
<p>
|
||||||
Siamo abituati a pensare alla pirateria come un fenomeno abbastanza
|
Siamo abituati a pensare alla pirateria come un fenomeno abbastanza
|
||||||
democratico dove basta un computer ed una connessione ad internet, la
|
democratico dove basta un computer ed una connessione ad internet, la
|
||||||
@ -221,9 +221,9 @@ Daunting, <a href="https://filesharingtalk.com/newreply.php?s=fec3a4a808cb54248a
|
|||||||
</p>
|
</p>
|
||||||
</blockquote>
|
</blockquote>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org4f60922" class="outline-3">
|
<div id="outline-container-org47e143b" class="outline-3">
|
||||||
<h3 id="org4f60922">The SCENE</h3>
|
<h3 id="org47e143b">The SCENE</h3>
|
||||||
<div class="outline-text-3" id="text-org4f60922">
|
<div class="outline-text-3" id="text-org47e143b">
|
||||||
<p>
|
<p>
|
||||||
La SCENA, anche chiamata "the warez scene", è
|
La SCENA, anche chiamata "the warez scene", è
|
||||||
un'insieme di individui che si organizzano tramite un insieme di
|
un'insieme di individui che si organizzano tramite un insieme di
|
||||||
@ -302,9 +302,9 @@ abilità di reverse engineering estremamente acute.
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org98efab4" class="outline-2">
|
<div id="outline-container-orgaa27838" class="outline-2">
|
||||||
<h2 id="org98efab4">Come nasce una copia pirata</h2>
|
<h2 id="orgaa27838">Come nasce una copia pirata</h2>
|
||||||
<div class="outline-text-2" id="text-org98efab4">
|
<div class="outline-text-2" id="text-orgaa27838">
|
||||||
<p>
|
<p>
|
||||||
La produzione di una copia pirata viene spesso chiamata RIP ed è la
|
La produzione di una copia pirata viene spesso chiamata RIP ed è la
|
||||||
procedura con la quale partendo da una sorgente analogica o digitale
|
procedura con la quale partendo da una sorgente analogica o digitale
|
||||||
@ -315,16 +315,13 @@ fenomeni sociali molto più interessanti.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org79c710e" class="outline-2">
|
<div id="outline-container-org2a03c1e" class="outline-2">
|
||||||
<h2 id="org79c710e">Le reti di distribuzione</h2>
|
<h2 id="org2a03c1e">Le reti di distribuzione</h2>
|
||||||
<div class="outline-text-2" id="text-org79c710e">
|
<div class="outline-text-2" id="text-org2a03c1e">
|
||||||
<p>
|
|
||||||
Per ogni software spiega problemi della rete
|
|
||||||
</p>
|
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgca1daee" class="outline-3">
|
<div id="outline-container-org7f80768" class="outline-3">
|
||||||
<h3 id="orgca1daee">Direct Download</h3>
|
<h3 id="org7f80768">Direct Download</h3>
|
||||||
<div class="outline-text-3" id="text-orgca1daee">
|
<div class="outline-text-3" id="text-org7f80768">
|
||||||
<p>
|
<p>
|
||||||
Come abbiamo visto con la SCENA, il direct download è forse il metodo
|
Come abbiamo visto con la SCENA, il direct download è forse il metodo
|
||||||
più diffuso per piratare file. Il direct download si basa su due
|
più diffuso per piratare file. Il direct download si basa su due
|
||||||
@ -337,9 +334,9 @@ condividere i costi.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org224ed2c" class="outline-3">
|
<div id="outline-container-org28dea13" class="outline-3">
|
||||||
<h3 id="org224ed2c">Bittorrent</h3>
|
<h3 id="org28dea13">Bittorrent</h3>
|
||||||
<div class="outline-text-3" id="text-org224ed2c">
|
<div class="outline-text-3" id="text-org28dea13">
|
||||||
<p>
|
<p>
|
||||||
Il protocollo bittorrent, spesso abbreviato semplicemente come
|
Il protocollo bittorrent, spesso abbreviato semplicemente come
|
||||||
torrent, è probabilmente il protocollo più importante nella scena
|
torrent, è probabilmente il protocollo più importante nella scena
|
||||||
@ -354,9 +351,9 @@ wikipedia è un buon punto di partenza.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org6c56970" class="outline-4">
|
<div id="outline-container-org23eef69" class="outline-4">
|
||||||
<h4 id="org6c56970">Tracker privati</h4>
|
<h4 id="org23eef69">Tracker privati</h4>
|
||||||
<div class="outline-text-4" id="text-org6c56970">
|
<div class="outline-text-4" id="text-org23eef69">
|
||||||
<p>
|
<p>
|
||||||
I tracker privati dal punto di vista tecnico offrono lo stesso set di
|
I tracker privati dal punto di vista tecnico offrono lo stesso set di
|
||||||
funzionalità di un tracker pubblico ma la community generalmente ha
|
funzionalità di un tracker pubblico ma la community generalmente ha
|
||||||
@ -445,8 +442,8 @@ primi indirizzi: <a href="https://wiki.installgentoo.com/wiki/Private_trackers">
|
|||||||
</div>
|
</div>
|
||||||
|
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li><a id="org5d89461"></a>La cabala e la merda<br />
|
<li><a id="org782ee78"></a>La cabala e la merda<br />
|
||||||
<div class="outline-text-5" id="text-org5d89461">
|
<div class="outline-text-5" id="text-org782ee78">
|
||||||
<p>
|
<p>
|
||||||
Alcuni tracker sono la cabala, ovvero i tracker migliori, più longevi
|
Alcuni tracker sono la cabala, ovvero i tracker migliori, più longevi
|
||||||
e più rinomati della comunità. Sono oggettivamente i migliori nelle
|
e più rinomati della comunità. Sono oggettivamente i migliori nelle
|
||||||
@ -489,9 +486,9 @@ Rutracker, pornolab e nyaa sono i più importanti fra questi.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org8f684ef" class="outline-4">
|
<div id="outline-container-orga189ddd" class="outline-4">
|
||||||
<h4 id="org8f684ef">How to get into private trackers (and survive)</h4>
|
<h4 id="orga189ddd">How to get into private trackers (and survive)</h4>
|
||||||
<div class="outline-text-4" id="text-org8f684ef">
|
<div class="outline-text-4" id="text-orga189ddd">
|
||||||
<p>
|
<p>
|
||||||
Copiato da wiki.installgentoo. Questa sezione dovrebbe dare al lettore un'idea
|
Copiato da wiki.installgentoo. Questa sezione dovrebbe dare al lettore un'idea
|
||||||
della quantità di regole e pratiche alla base delle communities dei
|
della quantità di regole e pratiche alla base delle communities dei
|
||||||
@ -641,8 +638,8 @@ all you will only ever get upload from permaseeding or requests.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li><a id="orgde84de0"></a>What not to do<br />
|
<li><a id="org12c063a"></a>What not to do<br />
|
||||||
<div class="outline-text-5" id="text-orgde84de0">
|
<div class="outline-text-5" id="text-org12c063a">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>Cheating: The cardinal rule of thumb is that most cheaters end up
|
<li>Cheating: The cardinal rule of thumb is that most cheaters end up
|
||||||
with their account and their entire invite tree banned. Beware of
|
with their account and their entire invite tree banned. Beware of
|
||||||
@ -713,8 +710,8 @@ In short, either keep a low profile or suck staff's dick, as with all sites.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgef66ce7"></a>Cabal is so hard to join, I just want some content. What do I do?<br />
|
<li><a id="org2c31ac9"></a>Cabal is so hard to join, I just want some content. What do I do?<br />
|
||||||
<div class="outline-text-5" id="text-orgef66ce7">
|
<div class="outline-text-5" id="text-org2c31ac9">
|
||||||
<p>
|
<p>
|
||||||
A brand new user is looking at potentially years before they get into
|
A brand new user is looking at potentially years before they get into
|
||||||
the desirable trackers such as PTP for movies and BTN for TV. These
|
the desirable trackers such as PTP for movies and BTN for TV. These
|
||||||
@ -745,8 +742,8 @@ well.
|
|||||||
</li>
|
</li>
|
||||||
|
|
||||||
|
|
||||||
<li><a id="org435eeff"></a>Getting acquainted with rules and maintaining your ratio<br />
|
<li><a id="org30823f8"></a>Getting acquainted with rules and maintaining your ratio<br />
|
||||||
<div class="outline-text-5" id="text-org435eeff">
|
<div class="outline-text-5" id="text-org30823f8">
|
||||||
<p>
|
<p>
|
||||||
Okay, now we're going to assume you made it to a couple of private
|
Okay, now we're going to assume you made it to a couple of private
|
||||||
trackers - if you haven't yet, please read above part (TL;DR: get into
|
trackers - if you haven't yet, please read above part (TL;DR: get into
|
||||||
@ -795,8 +792,8 @@ unawares on some autistic peculiarity.</li>
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
<li><a id="orgb507c41"></a>Ratio issues and tracker economy<br />
|
<li><a id="org230ed2b"></a>Ratio issues and tracker economy<br />
|
||||||
<div class="outline-text-5" id="text-orgb507c41">
|
<div class="outline-text-5" id="text-org230ed2b">
|
||||||
<p>
|
<p>
|
||||||
Now let's assume you're familiar with the rules, how about you
|
Now let's assume you're familiar with the rules, how about you
|
||||||
download some shit? The only problem is that ratio thingy: surprise,
|
download some shit? The only problem is that ratio thingy: surprise,
|
||||||
@ -887,8 +884,8 @@ separates this category from the ratioless variety.</li>
|
|||||||
</div>
|
</div>
|
||||||
</li>
|
</li>
|
||||||
|
|
||||||
<li><a id="orgcc5a787"></a>"Help, I've been cabal banned!"<br />
|
<li><a id="org7e9b287"></a>"Help, I've been cabal banned!"<br />
|
||||||
<div class="outline-text-5" id="text-orgcc5a787">
|
<div class="outline-text-5" id="text-org7e9b287">
|
||||||
<p>
|
<p>
|
||||||
I can just turn my router off and on again to get a new IP and start
|
I can just turn my router off and on again to get a new IP and start
|
||||||
over, r-right? Wrong. The private tracker community is small, so
|
over, r-right? Wrong. The private tracker community is small, so
|
||||||
@ -921,9 +918,9 @@ torrentleech, iptorrents, foreign tracker and so on).
|
|||||||
</li>
|
</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org4174a31" class="outline-4">
|
<div id="outline-container-orgdc9cebe" class="outline-4">
|
||||||
<h4 id="org4174a31">TODO</h4>
|
<h4 id="orgdc9cebe">TODO</h4>
|
||||||
<div class="outline-text-4" id="text-org4174a31">
|
<div class="outline-text-4" id="text-orgdc9cebe">
|
||||||
<p>
|
<p>
|
||||||
Source ? tracker privati? ? software? ? critica ai
|
Source ? tracker privati? ? software? ? critica ai
|
||||||
tracker privati
|
tracker privati
|
||||||
@ -931,9 +928,9 @@ tracker privati
|
|||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org2bf2798" class="outline-3">
|
<div id="outline-container-org3f1690d" class="outline-3">
|
||||||
<h3 id="org2bf2798">EDonkey</h3>
|
<h3 id="org3f1690d">EDonkey</h3>
|
||||||
<div class="outline-text-3" id="text-org2bf2798">
|
<div class="outline-text-3" id="text-org3f1690d">
|
||||||
<p>
|
<p>
|
||||||
EDonkey è stato un protocollo molto importante per la scena italiana,
|
EDonkey è stato un protocollo molto importante per la scena italiana,
|
||||||
tantochè il suo client più famoso, EMule, ha una voce sulla
|
tantochè il suo client più famoso, EMule, ha una voce sulla
|
||||||
@ -993,9 +990,9 @@ prodotti in Italia, Francia e Spagna.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgf03b886" class="outline-3">
|
<div id="outline-container-orgc336080" class="outline-3">
|
||||||
<h3 id="orgf03b886">Fopnu</h3>
|
<h3 id="orgc336080">Fopnu</h3>
|
||||||
<div class="outline-text-3" id="text-orgf03b886">
|
<div class="outline-text-3" id="text-orgc336080">
|
||||||
<p>
|
<p>
|
||||||
Fopnu è un software abbastanza giovane e nonostante il protocollo ed il client
|
Fopnu è un software abbastanza giovane e nonostante il protocollo ed il client
|
||||||
siano proprietari la community, benchè ristretta, condivide moltissimi
|
siano proprietari la community, benchè ristretta, condivide moltissimi
|
||||||
@ -1007,9 +1004,9 @@ GNUtella.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgcd25cbb" class="outline-3">
|
<div id="outline-container-org1a801e7" class="outline-3">
|
||||||
<h3 id="orgcd25cbb">IRC</h3>
|
<h3 id="org1a801e7">IRC</h3>
|
||||||
<div class="outline-text-3" id="text-orgcd25cbb">
|
<div class="outline-text-3" id="text-org1a801e7">
|
||||||
<p>
|
<p>
|
||||||
IRC is alive and kicking. Molti releaser della scena degli anime usano
|
IRC is alive and kicking. Molti releaser della scena degli anime usano
|
||||||
IRC per coordinarsi e tramite un'estensione al protocollo, chiamata
|
IRC per coordinarsi e tramite un'estensione al protocollo, chiamata
|
||||||
@ -1020,12 +1017,12 @@ media testuali, XDCC è molto comune anche per il download di ebook.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org1e2da66" class="outline-3">
|
<div id="outline-container-org9615ee1" class="outline-3">
|
||||||
<h3 id="org1e2da66"><span class="todo TODO">TODO</span> USENET</h3>
|
<h3 id="org9615ee1"><span class="todo TODO">TODO</span> USENET</h3>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org6bb18b9" class="outline-3">
|
<div id="outline-container-org450af1f" class="outline-3">
|
||||||
<h3 id="org6bb18b9">Soulseek</h3>
|
<h3 id="org450af1f">Soulseek</h3>
|
||||||
<div class="outline-text-3" id="text-org6bb18b9">
|
<div class="outline-text-3" id="text-org450af1f">
|
||||||
<p>
|
<p>
|
||||||
Soulseek è un network P2P che non supporta swarming e richiede un
|
Soulseek è un network P2P che non supporta swarming e richiede un
|
||||||
server centrale nonostante i trasferimenti siano P2P. Il client è
|
server centrale nonostante i trasferimenti siano P2P. Il client è
|
||||||
@ -1038,44 +1035,44 @@ spesso in rarità e release molto esoteriche.
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgfb34b2f" class="outline-3">
|
<div id="outline-container-orgf9be03a" class="outline-3">
|
||||||
<h3 id="orgfb34b2f"><span class="todo TODO">TODO</span> Disruption delle reti di distribuzione</h3>
|
<h3 id="orgf9be03a"><span class="todo TODO">TODO</span> Disruption delle reti di distribuzione</h3>
|
||||||
<div class="outline-text-3" id="text-orgfb34b2f">
|
<div class="outline-text-3" id="text-orgf9be03a">
|
||||||
</div>
|
</div>
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li><a id="org5aaf8c6"></a>Megaupload e vari (forse più giù)<br /></li>
|
<li><a id="org6258be5"></a>Megaupload e vari (forse più giù)<br /></li>
|
||||||
</ul>
|
</ul>
|
||||||
<div id="outline-container-org92defd9" class="outline-4">
|
<div id="outline-container-org5b32b80" class="outline-4">
|
||||||
<h4 id="org92defd9">Poisoning</h4>
|
<h4 id="org5b32b80">Poisoning</h4>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgf879eef" class="outline-4">
|
<div id="outline-container-org1b55ee4" class="outline-4">
|
||||||
<h4 id="orgf879eef">Ghost leeching</h4>
|
<h4 id="org1b55ee4">Ghost leeching</h4>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org1137e9e" class="outline-4">
|
<div id="outline-container-orgbc0f158" class="outline-4">
|
||||||
<h4 id="org1137e9e">Love letters</h4>
|
<h4 id="orgbc0f158">Love letters</h4>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orgece7376" class="outline-2">
|
<div id="outline-container-orga18c1af" class="outline-2">
|
||||||
<h2 id="orgece7376">Quando la pirateria incontra il capitalismo</h2>
|
<h2 id="orga18c1af">Quando la pirateria incontra il capitalismo</h2>
|
||||||
<div class="outline-text-2" id="text-orgece7376">
|
<div class="outline-text-2" id="text-orga18c1af">
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org2f47fa0" class="outline-3">
|
<div id="outline-container-org541e79f" class="outline-3">
|
||||||
<h3 id="org2f47fa0">Cineblog?</h3>
|
<h3 id="org541e79f">Cineblog?</h3>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orga4e37bd" class="outline-2">
|
<div id="outline-container-org0425b53" class="outline-2">
|
||||||
<h2 id="orga4e37bd">Comunità autogestite: tntvillage</h2>
|
<h2 id="org0425b53">Comunità autogestite: tntvillage</h2>
|
||||||
<div class="outline-text-2" id="text-orga4e37bd">
|
<div class="outline-text-2" id="text-org0425b53">
|
||||||
<ul class="org-ul">
|
<ul class="org-ul">
|
||||||
<li>ancora vivo?</li>
|
<li>ancora vivo?</li>
|
||||||
<li>rutracker</li>
|
<li>rutracker</li>
|
||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-orge152e8e" class="outline-2">
|
<div id="outline-container-org0e7f18d" class="outline-2">
|
||||||
<h2 id="orge152e8e">Piccolo bugiardino per la pirateria</h2>
|
<h2 id="org0e7f18d">Piccolo bugiardino per la pirateria</h2>
|
||||||
<div class="outline-text-2" id="text-orge152e8e">
|
<div class="outline-text-2" id="text-org0e7f18d">
|
||||||
<p>
|
<p>
|
||||||
? Cambia titolo
|
? Cambia titolo
|
||||||
</p>
|
</p>
|
||||||
@ -1084,9 +1081,9 @@ spesso in rarità e release molto esoteriche.
|
|||||||
</ul>
|
</ul>
|
||||||
</div>
|
</div>
|
||||||
|
|
||||||
<div id="outline-container-org6b40971" class="outline-3">
|
<div id="outline-container-org2db02b9" class="outline-3">
|
||||||
<h3 id="org6b40971">Formati ed acronimi</h3>
|
<h3 id="org2db02b9">Formati ed acronimi</h3>
|
||||||
<div class="outline-text-3" id="text-org6b40971">
|
<div class="outline-text-3" id="text-org2db02b9">
|
||||||
<p>
|
<p>
|
||||||
Non sempre il sorgente ha il migliore encoding
|
Non sempre il sorgente ha il migliore encoding
|
||||||
Il BDMV o il WEB è un encode della sorgente attuale e soffre spesso di
|
Il BDMV o il WEB è un encode della sorgente attuale e soffre spesso di
|
||||||
@ -1242,9 +1239,9 @@ Vedi anche:
|
|||||||
</p>
|
</p>
|
||||||
</div>
|
</div>
|
||||||
</div>
|
</div>
|
||||||
<div id="outline-container-org4a07956" class="outline-3">
|
<div id="outline-container-orga3d41eb" class="outline-3">
|
||||||
<h3 id="org4a07956">Le parti del nome di una release Warez</h3>
|
<h3 id="orga3d41eb">Le parti del nome di una release Warez</h3>
|
||||||
<div class="outline-text-3" id="text-org4a07956">
|
<div class="outline-text-3" id="text-orga3d41eb">
|
||||||
<p>
|
<p>
|
||||||
Ci sono molti acronimi diversi che esistono nei nomi delle release, ma
|
Ci sono molti acronimi diversi che esistono nei nomi delle release, ma
|
||||||
tutti seguono un formato simile. Nell'esempio di un film, sarebbe <b>Title.Of.The.Movie.YEAR.Source.Codec-GROUP</b>
|
tutti seguono un formato simile. Nell'esempio di un film, sarebbe <b>Title.Of.The.Movie.YEAR.Source.Codec-GROUP</b>
|
||||||
|
171
blog/read.css
Normal file
171
blog/read.css
Normal file
@ -0,0 +1,171 @@
|
|||||||
|
:root {
|
||||||
|
--bg-color: #ffffff;
|
||||||
|
--font-color: #000000;
|
||||||
|
/* highest contrast colors
|
||||||
|
for light and dark themes */
|
||||||
|
--red: #ec0000;
|
||||||
|
--green: #008900;
|
||||||
|
--blue: #5f5fff;
|
||||||
|
--gray: #757575;
|
||||||
|
}
|
||||||
|
|
||||||
|
@media (prefers-color-scheme: dark) {
|
||||||
|
:root {
|
||||||
|
/* change to dark theme */
|
||||||
|
--bg-color: #000000;
|
||||||
|
--font-color: #ffffff;
|
||||||
|
}
|
||||||
|
}
|
||||||
|
|
||||||
|
*:not(li, progress, span) {
|
||||||
|
border-radius: 5px;
|
||||||
|
/* no overflowing body */
|
||||||
|
max-width: 100%;
|
||||||
|
overflow: auto;
|
||||||
|
}
|
||||||
|
|
||||||
|
*:disabled {
|
||||||
|
cursor: not-allowed !important;
|
||||||
|
}
|
||||||
|
|
||||||
|
[href],
|
||||||
|
dfn {
|
||||||
|
/* no visited color */
|
||||||
|
color: var(--blue);
|
||||||
|
}
|
||||||
|
|
||||||
|
[href]:hover {
|
||||||
|
text-decoration: none;
|
||||||
|
}
|
||||||
|
|
||||||
|
[href^="mailto:"]::before {
|
||||||
|
content: "📧 ";
|
||||||
|
}
|
||||||
|
|
||||||
|
abbr {
|
||||||
|
cursor: help;
|
||||||
|
}
|
||||||
|
|
||||||
|
abbr,
|
||||||
|
var {
|
||||||
|
color: var(--red);
|
||||||
|
}
|
||||||
|
|
||||||
|
blockquote {
|
||||||
|
/* add bar before quote */
|
||||||
|
border-left: 0.3em solid var(--gray);
|
||||||
|
padding-left: 1em;
|
||||||
|
}
|
||||||
|
|
||||||
|
body {
|
||||||
|
/* high contrast */
|
||||||
|
background: var(--bg-color);
|
||||||
|
color: var(--font-color);
|
||||||
|
/* /\* most readable wed-safe font *\/ */
|
||||||
|
/* font-family: Helvetica; */
|
||||||
|
/* /\* 12pt is minimum *\/ */
|
||||||
|
font-size: 14pt;
|
||||||
|
/* required with justified text */
|
||||||
|
hyphens: auto;
|
||||||
|
/* experimental:
|
||||||
|
highest quality images */
|
||||||
|
image-rendering: high-quality;
|
||||||
|
/* 1.5 is minimum */
|
||||||
|
line-height: 1.6;
|
||||||
|
/* center body in page */
|
||||||
|
margin: auto;
|
||||||
|
/* space inside body */
|
||||||
|
padding: 0 1em;
|
||||||
|
/* each line is similar length */
|
||||||
|
text-align: justify;
|
||||||
|
/* browser focuses on readability */
|
||||||
|
text-rendering: optimizeLegibility;
|
||||||
|
/* line length of 60 characters
|
||||||
|
(between recommended 45-80)
|
||||||
|
& subtract the padding */
|
||||||
|
width: min(95ch, calc(100% - 2em));
|
||||||
|
}
|
||||||
|
|
||||||
|
button,
|
||||||
|
input[type="button"],
|
||||||
|
input[type="reset"],
|
||||||
|
input[type="submit"] {
|
||||||
|
border: 1px solid var(--gray);
|
||||||
|
/* appear clickable */
|
||||||
|
cursor: pointer;
|
||||||
|
}
|
||||||
|
|
||||||
|
button:hover,
|
||||||
|
input[type="button"]:hover,
|
||||||
|
input[type="reset"]:hover,
|
||||||
|
input[type="submit"]:hover {
|
||||||
|
/* make border blend into background */
|
||||||
|
border: 1px solid var(--bg-color);
|
||||||
|
}
|
||||||
|
|
||||||
|
code {
|
||||||
|
/* classic green code */
|
||||||
|
color: var(--green);
|
||||||
|
}
|
||||||
|
|
||||||
|
figure {
|
||||||
|
/* center caption under image */
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
|
||||||
|
footer,
|
||||||
|
header {
|
||||||
|
margin-top: 1em;
|
||||||
|
text-align: center;
|
||||||
|
}
|
||||||
|
|
||||||
|
html {
|
||||||
|
/* better for jump scrolling */
|
||||||
|
scroll-behavior: smooth;
|
||||||
|
}
|
||||||
|
|
||||||
|
iframe {
|
||||||
|
/* common screen ratio */
|
||||||
|
aspect-ratio: 3/2;
|
||||||
|
/* keep from overflowing */
|
||||||
|
width: 99%;
|
||||||
|
}
|
||||||
|
|
||||||
|
kbd {
|
||||||
|
/* appear like a key */
|
||||||
|
box-shadow: 1px 1px 2px 1px;
|
||||||
|
}
|
||||||
|
|
||||||
|
nav {
|
||||||
|
display: flex;
|
||||||
|
/* space links apart */
|
||||||
|
justify-content: space-around;
|
||||||
|
}
|
||||||
|
|
||||||
|
small {
|
||||||
|
/* decrease visibility */
|
||||||
|
color: var(--gray);
|
||||||
|
}
|
||||||
|
|
||||||
|
summary {
|
||||||
|
/* indicate interaction */
|
||||||
|
cursor: pointer;
|
||||||
|
font-weight: bold;
|
||||||
|
}
|
||||||
|
|
||||||
|
table {
|
||||||
|
/* multiple borders merge */
|
||||||
|
border-collapse: collapse;
|
||||||
|
display: block;
|
||||||
|
}
|
||||||
|
|
||||||
|
tbody>tr:nth-child(odd) {
|
||||||
|
/* set background of odd cells */
|
||||||
|
background: var(--gray);
|
||||||
|
}
|
||||||
|
|
||||||
|
td,
|
||||||
|
th {
|
||||||
|
border: 1px solid;
|
||||||
|
border-collapse: collapse;
|
||||||
|
}
|
@ -169,7 +169,6 @@ Le modalità con cui le copie pirate vengono prodotte sono molteplici e
|
|||||||
preferisco concentrarmi sui canali di distribuzioni perchè creano
|
preferisco concentrarmi sui canali di distribuzioni perchè creano
|
||||||
fenomeni sociali molto più interessanti.
|
fenomeni sociali molto più interessanti.
|
||||||
* Le reti di distribuzione
|
* Le reti di distribuzione
|
||||||
Per ogni software spiega problemi della rete
|
|
||||||
** Direct Download
|
** Direct Download
|
||||||
Come abbiamo visto con la SCENA, il direct download è forse il metodo
|
Come abbiamo visto con la SCENA, il direct download è forse il metodo
|
||||||
più diffuso per piratare file. Il direct download si basa su due
|
più diffuso per piratare file. Il direct download si basa su due
|
||||||
|
Loading…
Reference in New Issue
Block a user