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0; + top: 0; + width: 40px; + z-index: 10000; + } + .mobile-nav-open { + display: block + } + + .nav-container ul.nav { + display: none; + margin: 0; + margin-top: 46px; + } + + .nav-container ul.nav li { + background: #4682b4; + /*background: #002041;*/ + border-bottom: 2px solid #ffffff; + border-left: 2px solid #ffffff; + border-right: 2px solid #ffffff; + color: #ffffff; + display: block; + float: left; + height: 40px; + padding-right: 0; + position: relative; + width: 60%; + } + + .nav-container ul.nav li:first-child { + width: 60%; + } + + .nav-container ul.nav li a { + /*background: red;*/ + display: block; + font-size: 11px; + height: 100%; + left: 0; + position: absolute; + top: 0; + width: 100%; + } + + .nav-container ul.nav li a span, + .nav-container ul.nav li .photo-sub-menu a > span { + display: block; + padding-top: 12px; + } + + .nav-container ul.nav li a > span br { + content: " "; + display: none; + } + + /* COMMON ================================================================ */ + .main-logo { + max-width: 520px; + width: 100%; + } + + .main-logo-home { + float: none; + width: 100%; + } + + .page-title { + font-size:2em; + } + + .column { + display: block; + margin: 0 auto; + } + + .c12 { + width: 90%; + } + + .c13 { + width: 90%; + } + + .left { + text-align: center; + } + + .contact-list-container .left { + text-align: left; + } + + .right { + text-align: center; + } + + /* HOME ================================================================ */ + .home-copy { + text-align: left; + } + + .home-right { + left: 0; + position: relative; + right: auto; + top: 0; + width: 100%; + } + + .home-left { + left: 0; + padding-left: 0; + padding-right: 0; + position: relative; + right: auto; + text-align: center; + top: 0; + width: 100%; + } + + .section-title-small { + margin-top: 20px; + } + + /* CALENDAR ================================================================ */ + .calendar-container { + width: 85%; + } + + .bible { + width: 120px; + } + + /* MINISTRIES ================================================================ */ + .left-column-container { + width: 100%; + } + + .left-column { + text-align: center; + } + + .ministries-pastor { + padding-right: 0px; + width: 320px; + } + + .cross-left { + padding-right: 0; + } + + .cross-right { + padding-left: 0; + } + + .c13-1, + .c13-2, + .c13-3 { + width: 90%; + } + + + + /* TESTIMONIALS ================================================================ */ + .testimonials-container { + width: 95%; + } + + .testimonials-right-column { + width: 95%; + } + + .testimonials-container .c13-1, + .testimonials-container .c13-2, + .testimonials-container .c13-3 { + width: 90%; + } + + .testimonials-container .c13-1, + .testimonials-container .c13-3 { + display: none; + } + + .audiojs { + width:340px; + } + + .audiojs .scrubber { + width:200px; + } + + .audiojs .time { + display: none; + } + + .contact-box-1 { + height: 60px; + margin: 0 auto 20px; + width: 90%; + line-height: 1.2em; + } + + .contact-box-2 { + margin: 0 auto; + width: 90%; + } + + /* CONTACT US ================================================================ */ + .contact-pastor-container { + float: none; + width: 100%; + } + + .contact-item-container { + float: none; + width: 100%; + } + + .contact-item { + margin: 10px; + } + + .contact-cross-container { + float: none; + width: 100%; + } + + .contact-list-container { + width: 90%; + } + + .contact-pastor { + float: none; + padding-right: 0; + padding-top: 20px; + } + + .contatc-cross { + float: none; + padding: 0; + } + + .contact-banner { + display: none; + } + + .contact-banner-mobile { + display: block; + } + + + /* FOOTER ================================================================ */ + .footer-copy { + display: block; + } + + .legal { + max-width: 90%; + } +} \ No newline at end of file diff --git a/blog/files/brba/www.freewill-baptistchurch.com/assets/css/style.css b/blog/files/brba/www.freewill-baptistchurch.com/assets/css/style.css new file mode 100644 index 0000000..c37a7ea --- /dev/null +++ b/blog/files/brba/www.freewill-baptistchurch.com/assets/css/style.css @@ -0,0 +1,679 @@ +html, body, div, span, applet, object, iframe, +h1, h2, h3, h4, h5, h6, p, blockquote, pre, +a, abbr, acronym, address, big, cite, code, +del, dfn, em, img, ins, kbd, q, s, samp, +small, strike, strong, tt, var, +b, u, center, +dl, dt, dd, ol, ul, li, +fieldset, form, label, legend, +table, caption, tbody, tfoot, thead, tr, th, td, +article, aside, canvas, details, embed, +figure, figcaption, footer, header, hgroup, +menu, nav, output, ruby, section, summary, +time, mark, audio, video { + margin: 0; + padding: 0; + border: 0; + font-size: 100%; + font: inherit; + text-decoration: none; + vertical-align: baseline; +} + +body { + background: #ffffff; + color: #000000; + -webkit-font-smoothing: antialiased; + -moz-osx-font-smoothing: grayscale; + font-family: "Comic Sans MS", 'Architects Daughter', "trebuchet ms", verdana, sans-serif; +} + +.main-container { + height: 100%; + /*position: absolute;*/ + width: 100%; +} + +/* NAVIGATION ================================================================ */ +.mobile-nav-container { + display: none; +} + +.nav-container { + background: #4682b4; + display: block; + height: 54px; + left: 0; + position: fixed; + text-align: center; + top: 0; + width: 100%; + z-index: 9999; +} + +.nav-container ul.nav { + display: inline-block; + margin-top: 14px; + /*position: absolute; */ + text-align: center; + white-space: nowrap; + width: 90%; + z-index: 2; +} + +.nav-container ul.nav li { + display: inline-block; + vertical-align: middle; + width: 20%; +} +.nav-container ul.nav li:first-child { + width: 12%; +} + + +.nav-container ul.nav li a { + color: #ffffff; + display: block;/* + font-size: 0.7em; + font-weight: bold; + letter-spacing: 1px; + line-height: 1.3em;*/ + text-decoration: none; + text-transform: uppercase; +} + +/* NAV media queries... */ +@media screen and (max-width: 800px) { + .nav-container ul.nav { + width: 100%; + } +} + +/* COMMON ================================================================ */ +.content-container { + margin-top: 64px; + text-align: center; +} + +.main-logo { + width: 600px; +} + +.page-title { + color: #4682b4; + font-size: 2.8em; + margin-top: -10px; + text-transform: uppercase; +} + +.page-sub-title { + font-size: 1.5em; + font-weight: bold; + margin: 10px 0; +} + +.section-container { + margin: 20px 0; +} + +.section-title { + color: #4682b4; + font-size: 2em; + font-weight: bold; +} + +.heading { + font-size: 1em; + margin: 15px 0 20px; +} + +.ministries { + font-weight: bold; +} + +.column { + display: inline-block; + text-align: center; + vertical-align: top; + + /*border: 1px solid red;*/ +} + +.c12 { + width: 49%; +} + +.c13 { + width: 32%; +} + +.center { + text-align: center; +} + +.left { + text-align: left; +} + +.right { + text-align: right; +} + +.bold { + font-weight: bold; +} + +.font-medium { + font-size: 1.2em; +} + +.font-big { + font-size: 1.4em +} + +.clear { + clear: both; +} + +.white { + color: #ffffff; +} + +/* HOME ================================================================ */ +.home-container { + margin: 0 auto; + max-width: 1280px; + min-height: 550px; + position: relative; + width: 100%; + /*border: 1px solid red;*/ +} + +.home-right { + left: 260px; + position: absolute; + top: 0; + width: 80%; + + /*border: 1px solid blue;*/ +} + +.home-left { + left: 0; + padding-left: 40px; + padding-top:20px; + position: absolute; + text-align: left; + top: 0; + width: 190px; + + /*border: 1px solid green;*/ +} + +.main-logo-home { + float: left; + margin-left: -18px; + width: 750px; + padding-bottom: 20px; +} + +.home-left-column { + max-width: 400px; + text-align: left; +} + +.home-church { + width: 170px; +} + +.pastor-info { + font-size: 1.4em; + font-weight: bold; + white-space: nowrap; +} + 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+ +.money-box { + background: #4682b4; + color: #ffffff; + display: inline-block; + font-size: 1.6em; + font-weight: bold; + padding: 2px 7px; + width: 170px; +} + +.slideshow { + display: block; + height: 280px; + margin: 0 auto; + /*padding-right: 20px;*/ + padding-bottom:10px; + width: 420px; +} + +.slide { + height: 280px; + width: 420px; +} + +/* media queries... */ +@media screen and (max-width: 1115px) { + .pastor-info { + font-size: 1.2em; + } +} +@media screen and (max-width: 1040px) { + .main-logo-home { + width: 530px; + } + + .home-copy { + font-size: 0.9em; + } + .slideshow { + height: 207px; + width: 310px; + } + + .slide { + height: 207px; + width: 310px; + } +} +@media screen and (max-width: 870px) { + .main-logo-home { + float: none; + margin-left: 0; + } + .slideshow { + padding-right: 0; + } + + .home-copy { + padding-right: 10px; + text-align: left; + } + + .home-right { + left: 0; + position: relative; + right: auto; + top: 0; + width: 96%; + } + + .home-left { + left: 0; + position: relative; + right: auto; + text-align: center; + top: 0; + width: 95%; + } + + .home-left-column { + /*padding-left: 20px;*/ + width: 45%; + } +} + +/* CALENDAR ================================================================ */ +.calendar-container { + margin: 0 auto; + max-width: 800px; + text-align: left; + width: 80%; +} + +.calendar-item { + margin: 28px 0; + font-size:1.2em; +} + +.day { + font-weight: bold; + margin-left: -15px; + text-transform: uppercase; +} + +.bible { + float: right; + padding: 50px 0 50px 20px; + width: 210px; +} + +.candle { + float: right; + padding: 0 28px; + width: 100px; +} + +.dove { + width: 130px; +} + +/* MINISTRIES ================================================================ */ +.save-huell { + color: #ff00d8; + font-size: 2em; + font-weight: bold; + text-decoration: underline; +} + +.free-huell { + font-size:1.3em; +} + +.ministries-pastor { + padding-right: 20px; + width: 400px; +} + +.left-column { + text-align: left; +} + +.left-column-container { + width: 60%; +} + +.ministries-padding { + margin-top:40px; +} + +.cross-left { + padding-right: 20px; + width: 120px; +} + +.cross-right { + padding-left: 20px; + width: 120px; +} + +.c13-1, +.c13-3 { + width: 22%; +} + +.c13-2 { + width: 42%; +} + +/* media queries... */ +@media only screen +and (min-width : 620px) +and (max-width : 925px) +{ +.section-title { + font-size:1.7em; + } + + .ministries-pastor { + width: 300px; + padding: 0 10px; + } +} + +/* TESTIMONIALS ================================================================ */ +.testimonials-container { + margin: 0 auto; + max-width: 900px; + text-align: center; + width: 90%; +} + +.testimonials-pastor { + padding-right: 30px; + width: 190px; +} + +.testimonials-left-column { + width: 25%; +} + +.testimonials-right-column { + font-size: 1em; + max-width: 560px; + text-align: left; + width: 95%; +} + +.contact-box-container { + margin-top: 10px; + width: 100%; +} + +.contact-box-1 { + border: 1.5px solid #000000; + display: inline-block; + font-size: 0.9em; + font-weight: bold; + height: 108px; + line-height: 2em; + margin: 5px 5px 5px 0; + padding: 12px; + vertical-align: top; + width: 150px; +} + +.contact-box-2 { + border: 1.5px solid #000000; + display: inline-block; + font-size: 0.9em; + font-weight: bold; + height: 108px; + margin: 5px; + padding: 12px; + vertical-align: top; + width: 300px; +} + +.testimonial-mid { + color: #4682b4; + margin: 20px auto; + padding: 0 4%; + font-weight: bold; + line-height: 1.7em; +} + +hr.testimonial-mid { + border: 1px solid #4682b4; +} + +.testimonials-container .c13-1, +.testimonials-container .c13-3 { + width: 17%; +} + +.testimonials-container .c13-2 { + width: 480px; +} + +/* media queries... */ +@media screen and (max-width: 875px) { + .testimonials-container .c13-3 { + display: none; + } +} + +.audioPlayer { + margin: 15px 0; + background-color: #cccccc; + padding:0 20px 20px 20px; + font-size: .9em; +} + +/* media queries... */ +@media screen and (max-width: 925px) { + .testimonials-container { + width: 95%; + } +} + +/* CONTACT US ================================================================ */ +.contact-list-container { + margin: 20px auto; + max-width: 800px; + text-align: center; + width: 60%; +} + +/* media queries... */ +@media screen and (max-width: 800px) { + .contact-list-container { + width: 80%; + } +} + +.contact-pastor-container { + float: left; + width: 25%; +} + +.contact-item-container { + float: left; + margin-bottom: 20px; + width: 60%; +} + +.contact-cross-container { + float: left; + width: 30%; +} + +.contact-item { + margin: 10px 0 20px; +} + +.contact-pastor { + float: none; + padding: 0 0 0 10px; + width: 180px; +} + +.contatc-cross { + float: none; + padding: 0 0 5px 0; + width: 150px; +} + +.contact-banner { + display: block; + float: right; + padding: 10px 0 20px 0; + width: 310px; +} + +.contact-banner-mobile { + display: none; + float: none; + margin: 0 auto; + padding: 10px 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d,e=m(c.createElement(b)).appendTo(c.body),f=a.getDefaultComputedStyle&&(d=a.getDefaultComputedStyle(e[0]))?d.display:m.css(e[0],"display");return e.detach(),f}function Fb(a){var b=y,c=Db[a];return c||(c=Eb(a,b),"none"!==c&&c||(Cb=(Cb||m(" +
+ + Wrongfully evicted! + +
+ + +
+
+ +
+ + Black
+ mold
?!?! + +
+
+
+
+
+ +
+ + Bare
+ genitals! + +
+
+
+
+
+ +
+ + MYMy $ = terrorism!???=
+ TERRORISM
+ !??? + +
+
+
+ + +
+ Logo Asterisk + Victims speak +
+
+
+
Wrongfully evicted!
+
+ +
+
+
+
Black mold ?!?!
+
+ +
+
+
+
Bare genitals!
+
+ +
+
+
+
MYMy $ = terrorism!???=
TERRORISM
!???
+
+ +
+
+
+ + +
+ + + +
+
+ operators standing by! +
+ You have rights! + Call us now! +
+ +
+
+ You have rights! + Call us now! +
+
+
+ + + +
+
+
+ Not actual clients, paid actors representing testimonials, affidavits on file. Saul Goodman & Associates, LLC not responsible or liable for damages arising from the use of SueMesaVerde.com. Composite testimonials based on actual incidents and fiction. Saul Goodman & Associates, LLC makes no guarantees of accuracy, completeness, usefulness, or timeliness. *Mesa Verde’s logo and trademarks used according to the Lanham and Fair Use Acts. +
+
+ +
+

FOR ENTERTAINMENT PURPOSES. © 2020 AMC Network Entertainment LLC. All Rights Reserved.

+

FOR ENTERTAINMENT PURPOSES.
© 2020 AMC Network Entertainment LLC. All Rights Reserved.

+ +
+
+ + + diff --git a/blog/src/brba.org b/blog/src/brba.org new file mode 100644 index 0000000..48a3ade --- /dev/null +++ b/blog/src/brba.org @@ -0,0 +1,1729 @@ +#+AUTHOR: bparodi +#+TITLE: The Breaking Bad Universe +#+options: html-style:nil html-scripts:nil date:nil created:nil +#+HTML_HEAD: +- TODO: thanks to reddit for insight and some wording on some stuff +https://old.reddit.com/r/breakingbad/comments/1que5i/after_the_finale_i_rewatched_the_entire_series/ +https://old.reddit.com/r/breakingbad/comments/tsmd69/list_of_breaking_bad_and_better_call_saul/ +- https://old.reddit.com/r/FanTheories/comments/2oe95g/breaking_bads_fly_episode_has_a_strong_connection/ +- Werner's final phone call to his wife was just like Walt's call to + Skyler in Ozymandias. Brilliant. +- copia per finale: https://nf2045.blogspot.com/2014/08/breaking-bad-and-new-mexican-nuclear.html + +- backup fandom +- Sostituisci Slippin Jimmy con Saul Goodman +- Walt quando scopre che il tumore si sta riducendo dice: Why me? + Quando lui morira`, morira` anche Heisenberg. Non e` sicuro di poter + vivere co Heisenberg sulle spalle. +- a couple quick thoughts: + + Saul called the vacuum repair shop and asked for a new filter on the "Hoover Max Extract Pressure Pro, model 60". This is seriously brilliant first because, this is a REAL vacuum make & model: https://www.hoover.com/max-extract-60-pressure-pro-carpet-cleaner/FH50220.html + + But since this is a special repair shop, this phrase also serves as code for what service the caller needs: + + -- "Hoover": When this is done I want nothing left behind + + -- "Extract": This is an extraction job + + -- "max pressure": police are on their way, or will be soon + + -- "pro": I need a total professional, quick & 100% discrete + + -- "model 60": I need all this to go down in the next 60 minutes + + on the off chance that a regular person would call for an actual dust filter on their actual Hoover vacuum, the "hot, red hot" bit is just further confirmation that the caller is asking about an extraction + + also, I've got a hunch why Gus interviewed first a French engineer, then a German one, for the lab building job. There would have to be dozens of American engineers who could handle the job, but Gus wanted an outsider who he could keep isolated from everyday life, and focused on the task at hand. Plus if worse comes to worst, a foreigner is easier to "disappear", either in a lethal sense, or in a non-lethal one ("hey bad news, your work visa's up and we couldn't get it renewed") + + note that while both spoke English, neither did so very well. Gus doesn't want them palling around with any of his other people, not even the Spanish speakers at his restaurants. plus, did we even know before this that Gus speaks German? One more way he can keep the engineer isolated, since he can direct him personally without needing a translator. (I wonder if he speaks French too?) + + + +| Minisodes [[https://old.reddit.com/r/breakingbad/comments/tsmd69/list_of_breaking_bad_and_better_call_saul/][Link]] | Title | Timeline (After episode listed) | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| Season 1 https://breakingbad.fandom.com/wiki/Category:Minisodes | "Good Cop, Bad Cop" | BRBA S01E03 | +| Season 1 | "Wedding Day" | BRBA S02E07 ? (full image: https://i.pinimg.com/originals/25/b0/f9/25b0f916b1887b821e8fea8cfae327a3.jpg) | +| Season 1 | "TwaüghtHammër" | BRBA S02E04 | +| Season 1 | "Marie's Confession" | BRBA S02E01 | +| Season 1 | "The Break-In" | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| Season 2 | "Live Saul Cam" | BRBA S02E07 | +| Season 2 | "Fernando" | BRBA S02E08 | +| Season 2 | "Carl" | BRBA S02E09 | +| Season 2 | "Wendy" | BRBA S02E11 | +| Season 2 | "Badger" | BRBA S02E13 | +| Season 2 | "Wayfarer 515" | BRBA S03E01 | +| Season 2 | "Letters to Saul" | BRBA S02E10 | +| Season 2 | "Tiger Trouble? Better Call Saul!" | BRBA S02E09 | +| Season 2 | "Saul Says: "Sue 'Em Now"" | BRBA S02E08 | +| Season 2 | "Team S.C.I.E.N.C.E." | BRBA S02E12 | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| Season 3 | "Fatty Fat Fat" | | +| Season 3 | "Fighting for You" | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| BB S1 Minisode "TwaüghtHammër" | Fallacies music video | | +| BCS S3 | Los Pollos Hermanos—Taste the Family! | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| BCS S3 to S6 | https://breakingbad.fandom.com/wiki/Better_Call_Saul_Employee_Training | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| BCS S3E10 | No picnic | | +| BCS S5 | Better Call Saul "How to" videos | | +| El camino? | Snow Globe: A Breaking Bad Short | | +| BCS S6 | American Greed James McGill | | +| Before BCS S5 | Speedy justice (https://www.youtube.com/watch?v=4Fd6oOaReI0) | | +| Before BCS S6 | Jimmy wanted (https://twitter.com/BetterCallSaul/status/1491816164737130498) | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| BB S4E4 "Bullet Points" | Gale Sings "Major Tom" Tape | | +| BB S5E11 "Confessions" | Walt's Confession Tape | | +| BB S5E12 "Rabid Dog" | Jesse's Evidence Tape | | +| BCS S2E2 "Cobbler"* | Squat Cobbler Tape | | +| BCS S2E3 "Amarillo" | Davis & Main: Mesothelioma Commercial | | +| BCS S2E6 "Bali Ha'i" | Davis & Main: Sandpiper Commercial | | +| BCS S2E3 "Amarillo" | Davis & Main: Who Stole My Nest Egg?! Commercial | | +| BCS S2E10 "Klick" | Wexler/McGill: Your The Greatest! Commercial | | +| (El Camino DVD extra) | Vamonos Pest Commercial | | +| (El Camino DVD extra) | Rocker Salvage Commercial | | +| BCS 5x6 "Wexler v. Goodman" | Saul Goodman - Mesa Verde Bank Commercial compilation | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| BB S5E8 | Chicks 'n' Guns | | +| BB Ending | Breaking Bad Alternate Ending | | +|-----------------------------------------------------------------+------------------------------------------------------------------------------+----------------------------------------------------------------------------------------------------------| +| Before El Camino | Skinny Pete interrogation | https://www.youtube.com/watch?v=lZKqMVPlDg8 | + +* TODO +- Salva blogs and interactive media +- parla errori chimica +- introduzione riguardo chi sara` Saul? Magari puoi sostituire Saul + con Slippin Jimmy +- scarica wiki fandom +- how to make a prequel: discuti come BCS sia stata esecuzione + perfetta +- complitamenta la caratterizzazione del campanello di Hector +- This show is so good because you know what Jimmy becomes, yet you + find yourself rooting for the exact opposite of the inevitable. +- Chuck gets the illness back only when Jimmy is there, without Jimmy + he is fine. Episode? +- BCS finale: this is a really, really good breakdown but I think + Chuck won't kill himself, his house will catch fire because of the + gas lamps. I feel like they are focused on a lot in every episode + that features Chuck, even in this episode the foley sound for it was + reaaaaally loud. Chuck dies in house fire, I'm callin' it. Also + Jimmy threatens to burn his house +- Skyler pessima figura di donna: reagisce con la stessa cosa che + odia. Wants Walter to talk, she doesn't talk. Big part of it is on + the writers. I’m not calling them misogynist but pretty much the + only women on the show are basically just obstacles for the men. + + +** Elaborate +BCS feels more human, refined, real and I love the subtlety in how the +characters change, evolve and interact with each other. They all feel +like finished fleshed characters in ways a lot of BB characters +didn’t. It also explores different types of stories and fates instead +of every single thing being about drugs. +BrBA is a western, the women characters in the show. BCS more refined, +littlest details, symbolism. BRBA has lots of lows +* Regarding the watching order +** Characters +*** Mike BRBA S02E13 +We know he's not going to be just a minor character. C'e` anche molto +attaccamento considerato il ruolo in BCS. Quando l'ho visto in BRBA +dopo BCS ho iniziato a fantasticare sul suo ruolo. Possibile sia solo +un personaggio secondario dato l'impatto in BCS e il legame con Saul e Gus? +*** Gustavo S02E11 +When it is presented in BRBA sembra un personaggio si` importante ma +non si ha minimamente idea del suo background e soprattutto del potere +in mano a quest'uomo e dei suoi piani. D'altronde collaborando e poi eliminando Tuco +Salamanca Heisenberg dovrebbe gia` essere nel suo mirino. Mentre in +BRBA Gus viene costruito pezzo dopo pezzo, quando si arriva da BCS si +ha un'idea del personaggio a cui Walt si sta legando e all'abisso di +problemi e sventure in cui si potrebbe buttare (REPHRASE). Inoltre e` +grazie ad entrambe le serie che abbiamo un'idea completa su chi sia +GUS. +*** I cugini BRBA S03E01 +Sappiamo che sono l'asso nella manica dei Salamanca, che vengono +chiamati a risolvere le situazioni piu` intricate e pericolose per il +cartello, i muscoli del cartello. Capiamo che la questione di +Heisenberg coinvolge tutto il cartello e che sono subito andati +all-in, niente mezze misure. Fanno un effetto ben piu` forte sapendo +quale e` il loro background (che anche in BRBA poi verra` ripreso). Si +capisce la scala di misura degli effetti delle azioni di Heisenberg, +ben oltre ABQ e la sua famiglia. +* Better Call Saul +** S01E09 +To Chuck, the law is sacred and more important than Jimmy. He went outside for the case twice, but +he won't do that to chase after Jimmy. It also provides attrition with +Mike's thoughts about the law being different from morality. + +He never said he wanted his brother to be Slippin' Jimmy, but he did +say that people don't change, thereby implying Jimmy could never +change. It's not that he doesn't want his brother to abide the law, +it's that he doesn't think his brother is capable. So he's trying to +prevent Jimmy from obtaining a level of power through which he could +do a lot of damage, as he said. Yes, he sees Jimmy's accomplishments +as inferior to his own, and yes he wants to feel superior, but the +irony here is undeniable. Chuck, because of his pride, cannot see the +hard work his brother has put into building a respectable profession. +So Chuck, because of his pride, holds his brother back, thinking he is +doing the integrity of the law, and perhaps himself, a favor, but in +fact he is doing the complete opposite. He is forcing Jimmy's hand, +forcing Jimmy to break the rules in order to earn a living, all +because he refuses to see the good in his brother. Chuck is foolish. + +The worst irony is that Chuck, by being the biggest dick in the +universe, may be the cause of Saul Goodman. It's a self-fulfilling +prophecy. He does everything to keep Jimmy from being the chimp with a +machine gun and ends up being the one who gives Jimmy the machine gun. + +As hurtful as it was for Chuck to say all those things about Jimmy, +he's not entirely wrong. Jimmy did manipulate him into doing all those +wills for him. Jimmy did fake his saving a life for publicity. Jimmy +did take the "retainer" money. But Jimmy also returned that retainer +(or whatever was left of it) to save Kim's career. Jimmy was the one +who went to get the ice and the bacon and all the other groceries. +Jimmy was the one hustling doing legit PD work and legit W&T stuff. He +found the RICO case on his own. + +Howard Hamlin, with all his egotistical dickery, turns out he's letting +himself be the villain to spare Chuck from having to do it himself. +He's essentially being a bro to Chuck and taking that hit. That truly +is commendable in a way, no matter how hurtful and harmful it is to +Jimmy. I doubt Chuck was threatening to quit to get Hamlin to do this. +I honestly think the way he revealed it to Kim and the way he treated +Chuck when he returned to the firm wasn't out of fear, but out of +respect and friendship. +** S01E10 +The Bingo scene was very good. A good amount of people here are saying +they didn't like it, but in addition to enjoying it for the acting and +monologue, I believe it had a very important purpose. + +The continuous "B"s for "Brother" were forcing him to connect the dots +and face the big truth: That he only became a lawyer to please Chuck. +(Brother, Betrayal, as Jimmy said in that scene.) In the scene in I +forget which episode, when Chuck gets him out of going to jail for the +indecent exposure charges and whatnot (the Chicago Sunroof), Chuck +makes him swear off Slippin' Jimmy. This is something he wouldn't have +done, but his only other choice was prison. Chuck even made him beg. +All that time afterward with him bringing Chuck his supplies, working +in the mailroom, earning the degree to impress and emulate him, making +the honest living...it wasn't him. He was being, on the surface, what +Chuck wanted (for Jimmy to be anyone but himself) and it still wasn't +enough because actions weren't enough for Chuck. Nothing could change +how Chuck saw him. + +The climax of his monolgue was how the Chicago Sunroof +incident was the reason he was there and that he was obviously very +pissed. I think this was a big turning point for him. + +** S02E02 +It was interesting to me to see what the music was doing for both of +them. For Clifford, he says how it helps him de-stress. From personal +experience, playing guitar without reading sheet music and just going +with the music through improvising really is a nice way to relax. When +you aren't reading sheet music or constraining yourself to a set +tempo, you can play to your own tune. I also want to note that +Clifford wasn't ashamed of his playing, he was going to enjoy the +process if he had an audience of one or if the whole firm listened to +him play. + +For Chuck, his style of playing was constrained to the specific sheet +music and the tempo from the metronome. It was obvious that messing up +the song twice was causing him distress, as he hits his head a few +times out of frustration because he missed a single note. He also +tried to hide the fact he was playing when Hamlin questioned him about +it. After hearing the news of Jimmy's employment, Chuck simply cant +get himself to play because it is another thing that frustrates him. + +Playing the piano for Chuck is as rigid as him practicing law, he +constrains himself to the rules he establishes himself and believes +that in doing so, will make him a better person since he put in the +work to do so. However, with music, sometimes you cant constrain +yourself to the rules and you just gotta flow with the music to enjoy +it. Jimmy has aligned himself with an employer who is a lot more +freeflowing and creative, and it seems to work well with them as they +are pulling their weight and more on the case they are working on. +*** Chuck's prospective +Okay, imagine you've got a little brother, and he's a complete fucking +screw up. Like, we're talking, this guy is in and out of jail, always +doing some morally ambiguous stupid scheme to get rich quick and scam +people. He hasn't had a hard days work in his life, and everyone just +lets him...slide by with it. + +So, he gets into deep shit one day, and you're a rockstar lawyer, so +you help him out, and not only that, but you convince your boss to +give him a chance, and let your dumbass ex-con brother get a job in +the mail room, and that's great, ya know, maybe he'll finally get an +honest paycheck and stop being such a fuck up. + +But this chucklenuts, he takes another shortcut in life, and he wants +to be like you, so he does some ridiculous online school to get his +law degree. Like, imagine you went to Harvard, and your brother's like +"Phft, I got this!" got a degree at DeVry and is like "Yo, man! Look +at us! College graduates! Both of us! Isn't this awesome, bro!?" + +Wouldn't that just piss you off? You busted your ass to do well in +life, and he just slips by again and expects the same treatment. From +Chuck's perspective, his brother is a screw up, and this screw up +having a law degree means that he might potentially screw up someone +else's life by being their lawyer. Chuck is right to be nervous about +Jimmy. But, maybe, also, he's made Jimmy into Saul by not believing in +him. + +Classic greek tragedy style, self fulfilling prophecy. +** S02E04 +Tuco was actually really calm when Mike first hit his car. He first +just touched his shoulder and went, "Hey, you hit my car" and didn't +want to resort to violence. + +Tuco has a soft spot for the elderly +Culturally there is a lot of education on respecting elders in both +nearby Navajo Nation and Mexicans. Going right into hitting would be +against lifelong conditioning. The final joyful hit was when he +realized he had been played by that conditioning/expectation. +Also shown by abuelita +** S02E06 +I like to think Jimmy tearing up his company car's cup holder to fit +Kim's mug is symbolic of Jimmy being willing to tear apart his job at +Davis and Main to fit Kim in his life. + +** S02E09 +Interesting that Mike chose to openly admit to Nacho what happened. There was no evidence and he casually told Nacho it was him. I wonder why. + +Their relationship seems to be mostly based on pure forthright honesty with one another that they don't really show towards anyone else in their respective endeavors. It's a very interesting, odd kind of criminal respect they have for one another, as they recognize that they're both smarter and think further ahead than the rest of the underworld figures they deal with. Mike's collaboration and overall relationship with Nacho is my favorite part of his whole storyline this season. + +Plus, their fates are basically linked now given what they conspired to do to Tuco. That's what Nacho keeps reminding Mike of, that they're in it together since if the cartel/Hector ever found out, they'd both be dead. + + +I had to sign back in to mention this thing that just occurred to me. +When Chuck was trying to turn Kim against Jimmy for the last time, +Chuck brings up that Jimmy left him there just shivering and freaking +out on the sofa to mess with his records. It's almost as if Chuck is +completely disregarding the other time that Jimmy stayed through the +whole night and Chuck just said he didn't need him and then mocked him +because he was going to be late for work. Note to folks who didn't +understand why so many people hated Chuck... this is why people hated +Chuck. He's just as bad as Jimmy but on the other side of the +truth/lawful line.Good point. That is Chuck being selective about the +truth, like a perfect lawyer does. + +** S02E10 +The fucked up thing is that Chuck basically had this planned as soon as he got home from the hospital. + +What pisses me off is that the plan relied on his brother's selfless love. I get that what Jimmy did was fucking terrible--- but if your revenge plot relies on the person you want to fuck over loving you so much that they would rather take a proverbial bullet than see you suffer --- you really have to question why you'd want to hurt with a person like that in the first place. + +Chuck and Jimmy have had so many moments in two seasons where they +could get along and be happy together but Chuck won't accept it. Jimmy +is a scumbag but god damn he is trying to go straight and all he needs +is encouragement and backing instead of constant sabotage. He's no +angel, but these actions are making him a devil. +** S03E01 +Those old players, you press the play button down and it stays in +place. So it goes on as soon as it has power from new batteries. Yes, +it's planned. Siblings, we be messed up. +** S03E02 +Yeah I think they wanted us to see still just how raw Mike and Jimmy are at this point of their devolvement into criminality. +Mike should have briefed Jimmy and Jimmy behaves awkwardly + +Jimmy's first encounter with Gus: + +Gus caught him digging in his trash, and Jimmy lost his watch once he got caught! + +That's a two-way street. Gus knew Jimmy was looking for something, but had nothing. Likewise, Jimmy knew Gus (or someone) was on to him, and had basic street-smart con-artist tricks to cover his ass. + +That's where Jimmy is respected enough to know a guy, that knows a guy, that knows Gus: he can cover his tracks. +** S03E03 +The colouring of the shot had me thinking of the BrBa era Mexico tint, and like the shoes, there's more colour in the BCS era. +Cinematography on point. + +Ending scene with the cigarette is a reverse of the parking garage +scene from "Uno", the pilot of BCS + +I like how the episode started with a flash forward, showing that how after Salmanca's men got caught, the territory became Gus's. + +- https://static1.srcdn.com/wordpress/wp-content/uploads/2017/03/Better-Call-Saul-Season-3.jpg?q=50&fit=contain&w=1140&h=&dpr=1.5 + +One of the themes we have noted in better Call Saul is the duality of human nature. And, of course, this was the core theme of BB as well. + +There are people, like Chuck, who judge others, and themselves, in drastic categories, black or white. Good or bad. Right or wrong. + +But what this mindset overlooks, is that people can be both good and bad, at the same time. + +And if you look at the Season 3 promo poster - Jimmy, holding a paint roller, has painted himself both black and white. + +I realize that many thought this poster foreshadowed incarceration. But I think it is a reference to Jimmy finally accepting both sides of his nature, the good and the bad. Rather than struggling with the outside world, and people like Chuck, "painting" him as bad, Jimmy has painted himself in both colors, black and white. Thus, he finally accepts both sides of himself. And this will lead to Saul Goodman's birth. Only by accepting himself, the black and the white, will Jimmy succeed. Fighting this inherent duality leads to misery, illness, pain, and eventually death. + +I predict this point will be driven home by Chuck's death. He +exemplifies someone who literally, drove himself crazy, attempting to +be perceived as perfect and good. He couldn't accept or even +acknowledge his dark side. And it was that lack of acceptance that +destroyed him. + +** S03E08 +BAND-AID case that appears in S01E01 +http://i.imgur.com/4oKeMKu.jpg + +As he lays on the ground, you could actually pinpoint the moment Jimmy fully realizes just how much better off he is being dishonest to people. + +** S03E09 +In an interview, Peter Gould explained that the writers hesitated not +to show Kim getting out of her car after the accident in this episode. +The spectators should have waited until the next episode with anguish +to know if Kim was alive. Out of respect for the audience, this idea +was rejected. +** S03E10 +On Jimmy's University of American Samoa sweater, it had the motto for +the uni: "Inveniam viam aut faciam" or "I shall either find a way or +make one". + +I felt that this episode confirmed my suspicion that Chuck's EM +sensitivity is directly linked to the status of his relationship with +Jimmy. Chuck (unconsciously) feels more sensitive when he feels he +needs Jimmy in his life, creating need for Jimmy to fill and using +Jimmy's sympathy to guilt him into devoting himself to Chuck. When +Chuck has other stable connections in his life or doesn't want Jimmy +around, he feels better. But this makes their relationship a one-way +street. + +Caught something on rewatch - Chuck's symptoms get exacerbated after the interaction with Jimmy, as they always do. When he writes in his journal, he's experience discomfort of a 4. When he goes to fill in the "emotional state" column, he instead puts the book away and shuts off all the electricity, basically confirming what we already knew - these physical symptoms are part of generalized anxiety stemming from suppressed emotions pertaining to his brother. He can't be honest about how much he cares about him, how much he loves him, how much he hates him, how much he's jealous of him, how much he's afraid of him. And now that Jimmy's out there in the world and he's probably never coming back - he's out of Chuck's control. I think this is what sends Chuck over the edge. + +Jimmy still putting his electronics in Chuck's mailbox. Questo quanto +lo rispetta e gli vuole bene. +** S04E01 +From the AVClub review: + +"One throughline connecting Slippin’ Jimmy to Saul Goodman is Jimmy +McGill’s need to absolve himself of blame. It’s okay to fleece marks +because really, they’re doing it to themselves. Feed the fish, make +the coffee, whistle a happy tune; Jimmy’s just shifted the cross of +Chuck onto someone else’s back once and for all, and he feels light as +a feather. But in his future is a collapse on a Cinnabon floor, a +gurney and machines like the ones that tortured his brother, and the +threat that follows him everywhere — discovery, exposure, the past. A +cross nobody else can bear — and that he can’t ever put down." +** S04E02 +The nonchalant way Jimmy read that letter didn't only perfectly demonstrate his complete detachment from the situation but the way in which it unfolded magnified the anticlimactic nature of it so well. + +I bet everybody (myself included) was expecting the letter reveal to be dramatic or saved until the last episode or something close to it; some type of lead up to jimmy breaking down etc. ....but instead he breezed through it as casually as if reading the morning paper between mouthfuls of cereal. + +Literally the last way we expected the letter to be revealed. The way the show delivered it to the audience mirrored the way in which any type of affection is wasted on Jimmy at this point in his life. +** S04E03 +Notice how tables are always turned when Gus is speaking to Mike as opposed to when Gus speaks to anyone else. + +When people speak to Gus, he's quiet, he is a poker-faced no-emotion showing pragmatic businessman. The tension is almost materialising in the air. You just feel uncomfortable. Notice it in this episode with Nacho, or any scene between Gus and Walt in BB. + +But when Gus speaks to Mike, it is Mike who is the silent one and Gus the one who talks. The balance of power is shifting in a way. That means that there is something about Mike that makes even someone like Gus think twice about how he approaches the man. + +It's very good writing in just how subtle this is. +** S04E05 +Jimmy telling Franchesca to dump the paper shredding in different +trash bins in a great subtle call back to Jimmy dumpster diving for +the San piper paper shreddings. Also, the box he ripped out of the +wall is the same box he used to watch old commercials of him in the +BCS premiere +** S04E06 +At the beginning of the episode, when Kim takes a look at Jimmy's notepad, there's a list of possible combinations for him & Kim to starting practicing law together again. + +Left hand side of the sheet is always "Kim Wexler, Banking Law" + +Right hand side though, has "James McGill", and the following specialities: + + Insurance Law + Immigration Law + Bankruptcy Law + Gaming Law + Intellectual Property Law + +... and two more at the bottom that I can't make out (#6 looks like something along the lines of "MARIYIAH/") + +Anyways, later in the episode, when Jimmy & Kim meet up at the restaurant, Kim reveals that she's been doing pro bono public defender work... and Jimmy responds that "I have been thinking about criminal law myself lately". + +Thing is... Kim knows criminal law wasn't on his list - at no point was "Wexler-McGill: Criminal Law" listed as one of his brainstorm possibilities, and Kim also knows just how good Jimmy is with making up stuff on the spot like "getting a bungalow downtown as an office". + +Combined with Jimmy's weak explanation as to why he's no longer going +to see the therapist... Kim, sharp as she is, is likely getting more +of a sense that Jimmy's willing to lie to her - and if he's lost her +trust, well, that relationship is in big trouble. + +Remember though, even Kim's explanation of how she was offered this job is a lie. She makes it sound like Schweikart and Cokely initiated the meeting and offered her the position of starting up their new banking division. Which is of course not true, Kim made the meeting happen and had the idea for a banking division at the firm. + +In other words, she actively killed Jimmy's dream of them working together again. I don't think we know why, but I feel like the intro with "That'll be you one day" and her responding "Yep" was there to let us know that she does feel like she's good enough to play with the best in the law world and even feels like she deserves to. A partnership with Jimmy probably can't provide that. + +The worst part is that their relationship is in shambles now, but neither wants to admit it. That's a sure fire way to make everything go wrong. + + +Another thing I took from it, is that Jimmy has no real vision. He +wants to be a lawyer, any lawyer, doesn't matter. He wants a bigger +and better office, he even said as much in the end of the previous +episode. That's basically his entire vision which seems very shallow, +unambitious and shortsighted to me, and it doesn't really mesh with +Kim's view of the law. To go even further with this point, I think Kim +might see some of the things Chuck said about Jimmy more clear. Jimmy +doesn't really care about the law, does he? Chuck revered the law, as +does Kim. +** S04E07 +Jimmy's been selling the phones for 8 months with Kim none the wiser. +Such distance. Wow. I'm sad. + +Little detail but I love their attention to detail with Jimmy's loss of hair in this episode +I think it was when he was waiting in the van selling the phones at one point, I just remember him playing with his hair which was in tufts, and then checking his hands +** S04E08 +If there's one thing this episode did really well at, it was pulling +bait-and-switches. The Huell case ended just like that, rather than +getting dragged out. And the one in the German crew who royally +screwed up was Werner, while Kai's mistake was messing too much with +one of the strippers. I didn't see that coming, because Werner seemed +to be the one who was so detail-oriented and cautious about +everything. Also, they made it seem like Jimmy and Kim's breakup was +coming, only for Kim to get right back into it with him and insist on +breaking bad again! + +Kai was a red herring +** S04E09 +Of course there's a backstory to Hector's bell. That was great. +The middle guy and the woman on the right were convinced and ready to approve Jimmy's return. + +The woman on the left wanted him to show specific, sincere remorse for Chuck. + +Both questions she asked at the end were fishing for references to his brother. + +I'm sure half the audience, like I did, thought the obvious answer to the "What does the law mean to you?" query was, "Well, as my brother Chuck always said, 'The Law is Sacred.' And I learned that from him." + +Instead, he still ends up giving a really good answer. But it wasn't sincere (a big reason he wanted to become a lawyer was to make Chuck proud).The woman on the left fishes again for a Chuck answer. And he really blows it by obviously still holding a grudge against his brother and implying, insincerely, American Samoa was a bigger influence on the law to him than his brother. + +It's well done because, as much as Jimmy's a great con man and +convincing people of things by telling them what they want to hear, he +wasn't able to get over his grudge against Chuck when he needed to +convince someone the most. +** S04E10 +S'all good man! + +Il punto in cui Slippin Jimmy diventa Better Call Saul. Per chi ha +visto BRBA prima Better Call Saul c'e` sempre stato ed ogni indizio +portava a questo momento TOPICO di coscienza della trasformazione. Noi +siamo ancora sulla strada per capire chi e` Saul. Anche per chi ha +visto BRBA, rimane la domanda: che fine fara` Jimmy? + +By all rights that should be a corny and contrived sounding shoehorning of the show's name, but it wasn't any of those things - it was two, possibly three, words that solidified the culmination of something we'd been building towards for four years of real time. + +It's the strange dance of contrasting emotions that makes this episode +feel so charged. There's a thrill of victory and the heartbreak of +loss, not only with Werner's death but with Jimmy's; yet in both +cases, we have the birth of Saul and of Mike the fallen. It's more +solemn with Mike, whereas with Saul I was so pumped that it took me +maybe ten minutes after the credits to start to see it from Kim's +perspective. Even with Mike though, the scene with Gail in the +proto-lab was pure Breaking Bad Gus and Mike; that feeling of the +pieces all finally clicking into place was a real rush. + +Gotta love how shocked Kim was when she saw Saul going on about how he'd suckered the committee, she finally sees Saul in all his glory, instead of the Slippin' Jimmy she was accustomed to. + +I love that Jimmy's approach to the scholarship was essentially the same as George Costanza's. Speaking of which, as an Albuquerque native, I was delighted that they identified the students as being from actual schools in the area (Moriarty, Manzano, etc.--I didn't hear where "senior"--he looked like he was 12--Duncan was going to school). I was always impressed with the little details about New Mexico that Breaking Bad got right. Using local businesses like RAKS, Blake's Lotaburger, and Garduño's in key scenes instead of national chains added a little extra authenticity for me (one exception--the high school where Walt taught doesn't exist. I guess the actual high schools where those scenes were shot may not want to have been portrayed as the employer of a meth manufacturer). And Better Call Saul has carried on that tradition. Anyway, just something to take my mind off the brutal (moving and beautifully shot, but unbelievably brutal) end of Werner's arc. + +** S05E02 +Wow, the backstory for Krazy8 nick: +He had a set of 8s and would have won the poker game, but folded +(probably to try and not piss off Lalo). Lalo sees the cards and calls +him “Ocho Loco”, which is Spanish for Crazy 8. When he can’t remember +his name later in the episode, he calls him Krazy-8, which is the +nickname he has in Breaking Bad +** S05E03 +"$7,925? Okay..." Saul's definition of "expensive" at this point of +his career is clearly not the same as Lalo's. +Take notice of this and compare to how much he is getting payed in +BRBA. + +Yup, the themes from the two beer nights aren't brought up much in the +comments yet so I'll talk on it a bit. The first night Jimmy puts a +bottle on the edge of the rail and Kim takes it off so that it doesn't +accidentally fall. The second night she initiates chucking bottles +through the parking lot instead while Jimmy is playing a game of +almost dropping one. Seems like she's going to full break bad. + +I thought the bottle-throwing was a metaphor for their current situation. Jimmy keeps playing at doing things kinda-sorta legitimately: he drops the bottle only to catch it, seeing how long he can keep doing that, almost like how he keeps testing limits with his scams. Kim, fed up with the limbo they're in, just outright throws the bottle. Abandoning the pretense of trying to do things the quote-unquote "right way". + + +It's clear why Kim chooses to be with Jimmy after all these years. Despite their differences, Jimmy and Kim have the same conflict between (i) their professional adherence to the Law and (ii) their personal values being in conflict with the "Law". + +We've seen parallels between the two in multiple episodes. + +Both of them see how ineffective "following the Law" is to get what they want: + + Jimmy interviewed for a job at the printer agency (in Season ?2), used his con skills and actually got his job. In the end, he was frustrated because he knew how effective his con skills were and was frustrated how easily the average layman would fall for his tricks. + Kim (in S05E02) used her con skills to get her pro bono client to take on a five-month sentence instead of something more permanent. Again, she was frustrated at how effective her con skills were, and was frustrated how easily the average layman would fall for his tricks. + +Both of them have professions that require them to ABIDE by the law. +Yet at the same time, both of them realize how useless (and corrupt) +the law is, and how easily the average layman can be duped into giving +them what they want. This turmoil manifests in rebellious behaviors +symbolized by their cons and this episodes' perfect ending -- throwing +beer bottles into the carpark as a silent far cry to the +"hollier-than-thou" justice system. +** S05E07 +He also looked really annoyed when Lydia poured an uneven amount of champagne in their glasses +** S05E08 +The Davis and main bottle being used as the piss bottle was a nice touch + + permalinkembedsavereportreply + +[–]BURNERINO12345 1086 points 2 years ago  + +Related to that, I loved the detail of him using a little water to +clean his shoes, while he's waiting for The Twins at the beginning of +the episode. It's such a small little detail but it absolutely is +brutal to think about in retrospect. + +It’s funny that Lalo called him a cockroach, because that’s exactly how Peter Gould and Vince described him in Season 5 of Breaking Bad. They said they thought he should survive because he’s a cockroach and would slither away +* Inizia da 509 + +* Breaking Bad +** S05E08 +Painting from hospital reappears +- https://i.imgur.com/XGkGC7W.jpg +- https://i.imgur.com/g7dnepz.jpg +** General consideration to put in proper episode chapter +*** Hank +Hank is always insecure and covers it with his bravado. I think the actor does a great job of conveying this. There are times he looks worried before entering a room, takes a deep breath, then enters the room/crowd with full bravado going. + +He can be both an annoying and sympathetic character + +I think Hank is shown as the typical douchy law enforcement officer +who gets joy outta 'street rips'. Beating up small time cooks like +Jesse gave him a thrill. As his career progresses, chasing the higher +level kingpins i.e. Tuco, Gus, Heisenberg, etc. shows him using more +brains in building cases than taking selfies in front of low level +dealers and that's where he matures as a DEA agent + + always thought Hank was an annoying asshole at first. He's a big shot + in Albuquerque, and doesn't really have anyone to check him. When he + goes to El Paso in Season 2, he works with people who make him feel + insecure, possibly for the first time in his life, and deals with + crime on a whole different level than he had before. I think this + humbles him, and starts his development into the Hank we all know and + love. + +*** Walt + +Also, did anybody notice that the final shot of the episode (where +Walt comes home and takes Skyler from the back-door) is the same angle +as the final shot of Madrigal in Season Five (only this time, when he +cozies up behind her, she is repulsed by him, and in the extended +ending gives him a reluctant hand-job to fend off his advances). + +*** Jesse +In the basement, fed three times a day, chained up like a dog. +"Degrading," says Krazy 8. "I wouldn't do this to my worst enemy." +Funny how in the end Walt does the same to Jesse when he gives him +over to Todd and gang. And then Jesse kills Todd the same way Walt +kills Krazy 8. Funny how they're the first and last on-screen deaths. +But I could go on all day haha. +*** Krazy 8 +Introduced: BCS S02E04, find reference of Tampico Store in BRBA. + +Was krazy8 wearing a uniform from his dads furniture store? Yep...and +Tampico Furniture store was right across the street from the taco +stand the whole time. :) + +*** Mike +Just realized that the silver boxing gloves Mike had at the beginning were Tuco's; he must have pulled them off him during the fight. +He took the moral high ground AND got a trophy. +http://static.independent.co.uk/s3fs-public/thumbnails/image/2015/02/09/06/tuco.jpg +The episode is literally title Gloves OFF in BCS + +Can I just say, I find the way Mike's character is presented as +genius. Throughout Breaking Bad, we saw him through Walt's perspective +and Mike seemed to have eyes and ears everywhere, almost like a ghost. +In Better Call Saul, we get to see how he operates from his point of +view. Mike's old and definitely can't just go Rambo a room of guys. He +meticulously watches and plans. It's just like how he showed Jessie +that the entire job is pretty much waiting and watching. His badassery +doesn't come from his physicality (though I'm sure he packs a punch), +it comes from his cold, hard calculation. + +*** Women +Because a lot of people in this fanbase just hate women. It's really as simple as that. The key difference in how male characters and female characters are regarded by the viewership is that everyone in the show has unlikeable, annoying, or downright awful traits, flaws, actions, and behaviors but it seems it's almost only ever with the female characters that those traits are used as justification by fans for 'hating' them or thinking they're a 'bad or annoying character'. + +Walt is an egotistical and power-driven manipulative monster who literally murders people for his own gain. He also attempts to rape his wife at the start of S2 (a scene I feel like everyone who watches just chooses to forget, downplay, or ignore). The whole point of the show is that he hurts everyone around him in his pursuits, all so he can feel alive for a little while. + +Hank is literally racist in that all-too-common kind of way, where he's completely comfortable throwing around slurs, racial stereotypes, and is more-than-willing to racially-profile in his work, while using his connections to get his own family out of trouble at every turn. He's so afraid of not being the macho-man hero that never shows any emotion that he'd rather emotionally abuse his wife than deal with what he's feeling. + +Jesse is as close to an 'innocent' as we get in the world of drugs and crime. He feels genuine remorse for his actions and does what he does because meth-cooking is the only thing he's ever been good at, and nobody has ever fostered in him the idea that he could amount to something great if he wanted to. But like every other character, he's no Saint. He tries to sell drugs to addicts. He directly witnesses the kind of household the drug trade creates in "Peakaboo" but chooses to continue doing and selling drugs anyway. + +A lot of this is downright despicable behavior. Does that mean that Walt, Jesse, and Hank are bad character who are hateable? No. Their stories are compelling. Their flaws change them in interesting and dynamic ways. At points we feel we can even root them on despite how wrong they may be because we understand WHY they do it. + +Meanwhile, what have Skylar and Marie done? Well, Skylar doesn't like being lied to by her husband who has been sneaking around behind her back, and becomes confrontational and cold at points as a result. She sings a cringy birthday song to her boss? And when she (very understandably) wants a divorce from her abusive and deceptive husband, he refuses and even moves back into the house, playing on the fact that he knows she won't want to break the news to their teenage son who idolized his father. So she sleeps with her boss in a last ditch attempt to get Walt to leave of his own volition. Skylar is no saint, either. She agrees to launder Walt's money because she wants to try to maintain her family life at any cost, and she also smokes during her pregnancy because she's stressed. Are these things okay or moral? Nope. But compare the amount of scorn her character (AND ACTRESS) faces for them as opposed to the rapists, murderers, and drug dealers mentioned above. + +It's even more ridiculous for Marie. She has some unlikeable or annoying qualities, sure. She's stuvborn, a bit high-strung, a bit naggy and snoopy. Early on in the series, she has a shoplifting problem and at times of immense stress, she lashes out at people or she returns to her old habits. But on top of it all, Marie is a woman who loves her family, and tries to work on herself even if it takes some time. But people still often remark that she's one of the series' worst characters. + +The difference is that male characters are lauded for their vices, but +female characters are maligned for them. Flaws make Walt and Hank +interesting and dynamic. Flaws make Skylar and Marie annoying and +badly-written. + + +Sure, she has some redeemable qualities but also a lot of toxic +personality traits which is why people hated her. She's never been +sincere, always hid her true thoughts and feelings and instead chose +her passive-aggressive way. She could have improved the quality of her +own life and her children's with being upfront. She's been barely any +better than Walt with her double-faced demeanor. Let's fuck Ted and +use it against Walt when we get the chance instead of being open and +act like a grown-up kinda thing. + +*** Colors and symbolism +Because the pools are always such a deep blue, I always believed them to symbolize the presence and pressure of meth almost like an ever present entity. Couple examples: 1) think about the bear crashing into the pool from this context. 2) skyler nearly drowning in the pool thus losing her life to this business Walt has. 3) the house being bombed out and skateboarders skating the pool. The business is destroyed and their is nothing left to show for it. + +** S01E01 +When Walt confronts the kids making fun of Jr. seems bad-ass in the +context of the episode, but with more attention you can see that under +the surface he's scared. He gives off a very nervous energy. + +We know from BCS that the snitch that works for Hank is Ocho Loco + +Remember the ending of this episode when watching Crawl Space and Half +Measures. It's the perfect ending to the first episode in that Walt is +delusionally rejuvenated, despite his almost getting killed on his +first drug deal. The final line: "Walt... is that you?" it's in our +faces. + +** S01E02 +The lesson on chirality reflects what is happening on Walt's life and mind. + +Krazy8 = Ocho Loco in spanish +** S01E03 +Krazy8 says "Fuck you" to his father at the family shop. Walter at +this point still hasn't recognised what he is trasforming into. + +Chemistry: baking soda is used for cleaning because it neutralizes the +acid. Then you can clean. +** S01E04 +You can see the same guy from the scam involving the first bottle of +tequila in BCS. + +Notice the expression of Walter after the explosion. +** S01E05 +This is just pure pride on Walt's behalf. He started the whole meth +thing not because "there was no other way" but because he dreaded being +worse off financially than his rich asshole Jock-student. Maybe because he +dreaded the idea of asking for money from his mother or, god forbid, +from Hank. And now he is doing the exact same thing: his friend offers +him a position that would allow for his talent in chemistry to +rightfuly shine, yet he refuses the offer simply out of pride: "I am +strong enough and great enough to deal with my problems all by +myself!". It's safe to expect that pride will catch up to him. + +Walter's quiet solo scene inside the small library at the Schwartz +residence is good. Walt likely was feeling a bit of jealousy and +regret while seeing that nice library and the magazine clippings of +Elliott's achievements posted inside. Also, I love that moment of him +having an annoyed expression while realizing that his wife mentioned +the cancer to Elliott, which immediately cut to a shot of the White +couple walking out the Schwartz home, and Walt loudly and angrily +slamming the door behind him. Jesse's story in this episode, although +separate to Walt's, is also excellent. It's fun seeing him act +"Walter-like" with Badger who's acting "Jesse-like" in this episode. I +also find it interesting and pretty admirable how Jesse here was very +discontented and unimpressed with the meth he produced, even though to +Badger the cook was very good, or perfectly satisfactory at least. As +Mr. White always liked to say, Pinkman here was "applying himself", +wanting and striving to produce a better meth. + +** S01E06 +Although theoretically possible to grow crystals of mercury +fulminate as big as those seen in the episode, especially given +Walt's experience in crystallography, it takes time, and a massive +amount of mercury fulminate is required for this task, as the +compound itself is not very soluble. + +Whether a piece of fulminated mercury thrown on the floor can generate +the explosion shown in "Crazy Handful of Nothin'" is one of the myths +tested in MythBusters' Breaking Bad special. When thrown with human +force, the 50-gram piece of fulminated mercury they tested failed to +explode; though it exploded once fitted with a blasting cap, it did +not produce an explosion sufficient to blow out windows as seen on the +show. They also determined that any explosion the size of the one +showed in the episode would severely incapacitate or even kill +everyone in the room, not to mention set off the rest of the fulminate +crystals, which would no doubt kill everyone in the room. + +Likewise, as shown in the same episode, the detonation +produces a massive shower of metallic mercury dust, which would +cover most of the objects and places in the room. Anything not +made of iron/steel, platinum, tantalum or tungsten will soak up +the mercury and break down over the course of days, especially if +the air is moist. The amount of mercury vapors in the room would +poison anyone spending long periods of time there, making the +building a severe health hazard. + +This is one of the gripes I have with Breaking Bad, that the +chemistry, while being superficially a big part of the show, is not +correct. + +*** Spoilers +**** Methylamine +Only blatant thing I've noticed is their obsession with methylamine. +It's not difficult to synthesize at all from simple +precursors..especially for a "genius" like Walt. And yet they pull off +insanely risky stunts to steal it +**** Meth + Overall, they don't give a lot of details, and Bryan Cranston sounds + like he's reading a script when he uses chemistry terms, but because + they don't give too many details of the chemistry, they don't get + that much wrong. + +The "genius" of Walter White's formula is that supposedly it can produce +enantiomerically-pure dextromethamphetamine. Basically, meth exists in +two chemically-identical forms that are mirror images of each other. A +right and left hand form if you will. The right hand version is the +psychoactive version, and the left hand version does virtually nothing +but dilute it. If you have just the right-hand version or just the +left-hand version, it will form crystals, but if you have both +together, it will form a powder. Thus "crystal" meth, is just the +psychoactive isomer. + +Unfortunately, Walter and Jesse mention using platinum oxide and +mercury-aluminum amalgam for reductive amination, something that is +absolutely not possible without getting a racemic mixture, ie, a +mixture of both isomers, so that part is very clearly inaccurate. + +People have claimed they deliberately got this wrong to confuse +wannabe meth cooks, but that's clearly not the case. If you used +platinum oxide or mercury aluminum amalgam for reductive amination, +you'd still get methamphetamine. It's just that it would be a less +desirable form of methamphetamine, ie, not the superb-quality stuff +they're supposed to be making. If they wanted to deliberately leave +out information, they should have just had Walt invent a "magic" +hydrogenation catalyst for reductive amination, and just never give +out the details of the formula for the catalyst. Just say it's an +organometallic ruthenium/iridium chirally selective hydrogenation +catalyst or something. That would make it a) theoretically possible, +b) satisfactory to real chemists, and c) give out absolutely zero +information to wannabe meth cooks. The way they approached it hints +that their science advisers may be DEA chemists as opposed to actual +chemists. + +The crystal meth Walt makes is understood to be unusually pure and +also has a characteristic delicate blue colour. This is a useful +device for the narrative but generally the colour of a crystal does +not suggest a pure or impure chemical compound. Impurities in minerals +such as quartz crystal can lead it to look pink (rose quartz) or +violet (amethyst) but generally the colour is a result of the way the +electrons in the substance absorb light and is not a specific +indicator of purity. + +**** Minor +When Mr. White tells the noob that red phosphorus is found in the +striker rather than the match head, that is a lie. The phosphorus is +found in the match head. + +** S02E01 +**** Foreshadowing / spoilers +n this episode walt figures he needs 737 thousand before he dies. +Episode titles: +- E01: Seven Thirty-Seven / E04: Down / E10: Over / E13: ABQ + +About Tuco: + +A: I asked them to kill me. Honestly, I wasn't looking forward to +coming back and doing the part. [Laughs]. It's really difficult to +pull off. They were like, "We want you to come back and do eight more +episodes." And I said, "No. I'll do one more and that's it. You guys +have to kill me." They're like, "We never heard of an actor that +wanted to die." And I'm like, "You don't understand. This part's +really hard." + +Here's a link to the interview: +http://blogs.amctv.com/breaking-bad/2009/03/raymond-cruz-interview/ + +The car's bouncing got slower then stopped like a heart monitor before +a flatline. + +** S02E02 +Here Hank mentions that Tuco may have knifed a Mexican national in '03. + +in BCS S03E06 it was mentioned that Tuco knifed someone. Here Hank +talks about the same thing, about five years from that time. + +This would also extend Tuco's sentence from 6 months to 5 years. + + +** S02E04 +For me, this episode is not about Skyler, but how Walt and Jesse are +reduced to the same level (the phone call, confrontations with Jesse's +mum and Walt with Skyler, the fight in the RV and what proceeds, etc.) +** S02E05 +This was the episode where I started to think Walt was not the nice, +normal guy we met in the pilot, but someone with a real nasty streak. + +Specifically, it is when he brings the gun to Jesse and tells him to +"handle it." We saw most of the episode (and earlier in the series as +well) that Walt is much greedier than Jesse, but now we see he is also +much more ruthless about violence. This wasn't a self defense +situation like Tuco or Krazy 8, this was signalling his acceptance of +murder as a normal course of doing business. I never saw Walt the same +way again after Breakage. + +I think this is also the point where I started seeing Walt as a bigger +criminal than Jesse, and a worse influence on Jesse than vice versa. +When I see this episode now, I want to beg Jesse to run away from ABQ +and never come back. Because both Jane and Walt are going to fuck him +up worse than he could ever imagine. +** S02E06 +If you haven't recognized it, that is Spooge. Appears in BCS S06E04, + +The cockroach: Not only foreshadowing for Spooge, but also referencing +the episode before, where Hank is talking to Walt and Jr. about +shooting Tuco. He uses the metaphor of a cockroach crawling out from +under the refrigerator, and how you don't think about it, you just +stamp on it. This is contrasted with Jesse's attitude towards the +beetle, and how his own perspective on murder differs from Hank's. + +** S02E07 +Finally the most awaited character. + +Notice how he asks about Ignacio and Lalo. Remember that BCS was just +a sequel so imagine the reaction of the fans at the first run of BCS. + +Also remember how at BCS we stopped exactly at the scene: "a public masturbator?". +** S02E10 +DA SPOSTARE + +Let me disclaimer an apology for a wall of text as this is my favorite +episode and I generally don't have a lot of people around who will +listen to my opinions of it without finding themselves bored. + +I think this is the most important episode of the series. I see this +episode as the shape of things to come for the rest of the series. So +many things happen under the guise of an episode toned at a pace that +seems almost slow. To briefly summarize: + + Jesse and Jane's relationship moves from casual to truly romantic + with the introduction of one of the show's most tragic characters: + Jane's father. This is the foundation for the rot within Walter + and Jesse's relationship. Heisenberg and Hank have their first + showdown - something that won't happen again until the middle of + Season 5. This is a showdown that directly allows Walt Jr. to + superficially grow up ("I kept up, right?"). A showdown occurs + between Hank and Heisenberg in Season 5 that forces Walt Jr. to + grow up in a less superficial matter. Skyler begins her flirtation + with Ted. The end of this path has major repercussions for the + entire White family. "There's rot." - This line may be more + important than the more famous final lines of the episode. There + is rot and plenty of it. There's rot in the White family, in + Skyler's relationship with Walter, and most importantly there's + rot in Walter. While the viewer is able to see these points as we + are omnipotent, Walter is only able to see the rot in the + foundation of his house and, of course, himself (the symbol is + truly not lost on Walter as earlier in the episode he attempted to + end his business with Jesse). This leads us to the final and most + important point of the show, Walter's acceptance and embrace of + the rot. It's no accident that the items that Walter went to + purchase at the home improvement store are items that are designed + to cover the surface of the replaced rot in his home. I'm of the + opinion that Walter had a minor epiphany after "educating" the + potential cook in the home improvement store. I think that this is + the exact point that Walter realizes that he likes his new + profession and I think this is the exact point where he stops + doing it for his family and starts doing it for himself. From the + point where Walter utters (in my opinion) the most iconic lines in + the series, the rot has been accepted and everything else in his + personality is now equal to the cosmetic work that he did on his + own home - just a gloss, a sealant to keep the rot that is + Heisenberg from being exposed to the world. + +Of course the acting and pacing of this episode is magnificent as it +builds to one of the greatest scenes in the entire series. I theorize +that most people view this entire episode as a build up to "Stay Out +of My Territory". In my opinion the symbolism lies just underneath the +surface (perhaps this is one of the reasons why the episode is titled +"Over") that takes place within the entire episode is the reason "Stay +Out of My Territory" is so fondly remembered and well-liked by fans of +the show. Of course, I'm a little biased to my favorite episode of the +series. + +/u/Gootangus + + +From what I see in all these episode discussion threads on Reddit, +people are obsessed with that moment, where Walt becomes Heisenberg, +where Jimmy becomes Saul, severely overrating the importance of +individual scenes over the whole progression of the plot. There are a +bunch of such scenes along the shows, indicating that the transition +is a slow process, not an instant transformation. And indicating that +there's no duality between Walter and Heisenberg, Jimmy and Saul. They +are the same person on a journey, on a bridge that starts with Walt +and ends in Heisenberg, starts with Jimmy and end with Saul, but both +of them are present from the start and along the road. Those +characters, like real people, are multidimensional and dynamic, in a +fluid process. Not in a static moment. + +** S02E11 +A new mug. + +Mandala is a Sanskrit word meaning circle. The first image of the +episode is a bicycle wheel of a child (foreshadows Drew Sharpe) at the +triangle where Combo gets capped and where Walt first kills as +Heisenberg in 312 Half Measures. The circle continues, Walt has chosen +Heisenberg (DLZ), and desperately looks at his reflection in the +Pollos Hermanos window to see Gus Fring for the first time as what he +is, a continuation in Walt's circular transformation and in essence a +reflection of Walt. Also in this episode Jane returns to the circle of +drug abuse, Skylar is put in the position of covering up illegality +for a man she cares about. There are two highlights in this episode +that hold water as some of the most memorable of the whole series. +Firstly, we should acknowledge the linearity between 211 and 411 Crawl +Space. The circle of cooked books is introduced in 211 and paid off in +411, the beginning of Gus and Walt's business in 211 and the end of +their business in 411. With those connection drawn, Jesse's first time +using heroin is one of the most entrancing scenes with the incredible +musical cue of Enchanted as the camera slowly pulls and warbles upward +beyond ceiling height, like the final shot of Walt in the Crawl +Space--and in terms of dramatic urgency nothing beats the end of Crawl +Space, except maybe the end of Mandala, "Baby Coming" had me crying +the first time I saw it. This is an episode that left me in awe and +for my money exceeds the penultimate and finale episodes of season 2. +This is a top ten episode of the series, no doubt. + +Another note on the significance of mandala–Buddhist monks create +mandalas out of colored sand that they deliberately destroy once +finished. Although it sometimes takes them weeks of work to complete a +mandala and they are sacred, they destroy them to remember not to get +attached to anything. Nothing is permanent, as they learn in the show. +** S02E12 +It's worth mentioning that Walt's decision to put his daughter +Holly on the side and protect her is a contrast to his decision to let +Jane die. This highlights the duality in his character and his ability +to make difficult decisions. While he is willing to make sacrifices to +protect himself and his interests, he also shows a genuine love and +care for his family, specifically his daughter Holly, and will do +anything to protect her from harm. + + While it could be seen as a ruthless and sociopathic act, it can also + be understood as a necessary decision made to protect himself and + those close to him. Additionally, it's worth noting that Jane was not + an innocent victim, she was a willing participant in the drug-dealing + underworld, and had threatened to expose Walt to the DEA. The death + of Jane is not seen as an act of pleasure or self-preservation but as + a decision taken out of concern for Jesse, someone he considered as + family. + +Furthermore, it's notable that Walt does not act like a classic +sociopath, as he is genuinely conflicted about the decision and even +sheds a tear when no one is looking, which a true sociopath would not +have done. He also did not kill Jane for kicks, but because he saw it +as a necessary action to protect himself and his loved ones. + +The scene is also a philosophical one, as it raises questions about +responsibility and morality. While Walt is certainly responsible for +Jane's death, is he truly her murderer? It's a complex issue that +requires further examination of the situation and Walt's motivations. + +Additionally, there is also a reference to the "Mandala" episode in +the dialogue, where Jane sarcastically asks Jesse if he plans to +become a monk and renounce his possessions, which is a throwback to a +previous episode and adds a layer of complexity to their relationship +and the situation. +** S02E13 +Jimmy Hoffa, the Irishman, watch it. + +The relationship between Walter and Jesse is complex. Jesse's life is +deteriorating due to Walter's actions, and he wants to be "Rewindo" and +escape the dangerous situations that Walter drags him into. However, +Walter sees Jesse as family and takes steps to protect him, even if it +means making difficult decisions. + +An example of this is the conversation he had with Jane's father at +the bar. He cares about Jesse's safety and knows that Jane would have +dragged Jesse down with her, becoming just another couple of meth +addicts like Spooge and Skank. He would not have any problem in +finding a new assistant from Gus, as we've seen multiple times that +Walter irrationally refuses to abandon Jesse +** S03E01 +BRAVO VINCE. + +The numbers 515, 167, 26, and 19 appear to be references to specific elements in the show. + +- The numbers 515 and 167 are the flight numbers of the plane crash in the episode "Down" +- The number 26 is the age of Jane, the character who died in the episode "Over" +- The number 19 is the number of years that Jane's father, Donald, served in the military, as mentioned in the episode "Down" +- The number 10 is the number of matches that Walter lights in the pool after the plane crash, this is also shown in the episode "Down" + +These numbers are likely used as a way to create a connection between +the different elements of the story, and to add an extra layer of +symbolism and meaning to the show. The fact that all these numbers add +up to 737 might be a subtle hint for the audience to connect the dots +and find the meaning behind the episodes. + +The fact that Walter is wearing a pink sweater when the +pink teddy bear crashes into the pool may symbolize his own "drowning" +or death, as well as the death of the plane crash victims. This could +represent the idea that the death of these innocent people is +connected to Walt's actions and serves as a reminder of the +consequences of his actions. The show creator Vince Gilligan is known +for his attention to detail and symbolism, and this could be a clever +nod to the audience. +** S03E02 +What Saul says after knowing about Kim: wow. + +Skyler had two options here: turn Walt in, or attempt to drive him +away by having an afair. + +The real reason she took the job with Ted was she wanted the +attention, which includes sexual, he would give her, so its not out of +character for her to fuck him, she uses Walts actions as an excuse and +justification. + +As for Jesse, wow a short stint at rehab doesn't drastically alter +your life and morals. Trust me the girl he gave the meth to will be +fine, she probably didn't even use it, and if she is willing to accept +drugs as payment for gas, I question the "innocence" you're applying +to her. + +** S03E04 +Green light is emblematic, a profound episode of discovery and +reassertion. It's Walt's return to the "Stay out of my territory" +mindset of late season 2. + +It begins with Jesse returning to what he is best at, it was good to +see him smiling and reminiscing in the RV, for all the pain that Walt +has put him through he still is grateful for this skill that he is +developing. But at the same time, when he pays for gas with the blue +it's a shocking snap back to reality that Jesse cares, but to the +extent of making money, he is a good salesman, just like when we see +him in the suit and tie applying in the first season for a sales job. + +Green Light contains one of the funniest lines of the whole series by +my account: "I'm talking with Ted". This episode also furthers the +motif of bugs symbolizing both a watching eye and the contamination of +Walt's life--Jesse not crushing the bug in Peekaboo, The Fly, Vamanous +Pest, the bugging of the cars in season 4 and Hank's office in 5a, and +Mike bugging and de-bugging Walt's house. + +Without BCS, this would have been the first time where we see Mike and +Gus together, and we would discover that Mike works for Gus. This is +also one of the rare times in the series that the audience is ahead of +Walt with knowledge of the business. That's what Gus brings, a closer +awareness for the audience that leaves Walt somewhat in the dark. + +** S03E05 +Is Marie showing to Skyler how to be supportive, what she would have +done in her place instead of taking the (almost) nuclear way? + +Gus manipulates Walt just as Walt manipulates Jesse. + +"Mas" is a checkpoint. A mile marker on the road of excess and ego +that Walter White is careening down like he just got a text of his +money barrel dug up. + +"I am awake": now remember the dialogues of the first season, +especially about the study of change, the chirals speech. +Awake line for granted. We finally have context for those words. We +have swept with Walter the road from mild mannered highschool teacher +to full fledged criminality and we can now weigh those opening words. + +In the meantime we see Hank alienate Marie and fracture his family's +foundation, substituting his search for the Heisenberg for Walt's "rot" +of season 2's "Over". + +We also see Walt engaged in a chess maneuver, one of many to come with +Gus Fring, calling Gus's motivations exactly. The only problem: Gus +was right. Walt's propitiatory selfishness about his formula does in +fact cloud his judgement, it obscures the love he has for Jesse, and +the amount of danger he is willing to risk against his family's +safety. + +And then there is the awe-inspiring speech by Gus to Walt about "What +does a man do Walter?" It further illustrates Walt's embodiment of the +strained American, middle-class male. The propaganda and the toxicity +in that speech is similar to the one in BCS where he tells his +employees that he is blackmailed by the cartel. Gus embodies the +figure of the snake. + +This episode is pivotal. Skyler is not wracked with guilt, though. She +is between a rock and a hard place, she was alienated from family as +much as Walt and is feeling lonely, which impedes her from fully +causing the collapse of everything by telling on Walter. + +Skyler's lawier is the voice of truth and conscience. She speaks to +the spectator, trying to reverse the emotions that we feel about the +protagonists of this story. it's a story of abuse, arrogance and +crime, that's the raw reality and we feel empathy towards the +characters only because they are the point of view from which we +contemplate the story. + +** S03E07 +The cousins go out. Without BCS people were left a little bit +unsatisfied about their role, given how much allure around their +character. + +It's pretty incredible to think back to the early episodes of the +first season, in which Hank provided little more than some light +comedy relief with his brash, cocky attitude. The way the writer's +have developed his character, in particular after he killed Tuco, is +astounding. This episode also furthers a key theme of the show as a +whole, which is that Walt's entrance into the drug world doesn't just +ruin his own life, it ruins the lives of everyone around him - and +it's only going to get worse. + +"La familia es todo" + +One Minute stands as a testament, a chance coalescence of Walt's +actions causing what Walt has fought 3 and 1/2 seasons to avoid, the +inevitable infliction of pain upon his family. While the reaffirmed +choice of Walt to stay in the life comes with dire consequences as +Hank's car clock changes from 307 to 308 (great episodic reference), +Hank is ready to accept the consequences of his actions, facing what +is right, acknowledging that he has been "unraveling." The shootout +puts his family back into perspective, in the next episode 308, when +Jesse outlines how much less they are making than Gus Jesse yells +"What's more important than money?!" Slam cut to Walt visiting Hank in +the hospital. An incredible landmark episode, a crossroad of the +series, Walt's family is directly affected by his actions, it isn't +300 unknown souls perishing in the 737, this is his home, the rotting +foundation of his family broached in 210's Over, perhaps Walt is the +rot, collapsing all that he purports to care about around him, One +Minute is a resounding motif, especially in season 5A, Walt is +described by Mike as a ticking time bomb, in 504 Walt places his watch +on the nightstand on top of his now infamous copy of Leaves of Grass, +and he hits 10 people in prison in the two minute span. Heisenberg's +actions have come home, the cross from 307 to 308, Negro Aroyo Ln. +** S03E08 +There is some great, deep dialogue in the waiting room of the hospital +between Jr, Walt, Marie and Skylar. A great deal is unpacked character +wise in that hospital. Firstly, Marie, hurt and angry lashes out at +Gomie and the boss uttering "The DEA is NOT WELCOME HERE!" You know +that there was a little part of Walt that felt good to hear that from +his family member even though it wasn't fully meaning what it was +intended to. I love the analogy drawn between the "Killing Pablo" book +and Hank's feelings about catching the bad guys. And then of course +one of my personal favorite monologues that nearly had me in +tears, when Walt is reassuring Marie by telling her about his stay in +the hospital. In the middle of it he mentions how he hit every green +light, and how he wished for once that he could just be stuck in +traffic with his family a little while longer. That to me echoes true +with 305's Green Light, that Walt drove forward in his criminal quest +effectively leaving his family behind. "I survived this place, and I'm +not half the man your husband is." Right after Marie is comforted and +grabs Walt's hand, you see Skylar reminded that Walt is still Walt, +that he isn't inhuman. + +Another little part of this episode that I had was improv'd, Walt at +his core is a problem solver, and in times of great stress, that +concern with the little problems is juxtaposed, manifested on +screen, with cleaning the apartment complex's pool in 301, fixing the +unseen 'rot' in his family's foundation in 210 Over, fixing the +contamination that was the 310's Fly, and in 308 I See You, fixing the +uneven legs of the table in the waiting room. Though I've heard some +argue that this is Walt's why of disconnection, I disagree with that +contention. + +Also, the title of the episode, "I See You" might be a word game with: +ICU, intensive care unit. + +** S03E09 +I think the main thing to come out of this episode is the gambling +story, as Anna Gunn is given her time to shine. There hasn't been a +whole lot going on with Skyler in recent episodes; she was rethinking +the affair with Ted, talking with her lawyer about what she should do, +not taking any direct action against Walt. It's all been building up +to this. For all the criticism Skyler gets as a character, it's +undeniable that her role in the show is absolutely crucial, she is +the yin to Walt's yang, she's the constant reminder that what he's +doing is, at the most fundamental level, wrong. And just as it starts +to seem she may be leaning towards agreeing with his actions in the +confession to Marie, that gets blown away by the line "I learned from +the best". + +Meanwhile, Jesse gets greedy and starts to show some of his +characteristics from the first season. +Even with all that's happened, he is still just the same +old Jesse - "I'm a criminal, yo". He's been given the perfect job +where all he has to do is cook, stay out of trouble and get paid +millions, but it's not enough. And despite Saul's advice to invest in +the nail salon, he declines and instead wants to get back into +business with Skinny Pete and Badger. He wants it all; he wants money, +and lots of it, but he also wants the carefree, low-level drug dealer +lifestyle even when he's given the opportunity to go beyond that. + +There are a couple of other outstanding scenes too, in particular +Jesse's box speech at the support group and the Gus and Walt's +conversation at the chicken farm. The latter is also very important in +that Walt extends his contract, entering even further into the meth +world and accepting that there's definitely no going back to his old +life at this point. + +Note how in the Pollos commercial we see the first ever mention of +Madrigal Electromotive. For us that we have seen BCS, we have more +context and this serves as a more catchy detail. + +Skylar's gambling story albeit impressive and well presented now +directly implicates her with Walt if the Car Wash laundering wasn't +enough. There is a moment when Skylar is telling the story to Marie +when Walt looks over in admiration, or should I say Heisenberg is +attracted to the depths of her lying.It is mentioned in the pilot and +another season 1 episode that Skylar tried at one time pursuing a +career in creative writing, so her spinning this web of well prepared +lies was not shocking to me, but more indicative of her throwing her +lot in further with Walt. + +But the highlight without question of this episode is Jesse's box +speech monologue to his AAA-like group. Along with his speech to them in +Problem Dog, they are two of Jesse's best, revealing monologues of the +whole series. It was an anecdote that told us what we already +knew: Jesse is capable and can make it straight if he wanted to. + + +** S03E10 +Fly is entirely about Walt and Jesse. There is slapstick and stupid +crap, hitting each other with the fly swat "Is that your fly saber?" +Some really idiotic lines - "Ebola! It's this disease I saw on the +discovery channel where all your intestines just sorta slip out of +your butt". + +The scene with the ladder: +"It's not your fault, it's no one fault. Not even hers." Jesse +forgiving Walt without knowing the extent of his involvement in Jane's +death, extremely sad. Walt tries to tell him about Jane - "Just hold +onto it!" interrupts Jesse, meaning the ladder, but it might as well +be about the secret that Walt was trying to tell him. (Walt's failure +to hold on to 'it' could kill Jesse. Remember the ladder and this +scene because it is symbolic. + +The lab represents Walt's mind: his personal hell, full of guilty +contaminant. He tells Jesse his perfect moment to die was the night +that Jane died and that he should have never gone to Jesse's house: +we know he means the second time. + +It feels a lot like "Waiting for Godot" which could be +intentional and was probably an inspiration for the style and the way +that they talk and reminisce. Nothing much actually happens - two +characters wait around for Godot who may or may not exist while they +talk about absurd and serious stuff. The fly that Walt pursues may or +may not even exist. Fly could be a stage play with it's (mostly) one +setting. There is no night or day in the underground lab, and barely +any background music is used which makes it feel even more strange and +isolated. + +At first we may think that the fly is the same as +the aunt's opossum: an imaginary being that symbolizes pain and +guilts. When Jesse sees the fly too we may think we were misdirected +but we then get a confirmation towards the ending: Walter sees the fly +on the red blip of the smoking alarm. This means that there is a +symbolic view of the fly; the killing of the first fly is important +because it means that Jesse have absolved Walt by killing it, +he actually even says: "It's like you said two junkies with a +duffel bag of money - we would have been dead in a week". + +It's like Lady Macbeth "Out Damn Spot": she scrubs endlessly at her +hands because she imagines them covered in blood - it doesn't matter +whether there really blood there or not, she can never rid herself of +the guilt, she's contaminated. + +Fly plays an integral part in forwarding the strong motif of insects +throughout the series. + +As demonstrated by the "It's all contaminated" sentence, Walt's +definitely regretting the effect of the drug trade on his and his +family's life, and even on that of Jesse's. It's a really intimate +episode of Walt confronting his demons and nearly telling Jesse +everything, and while the beginning is just a little repetitive before +Jesse comes back inside, it was actually kind of necessary before +things fell to absolute pieces later on and Walt's ego began to carry +him forward from that point on. Vince Gilligan definitely acknowledges +that Walt is lying to himself about his reasons for entering the meth +trade in the first place, though in his moments of clarity Walt +definitely regrets what he's done. But even in that state of mind Walt +still thinks Skyler is being unreasonable and just wants to say the +"right combination of words" to get her back. + +Some minor things: +- in all their attempts to destroy the fly the two either hurt + themselves or each other. +- Jesse's choice of tools to kill the fly are messy toxic sprays that + will make the problem worse. Walt's are clean and precise. +- Walt literally turns the pressure up in the lab. Hurts Jesse at + first. +- as Walt falls asleep at the foot of the ladder his near-confession + to watching Jane die seemed more like Walt making peace with himself + before he closed his eyes for the last time. +- Jesse kills the fly (with Walt's tool, but in his own dangerous way) + only after Walt has fallen asleep. +- Walt's empty shoes in the shadows is what concludes the episode. + Jesse continues to cook in the light. Jesse closes the door on the + now uncontaminated lab. + +Fly or not, one thing about this episode that stands out is the ending +of it. The entire episode shows Walt and Jesse becoming deeper with +each other, having conversations like a father and son might. They +seem connected throughout the episode and then in the last 5 minutes, +Walter and Jesse return to their angsty relationship. Walt accuses him +of stealing meth from the lab, saying that he won't be able to vouch +for him, and they somewhat bicker with each other. It's as if the last +hours meant nothing. +** S03E11 +Abiquiu may not be the most incredible episode but it sits as a +quality plateau to the rapidly rising crest of dramatic exposition +that is Half Measures and Full Measure. This episode instills a return +to form, a course-correct on individual motivations, for some a +clearer view, and others a demented path towards egoist +self-destruction. +** S03E11 +Hank's Handjob Bet was one of the funniest moments of the series. +That, coupled with the last scene is testament to this show's range in +both tone and acting. + +There's absolutely a "father-son" element to it. They really cement +that earlier in the series in the scene in which Walt and Jane's dad +are having a drink together (shortly before Jane's death) and +discussing the difficulties of raising a child. + +The irony of that situation was that Jane's dad viewed Jesse (Walts de +facto son) as a cancer to his daughter that needed to be removed (i.e. +with a baseball bat). Walter felt the same way about Jane, and hence +kinda killed her. + +But yeah, I also think about Gus' speech to Walt about "men do[ing] +what is necessary to pro[tect] their famil[ies]." It ends up being a +double edged sword: Walt cooks for him but later betrays him to save +his sorta-son, Jesse. + +Just to go further on how the whole script is alluding at Walt being +all submissive during the whole episode, loosing his Heisenberg vibe +until having it back for the last scene: + +When Jesse stands up his ground to Gus about kids being used, the +script mentions that "Even Gus is surprised by Jesse's quiet bravery". +So, in contrast Walt is just passive and obedient to Gus, sitting +right next to him as his "company man" (as described by Vince +Giligan), while admitting how Jesse is the one in the right about kids +being used, and admitging having "ratted" Jesse's intents to Gus (even +if it is to protect him). The script even states it as "Walt's +cowardest moment" and later states that "in Jesse's eyes, and in his +own, he's lost his balls" + +But even before, the scene in the begining when he finally stop +struggling to make Junior drive the "right" way, the script mentions +#+begin_quote + "Has the fight left Walt altogether? Is "Heisenberg" dead and + buried? Off Walt, okay with being driven and not driving..." +#+end_quote +Or later when he discusses the option of having Jesse in jail the +script states +#+begin_quote + "It's certainly not the most brilliant of Walter White plans (it's + been awhile since we saw one of those)" +#+end_quote +Fact is, Walt has been seen powerless since a while (just two episodes +ago, he's freaking out about a single fly in the lab). + +Then there's the scene in which Mike just invites himself in his home, +informing that his real boss is Gus and forbidding him to go that way. +Still emphasizing how Gus has full power on everyone and everything + +Also about Mike tirade, which is of course about killing Jesse to +prevent him from killing the dealers, it obviously took another +meaning in Walt's mind ("words can be open to interpretation"). For +Walt, Jesse is the one to protect from the 2 thiefs, not the other way +around. In part because since Jane death he feels risponsability for +the state of mind Jesse is in, as clearly her death had a major impact +on how Jesse behaved in Season 3, compared to earlier seasons. + +I advice you to watch the "Inside Breaking bad" for the "half measure +epidode" in which the casting comments the episode. + +- Here is Bryan Cranston's insight: +#+begin_quote + "For Walt if something happens to Jesse it'd be like stabbing a + puppy with a pitchfork, this innocent little puppy is misguided + and needs help, and Walt feels guilty that he drew him into a + deeper level in the drug dealing business, so there is sime + risponsability that he feels for him and that natural affinity + that happens" +#+end_quote +- Here is Vince Giligan insight : +#+begin_quote + "Walt and Jesse have this strange relationship they kind of hate + each other but they kind of love each other too and when push come + to shove they protect one another." +#+end_quote +At the risk of sounding like an English literature teacher, I think Walters +instinct to protect Jesse was, at least in part, to protect Walts own +fleeting sense of morality. As he transitioned further into +Heisenberg, Walt showed more distain to, but ultimate inability to +destroy Jesse - I think partially because he realized that if he did, +he would destroy the last tiny part of himself that held some morality +left. +** S04E01 +This is when you know that Gus is not the flip side of the coin of the +drug business: he is the same as Tuco, killing irrationally his +associate. + +With everything that happened in the episode, the breakfast in the +restaurant, the goofy t-shirts, the clean up and disposing of a body, +it was almost like an homage to Pulp Fiction. +** S04E02 +Examples of toxic masculinity. +** E0405 +In BrBa Mike loses it's humanity, he's more insensitive and cynical. +BCS gives us more context and makes us understand what Mike is trying +to protect. We have a more coherent vision thanks to BCS. +** S04E09 +In this episode Skyler is portrayed as becoming more similar to Gus, +taking a more active role in the family's business, going to the frontline. + +She grew to be the dominant partner in the family because Walt is +beaten into passivity by the world. Unfortunately, tradition dictates +that the man is the dominant partner, regardless of how much of a fuck +up he is. This is why Skyler is regarded as a bitch. She's stepped in +to be a strong leader where Walt has failed. + +Although Walt may be a technical genius, his intelligence is limited to +his technical field. His assumption of general superiority because of +his technical skill combined with his emotional retardedness is the +reason for his trail of fuck ups. Skyler has no alternative but to +step in to lead: for usurping the man, she is called a bitch. +** S04E10 +Gus backstory is that probably he was involved with the Pinochet +government, that's why he wasn't killed by Don Eladio: " +This is because: +- During the interrogation this subjects pops up and there are some + hints about the Pinochet government +- Hector/Don Salamanca referred to Gus as a "gran generalissimo" in + the flashback of One Minute: "Gran hombre. Gran generalissimo. Gran + cocinero es mas parecido. El hombre gallina." +- In BCS S05E07 In this episode the CEO of Madrigal appears to be on + higher or equal ground to Gus when it comes to authority. Gus + reminds Peter of something he did back on Santiago (the capitol of + Chile). They had their backs to the wall and somehow Peter got them + out of whatever mess they were in. My guess is that Peter is the son + of the Nazi who escaped to Chile. He owned a successful business and + worked closely with Pinochet's regime. Gus was Pinochet's soldier. + That's how they've met. After Pinochet's reign was over Peter lost + his business and left Chile with Gus, barely making it alive. Now he + is helping Gus to build a drug empire so they can sponsor another + military coupe in Chile and get back to power, avenging their losses + and punishing commies. Gus is hell bent on revenge. + + +The timing may not make sense given that Pinochet was still in charge +until the 98, but for sure Pinochet sold billions worth of columbian +cocaine so Gus might just have been a big shot drug dealer with +connections to the dictatorship. Of course this is only a theory. In +the end Gus persona is enigmatic and has an aura of mistery around +him. + +Jesse shooting sequence was shot with the exact same +choppiness as when he was playing video games + +Those were charcoal capsules. Charcoal absorbs poisons in a person's +stomach. + +Also, seeing a Zafiro Anejo here is way more electrifying after BCS. + +Finally, after talking with Jane's father, we have a confirmation that +Walter sees Jesse as a part of the family. In addition, consider the +following: in the first season of the show, there is a flashback scene +where Walt and Skyler are shopping for a house just before the birth +of their son, Jr. During the scene, Walt mentions that they will +eventually have three children. This prophecy turns out to be +accurate, as the couple goes on to have three children in total - Jr, +Holly and Jesse. + +Note: FROM HERE, IT'S A DESCENT INTO HELL. +** S04E11 +The slipping on the carpet at the beginning of the episode foreshadows +the head injury that Ben suffers later. The injury itself is the +dramatic part of the scene, but the earlier slipping on the carpet +serves as a subtle hint to the audience that the injury will play a +significant role in the story. This is an example of a classic +"Chekhov's Gun" principle, where an object or event introduced in the +first act of a story must have significance later on. + +Walter stashed 1.5 million. 700,000 on the car wash, 600,000 to +Beneke, leaves about 200,000 that were spent on medical bills for Hank +and the rest. + +In the show, Walter develops a persistent cough that is initially +thought to be a minor health issue. However, as the series progresses, +the cough becomes a recurring symbol of Walter's declining health and +impending death. The return of the cough indicates that Walter is +getting closer to the end of his life and serves as a dramatic +reminder of his mortality. +** S04E12 +This is where the show starts to become worse. + +Regarding Gustavo sixth sense: +- Jesse tipped him off: him hearing about the strange poisoning + of Brock is what makes him question if Walter has a role in that +- he also made the silly mistake of leaving the car unattended so he + doesn't want to risk it +** S05E02 +Peter Schuler appears to be the boss of the food or restaurant +division of Madrigal Electromotive. He oversees many restaurant +businesses, one of which is Los Pollos Hermanos. + +Back in BrBa, he killed himself at the beginning of the episode called +"Fifty-One" (S05A-E04, or S05E04). He killed himself by putting an +electrode from a defibrillator and shocking his own brain, killing +himself. We never really found out how much he knew back on BrBa, but it +must've been enough for him to decide that the best course of action +was suicide instead of being arrested by the police. + +In this episode, it's shown that not only did he know about what Gus +was up to, but he appears to be on higher or equal ground to Gus when +it comes to authority, although Peter's resolve seems to be waning. +Gus reminds Peter of something he did back on Santiago (the capital of +Chile, in South America). They had their backs to the wall and somehow +Peter got them out of whatever mess they were in. + +For some background, Pinochet became the de facto leader of Chile back +on the 1970's (1973 specifically) thanks to the US's involvement and +backing of Pinochet's political party and they overthrew the +democratically elected government. Pinochet ruled the country up to +1990 when he stepped down after a referendum denied him another 8-year +term following his already long 17-year long reign in power. Pinochet +was believed to have killed more than 3,000 dissenter's and political +opponents and this was also helped by the US' intelligence agency, the +CIA. Operation Condor was believed to have killed more than 60K people +all throughout South America to help countries like Chile, Argentina, +and a few others of their neighbor's rulers to hold on to power by +denying political opponents any way to take away their power. So with +that, I'm fairly certain that following Pinochet's rule of Chile +coming to an end, the soldiers that were involved in all of these +killings had to make themselves scarce and had to flee the country +before being arrested or executed for their crimes by the new +president and his new government, or by Interpol since Pinochet ended +up being arrested by an international arrest warrant. Pinochet never +saw the inside of a jail cell (reminds me of Walt) because he fought +all of his charges in court but ended up dying of old age (he was 91). + +So, what the hell does this mean? It means that Gus and Peter were +probably a part of the killing squads or "Caravan of Death," that did +all of Pinochet's dirty work. Gus changed his name, and that's why all +records of him from back in Chile are now destroyed (remember Hank +asking Gus if that was his real name back when Hank suspected Gus?). + +As a quick aside, back in World War 2, after the Nazi party was +defeated, many of their members fled to places like Argentina and +Chile and many other countries in South America. I'm not saying Peter +is a Nazi... but maybe his father was since he is a German from Chile. +** S05E03 +Finally Vamonos Pest. Some of those guy we recognize from BCS. + +When Andrea offers food and beer: it concludes the change of emotions +between Walt and Jesse, they feel that they both grew and recognize a +trusted partner. The only problem: Brock in the room. + +In this episode Walt feels like he won over everything: +- Fring +- getting back into meth +- even Ted Benneke + +The moneysplitting after Tony Montana is just great. + +Jesse's trying to get his two father figures to get along. This is so sad. + +End of the episode: Jesse just realized Walt is a psycho The end where +Walt is talking about Victor flying too close to the sun and getting +his throat sliced. My friend asked "Is that a threat? To Mike?" I was +like "Nope, he threatened Jesse because Jesse spoke up when Walt and +Mike were disagreeing about payment. There was an immensely tense +moment, broken by a 'no that's okay Jesse'. + +The Scarface scene is not foreshadowing but it's all for Skylar's fear. +It is a red herring if you're expecting that obvious of a connection +to the actual plot, but right now Skylar is so terrified of a scene +like Scarface's finale [and the accompanying comment] becoming +Walt's/their fate. + +For as much as people shit on Season 5A there is so many incredible +themes, motifs and foreshadowing. A prime example comes from Hazard +Pay. I've always seen the BB narrative as an allegory on the +Rockwellian nuclear unit and the dynamics of the patriarchal evolution +of the modern American male. So the fact that they chose Vamanos Pest +as the new cooking process speaks thematic volumes. In 310 Fly Walt's +subconscious obsession culminating with "It's all contaminated," draws +a direct mirror to the pest bombing cook system of 5A. Meth production +has literally invaded suburbia, where the foundation infested with +non-existent "rot" that Walt frets over in Over could very well be +doing the exact same thing to the foundations of the contemporary US +households that they now cook in. + +The evolution of the patriarchal figure, specifically in relation to +Jesse, is a major theme in Breaking Bad. In season 4, Jesse is caught +in a battle for fatherly respect between Walt and Mike. Despite Walt's +attempts to manipulate Jesse and win his loyalty, Jesse feels closer +to Mike, who begins to fill the role of a father figure for him. +However, Walt still has a hold over Jesse's loyalty, as evidenced by +his (not obvious) manipulation of Jesse to end his relationship with +Andrea. This highlights Walt's distorted sense of self-preservation +and his transformation into the Heisenberg persona. + +Critics have argued that the transformation from Mr. Chips to Scarface +happened too quickly and noticeably in season 5A. However, the seed +for Heisenberg's transformation was planted earlier, when Walt went +from working at Gray Matter to the Los Alamos Lab where the Manhattan +Project was being developed during World War II. This mirrors the race +between the United States and Germany to develop weapons intelligence, +led by physicist Werner Heisenberg. Heisenberg's ego and distorted +pride drive the actions of the character in Breaking Bad. + +#+begin_quote +That is Heisenberg's warped context. The grotesque reality of Walt's +evolution into this ticking time bomb. "Maybe (Victor) flew too close +to the sun...got his throat cut." Only the distorted and hideous pride +and ego of Heisenberg could interpret the events that way. It played +as an aimless yet ominous threat towards Jesse, Mike, and really +anyone who dared to encroach on Heisenberg's territory. From the mind +of a brilliant, caricatured kingpin. +#+end_quote + +More on real events: +#+begin_quote +During the war, Werner Heisenberg toiled away in an underground lab +working for Hitler - this was pitted against the work of the +scientific head of the Manhattan project, Robert Oppenheimer, who was +racing to beat him to the holy grail. The Manhattan project boiled +down to: + + Robert Oppenheimer (for the good guys) vs Werner Heisenberg (the + baddies) + +In his private life, Oppenheimer was fascinated with rocks and +minerals, and was famous for fastidiously collecting them. Remember +Hank? This was the real reason VG introduced Hank's obsession with +them, as he was to mirror this fight against Heisenberg +#+end_quote +** S05E04 +"there doesn't seem to be anything here" - So sad. + +This episode was not as strong as Rian Johnson's previous directorial +effort with 'Fly', nor as masterful as 'Ozymandias', but the latter is +heavily due to the content he had to work with. This was an +interesting episode that seemed to squat itself inside of Skyler's +head, but the wade into the pool was a beautiful shot, Skyler +enveloped in 'blue' like a visual definition of her melancholy. The +highlight of the episode was definitely the incredibly tense scene +between Walter and Skyler as he stalks her around the bedroom, tearing +apart her every threat or plan. The scene is shot so tightly it +becomes claustrophobic, and I loved that as terrified and as helpless +as Skyler felt, she still challenged Walter every step of the way: "I +thought you were the danger" and that chilling line as she tells +Walter that she's "waiting for the cancer to come back". + +Walking into the pool was an incredible move by Skylar. That massively +cathartic argument between Skylar and Walt was like watching a fast +paced chess game: love and sympathy went right out the window as Walt +began treating Skylar like his opponent. The scene ends with a +resounding strike from Skylar that reiterates the object motif of +S05A, marking numbers to their extreme. "Bide my time, and wait...until +the cancer comes back." + +After Walt shows Skylar Jesse's birthday watch (another father-son +moment, he's the only family left) and tells her how she'll change her mind, Heisenberg retires +to bed alone. He sets his ticking watch on his personalized copy of +"Leaves of Grass" on his nightstand. Remember this scenes. + +** S05E08 +The fly came back +* TODO BRBA rewrite +S03e10